WiHM 12: Quick Six Questions With Christine Morgan

photo credit Erin Shaw
photo credit Erin Shaw
Hi Rachel, Thanks for being with us at Horror Tree in celebration of Women in Horror Month. As editor of Crone Girls Press, we are thrilled, and maybe a little chilled, to talk to you about the darker side of speculative fiction. – JD Blackrose
Can you tell us how your first horror anthology came about?
It’s because my sister is the slowest writer ever…
I had been editing some horror short stories for my sister, Thea, and had been encouraging her to submit some for publication. When it became clear that wasn’t going to happen, I decided to take matters into my own hands.
I’ve always loved horror, especially in short story form, both reading and writing it. It seemed almost a natural progression to go from wanting to read a story in an anthology, to taking the reins and making an anthology happen. I reached out to my writing community, found a number of writers to send me their work, and started putting it together. And once I started working on what became Stories We Tell After Midnight 1, it was too late. The horror antho bug had bit, the rash had spread, and Crone Girls Press was on its way.
What is it about anthologies that you like so much?
I’ve compared anthologies to mixtapes before, so I think I’ll stick with that analogy. I love short stories, first. The form is so versatile and impactful, with room to play for the writer, and I feel like that really shows in the best short stories. In an anthology, you get to spend time with a range of different settings and characters and emotions, like the very best kind of mixtape, and that is the sort of journey that I love reading.
Tell us a little about Midnight Bites.
Midnight Bites started because I was having trouble saying no to a bunch of the novellas that people had submitted for our 2020 publications. After considering a couple of different ways I could publish the novellas and novelettes as standalone projects, I decided that the best way would be to offer readers a selection of three authors and three stories–long enough to really sink their teeth into, but not requiring so much time as a novel would to get through it. We are about to publish our third of the series; each has a general theme to it, although in some it’s a little flimsier than others. For example, we started off with military/paramilitary horror, and that first volume includes a World War I story a mercenaries-in-Antarctica story, and a paranormal-hunting, shadowy-government-agency-in-San Antonio story. We’ve got another four volumes scheduled for 2021, and more planned for after that.
Where do you think women authors stand in horror today? Have they made strides into the mainstream?
From speaking with women who were writing and publishing in the genre even five, ten, fifteen years ago, and hearing some of the struggles they dealt with, I would say yes, women have definitely made strides within the genre, and mainstream. I don’t think that this standing is completely even; I don’t think I would compare my experience to that of women of color or trans women working or trying to work in the genre. But there are now multiple examples that we can point to of women killing it (metaphorically speaking) like Nia DaCosta directing Candyman, as well as venerable names within the genre who have always been there, such as Ellen Datlow’s incredible editorial work, and women writers who are telling me there is less of a: “Oh, you write vampires? Romance is right over there…” (Not that I don’t read my fair share of PNR!)
Do we still have a ways to go? Yes. Am I optimistic we’ll get there? Yes. And I intend to do what I can to make it happen.
What’s ahead for Crone Girls Press?
This February, we’ll release our third Midnight Bites, “Hard for Hope to Flourish,” a three-novella collection of literary horror. Also on the slate, we’ve got another four mini’s, as well as a full-length anthology, the third and final volume of Stories We Tell After Midnight, which we’ll start reading for this spring. We also have a pretty fun Facebook group (https://www.facebook.com/groups/cronegirls) to share new work from our authors, Halloween memes (who doesn’t need more of these?), and articles of interest to those writing in the darker side of genre fiction. And from there… who knows? Horror is a genre of possibilities.
Thanks again!
Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.
Got a book to launch, an event to promote or seeking extra work/support as a result of being hit economically by Covid? Get in touch and we’ll promote you here. The post is prepared each Thursday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.
This is a space which I hope will help bring extra work to those who’ve been hit economically by Covid. If you’ve lost your day job, had hours cut, are struggling and have services to offer, a new venture, a patreon page to promote etc, let us know and we’ll plug them here.
