Trembling With Fear 3-30-25

Greetings, children of the dark on this second-to-last day of March—which, btw, WTAF?! How does time work these days? I am, as ever, back to being behind on life because my brain is refusing to do its job lately, so I’ll just pop one note in here and then let you go about your merry ways…

Our April short story submission window shall be declared open on TUESDAY. Yes, that’s April Fool’s Day, but I promise you this is no prank. 

We’re right up to date on our slush pile now, so come on and fill it right up again! We want your best and brightest (well, darkest) speculative fiction. Your gothic tales and mythological beasts. Your killer-on-a-spaceships and your dystopian futures. Your dark dabblings with magic and your haunted happenings. Come on and submit—just make sure you read our submissions guidelines first, and please please please submit a clean, plain Word document. Bonus points if you do the following:

  • 1.5 or double spacing
  • 12pt font size
  • Arial or similar font
  • Word doc – not pasted into the submission form; not a Google doc link; not a PDF
  • Have your name and story title on the first page

We’re not asking you to follow any strict particular formatting here; just the basics of helping us be able to open and read the document, identify what the story is, and who wrote it. Honestly, it’s formatting issues that have delayed the anthology publication because we now need to go through and proofread it carefully and check it for consistency, so do us a solid and let’s start out with the consistency, yeah?

But now, it’s time for this week’s edition of dark speculative fiction. For our main course, we have a gorgeously dark and haunting morsel from John Dougherty. That’s followed by the short, sharp speculations of:

  • Catherine Berry’s trash,
  • Sean MacKendrick’s possession, and
  • Gideon Smith’s bargain.

Want to join these four in the illustrious pages of TWF? Here’s what we’re looking for:

  • Always, always with the drabbles – those short, sharp bursts of exactly 100 words. Make it dark and make it speculative (scifi, fantasy, horror). We publish three of these every darn week of the year.
  • Unholy Trinities – that’s three drabbles that are connected in some way. Sarah Elliott awaits your tales.
  • Serials, or dark speculative fiction that can be serialised on the site over several weeks. Vicky Brewster is ready for ‘em.
  • Finally, our next submissions window for general short stories opens on Tuesday!

Send your submissions via the form at the bottom of this page (and you may as well read the content of that page, since it tells you our guidelines).

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

This week I had 3 full days of training (and next week I have 2), so I hate to say this, but I wouldn’t expect much progress on the new layout for 3ish weeks. 

That being said, more proofing has been done on the next Trembling With Fear print addition! As I’m not currently in charge of getting that together, something IS being done. 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

John Dougherty

John Dougherty is a writer and educator based in the Philadelphia area. You can find him online at http://www.johndocwrites.com and @johndocwrites on Instagram.

Carcinoma, by John Dougherty

It scared me how much I wanted to be with you.

Maybe all lovers feel that: the desire to sink into one another until your borders dissolve, until “you” and “I” are devoured by “us.” Maybe there’s something about an affair — the forced distance, the faucet either running at full blast or standing still without a drip — that makes the need sharper, more desperate.

I wonder if that’s why it started, if my need drew you like a wolf sniffing blood on the wind. We met at the university, where you strolled the archives like you owned them and I was a lowly research assistant specializing in occult texts. I was the only person you’d ever met who shared your peculiar interests; you were the only one I’d met who believed it was all real.

We were in the building named after your grandfather when you put your hand on my knee. I didn’t pull away. You said, We’re the same. Meaning: our obsession with knowledge, our desire to peel reality back and find what squirms in the darkness underneath. But it was more than that. You saw that we were lonely in the same way.

At first it was about knowledge, not sex. We’d both worked small magics before – mild divination, tiny curses on business rivals and dismissive professors – but feared exploring the deeper mysteries. Were you afraid? It’s hard to imagine, but there must have been a reason you never tried alone.

Even now, it stings to realize there are things about you I don’t know.

You’d tell your wife you were working late, and we’d meet in your apartment, the one with the real Degas and the chairs too expensive to sit on. I brought the university’s copy of the Liber Carneus, its leathery pages reeking with age and madness. You brought the sacramental objects, often wet and warm. I never asked how you got them.

And we would change.

It’s not easy or pretty: your bones creak and stretch or go hollow, your organs shift around, and itching patches of fur or feathers or scales sprout across your skin. But when it’s over, you experience the world in a whole new way. We scampered through walls on the nimble feet of mice, glided like shadows above the pulsing city as owls, stalked the alleys as cats, all muscle and teeth. We basked in music the human ear can’t catch, learned secrets that only the beasts know.

We had to strip before we changed, of course, to avoid being smothered by our clothes. I thought you wanted me. I knew I wanted you. In retrospect, I’m surprised it didn’t happen sooner.

Once it did, we became more interested in exploring each other than the world. We made love as foxes, raccoons, falcons. We discovered new horizons of intimacy, unknown to human bodies with their clumsy limbs and dull senses. My favorite? I know it’s strange, but when we were banana slugs: folded into each other, nothing but atoms between us.

