Events

Taking Submissions: Love Gone Wrong

Deadline: October 31st, 2020 Payment: $8 Theme: Love gone wrong Note: The author submitting MUST BE FEMALE (or identify as female). Deadline: Oct. 31, 2020 Payment: $8 flat fee per story (author must have a valid PayPal address as that will be used for payment) Publisher: Twisted Wing Productions Theme: Love Gone Wrong The theme can explore ANY type of love: romantic or platonic, obsessive, mother/daughter/son relationship, father/daughter/son, bestfriends, siblings, unrequited love, loss of love, falling in love with the wrong person, addiction, love/attachment for a specific place, location or building, student/teacher relationship, etc. The genre is HORROR. Stories MUST have elements of horror in them. The author submitting MUST BE FEMALE (or identify as female). The author must retain full rights to the work intended for our consideration and that the work itself is complete and not published anywhere else (including personal websites or social media). Having been previously published isn’t a requirement, if you have a compelling story, send it to us! Format: Word doc, 12 font, double space Times New Roman. Not a reprint. We are asking for exclusive first worldwide electronic and print rights for 18 months and the right to keep the story in print, and nonexclusive right to continue to publish for the life of the anthology. We do not place any limits on what the author does with the story after the exclusivity period. We are not looking for poetry or screenplays. Bonus: Characters in stories are own voices, POC, or LGBTQ Submission method: Please send story as an attachment (.doc or docx. Only) to azzurranoxyahoo.com Please include the following with your submission: Author (Legal Name) Pen name (if applicable) Email Story Title Word Count Third person biography The anthology will be published both in e-book and print formats with an estimated publication date of February 2021. Via: Azurra Nox.

Taking Submissions: 99 Tiny Terrors

Deadline: October 31st, 2020 Payment: $25.00 Theme: Short horror stories Note: Sorry for the short deadline! Just saw this one There’s nothing better than a short, sharp slice of flash fiction to get the mind working. 99 Tiny Terrors is an anthology that the reader can dip into for something deliciously dangerous in a short amount of time or spend an afternoon trolling through blood soaked stories from all over. There’s nothing better than a short, sharp slice of flash fiction to get the mind working. 99 Tiny Terrors is an anthology that the reader can dip into for something deliciously dangerous in a short amount of time or spend an afternoon trolling through blood soaked stories from all over. Simultaneous and Multiple Submissions: We do not accept simultaneous submissions. We will allow up to two (2) submissions per author. Note: only one can be accepted. Instructions: All fiction must be submitted through our Moksha online submission system. Please do not email your submissions. Manuscript must be in either .RTF, .DOC, or .DOCX format. Submit your manuscript in double-spaced Times New Roman or Courier font. Please include your byline as you’d like it to appear in publication. Keep your cover letter short and sweet. The Editor wants your story to do the talking. Crunchy bits: • Limited time open call: October 1-31. • Flash fiction wordcount: 500-1000 (firm) • Genre: Any flavor of horror. • Payment: $25.00 • Rights: Non-exclusive (story will only be published as part of the anthology as a whole) print, ebook, and audio rights in all languages throughout the world. What the Editor is looking for: • Neat twists or unexpected turns. • Atmospheric or unusual settings. • Stories that stick with the reader. • The Editor favors supernatural elements but you’re not restricted to that....

