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Serial Saturday: Don’t Look at Me by Tom Little, Chapter Seven

  1. Serial Saturday: Don’t Look at Me by Tom Little
  2. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Two
  3. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Three
  4. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Four
  5. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Five
  6. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Six
  7. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Seven
  8. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Eight
  9. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Nine
  10. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Ten

Chapter Seven

                                                          

Marshall shut the door behind him and laid his old folder on Ferrill’s bed. “Don’t open that.” He turned to the door and looked out the peephole. He thought a long moment before he began. “Your friend wasn’t the first to die that way.” 

“His name was Grant,” Helms corrected. He glanced to Ferrill. The boy was indifferent.  

“Over the last two years, we’ve found five other bodies, each with the same wounds. They were all recovered around South Street. The most recent was just this week.”

“I uh, found a homeless man in the alley,” Helms added. 

Ferrill turned to the officer. “We were in the alley the other night. That’s where Grant saw that thing. I thought he had lost his mind.” 

“Erratic behavior seems to follow the encounters,” Marshall said. “Witnesses say the victims would start to unravel in the days before their deaths. They would often see figures in the corner of their eye, or hallucinate threatening faces in the mirror.”

“I think Grant was seeing things, too.” Ferrill chose not to mention the face he saw in the window earlier. “How long did the hallucinations last before they…” he thumbed at his eyes, “ended?”   

Marshall tapped at his folder. “We spoke with friends of the victims. Four of them lived the apartments on South Street. One only lasted a night after claiming to see a ghost in the basement. Another suffered hallucinations for a week. That one started a big fire.” 

Helms sat quietly, recalling the smoke-covered night and the row of bodies carried out in red dancing light, one with a face cut to hell. 

“What about the other two?” Ferrill asked. 

“Drifters,” Marshall answered. “One is still cooling in the morgue, yet to be identified. The other was our first case of facial mutilation on South Street.”  

“He was a part of that big vagrant camp that used to fill up the alley,” Helms added. 

“Yeah, but he wasn’t a fulltime squatter,” said Marshall. “He’d only come to the camp when he needed a fix. Otherwise, he’d take up shelter in the abandoned homes on the edge of the neighborhood.” The detective stopped to ponder a moment, rolling his tongue behind his teeth. “The night he died, they say he showed up spooked.”

The detective’s eyes were aimed into space. He didn’t see Ferrill reaching for his folder. When he opened it, the dead face didn’t scare him. It was like starting up a home movie somewhere in his mind. The hospital bed fell away into a void. Helms and the detective were gone. Through a rolling fog, he could see the first victim, the drifter, alive and terrified, looking up from a dusty wooden floor. He heard a pained scream all around him, and he felt as if he were being pulled down a drain. The fog grew thick until there was nothing but a soft, distant sobbing.

Then a wash of light cleared the fog and there was Helms over his bed. The detective was watching behind him. “Ferrill! Can you hear me?” the officer shouted. His grip on Ferrill’s shoulders was shaky. The boy looked around, now back in the hospital, no sign of the drifter.

“Yeah I’m fine,” Ferrill answered, his mind slow to return. 

Marshall slid his folder from the bed. “You left us for a minute, son. It looks like you may have found a bad trigger in there.” 

Ferrill strained to understand what he saw, but hoped he wouldn’t see it again. Thinking about it made it seem near, like he could fall back into the void if he lingered too long on the edge.  

“Try to get some rest,” Marshall said. “I’ll be downstairs if you need me. Helms here will be by your side all night,” he turned to the officer, “so don’t worry.”  

As Ferrill watched the detective leave, he couldn’t ignore the faint, mournful sobbing that lingered in his mind.

***

The night refused to end, and Helms struggled to stay awake. Sometime after midnight, the boy rolled over and said Helms could turn out the light. The officer complied, but opened the curtains to allow streetlight. He didn’t want to sit quiet in pitch dark.   

The same thoughts had been running a circuit in his head for hours. Grant’s next of kin. The horrible legal mess that will follow. His career was doomed. And then shame would set in, shame for worrying about himself when the boy had a monster in his mind. Helms had caught only a shade of the killer, but he understood the fear that followed. The poor kid was just in the wrong place at the wrong time, tagging along with a bad apple. 

