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Interview with Mat Clarke, founder of The World Writer’s Collective

Interview with Mat Clarke, founder of The World Writer’s Collective
By Angelique Fawns

Mat Clarke is providing a place for new writers to learn, share, and get involved in a supportive community. The best part? Much of it is free, or costs only a nominal fee. Based in Melbourne, Australia, Clarke is creating an international destination for contests, editing, and writer promotion. His community provided me with my first contest win, my first author webpage, and my first taste of helpful short story feedback. Contest winners can have their work published in an anthology. The first edition is available on Smashwords called Melbourne Writers Social Group Anthology: A Winter Selection of Short Stories.
I sat down with Clarke to learn more about his vision and future plans.
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Indie Bookshelf Releases 03/26/21

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

Got a book to launch, an event to promote or seeking extra work/support as a result of being hit economically by Covid? Get in touch and we’ll promote you here. The post is prepared each Thursday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Support Your Indie Authors and Reviewers

This is a space which I hope will help bring extra work to those who’ve been hit economically by Covid. If you’ve lost your day job, had hours cut, are struggling and have services to offer, a new venture, a patreon page to promote etc, let us know and we’ll plug them here.

Elle Turpitt Editing provides a range of editing services – short stories, novella and novels across different genres. For rates and further details visit https://www.elleturpittediting.com/services.

Events

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Charity Anthologies

 

30th Oct 2020 Tales Of The Lost Volume Two- A charity anthology for Covid- 19 Relief: Tales To Get Lost In A CHARITY ANTHOLOGY FOR COVID-19 RELIEF by [Gaiman, Neil,, Hill, Joe,, Johnson, Eugene M,] 31st Jan Flashes of Hope by [Anna Taborska, Dave Jeffery, Amy Grech, Matthew Davis, John Cady, Emma Lee, Gwen Weir, Ken Goldman, Alyson Faye, Theresa Derwin] 9th Feb  

Latest Book Launches

Horror Tree Sponsor* and Patreon Releases!

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15th March
 

They Slipped Through the Net

23rd Jun 2020 Seeing Things by [Sonora Taylor] 27th Oct 2020 Women's Weird 2: More Strange Stories by Women, 1891-1937 (Handheld Classics) by [Melissa Edmundson] 8th Jan ABC’s of Terror Volume 2 (ABC's of Terror) by [Dawn Shea, Chris Miller, Trisha McKee, Gary McDonough, Nicholas Catron, River Dixon, M Ennenbach , Matthew Clarke , Patrick Harrison III, Lance Dale]

February

13th 2 B: “When your ex wants you dead, they will take you to the grave with them!” -2 B (Valhalla Books presents Horror Book 1) by [Mark Allan Gunnells, Valhalla Books Publisher]14th 14th There Goes Pretty by [CC Adams]15th Hearts Strange and Dreadful by [Tim McGregor]

16th Uninvited Others: Book 1 in the Haven Manor trilogy by [S. Feaker]17thBow-Legged Buccaneers from Outer Space by [David Owain Hughes] 17th Horror Express by [David O'Hanlon, Dan Wilder]19th Miracle Growth (Underground Book 2) by [Tim Mendees, D. Kershaw, Ben Thomas]

22nd 23rd Folk Songs for Trauma Surgeons26th One, Two, I See You: Nursery Rhymes for Darker Minds by [Stephanie Ellis] 26th It's All Fun and Games Until Somebody Dies by [Dawn Shea, Mark Towse, Tim Mendees, Gary McDonough, Bert Edens, Nathan D. Ludwig, Ruthann Jagge, Heidi Hess, Joe Scipione, John Cady]

28th 28th A Baptism for the Dead by [Charles Bernard] TBA

March

1st 4th May be an image of text that says "HIS OWN DEVICES "A heady. entertaining techno/cyber thriller that feels very now. Don' Don'tletthe play PAUL TREMBLAY, AUTHOR OF SURVIVOR SONG A NOVEL DOUGLAS WYNNE"4th 10th Home & Other Stories: Collection VI by [P.J. Blakey-Novis]

