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WiHM 12: Quick Six Questions With Christine Morgan

photo credit Erin Shaw

Welcome to The Horror Tree, and thank you for participating in Women In Horror Month. First, tell us a bit about yourself and your interest in horror. 

CM: Oh, lifelong horror fan here, starting with watching the old Universal and Hammer flicks on TV during Saturday night creature features … started reading Stephen King at age 10, always been my favorite genre. When I got started as a writer, because I also played Dungeons and Dragons, I tried to go with fantasy at first. But, even then, things sometimes tended to get dark. I’d go to the conventions and really feel like the odd duck out because everyone would be talking about books and authors I may have heard of but hadn’t much read. Moving over to horror was a rightness and a relief in so many ways … I was happier writing it, I felt much more at home among my fellow readers and writers and fans … it’s where I belong.
Why is Women In Horror Month important, and what do you say to someone who says ‘Oh, I don’t care if it’s by a man, a woman, etc., as long as it’s a good story’?” 

CM: Y’know, it’s funny how most of the time I see someone posting or saying that, it’s a straight white guy and nearly all the entertainment he consumes is exactly what caters to straight white guys. That’s their normal. It’s the majority of what they see. They’re comfortable with it, and that’s how they DEFINE what’s a good story. Something that doesn’t cater to them, that doesn’t make them feel comfortable, they’re much more likely to therefore dismiss as NOT a good story, no matter how it’s written. So, basically, I think it’s a weaksauce excuse along the lines of saying “I don’t see race!” because they don’t want to confront the possibility of having to maybe look at their own biases. I do have mixed feelings about Women in Horror Month, because on the one hand we’ve been here all along, but on the other, it still seems like we need to keep bringing attention to it.

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WiHM 12: An Interview With Rachel A. Brune Of Crone Girls Press

Hi Rachel, Thanks for being with us at Horror Tree in celebration of Women in Horror Month. As editor of Crone Girls Press, we are thrilled, and maybe a little chilled, to talk to you about the darker side of speculative fiction. – JD Blackrose

Can you tell us how your first horror anthology came about?

It’s because my sister is the slowest writer ever…

I had been editing some horror short stories for my sister, Thea, and had been encouraging her to submit some for publication. When it became clear that wasn’t going to happen, I decided to take matters into my own hands.

I’ve always loved horror, especially in short story form, both reading and writing it. It seemed almost a natural progression to go from wanting to read a story in an anthology, to taking the reins and making an anthology happen. I reached out to my writing community, found a number of writers to send me their work, and started putting it together. And once I started working on what became Stories We Tell After Midnight 1, it was too late. The horror antho bug had bit, the rash had spread, and Crone Girls Press was on its way.

 

What is it about anthologies that you like so much?

I’ve compared anthologies to mixtapes before, so I think I’ll stick with that analogy. I love short stories, first. The form is so versatile and impactful, with room to play for the writer, and I feel like that really shows in the best short stories. In an anthology, you get to spend time with a range of different settings and characters and emotions, like the very best kind of mixtape, and that is the sort of journey that I love reading.

 

Tell us a little about Midnight Bites.

Midnight Bites started because I was having trouble saying no to a bunch of the novellas that people had submitted for our 2020 publications. After considering a couple of different ways I could publish the novellas and novelettes as standalone projects, I decided that the best way would be to offer readers a selection of three authors and three stories–long enough to really sink their teeth into, but not requiring so much time as a novel would to get through it. We are about to publish our third of the series; each has a general theme to it, although in some it’s a little flimsier than others. For example, we started off with military/paramilitary horror, and that first volume includes a World War I story a mercenaries-in-Antarctica story, and a paranormal-hunting, shadowy-government-agency-in-San Antonio story. We’ve got another four volumes scheduled for 2021, and more planned for after that.

 

Where do you think women authors stand in horror today? Have they made strides into the mainstream?

From speaking with women who were writing and publishing in the genre even five, ten, fifteen years ago, and hearing some of the struggles they dealt with, I would say yes, women have definitely made strides within the genre, and mainstream. I don’t think that this standing is completely even; I don’t think I would compare my experience to that of women of color or trans women working or trying to work in the genre. But there are now multiple examples that we can point to of women killing it (metaphorically speaking) like Nia DaCosta directing Candyman, as well as venerable names within the genre who have always been there, such as Ellen Datlow’s incredible editorial work, and women writers who are telling me there is less of a: “Oh, you write vampires? Romance is right over there…” (Not that I don’t read my fair share of PNR!)

