Events

Taking Submissions: Cosmic Roots And Eldritch Shores September 2022 (Early Listing)

Submission Window: September 1st-2nd, 2022 Payment: 8 cents per word for original, 2 cents for reprints, For artwork: $10 for the non-exclusive right to use each image, for as long as the site is online.  If we publish a print collection we will pay a pro-rata share for each image used. Theme: Well written original work in science fiction, fantasy, myth, legend, fairy tales, and eldritch, in written, podcast, video, and/or graphic story form, and from around the world. Note: Reprints welcome     Submissions Schedule We have a new submissions schedule as of June 1, 2020: The first and second day of every month, 12 am of the 1st to 12 am of the 3rd, E.S.T. Only one submission per person. For reading impaired individuals, our submissions manager and ‘forget password’ have a captcha compatible with screen readers. We pay 8¢ per word for new fiction, 2¢ per word for fiction reprints, 2 – 6¢ per word for new fact-based work, 1- 4¢ per word for reprinted fact articles. For new poetry, we pay $1 a line, reprints would be 50¢ a line, up to 40 lines. We’ll look at longer poems but that would be a hard sell, and words over 40 lines would be paid at 6¢ per word. We began The Kepler Award to recognize and encourage writers of excellent science fiction and fantasy stories that creatively extrapolate on known science in constructive and exciting ways. You can learn about The Kepler Award here. You can read a copy of our standard contract here.   It can be varied as needed to include the rights of translators, voice actors, etc. Writers Guidelines We accept new work as well as reprints, prose and poetry, anywhere from 1000 word flash fiction on up, but all else being equal, shorter pieces...

Taking Submissions: Into Chaos

Deadline: September 6th, 2022 Payment: €150 Theme: Characters "stepping into chaos" From Aug 2nd to Sept 6th, we are open for short story submissions for our new collection, INTO CHAOS! We are looking for stories of all genres that respond to our title and/or cover art, and selected writers will receive a flat rate of €150 for accepted submissions. What calling would be strong enough for one to step into darkness? When heading into the unknown, the path is always lined by warnings – and yet, time and time again, characters barrel down that road, daring and unafraid. What is it that drives them on, despite all odds? Is it fear or is it desire? The need to escape or the siren song of adventure? And, perhaps more importantly, what will they find when they lift the veil and peer beyond? Be it unhinged mayhem or sublime beauty, we want stories of what happens when characters step INTO CHAOS. For our latest anthology, we want stories inspired by our title – INTO CHAOS – and the cover artwork below, created by artist Dominique Ramsey. All genres of writing are welcome, as long as they explore a story of embracing the unknown (which can be as real or as magic as your heart desires)! More than any specific story or style, we want the emotional response the title and artwork evokes in you. In the words of William Ernest Henley, we want tales where no matter how strait the gate, the menace of the years finds me, and shall find me, unafraid. INTO CHAOS What lies in wait for those that embrace the unknown? What will be lost – and what can be found –past the gates of chaos? What is beyond the portals of our reality – and what would...

Taking Submissions: Taco Bell Quarterly Issue 6 (Early Listing)

Submission Window: June 1st - September 6th, 2022 Payment: $50 Theme: Literary/creative essays, short stories, fiction/prose, poems, comics, art, one act plays, fever dreams, multimedia, stupid status updates, criticisms, manifestos, recipes and anything else that explore any and all elements of Taco Bell. Is this a joke? No! This a real literary magazine for you to submit your literary Taco Bell writing. Like The Paris Review. Granta. Ploughshares. Taco Bell Quarterly. It still sounds like you’re joking, but okay. What are the guidelines? Taco Bell Quarterly seeks literary/creative essays, short stories, fiction/prose, poems, comics, art, one act plays, fever dreams, multimedia, stupid status updates, criticisms, manifestos, recipes and anything else that explore any and all elements of Taco Bell. Or not. Shoehorn a chalupa in your short story. Maybe we’ll love it. An elegy for the discontinued menu items? Fine. An experimental essay about marine biology and the XXL Grilled Stuft Burrito? Awesome. Review the new Beefy Fritos Burrito and how it reminds you of the time your grandma died? We want it.  Something that  introduces us to inventive form, dynamic language, and strong voice. Or perhaps it does none of the above. We’re not judgey and pretentious. We’re the Taco Bell Quarterly. We lean towards pieces that are queer and center their pain/joy in a Taco Bell. Are you affiliated, sponsored by, connected to, or BFF with Taco Bell? No. But like all corporations, they are very aware of things that steal their intellectual branding. One time I asked them for a million dollars for literature in a zoom. They laughed politely and continue not to sue me. Is this going to be quarterly? It comes out when we feel like it. What’s the word count guideline? Write what it takes to tell your story. But seriously, people’s attention spans...