12th 15th 16th 17th Halloween Land: A Coming of Age Novella by [Kevin J. Kennedy]

19th 22nd The Exercise by [Mark West]26th Eidolon Avenue: The Second Feast by [Jonathan Winn, Crystal Lake Publishing] 26th May be an image of 1 person and text that says "THE DEVIL'S MISTRESS DAVID BARCLAY"

26th The Night Stockers by [Kristopher Triana, Ryan Harding] 26th Nana by [Mark Towse] 28th Scorpio: Speculative Fiction Inspired by the Zodiac (The Zodiac Series) by [Aussie Speculative Fiction, Nikky Lee, Stephen Herczeg, Tee Linden, Mikhaeyla Kopievsky, Sasha Hanton, Helena McAuley, Austin P. Sheehan, Alannah K. Pearson, Neen Cohen] 29th

30th Farallon Island by [Russell James]

30th TBA

April

3rd Murder and Machinery: Tales of Technological Terror and Mechanical Madness by [Cameron Trost, Paulene Turner, Michael Picco, Sarah Justice, Karen Bayly, Kurt Newton, James Dorr, Linda Brucesmith, Chisto Healy, Danielle Birch] 7th Everything's Annoying: A Collection of Dark Fiction & Horror by [J.C. Michael]10th Taken (Arcadia Book 2) by [Mary Brock Jones]13th From Death Reborn by [Kenneth W. Cain]

13th STERN-web-medium.jpg15th Dispossessed by [Piper Mejia] 22nd May be an image of text that says "MATTERS MOST MACABRE TYLOR JAMES" 27th Gulf by [Shelly Campbell]

27th

May

7th Unfortunate Elements of My Anatomy by [Hailey Piper] 11th May be an image of text that says "THE CRUCIFIXION EXPERIMENTS FROM THE AUTHOR OF THE JIGSAW MAN GORD ROLLO ROLLO"15th 18th Howls From Hell: A Horror Anthology by [HOWL Society, Shane Hawk, Alex Wolfgang, Christopher O'Halloran, J.W. Donley, Solomon Forse, Amanda DeMel, Lindsey Ragsdale, P.L. McMillan, Grady Hendrix]

25th The Fearing: The Definitive Edition by [John FD Taff, Anthony Rivera, Ray Garton]

June

1st Malignant Summer by [Tim Meyer] 1st

Support Indie Creatives – Kickstarter Campaigns

‘We are publishing Out of the Darkness, an anthology of dark fantasy and horror fiction raising awareness of mental health issues with Together for Mental Wellbeing. We are looking for £2,500 to help cover the cost of the book.

We’ve got Kickstarter exclusives on offer, including the chance to have your name in the book as part of the amazing community that supports indie publishing, and an exclusive, numbered hardback edition that is strictly limited to 100 copies worldwide. There are also opportunities to have your work critiqued by the award-winning Unsung Stories team, and bundles of books by featured Unsung authors.

Out of the Darkness challenges some of the most exciting voices in horror and dark fantasy to bring their worst fears out into the light. From the black dog of depression to acute anxiety and schizophrenia, these stories prove what fans of horror fiction have long known – that we must understand our demons to overcome them.

In the wake of the Covid-19 pandemic, what began as a mental health crisis has rapidly become an unprecedented tsunami. The Centre for Mental Health has estimated that 10 million people will need mental health support in the UK as a direct consequence of Covid-19, with a staggering 1.5 million of those being under eighteen.

Edited by Dan Coxon (This Dreaming Isle) and featuring exclusive stories by Alison Moore, Jenn Ashworth, Tim Major and Aliya Whiteley, this collection harnesses the power of fiction to explore and explain the darkest moments in our lives.

Horror isn’t just about the chills – it’s also about the healing that comes after.’

