Trembling With Fear 10-27-24

Greetings, children of the dark. Some quick announcements for you before we dive head-first into this week’s offerings from TWF Towers. 

First up, our short story submissions window is officially closed, and has been since 15 October. Everyone who submitted should have heard from us by now to acknowledge receipt. Unfortunately if you submitted after the window closed, we’ll be returning your story unread and inviting you to resubmit when our next window opens – that’ll be first thing in the new year, giving you more time to polish those drafts for us.

Secondly, our Halloween edition is still on track to be published on the day itself – that’s this Thursday for those playing at home! – but we’re all hands on deck for that one as our lovely specials editor Lynn hasn’t been able to step into the role as soon as originally planned. We send her lots of love, and we’ll be sending you, dear submitter, your outcomes in the coming days. Remember to check in and read those spooky offerings on Thursday amidst all that loitering in dark neighbourhood corners!

Before then, of course, it’s time for your regular Sunday dark fiction roast. Our main course is from regular contributor DJ Tyrer, who we find in a museum inspecting an ancient stone that may or may not be of this world. That’s followed by the short, sharp speculations of:

  • Christina Nordlander’s hidden horror,
  • JP Lor’s strange possession, and
  • Penny Brazier’s folkloric curiosity.

Until next week, enjoy this spookiest of seasons. Be safe, be well, and don’t touch the veil no matter how visible it gets.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“A Horror Short Story Collection by Josh Schlossberg

A hiker stumbles on a gruesome species undiscovered by science… An injury triggers an appalling new ability… A domestic pet holds a household in thrall… A human monster finally meets his match… Crimes against nature birth an abomination…

These and fifteen more tales make up WHERE THE SHADOWS ARE SHOWN, a short story collection by Josh Schlossberg (author of CHARWOOD and MALINAE), who guides you on a trek through the shadowy realms of biological and folk horror, supernatural and weird fiction.

So, lace up your boots, fill your water bottle, and put fresh batteries in the flashlight, because there’s not a chance in hell you’re getting back before dark.”

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Be sure to order a copy today!

_____________________________________________

Hi all!

More work was done on Trembling With Fear on all sides, from the overdue anthology to reading submissions, and we’ve made some revisions to the hopefully future theme. It’s taking a lot more work than I expected but things ARE coming together! 

Also, just a reminder that we’re starting to do more social posting for both BlueSky and Threads. So, if you’re over there and don’t follow us, now is the time! 😉

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • The paperback is now live! Please be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!
 
 
Stuart Conover

Editor, Horror Tree

DJ Tyrer

DJ Tyrer is the person behind Atlantean Publishing and has been widely published in anthologies and magazines around the world, such as Chilling Horror Short Stories (Flame Tree), All The Petty Myths (18th Wall), Steampunk Cthulhu (Chaosium), What Dwells Below (Sirens Call), The Horror Zine’s Book of Ghost Stories (Hellbound Books), and EOM: Equal Opportunity Madness (Otter Libris), and issues of Sirens Call, Occult Detective Magazine, parABnormal, Tales from the Magician’s Skull, and Weirdbook, and in addition, has a novella available in paperback and on the Kindle, The Yellow House (Dunhams Manor). You can follow their work on Facebook, on their blog or on the Atlantean Publishing website.

The Wicked Stone, by DJ Tyrer

“It came down in about 1645,” he said, tapping the glass case in which the dull-grey rock sat. “It’s an iron meteorite, strongly magnetic.

“Not, of course,” he added, “that they knew what it was. That was during the chaos of the Civil War and the witch hunts; they thought it was a sign from the Devil.”

“What did they do with it?” I asked Professor Brightman. “Burn it at the stake?”

The professor chuckled. “They didn’t burn witches at the stake; you should know that. But, they did, as they put it, ‘interrogate’ it.”

Interrogate it? What on earth does that mean?”

He shrugged. “I can’t say, exactly. Some sort of investigation to see if it was evil, I suppose. There’s a pamphlet in here,” he tapped the glass case again, “from the time. On loan from the British Library.”

I leaned in closer and read it as best I could, the idiosyncratic spelling and wildly-curling print taking more effort than I really wanted to invest.

It was as Brightman said: There had been a ‘crash of thunder’ one night and a field of wheat was found aflame and, at the field’s centre, in a pit, was the ‘wicked stone’ that had, seemingly, crawled its way up out of Hell. A subsequent and vaguely-defined ‘interrogation’ had confirmed it was evil and it was, then, entombed beneath the nave of the local church.

“Forgotten for nearly four centuries,” said Brightman, “until St. Henry’s was converted into flats and the surveyor discovered it and brought it to us.”

“Fascinating,” I said, then added, “Hang on, it says here that the ‘wicked stone’ was the size of an apple. This is much bigger.”

He laughed. “For once, no exaggeration at all – quite the opposite, in fact. I suspect that an apple was chosen instead of, say, a cannonball to hearken back to the apple eaten by Adam, or perhaps as a play on the Latin.”

“Malus?”

“Precisely. The evil apple.”

“I suppose it makes a certain sort of sense.” The more I looked at it, the more I could sympathise with the dislike it had inspired.

“As much as any superstition does,” the professor said.

“So, it’s going to be the new centrepiece of your display?”

“Indeed.” He nodded, happily. It was only a small regional museum and most of the displays were the usual sort of uninspiring things, bits of Victorian pottery, shrapnel from bombs dropped by the Luftwaffe, and such like; things with some fascination for locals, but unlikely to fire the imaginations of tourists and bring them rushing from distant corners of the country, let alone from overseas.

