Taking Submissions: The Morning After
Transcendent Fiction PublishingDeadline: June 1st, 2025 Payment: AU 1c/word Theme: What happens to a person after a major transformation Submissions open until 1st June 2025 The Morning After is an anthology about what happens after a sudden transformation. This could be an individual person transforming into something new or a mass change that effects humanity as a whole. How does this person or society react to no longer being human? As an editor, I am keen to see how people react in this unique situation. Focus on struggles and adaptation to new forms are highly encouraged. Despite the name of the anthology, the story does not need to begin with waking up in this new reality - but it should start shortly after the transformation has taken place. Submission guidelines Stories should be within 2000 words and 10,000 words. Please enquire with stories above or below this wordcount. Stories may be of any age rating including explicit 18+ stories. Stories may be of any genre so long as they include the transformation elements. As a variation to our usual guidelines, authors do NOT need to be trans, non binary, or female. Cis male authors are encouraged to submit. Payment will be AU 1c/word. Original/unpublished stories only for this anthology. how to submit Submissions should be sent to [email protected] Please use the subject format of: MORNING AFTER SUBMISSION: , by . Include the story as a .doc or .docx file attachment. Via: Transcendent Fiction Publishing.
Eerie River is open to Novels and Novellas from Canadian Authors
Eerie River PublishingSubmission Window: April 15th - June 1st, 2025 Payment: 40% royalties for net eBook sales with a chance to increase to 50% should a specific threshold of sales be met. Theme: Novels and novellas in dark fiction, horror, dark romance, and horror romance. Publishing Opportunities for 2026 We are happy to announce that our focus for 2026 is to highlight the voices of underrepresented Canadian authors. We are seeking submissions from Canadian authors who identify as BIPOC, 2SLGBTQIA+, or are from marginalized communities. We are seeking two novels or novellas in the genres of dark fiction, dark romance, horror romance, or horror, to be published in the latter half of 2026. If you are a Canadian author with a unique story to tell, we encourage you to submit your work for consideration. Let's bring your voices to the forefront of the literary world. Our submission window will be from April 15 - June 1. We are seeking completed manuscripts. Eerie River Publishing only publishes a handful of novels a year. Regrettably, this means we will have to pass on some fantastic writing. We wish we could publish them all but the truth is we wouldn't be able to put the resources needed behind each project to make them a success. And that is what we are here to do. We are an inclusive company that accepts submission from anyone regardless of race, gender or sexuality. We accept agented and non-agented submissions during our submission window. What are we looking for?IN DARK FICTION We are seeking high-quality, novel and novellas in dark fiction, horror, dark romance, and horror romance. We want unique, well-crafted stories with compelling plots, terrifying twists, and entertaining characters, for mature audiences. Give us your grim, heart-wrenching twist. The perfect story would balance the light and...
Taking Submissions: Eternal Haunted Summer: Summer Solstice 2025
Eternal Haunted SummerSubmission Window: May 1st - June 1st, 2025 Payment: $5 Theme: Poetry or short fiction about the Gods and Goddesses and heroes of the world’s many Pagan/polytheist traditions that somehow features Music Summer Solstice 2025: Music. Submission Period: 1 May through 1 June 2025. Jazz and blues. Rock and opera. Ballads and filk songs. Music has been an integral element of human creativity and culture since we first learned to carve holes into bones. Send us your best poems, short stories, and essays about music — in all its forms — from a Pagan/polytheist, witchy, and mythological point of view. Send us poems about the duel between Apollo and Marsyas, Bragi wooing Idun, and Pan stalking a poacher with madness-inducing pipe music. Send us short stories about a desperate musician making a crossroads deal with Dionysus, a composer praying to Hymen for inspiration, an archaeologist uncovering a temple and sacred instruments of Kothar-wa-Khasis. Send us essays about Väinämöinen as archetypal musician, Mozart’s opera Apollo et Hyacinthus, and the rise of the modern Pagan music scene. What is Eternal Haunted Summer? EHS is an ezine dedicated to 1) original poetry and 2) short fiction about the Gods and Goddesses and heroes of the world’s many Pagan/polytheist traditions. We feature 3) reviews of books, graphic novels, academic journals, magazines, movies, plays, and so forth which have a Pagan focus, or which otherwise might interest our Pagan readership. And 4) interviews with established and new Pagan authors, or authors of texts that interest a Pagan audience. And finally, 5) essays concerning the Gods, Goddesses, heroes, myths and folklore of the world. What do we mean by “original?” The submission must not have been previously published in hardcopy, or on another ezine, or website, or blog. Since people often discuss their writing on email lists and messageboards,...