Do we still have a ways to go? Yes. Am I optimistic we’ll get there? Yes. And I intend to do what I can to make it happen.

 

What’s ahead for Crone Girls Press?

This February, we’ll release our third Midnight Bites, “Hard for Hope to Flourish,” a three-novella collection of literary horror. Also on the slate, we’ve got another four mini’s, as well as a full-length anthology, the third and final volume of Stories We Tell After Midnight, which we’ll start reading for this spring. We also have a pretty fun Facebook group (https://www.facebook.com/groups/cronegirls) to share new work from our authors, Halloween memes (who doesn’t need more of these?), and articles of interest to those writing in the darker side of genre fiction. And from there… who knows? Horror is a genre of possibilities.

 

Thanks again!

Indie Bookshelf Releases 02/12/21

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

Got a book to launch, an event to promote or seeking extra work/support as a result of being hit economically by Covid? Get in touch and we’ll promote you here. The post is prepared each Thursday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Support Your Indie Authors and Reviewers

This is a space which I hope will help bring extra work to those who’ve been hit economically by Covid. If you’ve lost your day job, had hours cut, are struggling and have services to offer, a new venture, a patreon page to promote etc, let us know and we’ll plug them here.

James Gauvreau is offering proofreading and editing services: $1.50 per 250 words for basic proofreading, and $5 per 250 words for developmental editing (proofreading, structural suggestions, and story feedback). Sample edits can be provided for long projects (3,000+ words). He can be reached at [email protected].

Reviewer Max Stark has created a gallery of his amazing photography https://www.pictorem.com/gallery/Max.Stark, where you can purchase his prints. If you have a space on your wall, you might find something here to fill it!

Elle Turpitt Editing provides a range of editing services – short stories, novella and novels across different genres. For rates and further details visit https://www.elleturpittediting.com/services.

Events

Please send us details of any online panels, conventions, festivals and workshops and we’ll list them here.

 

 

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Book Launch Party (ok – I snuck this in!) – Saturday, 13th Feb 9.00pm GMT

Prizes and mayhem, from 9pm GMT with the Daughters themselves! Click the image to be taken to the event page on Facebook!

 

Charity Anthologies

 

7th Nov 5th Dec   31st Jan Flashes of Hope by [Anna Taborska, Dave Jeffery, Amy Grech, Matthew Davis, John Cady, Emma Lee, Gwen Weir, Ken Goldman, Alyson Faye, Theresa Derwin]

Latest Book Launches

Horror Tree Sponsor* and Patreon Releases!

*All Horror Tree sponsors are able to claim a spot at the top of our listing during the donation of their sponsorship. Please use our contact form for more advertising pricing.
 
15th March
 

January

11th 12th Behemoth Risen by [Eddie Generous]12th The Gulp: Tales From The Gulp 1 by [Alan Baxter]13th H is for Hell (A to Z of Horror Book 8) by [Holley Cornetto, Bob Johnston, Simon J. Plant, Gemma Paul, Monster Smith, Mo Donovan, John Clewarth, Sarah Jane Huntington, Daniel R. Robichaud, P.J. Blakey-Novis]

15th The Wind In My Heart by [Douglas Wynne, Crystal Lake Publishing] 16th Helminth by [S. Alessandro Martinez] 19th The House of the Dark Whale: A Chapbook of Weird Fiction by [Dennis Mombauer] 20th

23rd ZERO HOUR 2113 by [Black Hare Press, David Green, K.T. Tate, Chris Hewitt, C. Marry Hultman, Chris Bannor, Ximena Escobar, Callum Pearce, Alanna Robertson-Webb, Hari Navarro, Raven Corinn Carluk, Tim Mendees, R.A. Goli, Gregg Cunningham, Shawn M. Klimek, Steven Lord, Ali House, S.O. Green, Mason H. Hilden, D. Kershaw, Ben Thomas]25th The Love in Between by [Melissa Ashley Hernandez, Arrianna Daniels, Aldas Kruminis] 26th Clementine’s Awakening by [Jennifer Soucy ] 29th Cathedral by [Dave Jeffery]

29th The Wired City (Weird! Wonderful! Other Worlds! Book 2) by [Yolanda Sfetsos] 29th The Unwelcome: A Novel by [Jacob Steven Mohr]  29th

February

1st 1st Friday Night Massacre by [Michael Patrick Hicks]3rd Where Shadows Move by [Caroline Angel]5th image17