Taking Submissions: Sci Phi Journal

Deadline: October 31st, 2020 Payment: 3 (Euro) cents per word for original fiction and 1 (Euro) cent per word for translations of fiction into English Theme: Campbellian hard SF There are plenty of amazing print and online journals out there for ‘character-driven’ fiction, and we encourage you to read them. SPJ is not one of them, though. Hence, we are not interested in stories predominantly about the sentiments and subjective experiences of fictional people. We want hard SF that zooms out of the personal and lifts off into the structural, the systemic, the epic. We yearn for carefully crafted philosophical speculation that puzzles over the questions of the future and alternate pasts. And we have a soft spot for stories created as ‘artefacts’ (fictional, ‘in-universe’ non-fiction). So here are SPJ‘s quests: – Campbellian hard SF. Reaching back to the roots of classic sci-fi, these rigorous tales take themselves seriously and push the boundaries of our scientific imagination, scaling from the nano to the meta. The cast, if any, is functional and disposable. It’s the sociological, technological and indeed cosmic developments that sweep the reader up in an expanding sense of wonder. (For a contemporary long-form example that received mainstream attention, see the latter two books of Cixin Liu’s Three-Body Problem trilogy.) – Fictional non-fiction. The purest, most intimate form of world-building. A transcript of the last UN Security Council meeting before an extinction-level event. The dental bills of a cybernetic vampire. Interviews with eyewitnesses of a battle between Martians and archangels. Think ‘World War Z’, not ‘Walking Dead’. – Speculative philosophy. Extrapolating abstract ideas to examine the implications if they were to manifest. (See for instance The End of History, the Beginning of Hers in Vol. V. Issue 1. for a theological example of just what we mean.) (The first author to have a story published in each of the three categories...

Taking Submissions: Departure Mirror

Deadline: October 31st, 2020 Payment: $0.10/word up to 3,000 words for fiction. $300 flat rate above that. $5/poem flat rate for poetry. Theme: Speculative fiction that astute readers should be able to see how your story addresses the world we live in right now. What we Publish: Original fiction and poetry, all of which must be broadly “speculative fiction” (science fiction, fantasy, alt-history, magical realism, slipstream, or in some other way altered reality). Length: 12,000 words or less preferred, but you may submit stories up to 20,000 words. 30 lines or fewer for poetry. Rights Purchased: First worldwide English-language rights. Payment: $0.10/word up to 3,000 words for fiction. $300 flat rate above that. $5/poem flat rate for poetry. Simultaneous Submissions: Accepted. Please let us know immediately if your work sells elsewhere. Multiple Submissions: Accepted on a trial basis. Please do not dump your entire trunk on us or this will change. For fiction, we recommend not sending us multiple submissions unless there is a compelling reason to do so (in case we send feedback). Please submit each story separately. For poetry, please submit up to 10 poems in a single file. Reprints: By solicitation only. Query if your work was previously published but obscurely enough that you think it should not count. Translations: Accepted for first worldwide English publication. Response Time: We strive to respond to all submissions in less than 90 days. Query address: departuremirror gmail Departure Mirror Quarterly stories are: Current. Astute readers should be able to see how your story addresses the world we live in right now. Well written. Accessible to a mainstream American audience. Diverse. We mean this not only in terms of the types of stories we publish, but also in terms of the types of authors we publish. Writers from historically underrepresented and oppressed groups are especially encouraged to submit. Anti-violence. We do not publish anything that promotes...

Taking Submissions: THEMA – The Other Virginia

Deadline: November 1st, 2020 Payment: short story, $25; short-short piece (up to 1000 words), $10; poem, $10 Theme: The Other Virginia The Other Virginia (November 1, 2020) To download a PDF file of the guidelines, click here . ALL SHORT STORIES, ESSAYS, POEMS, PHOTOGRAPHS and ART MUST RELATE TO ONE OF THE PREMISES SPECIFIED ABOVE. NOTE: Previously published pieces are welcome, provided that the submission fits the theme and that the author owns the copyright. The premise (target theme) must be an integral part of the plot, not necessarily the central theme but not merely incidental. Fewer than 20 double-spaced typewritten pages preferred. Indicate premise (target theme) on title page. Be sure to Indicate target theme in cover letter or on first page of manuscript. Include self-addressed, stamped envelope (SASE) with each submission. Rejected manuscripts unaccompanied by an SASE will not be returned. Response time: 3 months after premise deadline.  NO READER'S FEE. Mail to: THEMA, Box 8747, Metairie, LA 70011-8747. Outside the US: email [email protected] On acceptance for publication, we will pay the following amount: short story, $25; short-short piece (up to 1000 words), $10; poem, $10; artwork, $25 for cover, $10 for interior page display. Copyright reverts to author after publication. THEMA isn't for everyone. To find out why, click here. New to submitting manuscripts to journals? Click here to download a PDF file of a few basic guidelines. Unlike many publishers, we prefer works submitted by the authors themselves, without the involvement of an agent. Be sure to indicate premise and include SASE for each submission.  BE SURE to include a separate SASE for each premise. No handwritten manuscripts will be considered. NOTE: We do not accept e-mailed submissions EXCEPT from authors who live outside the U.S. For those living outside the U.S., submit manuscript as an email attachment (readable by MSWord ― either as a DOC file or an RTF file), and include...