The Cosmic Courtship – Kickstarter

Project image for The Cosmic Courtship, by Julian HawthorneWhile most are at least somewhat familiar with Nathaniel Hawthorne as one of the great American authors, less well known is that his son,  Julian Hawthorne, was an incredibly prolific writer in his own right. Julian wrote on a wide variety of subjects, ranging from literary analysis of his father’s works to poetry to period romances and adventures. Late in his career, Julian even dabbled in the emerging genre of Science Fiction [Hugo Gernsback had only recently coined the awkward term “Scientifiction” when this story was first published.]

The Cosmic Courtship was serialized in Frank A. Munsey’s All-Story Weekly across four issues, beginning with the November 24, 1917 issue and running through the December 15, 1917 issue. While this story has been in the public domain for some time, it has never been collected or published elsewhere until now.

Cirsova Publishing has partnered with Michael Tierney and Robert Allen Lupton to preserve this story for posterity and ensure that it is not lost to future generations.

Happy reading.

Steph

 on behalf of Stuart and the Horror Tree Team

 

Ongoing Submissions: Stanchion

Payment: $10 and a contributors copy
Theme: Anything and everything is on the table. We love powerful, beautiful, unusual work!

Our door is always open because future issues of Stanchion are always being assembled.

We are looking for original, never-before-published (nope, not even on your blog) short story writing (<2500 words), creative nonfiction, poetry, prose poems, flash fiction, stray thoughts, interviews with inanimate objects, comics, illustrations, black & white photography (portrait-oriented images are preferred), b&w drawings, and other evocative images of mixed media artwork (also in black and white). There is no thematic throughline for issues of Stanchion: happy, sad, melancholic, horror, sentimental (without being sappy) — anything and everything is on the table. We love powerful, beautiful, unusual work!

Money and Rights:

All creators who have original/never before published work accepted for publication will receive $10 and one complimentary copy of that issue of Stanchion.

You retain all rights to your work! We only request that you do not republish/reuse the work again in the same quarter the issue is published.

Inclusion:

Stanchion is a safe, open place to submit your work for consideration. No matter where you’re from, what you look like, or who you love, you’re welcome to become a part of the Stanchion family.

What To Send:

(more…)

Epeolatry Book Review: Spawn: Weird Horror Tales about Pregnancy, Birth and Babies, ed. Deborah Sheldon

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: Spawn: Weird Horror Tales about Pregnancy, Birth and Babies
Author: Various, ed. Deborah Sheldon
Genre: Horror
Publisher: IFWG Publishing International
Release Date: 3rd May, 2021

Synopsis: A selection of the darkest Australian fiction. Spawn: Weird Horror Tales About Pregnancy, Birth and Babies taps into anxieties, painful memories, and nightmares. Here, your worst fears come true. Penned by established authors and fresh new voices, these stories range from the gothic and phantasmagorical, through the demonic and supernatural, to the dystopian and sci-fi. Prepare for a visceral, frightening read. Featuring work by: Geraldine Borella, Jack Dann, Rebecca De Visser, Jason Fischer, Rebecca Fraser, Gary Kemble, David Kuraria, Paul Mannering, Tracie McBride, Samantha Murray, Robyn O’Sullivan, Antoinette Rydyr, Deborah Sheldon, Charles Spiteri, H.K. Stubbs, Matt Tighe, J.M. Merryt, Kat Pekin, Mark Towse, Ash Tudor, Kaaron Warren, Janeen Webb, and Sean Williams.

I haven’t had many opportunities in recent years to get acquainted with the work of Australian horror writers, whose names (with the exception of editor Deborah Sheldon, Jack Dann, Kaaron Warren, and Sean Williams, who are among the contributors to the present anthology) are mostly unknown to me. Which is a shame because, as this book proves, there are many Australian authors deserving a wider recognition beyond their country’s borders.

The volume collects twenty-three stories addressing the unusual theme in a variety of angles, atmospheres, and tones. Commenting upon each single tale is clearly impossible, hence I will mention the ones which seem the more accomplished.

“A Good Big Brother” by Matt Tighe is a tense, apocalyptic story where people are transformed by a mysterious disease, and a young boy must learn how to protect his mother and his baby brother. 

