Category: Articles

5 Things This Podcast Host Needs Horror Authors to Know

5 Things This Podcast Host Needs Horror Authors to Know

By: Ashe Woodward

 

If you’re a horror author, you’re likely more comfortable scribing alone in the silence of the blackened night. So it may seem like a direct gash in the face when it seems like everyone is telling you to “put yourself out there,” in the light of day, on a podcast, with an extroverted host spewing questions at you. 

 

I get it. I’m an author too.

 

But I’m also a podcaster, and you should know that being a guest on a respected podcast can do a lot for you. Not only is it great for exposure and book sales but it’s a way to build a sustaining brand around you and your future work. 

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Indie Bookshelf Releases 04/04/2025

Got a book to launch, an event to promote, a kickstarter or seeking extra work/support as a result of being hit economically by life in general?

Get in touch and we’ll promote you here. The post is prepared each Tuesday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

 

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Proposed Tariffs Make Strange Bedfellows

Proposed Tariffs Make Strange Bedfellows

 

The Canadian Independent Booksellers’ Association has partnered with Canadian bookselling giant, Indigo? This is a sentence that very few Canadians would have ever expected to read but the new tariffs on products from the United States would affect books. CIBA and Indigo CEO, Heather Reisman, have written a joint letter to Prime Minister Mark Carney requesting that books be excluded from tariffs. 

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Writing Prompt Wednesdays: Zombie Flies

Writing Prompt Wednesdays: Zombie Flies

Welcome to “Writing Prompt Wednesdays,” a haven where your imagination can roam free in the realms of speculative fiction. As we embark on this weekly journey, it’s thrilling to think about the untold stories waiting to be penned in the domains of horror, science fiction, and fantasy. Whether you’re a seasoned author or a budding wordsmith, these prompts are your gateway to unexplored worlds and untapped potentials.

Every Wednesday, we’ll serve up a fresh, thought-provoking prompt designed to ignite your creative spark and challenge your storytelling prowess. Think of these prompts as a key, unlocking the doors to uncharted territories where your creativity is the only limit. From eerie, shadow-laden corridors of Gothic horror to the farthest reaches of interstellar space, and the mystical depths of high fantasy, our prompts are a kaleidoscope of possibilities.

Remember, there’s no right or wrong way to approach these prompts. They are mere stepping stones, guiding you towards the vast landscapes of your imagination. Use them to break free from writer’s block, to experiment with new ideas, or simply as a fun exercise to keep your writing skills sharp.

This week’s writing prompt:

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How fantasy built the foundation for my horror stories

How fantasy built the foundation for my horror stories

I’m frequently asked how it is that I became interested in horror as a creator.

It’s one of those questions that I tend to immediately internalize as if it’s coming from a place of judgment (in fairness, more than once it has).

But it’s an honest question also, and the answer is rather mundane, but I think it is useful for us as creators.

Here’s the big (read: boring) reveal: I come to horror by way of fantasy. If anything, fantasy is homebase for me and horror came a bit later.

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A Stolen Livelihood – LibGen, Meta, and The Atlantic

A Stolen Livelihood – LibGen, Meta, and The Atlantic

Like many authors, the ongoing battle against AI has been at the forefront of my mind. In the UK, the focus has been very much on the direction our government appears to be taking towards allowing access to copyrighted materials for AI training. The onus it seems will be on the creator—whether musician, author, or artist—to opt out. The White Paper consultation, which closed in February of this year, can be read in full here. The message overall is that whilst the creator should be able to reserve their rights so that AI cannot be trained on their output, the rights of the AI industry are given an equivalence and must be supported. In fact if you look at the government’s position it seems to favour AI at the expense of the creative sector: despite the responses from the likes of the BBC, The Information Commissioner’s Office, authors, artists, and musicians (who marked their protest with the silent album ‘Is This What We Want’ consisting of recordings of empty studios).

But all this discussion and consultation strikes me as pretty much pointless when the industries using AI are simply going ahead and scraping data before the copyright discussion has been settled legally. This hit home when I spotted a series of posts by a huge number of authors who had found their work on the LibGen Pirated* Books database. US magazine The Atlantic had provided the link. The latter is currently carrying out an investigation into the data set used by Meta to train its AI. It provides the database link here. Are you in there?

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Creating a Perfect Antagonist for Your Student Horror Story

Creating a Perfect Antagonist for Your Student Horror Story

Horror stories thrive on fear, and at the heart of every great horror story is a terrifying antagonist. Whether it’s a supernatural entity haunting a school dormitory, a deranged professor with a dark secret, or a sinister force lurking in the library basement, your antagonist is the driving force behind the fear. A well-crafted antagonist does more than just scare readers; they create tension, challenge protagonists, and make your horror story unforgettable.

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