Trembling With Fear 4-20-25

Greetings, children of the dark. Sound the klaxons: our latest short story submission window is now closed! If you send in a short story now, it will be returned to you unread and we don’t like having to do that, so please just hold onto it until the next one opens in July. 

Some stats for those playing at home: we had more than 50 submissions in those two weeks. Remember, these windows are quarterly, which means they cover around 12 editions of Trembling With Fear, so there’s quite a bit of competition. (This is also why we moved to the quarterly windows for short story subs; we had authors waiting almost a year, sometimes more, for their stories to be published!) The team’s looking forward to diving into your creative works, but please do bear with us while we get through them. And remember, if it’s a no, we were oversubscribed by more than three times the opportunities, so it’s not you!

While we prepare ourselves for the slush pile, we’ll hand you over to this week’s edition of dark speculative fiction. For our main course, we’re dipping into some urban SF-lite with David McKenna, dealing with an investigation by HQ. That’s followed by the short, sharp speculations of:

  • Sascha Reinhard’s unlucky hand,
  • DL Ross’s hospital wallpaper, and
  • Corinne Pollard’s buyer’s remorse.

A final note: It’s been a while since I plugged one of my events, but I’ve got a good ‘un coming up very soon! Writing the Occult: Relics takes a deep dive into the things left behind by those who came before, asking what we can learn from them, and how we can take inspiration for our own creative pursuits. Sessions will look at things like archaeology and horror, shipwrecks, ossuaries and the weird things we do with bones, and Egyptology, plus we’ll have sessions from horror authors Ally Wilkes (a workshop on cursed objects!) and Steve Toase, plus an interview with V Castro about how she sexed-up Aztec relic reparation for her erotic horror Immortal Pleasures. Early bird ticket prices (£35+bf, around US$50) end tomorrow, so be quick! Get the details here: writingtheoccult.carrd.co

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

We jumped from 61% to 78% for our overdue proofing of Trembling With Fear! I’m hoping this Easter weekend doesn’t slow us down and we can get everything sorted and over to our artist to finetune the cover files asap!

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

David McKenna

David McKenna is a writer of horror and dark fantasy, originally from Ireland and currently living in Tokyo. His horror fiction has previously been published in LampLight. You can follow him on Bluesky @davidmck-author.bsky.social

Unit Twenty-Eight, by David McKenna

“Walk me through it from the beginning, would you?”

Ali shifted uncomfortably in his chair. Barbara from Head Office was pale and poised and smiled a lot, and all of these things made him nervous. Those and one more thing: she was far too well-dressed for someone so young and still relatively low on the corporate ladder. Ali had his own car and apartment now—he was no longer what he thought of as ‘poor’—but there was still some of that reflexive shame in him which a childhood in poverty instils.

“Sure,” he said. “Um,” he said.

“The gentleman came in at…half-past-two, is that right?” Her smile around the question was bright and practiced and very cold.

“Yes, that’s right. Two-thirty-three. You can see it on the security feed there, in the corner.” Ali pointed, but Barbara from Head Office had her nose in her notes.

“And he was alone?”

“Yes. He came in alone, and he didn’t speak to anyone who came in before or after. You can see there. On the feed.” He didn’t point this time; she didn’t look. Who’d go to a Cleansing Centre with company?

“Mmm-hmm. Mmm. Then. He used Unit Twenty-Eight.”

“Yes, miss. That’s back on the right of the room, away from the street, near my desk. Those units, you know, they’re all Series Six. The older models. Do you th-”

“Did anything seem off about the gentleman at the time? Was he behaving strangely? Did he do anything that caught your attention?”

He was behaving like everyone else at a centre behaves. Like he didn’t want to be seen. Like he didn’t want to think about why he was there. “No, miss. Nothing that seemed odd. He sat at the unit and spent maybe five or six minutes registering his information. He paid with his credit card, and he was getting up to leave when… Well, you know.”

“Mmm-hmm. Mmm-hm! So. He registered…adultery. Two partners. He overpaid?”

“Most people do, miss. They round up. To be on the safe side.” How can you not know these things? But then he thought about the watch, and the necklace, and her fine clothes—too fine for one so junior. Married well, or the family has money. She’s always had a unit at home. She’s never set foot in a centre as a customer. 

She flipped back and forth through her notes for a moment. Then: “It says here he was in the Defense Forces. Three years. Nothing about that?”

“No, miss. Most military men stop registering for that after a year or so.”

“I see.” She turned back two pages, made a note. Turned forward three pages. Made a tick. Forward two pages, scanning. Back two. A tick. A cross. “Would you play that on a bit?”