“The Still Warm” by Paul Mannering is a powerful example of graphic horror portraying the horrible fate of a pregnant woman surviving a hanging and finding herself buried alive inside a coffin.

The unsettling “Beneath the Cliffs of Darknoon Bay” by Rebecca Fraser takes place in the lonesome atmosphere of a lighthouse and depicts how the sheer madness of a pregnant woman gets tragically loose.

Robyn O’ Sullivan’s “Expel the Darkness” is the vivid description of an ill-fated pregnancy ending with a terrifying labor at home, while Deborah Sheldon’s “Hair and Teeth” is a disquieting tale of medical horror featuring a woman with uterine troubles.

In the well-crafted “Mother Diamond” by Janeen Webb a woman is haunted in many ways by the spirit of her late, domineering mother.

Charles Spiteri contributes “The Remarkable Compass for Finding the Departed”, a gentle, sad but disturbing tale revolving around a restless stillborn child, while JM Merryt pens “Gravid”, a dark, subtly unnerving fairy tale (contrary to what the narrator declares…)

All in all, an interesting anthology of horror fiction, graced by some little gems apt to effectively entertain and disquiet the reader.

4/5 stars

Available from  Amazon.

Serial Killers: The Fisherman’s Ring (Part 1) by Christian McCulloch

  1. Serial Killers: The Fisherman’s Ring (Part 1) by Christian McCulloch
  2. Serial Killers: The Fisherman’s Ring (Part 2) by Christian McCulloch

Serial Killers are part of our Trembling With Fear line and are serialized stories which we’ll be publishing on an ongoing basis.

Part One

The old man’s voice was as thin as the paper blowing about in the doorway. The boy wondered what the time was.  It was late – too late for the old man.

‘We’ll rest here for tonight,’ he told his grandfather as he adjusted the scarf around his neck. He listened. There were no voices, no angry shouts, no revving cars, no strangled words coming from a loudhailer. Only the sound of the evening, brooding.

 If there were men after them, they’d given them the slip. Perhaps, they’d given up for the night.  They’d start again in the morning. He knew that.

For tonight, at least, they’d be safe. Tomorrow they’d make an early start to put distance between them and the Authorities who’d been sent to bring them before the Unholy Council.

Why had his grandfather gone against the Council? Him of all people! The man who wore the Fisherman’s ring!

He’d been a voice in the wilderness. ‘Speak your truth quietly and clearly,’ his grandfather had said.

Such a brave old man. He’d gone against everything but the truth, thought the boy. But what had he achieved? Now they were huddled in a doorway waiting for the darkness to hide them.

Nowhere was safe anymore. The only safety lay in… The boy turned his head. ‘Death’ was a new word for him. It fascinated but terrified him. If the old man was right, Death would be a release, a new beginning. He’d had plenty of years to understand about Death. The boy saw only uncertainty.

He covered his grandfather with his coat and pushed his thoughts to the back of the doorway.’We’ll leave tomorrow,’ repeated the boy, ‘when the weather changes.’ The boy took the old man’s hand. He gently pressed his body against him to keep him warm. He wondered if he’d be alive in the morning.

***

By morning, the old man was dead.

The boy, Peter Alexander, was aware of his death a little after the first rays of light crept up from behind the old, abandoned timber mill.

He was angry with himself for not keeping awake. He thought of the Man from Galillee being angry with his followers for not staying awake in the Garden of Gethsemane. The Master was angry and probably a little bit hurt because he knew their time together was so short. The boy suspected that all the hiding and skulking around Jerusalem had taken its toll on their nerves. They’d needed the rest just like he did.

It was brave of them simply being there, he thought. They could’ve stayed hidden and safe in the upper room in the House of Levi. It said a lot about their loyalty, their implicit faith in the man who called himself The Son of God.

He must’ve been one helluva guy to inspire such devotion. The boy wondered if His followers had thought of themselves as bulletproof because they were with Him.