James Gauvreau is offering proofreading and editing services: $1.50 per 250 words for basic proofreading, and $5 per 250 words for developmental editing (proofreading, structural suggestions, and story feedback). Sample edits can be provided for long projects (3,000+ words). He can be reached at [email protected]
Reviewer Max Stark has created a gallery of his amazing photography https://www.pictorem.com/gallery/Max.Stark, where you can purchase his prints. If you have a space on your wall, you might find something here to fill it!
Elle Turpitt Editing provides a range of editing services – short stories, novella and novels across different genres. For rates and further details visit https://www.elleturpittediting.com/services.
Please send us details of any online panels, conventions, festivals and workshops and we’ll list them here.
Prizes and mayhem, from 9pm GMT with the Daughters themselves! Click the image to be taken to the event page on Facebook!
An Indiegogo campaign to raise funds to make this horror anthology film based on the book from Grindhouse Press can be found here.
You can also follow updates via their Facebook Worst Laid Plans Movie group page here.
Crystal Lake Publishing is running a kickstarter campaign for ‘NEW STORIES OF FAMOUS CREATURES by such horror legends as Jonathan Maberry, Ramsey Campbell & more than a dozen Bram Stoker winners’. For information, go here.
Happy reading.
Steph
on behalf of Stuart and the Horror Tree Team
Field Notes, what are they?
By: Florence B. Caghens
Writing field notes is a good habit to get into. All you need is a notebook and a pen. You can take it with you anywhere, and write in it anywhere.
When I take field notes, I make a quick note of the date, time, and location. Over time this has developed into a quick shorthand. E.G. 4/fe/18.am.b’t. Which translates to the morning of the 4th of February 2018 in Belfast.
This can help when you look back on them. To expand on the field note in question. It can take you back to the time when you first wrote that field note. Which can help jog your memory, which in turn helps to expand on the field note.
Field notes can literally be anything. Do not be put off by the name, they are just quick observational notes. Notice how the light shines through a window, and lights on something? Write that down. When you look back on it, what is the light? What is the source of the light?
(more…)
I often draw cards from one of my tarot decks for inspiration, and then assign and interpret them based on potential storylines and characters.
Photo from Canva.com
I’m sharing my February reading with you all. Perhaps you’ll find your own literary inspiration through my interpretations of the cards! [Feel free to build on any of these prompt ideas associated with the card(s) below.]
Photo from Canva.com
Character: Queen of Cups/Queen of Pentacles
Woman in her maturity, community/nation’s leader, possesses both academic and artistic/cultural knowledge and refinement as well as intuitive-based wisdom and insight in line with the nation’s spiritual belief system. Born into money inherited from one of the old trading families, she is philanthropic in nature by contrast. For this character, family is everything and the community/nation she leads is an extension of that family, which is under her protective wing and guidance. She has done much to revitalize the local economy and community after many years of cultural expropriation, tourism, and colonialism, and has established a history center to house cultural artifacts looted from the island, which are now being returned from museums and collections around the world. Many sacrifices made via this person’s dedication to her people and her family; giving, nurturing, caring are characteristics of this person.
Photo from Canva.com
Setting: Six of Swords
An island/maritime nation that has undergone a revolution and has recently liberated itself from the control of other nations. It is now at peace, and is undergoing the process of rebuilding not only society, but restoring the island to its former state after most of its natural resources have been stripped and the ecosystem contaminated with toxic chemicals. This sometime-in-the-future world is still in transition between the old consumerist world, and a fledging world based more on unity and balance and cooperation/respect for all lifeforms.
Photo from Canva.com
Conflict: Ten of Swords
Leader’s authority challenged by a party of “old money” traditionalists, discovery of a new, valuable mineral during the island’s restoration process, greed, war, coup, outside nations attempting to seize control of the island. (Some things never change.) Madness in island’s inhabitants caused by long-term exposure to contaminated environment and water. Still dependent on trade goods from other nations while the island is being restored. Sudden impact of climate change: devastation caused by hurricanes, flooding, tsunami. Loss of family members, community supporters to tragic events beyond main character’s control. Remaining community point fingers of blame. Superstitions reawakened, and real-life monsters can also be awakened as the island is restored/changed. Wrath, bloodshed, death, and destruction widespread. Fleeing the island; journey, relocation, exile for main character/characters caused by the conflict.