Ali leaned over and unpaused the video. The man, grainy and monochrome, stood up from Unit Twenty-Eight, patting his jacket pockets to make sure he hadn’t forgotten anything. He turned towards the door. There was a chaos of flashing and fire. Smoke billowed, and there were clutching hands in the smoke, three-fingered and angular and long. The man’s face was in the floor, screaming. Then the smoke was gone, and only the charred floor remained.

There was no audio on the recording. I wonder if she knows what they sound like, at the end.

“How many units written off?”

“Four, miss. Three of them those old Series Sixes. Replacements are coming next Friday morning. I called and left a message asking if we might get some Eights, consider-”

“I believe the policy is to cycle upgrades in series order.”

“Yes, miss. Of course.” Of course there isn’t any urgency, with only—what?—a 0.02% failure rate? Of course there isn’t any truth to those rumours from a few months back claiming the Series Seven was just a Six with new casing. Of course. Of course.

Ali came back to himself. Barbara from Head Office was looking at him, but her hand was still moving, making a note behind a turn of yellow paper. They smiled at one another. Between them, the burned room flickered on the screen.

“Well, I think that is all I need for the moment.” She rose, two hands on the handle of her small briefcase. “Thank you for all your help today, Ali.”

“You are very welcome, miss.” He stood and pushed in his chair, performing something that was more than a nod and less than a bow.

“Do you mind if I ask: how long have you been here now?”

He touched his beard, considering. “Four years with the company next week, miss.”

“No no, I mean how long have you been here.”

“Ah. Fourteen years, miss.” He said it very slowly, as though doing so might lend the years more weight.

“I see. Well, good day then.” Barbara from Head Office smiled and left.

Ali stood for a while, looking back through the black and white security feed—looking at the man’s face in the moment before he was damned. Then he returned to his desk. There were four hours left on his shift, and they were never short of customers.

Apocalypse Lottery

Proxima Centauri b drew the first card, turning it over with a smile. “Heat death of the universe.”

Dagon chuckled. “Nice. Making it to the very end.”

“Lucky bastard, not even a supernova.” Poltergeist drew with a flourish. “Rogue planet collision. 37 million years.” She shrugged. “Could be worse.”

“My turn.” Dimidium studied his draw with a slow nod. “Host star expands into red giant, 5 billion years.”

“Earth, you’re up.”

Earth took the top card from the deck. A breathless silence later it dropped from trembling hands.

“What she draw?”

Dagon scooped up the card. “Gamma-ray burst, ten minutes.”

Sascha Reinhard

Sascha Reinhard has a love for the written word in a rather literal sense, given his study of palaeography. Ancient tomes, scraps of parchment, a faded letter from the time of the Avignon Papacy. These are far more exciting to him than the stereotypical German pastimes of beer and football.

Fissure

Alice’s eyes watered. The light escaping from the fissure in the wall almost blinded her with its radiance. 

Initially she’d been surprised that a mental hospital would hang fabric wallpaper—any tiny run spelling potential doom for an unstable bedfellow—but picking at the hardened threads passed the time.

She paused, listening for a nurse. Instead, an iridescent wing fluttered, just beyond, catching her eye. Her fingers, raw from tearing at the glue-soaked threads, penetrated the growing gap. She could almost see in. Just another patient room? A rainbow? Fairies? The afterlife? 

She tenderly brought another strand to her lips. 

DL Ross

DL Ross was a closet writer as far back as middle school, but she hid it behind degree work in science and then design. She is mother to two rescued mutts, one runaway cat, a pile of fish, an ornery kid and an adolescent husband. To feed her habit, she’s become an active member of her local Horror Writers Association chapter. Though she’s on Threads and X, you can find the bulk of her online musings at Facebook

Be Careful What You Sign

I died at my desk, pen in hand, and if I could smile, I would beam. No more writing to strict deadlines. No more sleepless nights. In serenity, I transcend to the heavens.

Midway, something tugs, then yanks me back to my desk, back to him.

My editor whispers nonsensical words, and something forces me to sit and write. I know it is his doing, stealing me from beyond the grave. 

He presents the contract I signed in my youth. I didn’t read the fine print. 

I am the golden goose of bestsellers, and he will never let me go.

Corinne Pollard

Corinne Pollard is a disabled UK horror and dark fantasy writer, published in Black Hare Press, Carnage House Publishing, Three Cousins Publishing, The Ravens Quoth Press, Raven Tale Publishing, A Coup of Owls Press, and The Stygian Lepus. Corinne writes reviews and the weekly newsletter for The Horror Tree. Follow her dark world on Twitter, Threads, and Instagram: @CorinnePWriter

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