9thChildren of Chicago by [Cynthia Pelayo] 11th Sole Survivor 2: Drop Bears on the Loose (Rewind or Die Book 23) by [Zachary Ashford]14th 15th Hearts Strange and Dreadful by [Tim McGregor]

17thBow-Legged Buccaneers from Outer Space by [David Owain Hughes]19th Miracle Growth (Underground Book 2) by [Tim Mendees, D. Kershaw, Ben Thomas] 23rd Folk Songs for Trauma Surgeons

March

15th

April

3rd Murder and Machinery: Tales of Technological Terror and Mechanical Madness by [Cameron Trost, Paulene Turner, Michael Picco, Sarah Justice, Karen Bayly, Kurt Newton, James Dorr, Linda Brucesmith, Chisto Healy, Danielle Birch] TBA STERN-web-medium.jpg

Support Indie Creatives

An Indiegogo campaign to raise funds to make this horror anthology film based on the book from Grindhouse Press can be found here.

You can also follow updates via their Facebook Worst Laid Plans Movie group page here.

Project Crystal Lake Publishing is running a kickstarter campaign for ‘NEW STORIES OF FAMOUS CREATURES by such horror legends as Jonathan Maberry, Ramsey Campbell & more than a dozen Bram Stoker winners’. For information, go here.

Freebie – at the time of posting!

Dark Thoughts: A Collection of Horror Stories by [Kevin J. Kennedy]

Happy reading.

Steph

 on behalf of Stuart and the Horror Tree Team

 

WiHM 12: Field Notes, what are they?

Field Notes, what are they?
By: Florence B. Caghens

Writing field notes is a good habit to get into. All you need is a notebook and a pen. You can take it with you anywhere, and write in it anywhere.

When I take field notes, I make a quick note of the date, time, and location. Over time this has developed into a quick shorthand. E.G. 4/fe/18.am.b’t. Which translates to the morning of the 4th of February 2018 in Belfast.

This can help when you look back on them. To expand on the field note in question. It can take you back to the time when you first wrote that field note. Which can help jog your memory, which in turn helps to expand on the field note.

Field notes can literally be anything. Do not be put off by the name, they are just quick observational notes. Notice how the light shines through a window, and lights on something? Write that down. When you look back on it, what is the light? What is the source of the light?
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WIHM: Using Tarot Cards for Writing Inspiration

I often draw cards from one of my tarot decks for inspiration, and then assign and interpret them based on potential storylines and characters.

Photo from Canva.com

I’m sharing my February reading with you all. Perhaps you’ll find your own literary inspiration through my interpretations of the cards! [Feel free to build on any of these prompt ideas associated with the card(s) below.]

 

Photo from Canva.com

Character: Queen of Cups/Queen of Pentacles

Woman in her maturity, community/nation’s leader, possesses both academic and artistic/cultural knowledge and refinement as well as intuitive-based wisdom and insight in line with the nation’s spiritual belief system. Born into money inherited from one of the old trading families, she is philanthropic in nature by contrast. For this character, family is everything and the community/nation she leads is an extension of that family, which is under her protective wing and guidance. She has done much to revitalize the local economy and community after many years of cultural expropriation, tourism, and colonialism, and has established a history center to house cultural artifacts looted from the island, which are now being returned from museums and collections around the world. Many sacrifices made via this person’s dedication to her people and her family; giving, nurturing, caring are characteristics of this person.

 

 

Photo from Canva.com

Setting: Six of Swords

An island/maritime nation that has undergone a revolution and has recently liberated itself from the control of other nations. It is now at peace, and is undergoing the process of rebuilding not only society, but restoring the island to its former state after most of its natural resources have been stripped and the ecosystem contaminated with toxic chemicals. This sometime-in-the-future world is still in transition between the old consumerist world, and a fledging world based more on unity and balance and cooperation/respect for all lifeforms.

 

 

Photo from Canva.com

Conflict: Ten of Swords

Leader’s authority challenged by a party of  “old money” traditionalists, discovery of a new, valuable mineral during the island’s restoration process, greed, war, coup, outside nations attempting to seize control of the island. (Some things never change.) Madness in island’s inhabitants caused by long-term exposure to contaminated environment and water. Still dependent on trade goods from other nations while the island is being restored. Sudden impact of climate change: devastation caused by hurricanes, flooding, tsunami. Loss of family members, community supporters to tragic events beyond main character’s control. Remaining community point fingers of blame. Superstitions reawakened, and real-life monsters can also be awakened as the island is restored/changed. Wrath, bloodshed, death, and destruction widespread. Fleeing the island; journey, relocation, exile for main character/characters caused by the conflict.