Taking Submissions: Lizzie Borden Anthology
Deadline: June 1st, 2025 Payment: $10 and a contributors copy Theme: New and unique takes on the legends and realities of the Lizzie Borden story Everyone knows the legend of Lizzie Borden, especially the dark nursery rhyme... Lizzie Borden took an axe Gave her mother 40 whacks. When she saw what she had done, Gave her father 41 Riverdale Avenue Books has teamed up with the Historical Lizzie Borden house to put together an anthology of stories, under the direction of award-winning horror author Sèphera Girón, who has visited the house multiple times over the past few decades. The “Official” Story of the Lizzie Borden House Lizzie Borden was born in 1860 in Fall River, Massachusetts. Since her mother had died when she was young, she had been at odds with her stepmother, Abby, who she and her older sister, Emily, believed married her father for his wealth. Their father, Andrew, was a prominent developer in Fall River. Lizzie grew up an upstanding member of her community, being heavily involved in the church and performing services for the poor. As Lizzie grew older, the tension between the parents and the daughters grew. Lizzie and Emily remained unmarried, bringing negative attention to the family from their peers and the sisters were critical of the way their father was distributing his wealth to their stepmother’s family.. The story says that Lizzie, blind with rage, hacked her father and stepmother to death in the house. The trial that followed became one of the most sensationalized courtroom cases in American history, attracting hundreds of tourists to Fall River. Lizzie was acquitted due to lack of evidence and reasonable doubt although the fact that she destroyed the clothes she wore have convinced some of her guilt. She lived the rest of her life in relative anonymity, but...
Taking Submissions: It Takes a Village
Winter Jewel PublishingDeadline: June 1st, 2025 Payment: $5 for poetry sets (up to 5 pages), $10 for flash fiction (up to 1000 words), $25 for fiction stories up to 5000 words, +$2/1000 words for over 5000 for fictions stories up to 10,000 words Theme: Canadian authors telling stories about community: finding it, building it, maintaining it, being expelled from it. SF and F are called out as acceptable, no word on H so probably a hard sell This anthology’s theme is “It Takes a Village” – I’m looking for stories about community: finding it, building it, maintaining it, being expelled from it. How do we build our villages as adults? How do we grow connections with those around us? What do we do when we’ve lost them? We’ve heard the phrase “It takes a village to raise a child” but also “The child who is not embraced by the village will burn it down to feel its warmth.” How do we tackle these emotions as adults? As this is a bit trickier of an anthology theme than the last one, the reading period is going to be much longer, and the final evolution of the anthology’s theme will come from what the overarching theme and tone from the submitted and accepted pieces create. What I am looking for: Poems, flash fiction, short stories, science fiction, fantasy, romance, literary, contemporary, and more. We want a wide variety of fictional stories! Works from Canadian writers/authors only, with some preference for writers from British Columbia. Special consideration/interest for writers who are Former Foster Youth or Adopted Flash Fiction up to 1000 words Short Stories up to 10000 words – very limited spots for over 5000-word stories Poetry sets of up to 5 pages Polished works – please don’t send your first draft. Make sure to...