He’d told them that He had to go to the Garden of Gethsemane to pray. Why the Garden? Why didn’t they stay where they were? The Nazarine must’ve known what was going to happen, Hadn’t He already told Judas Iscariot to go and do what he had to do?

The boy was surprised by his reaction to discovering his grandfather dead. He hadn’t wanted to cry. Perhaps that would come later. He tried to force a tear as a sign of respect but it wouldn’t come.

The boy took back his coat (the old man wouldn’t need it). He sat cross-legged in the doorway trying to understand – not about the old man but why the man from Nazareth told Judas where He could be found when He knew the soldiers would be coming for Him; a night of horror for all of them. The boy hadn’t given it much thought before. Now it seemed of the utmost importance.

It was still too dark and scary to move on.

The old man wouldn’t scold him for staying put until it was light, any more than he’d chastise him for leaving him behind to be found by the authorities, worse, the Scavs. The Scavs believed in nothing and were proud of themselves for not being fooled.

The boy wished he could believe in nothing. It would be so much simpler. He’d still be in his warm home with his grandmother. All was well with the world when his grandmother was there. She’d been gone for six months. Now, all was not well with his world. His mother resented his grandmother’s love for him. She resented the fact that the boy had beliefs.

They’d gone through a lot together, he and the old man. Almost as much as the Christ with his followers. The boy had checked three times during the night to make sure the old man was still breathing. He’d tried to feel for a pulse but he couldn’t feel his own fingertips. He’d held his hand next to his mouth but had given up for the same reason. Finally, he’d had to clamber almost over him to put his cheek next to the old man’s mouth. Even his cheek was too cold. The boy had breathed a heavy sigh of relief when he’d finally felt the old man’s shallow breath on his lips. After that, he kept up a running commentary of what they’d do and how far they’d get in the morning. But that was for his own benefit; to keep himself from letting his heavy eyelids close.

The boy wondered how many of the disciples had been brave enough to sneak out so late at night. There’d been twelve of them; pilgrims to celebrate The Passover.  The boy counted them off on his cold fingers.

‘There was Peter, of course, Andrew, James, John, Matthew, Philip and Thomas. There was the other James, Simon – Judas …some friend he turned out to be, eh, Papa?’ Now the boy was struggling to remember. Had he said, James? Yes. ‘Bartholomew…’ Then there was the one he almost always forgot. ‘…Jude. That was it, Jude. He was the one who managed to live through the whole ordeal and went on to die of natural causes.’ The boy wondered if he’d die of natural causes like Jude. He wondered if he’d be like Peter and go on to do something big and important. Starting the Roman Catholic Church seemed like a pretty big thing to do. ‘The armies of darkness had got them all in the end, right, Papa? Not Jude,’ he said. ‘It was pretty bloody times back then. …bit like now, right?’

The boy was pleased with himself for remembering all the names. He was about to shake his Grandfather and tell him that he’d learned his lessons well. Then he remembered all over again that the old man was dead.

‘He sighed so deeply, he could’ve dropped a stone inside the hole it made in his heart’. It was a line from one of the old man’s novels. The old man was good with words, even if they did get him into trouble.

The boy kept talking. ‘What happens if your Spirit was ripped out of you before you even know it?  Like being shot by a sniper from the upper room of a barricaded Council Estate. Do you suddenly go cold? Perhaps, you stay warm longer because it would take time to register that you’re dead.’

The boy had seen a couple of dead bodies along the way. He wondered how many more he’d see before he’d get back to HER house.

‘In the movies, there’s always someone bitchin’ about never having told someone they loved them when they were alive. I’ve told you lots of times …every night when I was just a kid. I told you only yesterday. OK. Not how much I loved you but I still told you, right?’ There was a long pause.

‘There’s something I never told you – never told anybody …that’s funny, any body – maybe not. I’ll tell you now – not because you’re dead or nothin’. It’s because it sounds dumb when I say it in my head. You’re the only person I could tell without feeling a twat.’ The boy laughed. ‘You always said that when you put things into words, your beliefs get stronger and your fears get weaker.