Taking Submissions: EconoClash Review

Deadline: December 1st, 2017 Payment: $10usd EconoClash Review (Quality Cheap Thrills) is a biannual print journal of Genre Fiction. We accept only the best contemporary pulp submissions. Which includes quality Crime, Noir, Fantasy, Horror, Sci-Fi, Weird, Humor and Other Words for Uplifting Gormandizers. EconoClash Review believes in free speech and wants to provide our readers with a much needed escape into other worlds. We like stories about Weirdos, Criminals and Pregnant Prom Queens going to great lengths to destroy or keep the status quo. HOWEVER, we don't want erotica, or adult content, or torture-erotica between characters of any age, race, species both real or fictional. Nothing gratuitous. Avoid the tropes best you can. Just because we wantGENRE doesn't mean we want STALE. Above all else--EconoClash Review wants fiction full of energy that feels real.  We encourage our writers to submit short fiction between 1,500 and 4,500 words. That word limit is FIRM and STRICTLY ENFORCED. SUBMISSIONS ARE OPEN October 1st through December 1st, 2017.  EconoClash Review claims the following publishing rights: First English Language Rights, English Language Periodical Rights, World Periodical Rights, and Electronic Distribution Rights. All Rights revert back to the writer six months after initial publication. Should EconoClash Review choose to create an anthology of previously published work, new rights will be negotiated. Bear in mind that most publications will not publish pieces that have been published in print, eBook, or on the web, so for all intents and purposes after your work is published by us it can only be marketed as a reprint, which severely limits the number of markets that will accept it, and drastically reduces the pay rate it can receive. It is up to you, the author, to decide if giving up your First Publishing Right for our  token payment, is really what you want to do. EconoClash Review will NOT CONSIDER  simultaneous submissions nor will we look at multiple submissions. Send us only one quality pulp story...

Taking Submissions: Tiny Tales 2022 Submission Window

Deadline: September 7th, 2022 Payment: $0.05/word (USD) Theme: All genres open though prefer stories with fantastic elements Tiny Tales is looking for fantastic, bizarre, and enthralling fiction stories to turn into podcast episodes. Submission Guidelines: Deadline: Submissions will be closing at 11:59 PM (CST) on September 7th, 2022. Please do not submit after that time.  Word Count: 500-1200 words (stories longer than 1200 words will not be considered) Format: Word Document, size 12 font Genre: Tiny Tales does not require a specific genre. However, the stories we include are always fiction and typically include some kind of fantastic element. Please keep this in mind when considering whether your story would be a good fit for this submission. - Include your name and email on the submission document. - Please submit one story at a time. After you have received a response, you are welcome to submit again. - The story should be your original work and free of any publishing rights restrictions. Previously published works are acceptable UNLESS they were published on podcasts or another form of audio. - Upon acceptance of a story, Tiny Tales will request a short bio to be released with the episode and published on the Tiny Tales website. Compensation: Payment for accepted stories is $0.05/word (USD) paid via PayPal. -------------------------------------------------------------------------------------------------------------------------------- Click here to submit Or email us: [email protected] Via: Tiny Tales.

Taking Submissions: NonBinary Review #30

Deadline: November 1st, 2022 Payment: 1¢ per word, $10 flat for poetry, $25 flat for art Theme: Family NonBinary Review is open for submissions on the theme of "family." Just as each of us carries many identities within us, each of us belongs to many families. There's our family of origin, often complicated and tumultuous, that leaves an indelible impression on our physical selves (as powerfully expressed in the poetry of Philip Larkin). Some of us have foster or adoptive families that further complicated our childhood sense of ourselves in the world. There's our family of choice, those people we gather to us to be our support system as we grow and change. There are families of affinity: people with whom we share common interests or experiences. But those aren't the sum total of possibility. Who are your family? How do you relate to them? How has family shaped your life and your responses to the world? What is the gulf between the family you need and the family you have? We want to know about your relationships and how they shaped you, rather than hearing the story of your (no doubt wonderful) grandpa, Auntie Bertha, or Little Timmy. We want to hear about your accidental families, your surprise families, your messed up families, and the ways you have carved out a place in your life and heart for them, or managed to build a much-needed barrier between you and them. All submissions must have a clear relationship to our theme, and be double-spaced in 12pt Times New Roman or they will be rejected. NonBinary Review  pays 1¢ per word for prose with a limit of 3000 words. To submit Visual Art, use this link. To submit Poetry, use this link.    Zoetic Press publishes the best in new lit - experimental, interstitial,...

Taking Submissions: Post Roe Alternatives

Deadline: September 8th, 2022 Payment: 3 cents a word. Theme: This is a look at the consequences of a SCOTUS who reserves rights for the Rich, the Corporation, the Badged and the Powerful. Roe V. Wade has happened.  The question is what is next?  What happens in our country?  What happens TO our country? what freedoms are next? Do we resist?  How? There will be consequences.  What are they?  Who stands up?  Who caves? This is a look at the consequences of a SCOTUS who reserves rights for the Rich, the Corporation, the Badged and the Powerful. THIS IS A SHORT OPEN CALL.  VERY SHORT.  Closes September 8. Planned Pub Date Nov 1. We accept Poetry, Essay, and Prose. 50 words to 4000 words.  Longer submissions by advance permission. We pay 3 cents a word. A goodly portion of the proceeds to to the ACLU. We are not accepting reprints without prior permission. Multiple submissions OK. Via: B Cubed Press's Moksha.  