Taking Submissions: The First Line – Winter 2020

Deadline: November 1st, 2020 Payment: $25.00 - $50.00 for fiction, $5.00 - $10.00 for poetry Theme: Story must begin with: Winter: Loud music filled the room, making it hard to hear anything else. Due date: November 1, 2020 We love that writers around the world are inspired by our first lines, and we know that not every story will be sent to us. However, we ask that you do not submit stories starting with our first lines to other journals (or post them online on public sites) until we've notified you as to our decision (usually three to four weeks after the deadline). When the entire premise of the publication revolves around one sentence, we don't want it to look as if we stole that sentence from another writer. If you have questions, feel free to drop us a line. Also, we understand that writers may add our first line to a story they are currently working on or have already completed, and that's cool. But please do not add our first line to a previously published story and submit it to us. We do not accept previously published stories, even if they have been repurposed for our first lines. One more thing while I've got you here: Writers compete against one another for magazine space, so, technically, every literary magazine is running a contest. There are, however, literary magazines that run traditional contests, where they charge entry fees and rank the winners. We do not - nor will we ever - charge a submission fee, nor do we rank our stories in order of importance. Occasionally, we run contests to help come up with new first lines, or we run fun, gimmicky competitions for free stuff, but the actual journal is not a contest in the traditional sense. Fiction: All stories...

Taking Submissions: Far From Home

Deadline: November 1st, 2020 Payment: $0.01/word + a print copy of the anthology Theme: Adventure horror Off Limits Press is now accepting short fiction submissions for Far From Home, an anthology of adventure horror. Please carefully read the submission guidelines below before submitting. Submission Guidelines: Far From Home is an anthology of adventure horror. We are seeking original, unpublished short horror stories which strongly incorporate adventure. Adventure is intended to be interpreted broadly and may include, but is certainly not limited to, tales involving mountaineering, cave diving, the open sea, parkour, rafting, treasure hunting, arctic expedition, and caving. We are interested in and welcome most horror sub-genres, so long as the theme is strongly incorporated. Stories may include horror steeped in realism and/or the supernatural. Word Count: 2,000 - 8,000 words Deadline: The submission deadline is November 1st, 2020. Notification Deadline: All submissions will receive a decision by December 1st, 2020. Payment: $0.01/word + a print copy of the anthology Formatting: Please send submissions in standard manuscript format as a MS Word or PDF attachment. Please include a brief cover letter in the body of the email, including title, author name, and word count. Please put the title of the submission and the author name in the subject line. Please send submissions to: [email protected]. Please note: Cover art is subject to change. Submissions will not be accepted outside of the posted deadline. Via: Off Limits Press.

