Trembling With Fear 11-03-24

Greetings, children of the dark. The clocks have fallen back an hour here in the UK, which means it really is very, very dark as I sit here preparing this week’s edition on All Hallow’s Eve. I’ve been somewhat hiding from the neighbourhood children’s trick-or-treating (mainly because we have no candy in the house!) and listening to the constant BANG of fireworks. Over on this side of the pond, it’s not only the spooky season; we also have Guy Fawke’s Day coming up in a couple of days (remember, remember the 5th of November!) and it’s also Diwali, the Hindu festival of lights, as we speak. Lots and lots of fireworks.

So it’s with that as my soundtrack, and a bunch of exhaustion lingering in the air around my much-used desk, that I bring you this week’s TWF dark menu. Our main course is from Derek Moreland, who delivers a twisted “unholy baptism” that’ll stay with you long after you close down the window. That’s followed by the short, sharp (and somewhat weird, this week!) speculations of:

  • JT Trigonis’s ghostly gaming,
  • Sean MacKendrick’s familial duties, and

Until next week, stay safe out there. Especially you, America. Do the right thing on Tuesday, yeah?

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“A Horror Short Story Collection by Josh Schlossberg

A hiker stumbles on a gruesome species undiscovered by science… An injury triggers an appalling new ability… A domestic pet holds a household in thrall… A human monster finally meets his match… Crimes against nature birth an abomination…

These and fifteen more tales make up WHERE THE SHADOWS ARE SHOWN, a short story collection by Josh Schlossberg (author of CHARWOOD and MALINAE), who guides you on a trek through the shadowy realms of biological and folk horror, supernatural and weird fiction.

So, lace up your boots, fill your water bottle, and put fresh batteries in the flashlight, because there’s not a chance in hell you’re getting back before dark.”

Support our sponsor and pick up Where The Shadows Are Shown today on Amazon!

 

Be sure to order a copy today!

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Hi all!

Honestly, super hectic week so we didn’t get much in the way of site stuff worked on trying to make sure that the Halloween special was wrapped up in time.

Also, just a reminder that we’re starting to do more social posting for both BlueSky and Threads. So, if you’re over there and don’t follow us, now is the time! 😉

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • The paperback is now live! Please be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!
 
 
Stuart Conover

Editor, Horror Tree

Derek Moreland

Derek Moreland is a bisexual writer living in Texas. (Help!) The first three books in their children’s series, Shmonster the Monster, were released through Tabletop Publishing, and they also have short fiction published in the literary journals Bone and Ink Press, Cease, Cows, and A Fifth of Boo! Horror anthology, as well as essays published in The Ascendance of Harley Quinn, from MacFarlane Press, and on the website Shelfdust.com.

The Patchwork Man, by Derek Moreland

I wake.

Though every sinew is agony, I wake. Though the chambers of my heart pound with molten iron, I wake. Though the world around me heaves as my eyes swim in trenched sockets, though my bowels twist and strangle themselves within my belly, though my hands and feet are weighted with an anvil’s forge…

I wake. From my unholy baptism, I wake.

I rise and, over the thundering crash of my own smelted blood, I hear a cackle. I turn to face it, the sound stinging, burning my senses, assaulting me. Burying me in its terrifying unfamiliarity. The sound is below me, beneath me. I cast my gaze down and find a specter, a pale shadow in a long white coat, capering and screeching and pointing at me. The hair on its wizened scalp is moldy and streaked with ash. Its clothes are stained, dusty and threadbare, its eyes shining mad. 

The wight waves and cavorts, gibbering madly, claiming it created me. That I am its whelp, born of no mother. Its immaculate conception, its proof of mortal godhood. I know not how I understand its mewling, slobbering tongue, so I reach out and take it, squeezing the meat of it between my fingers and watching as founts of rusty red ichor bubble between my digits. I notice now that my skin is sallow, bruised and pockmarked, stitched through with thick black cord and pulsing with angry heat.

The wight no longer gibbers. Now, it shrieks through laced fingers, a newborn banshee attempting to contain its mournful wail within its own hands. This noisome ghost offends me, its anguish a pale shadow of my own. I lift a limb once again and twist. There is a popping crunch, then silence as the specter’s body collapses. Its head is still in my hand.

I lift the decapitation and gaze into its eyes, watching as they dull and glass over. The tongueless jaw hangs slack now, the blood cascading freely over the lips and teeth. Is this who I am to be? Is this the purpose to which I was formed? A creature of immaculate pain, borne of pain, harbingering pain, delivering pain to those who cross my path?

My first act upon becoming was to cause torment, my second to cease that torment with murder. I matched my own agony with agony upon another. But his silence is not my release. I still burn with the misery of living.

No more. I will not live in anguish. I will not visit anguish upon another again.

With torturous effort, I lift my limb once more. The thick digits curl around my neck. I push past the swollen, rotted flesh and into my own throat, a symphony of fresh anguish lashing me. I pull, tearing the stitched meat, the larynx, the esophagus loose and free from my frame. Blood gouts, sizzling, syrupy, over my chest, my shoes, the corpse at my feet. I gag as the pain finally, laboriously, recedes.

I fall.

Ghost Code

It called to him from across the haunted expanse between boy and machine, the mysterious 66th level of a game that shouldn’t exist. 

A cheat code roused Jacob from sleep. He stalked 1980s-clad streets to the arcade. It was there––that which had not been there yesterday.

He slipped in through the window, crept toward the cabinet. He slotted a quarter, and using the joystick, Jacob toggled in the code he dreamt, then pressed “START.” 

Level 66 unfurled before him. He played to the kill screen. The code––a conduit through which something could escape from inside the gameworld. Into the boy.

J.T. Trigonis

J.T. Trigonis (he/him) is a broken haiku and knight errant of the written word. With the obligatory MFA in poetry from Brooklyn College, his work has appeared in over four dozen journals that have made appearances on the bottom shelf of the Barnes & Noble newsstand. (And online, too.)

Thicker Than Water

Nick paused at Pappy’s bedroom door, rubbing his neck. 

His dad nudged him forward. “Hurry up. Your grandfather is waiting.”

“I always do it,” Nick complained. “Why can’t it be Andrei this time?”

“Your brother is anemic. Do you know how often I had to do this at your age? Stop whining.”

A voice creaked from the darkened room: “Come in, Nicolas, come give Pappy his medicine!” 

Nick’s heart responded to the taunting, pleading tone by thudding faster. “I can hear it,” Pappy sighed. “Give it to me.”

Nick stepped into the room, towards the teeth glistening in the shadows.

Sean MacKendrick

Sean’s drabbles have appeared recently in outlets such as 100 Word Horror, Dark Moments, and Tiny Frights. Of course, his favorites have been those that appear in Trembling with Fear!

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