Taking Submissions: Happy Howlidays: A Furry Advent Calendar

  Deadline: September 8th, 2022 Payment: $10 USD and a contributors copy Theme: Flash furry stories with a holiday theme Deadline: September 8th, 2022 Word count: Up to 1,000 words; a little above and a little below will be acceptable, but remember we are looking for flash fiction. If your story is excessively longer than 1,000 words it is likely to be rejected. You may send up to three stories, but we will only be accepting one per author. Payment: Authors will receive $10 USD and a free contributors copy of the final book. Tentative release date: late November, 2022 Advent calendars. From the beginning of December to the night before Christmas, each door on the advent calendar brings a new treat for you, whether chocolates or some cute trinkets. For this flash-fiction anthology, we are looking for authors who can surprise us with bite-sized treats; one for every day, from the beginning of that special season, till the night before Christmas. Just like you can find different kinds of treats in advent calendars, this anthology is open to any genre and any holiday during the winter season. The stories all need to be furry in nature. We are looking for stories that really capture the spirit of the holidays in 1,000 words or less. We encourage you to think outside the box and show us different takes on these holidays. Sweet, scary, sexy, or serious; we want to see them all and more. Not everyone celebrates the same holidays in December, so not all of our submissions need to be about one certain holiday. Eligible holidays include, but are not limited to: Hannukah Christmas (Day or Eve) Boxing Day Kwanzaa Winter Solstice ​ Things we will NOT accept: Racism, sexism, or discrimination presented in a positive light. Pedophilia or sex with characters under the age...

Taking Submissions: Hush, Don’t Wake The Monster

Deadline: September 12th, 2022 Payment: $15 Theme: Stories inspired by Stephen King Note: This anthology is for authors who identify as female Deadline: SEPTEMBER 12, 2022 Payment: $15 flat fee per story (author must have a valid PayPal address as that will be used for payment) Publisher: Twisted Wing Productions Novelist Stephen King says writing is like leaving the ordinary world for a world of his own making: “It’s a wonderful, exhilarating experience.” Theme: STEPHEN KING HOMAGE/STORY RETELLINGS Every (unless you live under a rock) knows Stephen King, the modern-day master of horror novelist. With a career spanning so many years and over eighty books published between novels and short story collections there’s a lot of material to be inspired by! We’re looking for Stephen King retellings/homage of his novels or short stories with a feminist edge. Focus on themes he explores in his own writing (but not limited to this is only to give an idea) such as: Ordinary people dealing with extraordinary/supernatural events/entities, loss of innocence, coming of age, good vs. evil, and much more. The genre is HORROR. Stories MUST have elements of horror in them. The author submitting MUST IDENTIFY AS FEMALE. The author must retain full rights to the work intended for our consideration and that the work itself is complete and not published anywhere else (including personal websites or social media). Having been previously published isn’t a requirement, if you have a compelling story, send it to us! Format: Word doc, 12 font, double space Times New Roman. Not a reprint. We are asking for exclusive first worldwide electronic and print rights for 18 months and the right to keep the story in print, and nonexclusive right to continue to publish for the life of the anthology. We do not place any limits on what the author does with the story...

Taking Submissions: Whetstone Issue 6

Deadline: September 12th, 2022 Payment: $10 Theme: Pulp sword and sorcery CALL FOR SUBMISSIONS / WHETSTONE / Issue 6 (Winter 2022) WHETSTONE is an award-winning amateur magazine that seeks to discover, inspire, and publish emerging authors who are enthusiastic about the tradition of “pulp sword and sorcery.” Writers in this tradition include (but are not limited to) the following: Robert E. Howard, Fritz Leiber, Jack Vance, Michael Moorcock, Karl Edward Wagner, David C. Smith, and many more. “Pulp sword and sorcery” emphasizes active protagonists, supernatural menaces, and preindustrial (mostly ancient and medieval) settings. Some “pulp sword and sorcery” straddles the line between historical and fantasy fiction; at Whetstone, however, we emphatically prefer “secondary world settings,” other worlds liberated from the necessity of historical accuracy. Published by Spiral Tower Press. Managing Editor: Dr. Jason Ray Carney is a lecturer in the Department of English of Christopher Newport University in Newport News, Virginia. He is the co-editor of the academic journal The Dark Man: Journal of Robert E. Howard and Pulp Studies and the area chair of the "Pulp Studies" section of the Popular Culture Association. He serves as the Academic Coordinator for the Robert E. Howard Foundation. He is the author of Rakefire and Other Stories (Pulp Hero Press). Associate Editor: Chuck E. Clark lives in Southern Wisconsin with his wife and four children. He graduated from the University of Kentucky with a Political Science degree, apprenticed as a jeweler, joined the navy, and now fixes laser microscopes. He has been published in Whetstone and The August Derleth Society's newsletter, Sage of Sac Prairie. He loves collecting rocks, books, and whiskey. Associate Editor: Luke E. Dodd is a scientist, devourer of music, and collector of hobbies. He is one of the three hosts of The Cromcast, a podcast dedicated to the works of Robert E. Howard and other weird fiction. He lives...