‘You remember when we first lived in ‘The Hermitage’ and we had no furniture in the big room? Well, I used to go in there when you were at work. The room was so big, so empty, a total void, you might say. Wall-to-wall emptiness. I used to dare myself to go in there. I found a book, a book of fairy stories. It was old and thick. I couldn’t read but I used to look at the pictures; the three billy goats Gruff on the bridge with the troll hiding underneath; the Prince down on one knee, fitting the glass slipper on Cinderella, you know?

‘There was this one illustration. After I’d found it, I couldn’t go back into the room. Every time I tried, the illustration made me run away. I don’t know how many times. I knew that book was there, sort of lying in wait for me, even when I was feeding crab apples to the farmer’s horses, Bob and Bess, over the garden gate, remember?

‘One day I knew I had to do something about it. Squaring up to the Devil, you’d call it. So I… look, I’ll show you.’

The boy pulled the rucksack from behind the old man’s body. The corpse slumped backwards against the paint-chipped door. The boy righted the body with the same detachment as he released the catches on his rucksack and plunged his hand inside to rummage around under his clothes.

He shuffled beside the old man, placed the book in his lap, then blew into his cold hands and rubbed them together. He found the illustration easily. He was about to hold it up like a choirboy for the priest to sing the words to the congregation when he noticed the angle of the old man’s head. With one hand on his Grandfather’s shoulder and the other across his chest, he squared his torso. He took his face in both hands and adjusted it just so. Then pecked him on the cheek. ‘There you go, Papa.’

He held up the book. ”Little Red Riding Hood’, see? Underneath all those red scribbles is the Big Bad Wolf – you can’t see his long nose or pointed ears or his sharp teeth because I… you know. It scared me too much. I thought if I scrubbed him out with a red Biro, he’d go away. But you know what? …and I ain’t told nobody this, he’s still there. But now he’s hidden. I can choose to believe he’s gone forever or I can choose to believe he’s still waiting.’

The boy was silent for a long time.

‘You’re probably wondering why I’m still carrying it around with me – especially now things are the way they are.’

Another long pause.

‘It’s my childhood. You can’t rub out memories that easily. The Council can talk about, ‘purge’ and ‘cleanse’ and ‘purify’ but the truth is that the Big Bad Wolf is still there – behind the red tape.’

The daylight was upon them. Peter Alexander knew it was time to move on. His Grandfather had moved on.

‘You often said that Death was the greatest adventure in life. You often laughed and said you’d welcome it. You told me you’d no intentions of coming back to confirm that there was more to come. Let the buggers find out for themselves, you used to say.

‘People get what they ask for, I guess. If they’re dumb enough not to know they’re living a half-life by having no Faith then they don’t deserve to be given proof, Papa. You always said that if you believe and keep your eyes open, Truth presents itself. Coincidence is God’s way of remaining anonymous, you said.’

Peter Alexander believed his grandfather. Strange things were always happening when they were together. He wondered why the old man had chosen to give up the ghost in a deserted shop doorway. He probably had his reasons. He’d keep his eyes open. His grandfather would find a way to send him a sign. For the moment, there were more pressing matters to be dealt with.

He had to strip the old man of any form of identification. He couldn’t allow the authorities to discover who he was. He couldn’t let the Scavs, the scavengers, find something that would prompt them to follow him.

First, he went through the old man’s rucksack. He kept up a running commentary to calm his nerves. A normal conversation was the best Eulogy that he could come up with.

‘The Scavs are going to think it’s Christmas when they find your best shirt. Papa. I don’t think they’ll want to hang onto your dog-collar, so I’ll be taking that with me. We wouldn’t want the Religious authorities asking what a nice old man was doing with a ministry collar in a shop doorway instead of lying in a soft bed when he was – you know – dead. I’ll dispose of it someplace where no one’ll find it – if that’s OK with you?’