Taking Submissions: Bouchercon 2021 Anthology

Deadline: November 1st, 2020 Payment: $75 Theme: Second chances We are pleased to announce there will be a short story anthology for Bouchercon 2021. Our goal is to raise money for the New Orleans public library, which is desperately in need of funding. All of the proceeds after publishing costs will be deducted and the rest will go to the library, along with the proceeds from our live and silent auctions. In addition to stories published by some of our guests of honor and invited authors, we are asking for blind submissions from our Bouchercon friends. We hope most of the stories in the anthology will come from these blind submissions, and will include emerging voices, new voices, and authors who are in the early years of publication. We are eager to hear from everyone, but if you have never been in a Bouchercon anthology before, we urge you to please submit! Submission guidelines: Short stories must be less than 4000 words. Stories must not have been published anywhere else previously. The theme of this anthology is second chances, redemption, second try, play it again. Since this is the second Bouchercon in New Orleans, we may call it Second Time Around— but that is still in the works.  Any ideas, love to hear them. The story DOES NOT have to be set in New Orleans. Your story should be submitted only to me at the email below. I will blind it and send it on to our staff of reviewers and readers. You will be paid $75.00 for each story we publish so you meet the guidelines for certain awards in our industry.  But you could donate that money back to New Orleans Public Library and get a tax write off and help them in their time of need. If...

Taking Submissions: Forlorn: Volume I, Issue II

Deadline: November 1st, 2020 Payment: $15 fee Theme: Haunted holidays Submissions are currently open for one issue of The Periodical, Forlorn: Volume I, Issue II ​ Theme: Haunted holidays. ​ For this issue, we don't want tales of peace on earth and good will to men. We don't want to hear about the warmth of family gatherings or how the Christmas spirit inspires a new outlook on life for those once thought irredeemable We want to know how misfits and outcasts approach the holiday season. We want to know how ghouls and goblins and all manner of pagan creatures mark the season. ​ Deadline: November 1st, 2020 Guidelines for All Submissions: Word Limit: 6,000 words ​ Compensation: flat $15 fee upon publication, plus a digital copy of the magazine (which you're free to share). ​ Format: We will accept short-form fiction any way you want to write it. This can include poetry, flash fiction or short stories. We're particularly interested in the subversion of form. We don't care about hard and fast rules, so don't worry too much about formatting. If you feel its good, chances are that shines through in the writing. And we want to read it. ​ Genre: Anything that's dark, creepy, weird and just a little off-kilter. We're open to genre fiction, particularly anything related to horror, science-fiction, speculative fiction or weird fiction. But we're also interested in anything that twists or subverts these genres in some unexpected way. ​ Simultaneous submissions: We will accept simultaneous submissions, but please inform us if this applies to you. If a story may be pulled away from us at the last minute, we want to know as this may affect our decision on acceptance. ​ Multiple Submissions: Please only send us one submission at a time. If your submission is rejected, we will then accept another...

Taking Submissions: Constellation Magazine #1

Deadline: November 1st, 2020 Payment: 4 cents per word Theme: The Bonds That Unite Us / Los lazos que nos unen The Themes for Year 1 are: #1: The Bonds That Unite Us / Los lazos que nos unen #2. Myths and Monsters / Mitos y monstruos #3: Beyond the Stars / Más allá de las estrellas #4: Love Needs No Translation / El amor no necesita traducción The Bonds that Unite Us Constellations are the product of human imagination, giving meaning to the patterns we see in the sky. From these scintillating dots lighting up the night, we’ve created stories about heroes, legends, and mythological creatures. We created those bonds, and we give them meaning. Each culture that has looked up at the sky with wonder has its own interpretation of these connections, and now we want to hear yours. What are the bonds that unite our cultures and languages around the world? How are these bonds formed, and what upholds them? How can they be broken and forged again? What unites an alien civilization to humankind? What ties the dragon to the unicorn and prevents it from making a meal out of her? Sometimes these bonds are ones of blood. (Vampire tastes may vary.) Sometimes they’re shaped by shows of courage and strength, and the common struggles we face. These bonds can topple walls and bring down civilizations, and sometimes they’re the foundation for something new. The theme is open to interpretation, as long as the stories fit under the speculative fiction umbrella. Myths and Monsters Since the dawn of time, humans have stared into the abyss and wondered what hid in the darkness. Tell us about the myths and monsters that have shaped your perception of the unknown. Do your monsters hide in broad daylight or lurk in the shadows? Are they under the bed or...