 

 

Photo from Canva.com

Theme/Development: The Lone (Wo)Man

Liberation of self. Awakening into power; spiritually, culturally, politically. Trusting one’s instincts. Making hard decisions. Staring into “the abyss”. At a crossroads with one’s own beliefs with the situation at hand. Loss. Pain. Forced to act out of self-preservation. Exploring said selfishness as a tool of growth and personal development, and as a means of building one’s personal strength. The character finding, and maintaining, one’s true self; one’s core of being. Guidance from the natural world (plants, animals, trees), or even monsters/supernatural beings over that of other people. Connecting to the primal source of all things, instead of superficial elements. Defining what is really essential for a new world. Once this new sort of power is obtained, it spawns growth into a darker being; a new sort of monster; a leader of monsters and the primal. Rebirth into something new and unexpected after a period of isolation, solitude and reflection.

 

 

Willow Croft’s bio and social media links:

“Bringer of Nightmares and Storms.” Horror writer Willow Croft is usually lurking deep in the shadows of her writer cave, surrounded by formerly feral (but still fierce!) cats for company. Visit her here: http://willowcroft.blog.

Author Blog: https://willowcroft.blog

Goodreads: https://www.goodreads.com/author/show/16978140.Willow_Croft

Amazon: https://www.amazon.com/Willow-Croft/e/B073MM241D

WiHM 12 – Quick Six Questions With R.L. Merrill

1. Welcome to The Horror Tree, and thank you for participating in Women In Horror Month. First, tell us a bit about yourself and your interest in horror. 

 

My love of horror goes back to nights I’d sneak out of bed after my mom went to sleep and watch Creature Features with my stepdad. I graduated to daily walks up to the local video rental store the summer we got our first VCR, and by high school I was reading Stephen King and convincing my English teacher that it was perfectly acceptable for my essay-writing practice. About twelve years ago I started writing what would become my first paranormal romance/supernatural suspense novel and I was hooked. Since then I’ve been published in contemporary and paranormal romance and horror. I write inclusive stories featuring quirky—often creepy—and relatable characters full of hope, love, and rock ‘n’ roll. Even the contemporary romances flirt with horror. I love showing my macabre side whenever possible.

2. Why is Women In Horror Month important, and what do you say to someone who says ‘Oh, I don’t care if it’s by a man, a woman, etc., as long as it’s a good story’?”

 

Horror has long been considered to be too harsh for the gentle lady’s discerning taste. I call bullshit. While I agree that anyone can write a good story, the inner machinations of the female mind can be utterly terrifying, and our stories are deserving of respect. I love a good spin on a classic fright or a brand-new creation, and there’s nothing more satisfying than seeing women triumph over evil. There’s just something empowering about channeling our frustrations into ghoulish and ghastly adventures where we’re in control of our own destiny.

  

3. Who are some Women In Horror (or other women) who have influenced your work, and why?

 

I was lucky to find a local tribe of women through HorrorAddicts.net that love the dark side as much as I do. We’ve participated in a few readings at the San Mateo Public Library where I’ve heard Emerian Rich, Sumiko Saulson, E.M. Markoff, and Mercy Hollow read deliciously sinister stories that had me on the edge of my seat. Beyond that, I’m grateful to Mary Shelley for creating my favorite creature, Frankenstein’s Monster, and to Anne Rice for combining history, drama, and lore with love and horror in her Vampire Chronicles and The Mayfair Witches stories. 

4. 2020 will probably be remembered as a TERRIBLE year for many of us; tell me something GOOD that happened in the past 12 months.

I had such big plans for 2020! I was going to do three horror conventions in Northern California with my gal pals, but alas, it wasn’t meant to be. But I found solace in horror this past year like I haven’t in a long time. I subscribed to Shudder and attended the online version of the Salem Horror Fest. I watched a ton of great horror films like Host, Spiral, and The Mortuary Collection, which were fresh, diverse, and unexpected treats during a really dark time! I also wrote an homage to my horror hero, Edgar Allan Poe, called “The House Must Fall,” which will be featured in this spring’s gothic horror collection, Haunts and Hellions, from HorrorAddicts.net Press. I also had a flash fiction story called “Human Sacrifice” be chosen for publication in Queer Sci Fi’s Annual Flash Fiction Collection titled Innovation. Writing these stories stretched me as an author and I can’t wait to write more!