He pulled all the clothes out one by one and meticulously went through the pockets. The boy knew that somewhere in the knapsack he’d find the old man’s favourite book of prayers. If it wasn’t sandwiched between the pants and the pullovers, he’d check the lining – the Scavs would. If he took away the old man’s shoes and warm coat, they’d assume that the Scavs had got to him first and wouldn’t overextend themselves trying to identify him. He’d kick all the contents of the bag into the back of the doorway to make it look as if he’d been violated.

He found the soft, leather pocket-prayer book. He sniffed it and wished he hadn’t. ‘I should’ve known you’d keep it close,’ he said, his voice catching in his throat, ‘It smells of you.

‘What were you thinking, you old fool? Did you think you were bulletproof like the disciples? I’ll bet you’re even wearing a cross around your neck and have a rosary hidden in your socks.’

The boy was right about the crucifix but wrong about everything else. He held the small, plain gold cross with the lightweight chain in the palm of his hand for a few minutes. It was a risk wearing it or even trying to hide it in his own rucksack. He couldn’t throw it away. He’d bury it inside the pages of the prayer book when he found somewhere suitable. He’d let the old man’s ghost tell him where to hide it.

He gave himself permission to cry when it was safely in the ground. Not before. On no account was he to cry before there was at least a couple of miles between them. ‘D’you understand?’ he said out loud.

When he’d stripped the old man of everything, he collected his ID and Residency papers, the Property Ownership documents and his Last Will and Testament. The old man had insisted that the boy should understand what was written in them the first night he showed signs of being sick.

The boy sat back on his heels. He was packed and ready. He wanted to take one last look at his grandfather’s gentle face. It would have to last him a lifetime.

The ring!

Jesus Christ! He’d forgotten about the ring!

Christian McCulloch

Christian McCulloch is a prolific British writer with a colourful background. He’s been an International teacher in British West Indies, Singapore (Principal), Japan and Hong Kong, also 10 years in Special Needs in UK. He now writes full time. He has written 10 novels, 12 novellas and many short stories.

Epeolatry Book Review: The Guide of All Guides by Angelique Fawns

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title:The Guide of all Guides
Author: Angelique Fawns
Genre: Nonfiction
Publisher: Angelique Fawns
Release Date: 8th Jan, 2021

Synopsis: Acclaimed as one of the most original voices in modern literature, a winner of the World Fantasy Award for lifetime achievement, Raphael Aloysius Lafferty (1914-2002) was an American original, a teller of acute, indescribably loopy tall tales whose work has been compared to that of Avram Davidson, Flannery O’Connor, Flann O’Brien, and Gene Wolfe.

This ultimate guide answers all your questions.
Which magazines, ezines, and podcasts pay the most?
What are the editors looking for?
How long do I have to wait to hear back?
What sort of rejection letter will I receive?
Easy to use and organized in order of who pays the most, find out which magazines, ezines and podcasts are buying in today’s market.

Angelique Fawns has submitted, been accepted and rejected by many horror, sci-fi and fantasy editors over the years. 500 rejections. But 30 of her pieces have found homes. She puts that knowledge to our use in her book. Not only does she share places that she has submitted to but she also shared possible venues for the writer that she hasn’t. The venues she has submitted to she shared her experiences with them. But with all the entries she gives a complete and concise listing of what the editor and publication are looking for as well as what the writer can expect in return. That isn’t just monetary return either. This included response time as well as if the editor gives helpful suggests versus sending a form letter rejection.

The entries are complete and concise. The digital copy includes a direct link to the site being discussed so if you feel that your piece is a fit for that magazine you don’t have to do a cute and paste into your search engine. Fawns has done an excellent job of pooling her resources to share.

In the preface she lays out what the reader/writer can expect from her book. From there on it is up to the reader/writer to pick and chose what to read. She has listed the top paying markets (as of the writing) as well as suggestions about the best way to go about submitted your work to each venue.

My only complaint is purely aesthetic. I have my copy on my Kindle and since I read mostly in bed with it my Kindle is set up in dark mode (black background with white type). In that mode the links and table of contents are barely readable as they show up in a red font. However if I change back to traditional background (white with black type) everything shows up perfectly. All in all it is a well written and researched book. I highly recommend it!