Photo from Canva.com
Theme/Development: The Lone (Wo)Man
Liberation of self. Awakening into power; spiritually, culturally, politically. Trusting one’s instincts. Making hard decisions. Staring into “the abyss”. At a crossroads with one’s own beliefs with the situation at hand. Loss. Pain. Forced to act out of self-preservation. Exploring said selfishness as a tool of growth and personal development, and as a means of building one’s personal strength. The character finding, and maintaining, one’s true self; one’s core of being. Guidance from the natural world (plants, animals, trees), or even monsters/supernatural beings over that of other people. Connecting to the primal source of all things, instead of superficial elements. Defining what is really essential for a new world. Once this new sort of power is obtained, it spawns growth into a darker being; a new sort of monster; a leader of monsters and the primal. Rebirth into something new and unexpected after a period of isolation, solitude and reflection.
Willow Croft’s bio and social media links:
“Bringer of Nightmares and Storms.” Horror writer Willow Croft is usually lurking deep in the shadows of her writer cave, surrounded by formerly feral (but still fierce!) cats for company. Visit her here: http://willowcroft.blog.
Author Blog: https://willowcroft.blog
Goodreads: https://www.goodreads.com/author/show/16978140.Willow_Croft
Amazon: https://www.amazon.com/Willow-Croft/e/B073MM241D
1. Welcome to The Horror Tree, and thank you for participating in Women In Horror Month. First, tell us a bit about yourself and your interest in horror.
My love of horror goes back to nights I’d sneak out of bed after my mom went to sleep and watch Creature Features with my stepdad. I graduated to daily walks up to the local video rental store the summer we got our first VCR, and by high school I was reading Stephen King and convincing my English teacher that it was perfectly acceptable for my essay-writing practice. About twelve years ago I started writing what would become my first paranormal romance/supernatural suspense novel and I was hooked. Since then I’ve been published in contemporary and paranormal romance and horror. I write inclusive stories featuring quirky—often creepy—and relatable characters full of hope, love, and rock ‘n’ roll. Even the contemporary romances flirt with horror. I love showing my macabre side whenever possible.
2. Why is Women In Horror Month important, and what do you say to someone who says ‘Oh, I don’t care if it’s by a man, a woman, etc., as long as it’s a good story’?”
Horror has long been considered to be too harsh for the gentle lady’s discerning taste. I call bullshit. While I agree that anyone can write a good story, the inner machinations of the female mind can be utterly terrifying, and our stories are deserving of respect. I love a good spin on a classic fright or a brand-new creation, and there’s nothing more satisfying than seeing women triumph over evil. There’s just something empowering about channeling our frustrations into ghoulish and ghastly adventures where we’re in control of our own destiny.
3. Who are some Women In Horror (or other women) who have influenced your work, and why?
I was lucky to find a local tribe of women through HorrorAddicts.net that love the dark side as much as I do. We’ve participated in a few readings at the San Mateo Public Library where I’ve heard Emerian Rich, Sumiko Saulson, E.M. Markoff, and Mercy Hollow read deliciously sinister stories that had me on the edge of my seat. Beyond that, I’m grateful to Mary Shelley for creating my favorite creature, Frankenstein’s Monster, and to Anne Rice for combining history, drama, and lore with love and horror in her Vampire Chronicles and The Mayfair Witches stories.
4. 2020 will probably be remembered as a TERRIBLE year for many of us; tell me something GOOD that happened in the past 12 months.
I had such big plans for 2020! I was going to do three horror conventions in Northern California with my gal pals, but alas, it wasn’t meant to be. But I found solace in horror this past year like I haven’t in a long time. I subscribed to Shudder and attended the online version of the Salem Horror Fest. I watched a ton of great horror films like Host, Spiral, and The Mortuary Collection, which were fresh, diverse, and unexpected treats during a really dark time! I also wrote an homage to my horror hero, Edgar Allan Poe, called “The House Must Fall,” which will be featured in this spring’s gothic horror collection, Haunts and Hellions, from HorrorAddicts.net Press. I also had a flash fiction story called “Human Sacrifice” be chosen for publication in Queer Sci Fi’s Annual Flash Fiction Collection titled Innovation. Writing these stories stretched me as an author and I can’t wait to write more!