Taking Submissions: The Necronomicon of Sherlock Holmes
Belanger BooksDeadline: June 15th, 2025 Payment: $125 and a contributor's copy Theme: Insert Sherlock Holmes into the realm of Lovecraftian Horror Edited by Derrick Belanger & Brian Belanger Description: Imagine Holmes investigating the disappearance of a college student in the mysterious town of Innsmouth, matching wits with a man who can reanimate the dead, or using his deductive skills to help fight creatures from beyond the realm of time and space. These are just some of the stories which could be included in the new anthology The Necronomicon of Sherlock Holmes. The anthology will feature traditional Sherlock Holmes stories blended with one or more of Lovecraft’s tales. Belanger Books is calling for submissions from writers, new or established, which are between 5,000 – 10,000 words (it is okay to be over some). Guidelines: The stories must feel like traditional Holmes and Lovecraft stories. The stories should have the traditional Holmes and Watson working with the traditional characters, creatures, and/or gods of H.P. Lovecraft. Remember, there was a logic to the writing of Lovecraft, a rationale behind the otherworldly beings even if humans couldn’t conceive it, that should blend well with the deductive skills of Sherlock Holmes. Payment: Authors shall receive a payment of $125 and a paperback copy of the anthology. Rights: Authors shall retain rights to their work. We only retain the rights to the story within the publication. Authors are welcome to submit more than one story for the anthology. Send submissions in a word document that is double spaced, in Times New Roman, and in 14 point font to [email protected] with the subject line ATTN: SUBMISSION FOR THE NECRONOMICON OF SHERLOCK HOLMES Submission Deadline: June 15, 2025. Publication Date: Winter 2025/2026 Via: Belanger Books.
Taking Submissions: Eye to the Telescope #57
Eye to the TelescopeDeadline: June 15th, 2025 Payment: US 4¢/word rounded up to nearest dollar; minimum US $4, maximum $25 Theme: Speculative poems about Birds Eye to the Telescope 57, Birds, will be edited by Maria Schrater. Send your speculative bird poems! The endless diversity of birds is one of the great marvels of our world. Migration patterns, flight mechanics, song, life cycle, and more—it's a diverse pool to draw from, with deeper potential with the addition of speculative layers. Guest Editor Maria Schrater has been fascinated by birds since she was a child, learning to imitate their calls and identify local species just by a flash of color. She has rescued baby birds, carefully viewed delicate nests, and watched majestic waterfowl take flight. Apparition readers may remember that Schrater adores out-of-the-box forms. You could even send a poem shaped as a bird. If you pick a traditional form, please name the form in the cover letter so it can be evaluated with that in mind. A generous interpretation will be applied to the definition of bird, but this call is not intended to include dinosaurs unless modern birds are also discussed. We are excited to see your poems! Submission Guidelines SUBMISSION INSTRUCTIONS Use the form at https://bit.ly/SFPAettt57 to submit. Please submit 1–3 unpublished poems in English (ideally, attached as .docx or .txt) and include a short bio. Translations from other languages are acceptable with the permission of the original poet (unless public domain). Inquiries only to [email protected] with “ETTT” in the subject line. Deadline: June 15. The issue will appear on July 15, 2025. Payment and rights Accepted poems will be paid for at the following rate: US 4¢/word rounded up to nearest dollar; minimum US $4, maximum $25. Payment is on publication. The Science Fiction & Fantasy Poetry Association normally uses PayPal to pay poets, but can also send checks....
Taking Submissions: 100-Foot Crow Spring 2025 Window
100-Foot CrowSubmission Window: May 15th - June 15th, 2025 Payment: $8.00 ($0.08 per word) Theme: Scifi and/or Fantasy 100-word stories (can include horror but must have a SF or F element) that focus on the theme of 'Train" - any meaning of the word Train is valid. We’ll be opening again for submissions May 15 to June 15 for the theme TRAIN. We will allow one themed and one un-themed submission per writer. All submissions must be submitted via our Google form, which will be available here when we are open. What do we want? Speculative fiction (science fiction or fantasy) Note: We accept horror, but it must have a speculative element, whether science fiction or fantasy. Drabbles (100-word stories EXACTLY) Note: We calculate word count using Microsoft Word. If using Google Docs, please manually count your words. It has a truly baffling definition of a word (e.g., “1,000” = 2 words). Actual, complete stories Even though they’re only 100-words, drabbles still need all the essential elements of a story: character, setting, conflict, theme, and plot. What do we NOT want? Child abuse (of any type) Erotica Rape Revenge stories Hateful content Poems All the details Simultaneous submissions: Yes! Go crazy. Submit everywhere! But if it is accepted elsewhere, please let us know. Response time: Responses will be within 60 days. Please query after this time. Multiple submissions: You may submit two stories per submissions period. Note: Only one story will be accepted per author per period. Reprints: Nope. Stories many not be previously published in any format (including on your blog, Patreon, etc.). Formatting: Please format italics with surrounding _underscores_. You do not need to add indents or manual line breaks. AI use: No. All work must be original and yours. Using AI or plagiarizing will get you banned forever. No redemption arc will be possible. Contract terms: We require first worldwide English electronic...