Available from  Amazon.

Real-Life Horror, or Why I Include Animals in my Horror Stories

*possible triggers*

I’ve worked in both animal rescue and wildlife rescue/rehabilitation in the past. But my connection to the animal world began from almost the time I was born. I was not even able to crawl yet, but I remember pulling myself across the carpet by grabbing handfuls of it, just to be closer to the family cats.

And, even though I loved horror from a young age, I found it difficult to see or read about animals being hurt even in movies or in books.
Charlotte’s Web, Watership Down, The Secret of NIMH, Black Beauty—these were all early influences on me as a child. And are, to this day.
But, as an adult, I at least had the agency and freedom to get involved in animal rescue causes, and work towards making things better for animals. Mostly this revolved around cleaning kennels and bringing cats and dogs to the local pet supply shop to increase their chances of being adopted. There were really good days, when so many animals found homes. Then there were the days where your heart would break into a million pieces because you knew that it was the animal’s last chance to get adopted. And there was nothing you could do at that point, because you and your fellow workers had houses maxed out to capacity and to budget capacity in taking in abandoned and unwanted animals and all you could do was hope that a better world awaited the animal as it went on its final journey. On those days, it was hard not to fall into the practice of being an animal hoarder.
Life in a hoarding situation is no fate for any animal. A quick death is better than a long, drawn-out one. I know, I witnessed a hoarding situation firsthand. I wrote one of the affidavits for the court case that transferred the cats out of the hoarding situation and over to the care of a no-kill cat shelter that had been set up to take the cats. I was there at the shelter the day the cats were being transferred. I saw the rivers of red that ran down the drain troughs as the cats were washed clean of feasting fleas and accumulated flea residue. I overheard the chatter from the Animal Services officers “There’s so many cats they’ve crawled up inside the walls,” and “We’ve had to punch holes in the walls to get the cats out” and on and on. I tried to hang in there, but I finally hit my limit and a colleague ordered me to go home.
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Trembling With Fear 03/21/21

Time is moving at a very bizarre pace. On the one hand, it’s crawling as we wait to finish the house move – and it could still fall apart – and wait for covid jabs. On the other hand, it’s March already! Another week and we’ll be changing our clocks and our evenings will be getting lighter. Finally got my rejection for something I’d been waiting for almost 9 months for, ugh but I’ve put that behind me. My focus now is on that Crystal Lake Classic Monsters Unleashed anthology as I write my submission. Competition is going to be huge, I’ve done a couple of similar sub calls now and discovered there’ve been 900+, 1000+ subs but I still try. I hope you’re all giving these calls a go and not letting such numbers deter you too much, you never know …

To submit to TWF, please check out the submission guidelines here.

First story this week is Trembling with Fear is Mouse Ad Astra by Avra Margariti. A strangely lovely tale of impending disaster created from a child’s perspective. The small things important to a child add to a sense of sadness that such things should be.

Motel 40 by Zachary Hennis weaves a background tv commercial in with an event happening within that advertised motel. Very effective and original.

One of the Locals by F.M. Scott is a story told via an interview, complete with some scene description. A nice change of format.

Sudden Storm by Toshiya Kamei takes you to a forbidden place, another mythology. Seems the gods wherever you find them are jealous.

Enjoy the stories and send us yours!

 

Steph

Stephanie Ellis

Editor, Trembling With Fear

Fun updates! Back cover details for Trembling With Fear’s upcoming anthologies have been written and we’re gearing up to move another step closer to the release. Huzzah! We’re that much closer to covers and formatting being finalized which really puts us on track for a MUCH EARLIER release this year!
As to Horror Tree, I’ve STARTED (very early stage) playing around with a new layout idea. We’re still at least 2-3 weeks away from letting the staff tear it apart and likely a month or more before our Patreons get the first sneak preview.
I hope that you’ve all got a great weekend going on and a fantastic week ahead of you!

Stuart Conover

Editor, Horror Tree

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