 

5. What have you got planned for Women in Horror Month, and the coming months of 2021? 

When I’m not writing fiction, I write music reviews and recommendations for HorrorAddicts.net, and for Women in Horror month, I wrote a piece called Women in Metal. It features musicians and artists in today’s metal world who infuse their love of horror into their lyrics and the imagery in their videos. I’ve been a metal fan for as long as I’ve loved horror, and for me they are forever intertwined. It’s a marriage of the best kind, combining sound and vision into the sweetest creation imaginable complete with blood, lust, and darkness. What more could you want out of life?

6. Is there anything else you’d like to tell our readers? Thanks for participating in Women in Horror Month! 

I love connecting with fellow lovers of horror and sharing recommendations and I’d love to extend an invitation to visit my brand of Rock ‘n’ Romance for your reading pleasure. Besides the gothic horror anthology this Spring I’ll also be releasing the next installment of my supernatural suspense series in late summer and I’ll be releasing the next wacky paranormal romance as part of Robyn Peterman’s Magic and Mayhem Universe in October in time for Halloween. You can subscribe to my website at www.rlmerrillauthor.com for blog posts and monthly newsletter or follow me on the socials @rlmerrillauthor. Thanks for spreading the horror love and inviting me to play!

Serial Killers: The Banquet Chef (Part 1) by Robb White

  1. Serial Killers: The Banquet Chef (Part 1) by Robb White
  2. Serial Killers: The Banquet Chef (Part 2) by Robb White
  3. Serial Killers: The Banquet Chef (Part 3) by Robb White

Serial Killers are part of our Trembling With Fear line and are serialized stories which we’ll be publishing on an ongoing basis.

Part 1: The Banquet Chef

Adoncia moved past buyer’s remorse into abject fear. She realized its first appearance when she poured Julio his coffee while he scrolled through his directory—no doubt checking the names of women he was already contacting. He wasn’t even careful to hide it now. 

She sat down to eat a hurried meal before heading off to her next job. She was glad to be getting away for the day. Home was not the same anymore. She wanted to pull her hair out thinking of it, what a fool she’d been. Lupe Gonzalez and her big mouth. If that nasty gossip hadn’t gotten back to her, she might never have gone on that dating site in the first place and met Julio Ortega. 

The smooth-talking charmer who wooed her was gone; in his place was a lazy, morose, and now two-timing lump who had moved in after a whirlwind romance of only two months. Too late, she realized how calculating everything he said and did was. Before she realized it, she’d become his housekeeper, a slave in her own home—not only taking care of him but his no-good son and daughter from a previous marriage. The boy was good-looking like his father, and like his father, a useless slug who did drugs and sat around the house playing violent videogames all day. The daughter, Cinda Lynne, was seventeen years old and constantly in trouble at school. At least the boy tried to be pleasant once in a while. Cinda  didn’t bother to hide her contempt for her father’s “fence-hopping Mexican.” 

She had only herself to blame, not Lupe. The sarcasm behind Lupe’s gossip she was getting old and unattractive to men stung. “You—what now, Adoncia—goin’ on thirty?”

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Ongoing Submissions: Dark Nowhere

Payment: $10
Theme: Hard-hitting in a tasteful way, preferably with a supernatural angle.

DarkNowhere.com is a horror genre news site launching mid-February (mind our dust!). We are currently seeking authors to fill two aspects of the site: Horror related news, blogs, reviews, and editorials (Think Bloody Disgusting and Dread Central), and Horror fiction.

Horror related news pieces are currently byline only. Our publisher has deep experience within the world of entertainment journalism and we expect these positions to lead to interview opportunities, advanced screeners, and various media access in the short term.

What we are most excited to bring to this space is semi-weekly fiction. We are paying $10 per story for publication rights on the site as well as production on our planned bi-weekly podcast.

We are looking for horror that is hard hitting in a tasteful way. Preference is given to pieces with a supernatural angle, but we can appreciate a good psychological scare too. Gore is okay as long as it isn’t the focus of your story. No explicit sex, rape, or anything adult content in nature.

Fiction submissions can be sent in any format.

Ideal length is 1,000 – 10,000 Words.

Reprints and simultaneous submissions are not accepted

The magazine is looking for 3-Months exclusivity and the ability to leave the story online after that as well as include it in their podcast, after the 3 months of online exclusivity, rights return to the author.

For more information or to submit, email us at [email protected].