When you killed me, you were in your own body. Your hands around my throat, your muscles constricting to cinch off my airway, your fingernails digging crescents into my skin. Your wife had come by the university asking questions. I never would have said anything, but you’d never known consequences before, and you were scared. Your hands hurt me, yes, but even worse was realizing you didn’t trust me. After everything, you didn’t know me.

The apartment was prepared for the ritual, and I could feel the magical energies swirling. I groped around my brain, buzzing with frantic insects, for the words of the incantation. As my vision blurred, I mouthed them over the thinnest hiss of air.

After I vanished, you stomped around my clothes in a rage. Maybe you thought I’d become a mouse or a cockroach. Maybe that’s all I ever was to you: a pest that would eventually need extermination. But I wasn’t skittering around the floor, dodging your Louis Vuittons. I’d become much smaller.

I am a patch of cells, clinging to your left lung. I didn’t even know it was possible: to become something alive, but without a mind or a body. I was thinking small and I was thinking breathe, and now here I am. Maybe I could have changed back if you hadn’t torn apart our carefully-constructed ritual space. If I tried now, maybe I would kill us both, bursting from your chest in a horrible parody of birth.

Don’t worry. I have a better idea.

The cells I became don’t have thoughts, simply an impulse: to grow. I spread. I’m still spreading. I embrace your cells and then move on, leaving them gray and cold in my wake. With enough time, I imagine, I could replace every cell in your body, and then, maybe, I’d have the closeness I always wanted. But you don’t have that long.

You have a bad cough that won’t go away. You went to your doctor (I’ve taken enough of you that I can see through your eyes, hear through your ears). They scanned you, but when I changed I also thought invisible, and so they couldn’t see me. 

But I’m there.

This morning you coughed up blood. When you looked in the mirror, your eyes were fragile with fear. Maybe it was just finally encountering a problem you couldn’t buy your way out of. Or maybe you realized, at last, where I’d gone. 

Do you understand now? Do you realize that your body is a haunted house? And when you reach a shaking hand up to wipe away the bright red that speckles your lips, do you recognize it as my last kiss?

Suspicious Characters

“What’s wrong?” Celia asked her dog.

It growled loudly, putting itself between her and the neighbor’s garbage bags a few steps away on the curb. Patting the dog’s flank with a breathy laugh, she moved towards the trash.

“It’s okay, plastic bags aren’t scary,” Celia soothed as she bent over to touch it. The bag rustled and warped with a high, squealing rip, wrapping around her. Polyethylene tendrils reached for the snapping and snarling dog.

“No!” Celia cried, shoving the dog out of reach as she disappeared into the bag’s dark maw with a crinkling squelch.

Despondent, the dog howled.

Catherine Berry

Catherine Berry loves whimsy, potatoes, and adventures with her dogs. Her work has been published in anthologies such as Trembling With Fear, the Trench Coat Chronicles, & Once Upon A Future Time Vol. 3. More of her work can be found at catherineberrysbooks.com

The Man in the Mirror

Chandra yells from the stairs, “Breakfast is getting cold. What are you doing up there?”

What I’m doing is staring at the human face in the mirror, hating its soft weakness. Three weeks in and this body is already decaying.

My time here is over. She’s going to notice the clouded eye, or the bare patches of scalp. A dead tooth clatters into the sink.

“Come down,” Chandra calls to me. Well, not to me, but, you know. “It’s time to eat.”

More teeth fall as my fangs push through my host’s gums.

She’s right, it is time to eat.

Sean MacKendrick

Sean MacKendrick’s drabbles have appeared recently in outlets such as 100 Word Horror, Dark Moments, and Tiny Frights. Of course, his favorites have been those that appear in Trembling with Fear!

When The Stakes Are Higher Than You Think

“It’s my lucky ring,” Royce said. “Care to wager for it?”

Captain Barthus eyed the diamond-clustered gold band. Pirates loved treasure.

“Against what?”

“Your ship.”

“For a ring?”

“I’ll draw just one card, you draw three. Highest card wins.”

“Ten cards.”

“Deal.”

Royce shuffled and drew. A jack.

Barthus turned over a queen.

“The ring, Royce.” Barthus slipped it on. 

“Oh, by the way. It’s cursed. Whoever owns it at midnight dies. So, unless you get some fool to take it by midnight, your ship’s mine anyway.”

“You said it was lucky!”

“Didn’t say it was good luck, did I?”

Gideon Smith

Gideon Smith is a queer, first-generation college graduate. His fiction has appeared in Apparition Lit, Stupefying Stories, Wyldblood Science Fiction and Fantasy Magazine, 100-Foot Crow, Troopers Quarterly and a number of anthologies, including ones from Black Hare Press, Shacklebound, and Fairfield Scribes. He has also written on the craft of writing for SFWA and BSFA Focus Magazine. More via gideonpsmith.com

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