Fatigue took hold and Helms found himself nodding off. The bounce of his head would jolt him awake long enough to start the circuit again. To distract himself, he would tap his foot to a mental beat. Tap tap tap tap like a metronome. It became an absent-minded motion as his thoughts ran together, growing weaker until the rhythm was lost. 

***

Lying awake, Ferrill wondered if Grant was below him, down in the morgue. Silently screaming in a cold coffer. He imagined that he would be taken down there too before long. Following blindly to the very end. It shouldn’t be a surprise, he figured, that Grant would be the death of him.  

He pictured his parents, standing over his body, with his eyes and mouth stitched shut. I told you that boy was dangerous! He hoped they wouldn’t see the awful thing too, freed from his corpse to lurk in the morgue. The thought made his eyes water. He was a threat to everyone around him, a time bomb ready to release something evil into the world. He didn’t want to unleash the devil on some hapless bystander, not even the cop. 

Ferrill sat up in bed. He strained through the dark to see Helms, asleep and slumped in his chair. You did what you could, he thought. He was surprised—if not embarrassed—that Helms had bothered to stay. The officer had been tapping his foot for what seemed like hours, but now the room was uncomfortably silent. The yellow light from the lamp outside cast black shadows on Helm’s face, like deep dark sockets. Ferrill would rather see nothing at all, and reached to close the curtains.

But he stopped. His eyes were fixed on Helms, and he was afraid to move a muscle. He knew, without a doubt, what he would see in the window. It would be there, waiting for him to look. As it had been there in the rearview mirror of the squad car, and the TV screen. Now as he sat up in his bed, arm out and frozen still, it must be watching, aware of his fear. 

Like driving past a car crash, he caved to temptation and looked. The face stared back from the window, deathly white, with bitten, grimacing lips. It couldn’t be, though. Ferrill’s room was on the fourth floor. 

In the room, Ferrill heard a sound, tic tic. He looked to Helms. Fast asleep, his foot was still. Tic tic, just behind him. Ferrill whipped his head around and found the misshapen body standing by his bed. In the lamplight, its skin was like leather wrapped around long bony limbs. 

Its deep red lips quivered like it wanted to speak. Not breaking eye contact, it reached an overstretched arm across itself. Over its shoulder, the creature pointed a switchblade finger to the door. “H-h-home…” it struggled to vocalize, raspy and weak.    

Ferrill felt his fear give to fascination as he fought to understand. He watched as the creature crossed the room, its movement like bare tree limbs in a winter wind. Its face appeared over Helms. Ferrill felt the urge to shout as glints of streetlight danced across slithering claws, down Helms’ torso. His voice had given up, though. He couldn’t wake the officer as the wicked blades played across his belt like a spider. Tic tic as they walked across his body. Until they found what they were after.

The thing slipped its claw through the loop of Helms’ keyring, and raised the shining pieces into the air. The creature shook the keys with a jingle, then tossed them onto Ferrill’s bed. “H-huh-home,” it pleaded. 

Ferrill took the keys in hand and studied their emblem. They were keys to Helms’ squad car. He looked back to the creature. Still watching, it covered its face with switchblade hands, disappearing in the dark. 

Ferrill sat stiff upright for as long as he could. He moved only his eyes from Helms to the window until he could no longer keep them open.  

The Spooky Six with Dan Hanks and Willow Croft

Much as I was tempting to go on an archaeological dig with Dan Hanks (well, if I could garner an invite, that is), I had to keep focus long enough to wrap up our chat. Read on to live vicariously through all of Dan Hanks’ adventures!

Dan Hanks (he/him) is the author of Captain Moxley and the Embers of the Empire, Swashbucklers, and the upcoming SFF/Horror adventure The Way Up Is Death (all from Angry Robot Books).

He’s a published freelance writer, having written for Publishers Weekly, The Sydney Morning Herald, and even had a brief stint writing for Tomb Raider’s Lara Croft(!) on the Fox Studios lot in Sydney, Australia.

When he’s not writing books, Dan works as a freelance fiction editor. Over the last five years he’s worked with some wonderful Sci-Fi, Fantasy, Horror, Crime and Thriller publishers, as well as directly with many brilliant self-publishing authors, and querying writers. He’s also an over-qualified archaeologist and still works part-time in the heritage industry (although usually indoors where it’s warm and not as muddy). Plus, he’s one of the co-founders of the OcTBR Challenge – an annual event run on social media that’s dedicated to encouraging people to read through their towering TBR piles every October. (This is mainly an excuse to let himself read books during the best month of the year.)