5. What have you got planned for Women in Horror Month, and the coming months of 2021?
When I’m not writing fiction, I write music reviews and recommendations for HorrorAddicts.net, and for Women in Horror month, I wrote a piece called Women in Metal. It features musicians and artists in today’s metal world who infuse their love of horror into their lyrics and the imagery in their videos. I’ve been a metal fan for as long as I’ve loved horror, and for me they are forever intertwined. It’s a marriage of the best kind, combining sound and vision into the sweetest creation imaginable complete with blood, lust, and darkness. What more could you want out of life?
6. Is there anything else you’d like to tell our readers? Thanks for participating in Women in Horror Month!
I love connecting with fellow lovers of horror and sharing recommendations and I’d love to extend an invitation to visit my brand of Rock ‘n’ Romance for your reading pleasure. Besides the gothic horror anthology this Spring I’ll also be releasing the next installment of my supernatural suspense series in late summer and I’ll be releasing the next wacky paranormal romance as part of Robyn Peterman’s Magic and Mayhem Universe in October in time for Halloween. You can subscribe to my website at www.rlmerrillauthor.com for blog posts and monthly newsletter or follow me on the socials @rlmerrillauthor. Thanks for spreading the horror love and inviting me to play!
Part 1: The Banquet Chef
Adoncia moved past buyer’s remorse into abject fear. She realized its first appearance when she poured Julio his coffee while he scrolled through his directory—no doubt checking the names of women he was already contacting. He wasn’t even careful to hide it now.
She sat down to eat a hurried meal before heading off to her next job. She was glad to be getting away for the day. Home was not the same anymore. She wanted to pull her hair out thinking of it, what a fool she’d been. Lupe Gonzalez and her big mouth. If that nasty gossip hadn’t gotten back to her, she might never have gone on that dating site in the first place and met Julio Ortega.
The smooth-talking charmer who wooed her was gone; in his place was a lazy, morose, and now two-timing lump who had moved in after a whirlwind romance of only two months. Too late, she realized how calculating everything he said and did was. Before she realized it, she’d become his housekeeper, a slave in her own home—not only taking care of him but his no-good son and daughter from a previous marriage. The boy was good-looking like his father, and like his father, a useless slug who did drugs and sat around the house playing violent videogames all day. The daughter, Cinda Lynne, was seventeen years old and constantly in trouble at school. At least the boy tried to be pleasant once in a while. Cinda didn’t bother to hide her contempt for her father’s “fence-hopping Mexican.”
She had only herself to blame, not Lupe. The sarcasm behind Lupe’s gossip she was getting old and unattractive to men stung. “You—what now, Adoncia—goin’ on thirty?”
Payment: $10
Theme: Hard-hitting in a tasteful way, preferably with a supernatural angle.
DarkNowhere.com is a horror genre news site launching mid-February (mind our dust!). We are currently seeking authors to fill two aspects of the site: Horror related news, blogs, reviews, and editorials (Think Bloody Disgusting and Dread Central), and Horror fiction.
Horror related news pieces are currently byline only. Our publisher has deep experience within the world of entertainment journalism and we expect these positions to lead to interview opportunities, advanced screeners, and various media access in the short term.
What we are most excited to bring to this space is semi-weekly fiction. We are paying $10 per story for publication rights on the site as well as production on our planned bi-weekly podcast.
We are looking for horror that is hard hitting in a tasteful way. Preference is given to pieces with a supernatural angle, but we can appreciate a good psychological scare too. Gore is okay as long as it isn’t the focus of your story. No explicit sex, rape, or anything adult content in nature.
Fiction submissions can be sent in any format.
Ideal length is 1,000 – 10,000 Words.
Reprints and simultaneous submissions are not accepted
The magazine is looking for 3-Months exclusivity and the ability to leave the story online after that as well as include it in their podcast, after the 3 months of online exclusivity, rights return to the author.
For more information or to submit, email us at [email protected].