Taking Submissions: It Was Paradise
Reckoning PressDeadline: June 22nd, 2025 Payment: 15 cents per word for fiction and $75 per page for poetry and artwork. Theme: In a world devastated by catastrophes, we need stories that confront these horrors. Note: Prioritizing work by people with lived experience of war and conflict. It’s time to announce the call for submissions to It Was Paradise*, a special issue of Reckoning edited by Sonia Sulaiman and with cover art by Moníca Robles Corzo. In a world devastated by catastrophes, we need stories that confront these horrors. This is all out war on the planet, on life itself. War and conflict are the themes for this volume of Reckoning. Probe into the heart of extinction, genocide, and climate crisis. Expose the exploitation of the earth. Show us how the world could be on the other side. Send us your stories of environmental justice, of violence, imperialism, fascism, and resistance, of destruction, survival, and of triumph. It Was Paradise is open for submissions now through the summer solstice, June 22, 2025, with tentative release scheduled for October. Payment rate will be 15 cents (US) per word for prose, $75 per page for poetry and art. As always, we’re seeking submissions from Black, Brown, Indigenous, queer, trans, disabled, neurodivergent, imprisoned, impoverished, and otherwise marginalized human beings from everywhere, but in particular for this issue, we will be prioritizing work by people with lived experience of war and conflict. We’ll continue to accept submissions to our communication-themed regular issue, Reckoning X, throughout. Also, during this submission window only, we’re relaxing our usual rule about multiple submissions to allow folks to submit to both calls simultaneously. We’re always open to submissions. There are never any fees to submit. We pay SFWA-qualifying “professional” rates upon acceptance; click below to see how much for different...
Taking Submissions: Enter Here
Submission Window: Marginalized writers from June 1, 2025 to June 15, 2025 and for BIPOC writers from June 1, 2025 to June 22, 2025. Payment: $0.01 USD per word Theme: Speculative fiction from marginalized voices that include a door opening (literally or metaphorically) in some manner. GENRE: Speculative Science Fiction, Fantasy, or Horror TITLE: Enter Here: An Anthology of Portals For untold years, the door has been closed. But today, the key turns. The lock clicks. The door opens, and you go through it. What awaits you on the other side? ENTER HERE is an anthology of thirteen short stories of speculative fiction from marginalized voices. Breaking into publishing can feel like knocking on a closed door or being turned away from a locked gate. With this anthology, we want to open the doors. Stories in this collection may fall into any genre of speculative fiction and will span the range from cozy to grimdark, but every piece must include a door opening in some manner. Physical or metaphorical, traditional or unusual—make the doors your own. Send us your lushly written, genre-blending stories that look at portals in unexpected or unusual ways. Submission rules: Submissions will be open for all marginalized writers from June 1, 2025 to June 15, 2025 and for BIPOC writers from June 1, 2025 to June 22, 2025. Submissions received after 11:59pm EST on June 15 for general submissions/June 22, 2025 for BIPOC submissions will be deleted unread. We are asking you to self-identify and will not be verifying identities, so please respect these submission windows. Authors must self-identify as marginalized in some way. Intersectionality and #ownvoices are encouraged. However, you are not required to disclose your marginalizations. The purpose of this item is to ensure that we are capturing stories from marginalized writers, not to make an exhaustive list...