The ‘Wicked Stone of Earl Packham’ still wasn’t quite the Rosetta Stone, but it was better than some old piece of glass. The professor was probably hoping it would bring the museum some additional funding.

There was a rumour he planned on bringing in some more mineral exhibits. The field wasn’t of much interest to me, but I suppose it had its fans. If he could make it the museum’s speciality, it might well arrest the drop in visitor numbers.

“Well, I’m off now, but I’ll be back after closing to do some cataloguing in the west wing.”

He nodded. “I should still be around.”

I glanced at the meteorite as I walked away. I could imagine someone more credulous than I was thinking it was silently watching them. I shuddered and was glad to hurry away.

A bite to eat and I was back at work and busy listing the ancient spearheads we had in storage.

The museum was silent. The other staff – all two of them – would be at home. I hadn’t seen any sign of the professor and wondered if he was still around. If he was, he was being as quiet as our exhibits, which was unusual for him: Brightman had a tendency to be heavy footed and more than a little clumsy. You could usually tell he was around by the clomp of his footsteps or a clatter and a curse. But, tonight, nothing.

I wondered if he were gazing in rapt fascination at his acquisition. It wouldn’t have surprised me – he looked at it as if he were in love!

When I was finished, I headed over to the main gallery to check on him.

The lights in the section where the meteorite was were, I could see, on, but I still could hear nothing.

“Professor Brightman?”

There was no answer to my call.

Arriving at the case, I was shocked to see it was open. For one dreadful moment, I thought the museum had been robbed, but, no, the meteorite was still sitting upon its cushion within it.

“Professor Brightman?”

Still no reply.

I stumbled and looked down. A pair of scuffed loafers lay discarded upon the floor.

What on earth was Brightman up to? It wasn’t like him to kick off his shoes and relax when at work, let alone to leave a cabinet open like that.

I called his name, then bent down and set his shoes straight.

Still nothing.

As I stood up, it struck me that the meteorite had changed. I hadn’t noticed before, being preoccupied with my concern for my colleague and friend.

I looked at it, trying to work out what was wrong. Then, I realised: It was larger than it had been.

I had to take another look, not quite believing it, but it was true. Earlier, it had sat in the centre of the case with plenty of space about it. Now, it was only an inch or so from its edges.

It was impossible, but the truth.

The pamphlet was still beside it, well, mostly beneath it, and there was nothing else like it on display.

It was the same meteorite and yet…

My mind recalled how the pamphlet had described it: The size of an apple.

Could it…?

Impossible. Yet…

I felt my fingers reaching out for it and forced my arm down to my side. It was as if a voice were whispering softly to me, tempting me.

I took my jacket off and dropped it over the meteorite. Maybe I was going mad, but I didn’t dare touch it.

They were laying foundations for a new office block down the street. I’d passed the site on my break. Hopefully, the concrete was still wet. Let somebody uncover it again in another four centuries! Let them deal with it. Let the burden pass from me.

I knew Professor Brightman would never be seen again.

Perhaps the police would assume he stole the meteorite.

It didn’t matter.

All that mattered was that malignant extraterrestrial… thing couldn’t do to me, or anyone else, what it had done to him and who-knew-how-many before.

Let it wait a long time for its next meal.

The Yellow Nail

The middle fingernail on my right hand never gets clean. No matter how deep I trim, it grows out thick and yellow.

I keep the finger curled as much as I can in public, so people won’t think me dirty. An anti-fungal cream makes no difference.

I start noticing random muscle spasms in that finger. It moves, in the half-awake minutes where your body isn’t under your control.

I take a pen and sit down, only one finger exerting pressure.

I feel no movement, but when I look again, words sprawl behind the ballpoint. Not my handwriting.

Dig me out.

Christina Nordlander

Christina Nordlander was born in 1982 in Sweden, but now lives in Manchester, the UK. Her latest publication is “The Cuckoo’s Brood” in Tangle & Fen (Crone Girls Press, 2024). Visit her Patreon.

Split Custody

Before the procedure, I built a happy room to lock myself in when it was his time. 

State law: A dead man has the right to inhabit a woman’s mind until the child turns eighteen.

For years, he tore down my walls, searching for that room instead of playing with our daughter.

When she turned eighteen, the doctor said my ex-husband didn’t want to leave and not to worry. They get bored eventually.But after thirty years, he still pounds and screams. Sometimes, I feel him twirling, twisting to my favorite Taylor Swift songs. Probably regrets ever finding that room.

JP Lor

JP Lor has stories in The Molotov Cocktail, Briefly Zine, and others.

Jenny Greenteeth

They come each morning to talk to me, standing at the edge of the water where the wind whips their hair around, knees muddy, mouths stained.

At first they are afraid. Then they hear me singing and it comforts them. They come closer, put their feet in the cool, green water. Dare each other to go further.

“Where did you come from?” they ask. I smile and sing them a song of the deepest, drowned parts.

“Who are you?” they ask, but I can’t tell them. I’ve long forgotten.

“What do you want?” This I know, but will never say.

Penny Brazier

Penny Brazier is a weary freelance copywriter with long-buried creative aspirations that are slowly reanimating and crawling out of their graves. Also messes around in loud bands. Follow on Instagram @penthemighty and on Substack – Word and Guitar.

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