A lot of Dan’s creative spirit comes from a love of film and TV pop culture, which is why whenever you read one of his books you’ll find a lot of that brilliant ridiculousness being channeled. If you’re a fan of Indiana Jones or The Mummy, Captain Moxley and the Embers of the Empire is for you. Want a Ghostbusters / Goonies mash-up? Swashbucklers is the book you need. And the upcoming The Way Up Is Death is a heady combination of Squid Game, Lost, The Poseidon Adventure and, um, the Usborne ghost books.

Dan has moved around a lot over the years, from London to Manchester to Sydney, but is currently content in the rolling green hills of the Peak District, England, with his two kids and fluffy sidekicks Indy and Maverick (and sometimes Poppy).

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Taking Submissions: Solar Punk Magazine October 2024 Window

Submission Window: October 1st-14th, 2024
Payment: Fiction: 1500-7500 words ($.08 per word, $100 minimum), Poetry: One poem of up to three pages ($40 per poem), Nonfiction: 1000-2000 words ($75 per essay or article), Cover Art: $100 for reprints, $200 for original unpublished, Interior Art: $50 for reprints, $100 for original unpublished
Theme: Speculative fiction works that stir readers with themes of defiance, change, and achievement

Submissions are currently closed. Our next and final submission windows for 2024 will be open from October 1-14, 2024. Our 2025 submission schedule will be released by the end of summer 2024.

(Note: At the moment, our nonfiction department is always open for submissions. If the fiction, poetry, and art portals are closed and you submit those through the open nonfiction portal, your submission will be automatically rejected without being considered.)

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September 2024: Tarot Cards for Writing Inspiration

Deck: The Golden Tarot by Kat Black

Here in the Northern hemisphere, I’m still waiting for autumn to arrive, but we still have blazing hot summer temperatures, sadly. Perhaps I was channeling my yearnings for cool dark evenings into this reading (If I did believe in a hell, I would imagine it as a frostbitten, icy place rather than a fiery inferno.) Has autumn began its seasonal change where you are? Either way, I hope you find this reading inspirational for your own writerly “walks on the dark (cool) side”!

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Unholy Trinity: Glamoury by Deborah Tapper

Our church worships at the altar of the Unholy Trinity. Its gospels are delivered as a trio of dark drabbles, linked so that Three become One. All hail the power of the Three.

 

Hoodwinked

 

It’s midnight and the girl in red keeps screaming.

He races to tackle her assailant and finds he’s grabbing handfuls of unkempt fur, solid muscle. Dense clouds part and moonlight pours down as the hideous thing rips free, whirling to confront him. Howling and snapping, yellow eyes blazing hate.

The girl’s laughing.

Peeling off her scarlet dress, her human skin.

He runs, but she’s faster. A leap brings him down and she wrestles him onto his back, claws slicing. Opens his belly with one ferocious swipe, triumphant smile sprouting razor fangs.

“Don’t get greedy, Grandma,” she snarls. “This one’s mine!”

 

Footloose

 

He wakes strapped to an operating table.

Specimen jars line the walls and two smiling girls lean over him. He recognises one: the tireless salesgirl who insisted on fetching every pair of shoes his size, who said he had perfect feet.

She doesn’t have feet now. Or legs. And neither does her sister. One glimpse of their snake-like lower halves and he’s struggling, yelling for help.

Nobody comes.

The giggling sisters lay out their saws and scalpels as his frantic eyes skim the room, desperately seeking escape. And he finally sees what’s inside the countless glass jars.

Perfect human feet.

 

Reclusive

 

She’s high in an inaccessible tower, singing sweetly as she spins. That beautiful voice is mesmerizing. He spends hopeless hours circling, searching for a way in.

Eventually she lowers a thin silky rope. It’s strangely sticky, but it takes his weight so he climbs up. Squeezes eagerly through the tiny window – into a shadowy room overflowing with tapestries. Attendants hover silently, motionless.

He blinks – and the tapestries turn into thick cobwebs. Countless corpses hang from them, sucked dry.

She scuttles out. Strikes before he can flee.

And once he’s safely bundled in her larder, she starts singing and spinning again.

 

Deborah Tapper

Deborah Tapper has been published in anthologies, magazines and online. She lives in the middle of nowhere with her understanding partner, drinks too much strong tea and writes at an old desk surrounded by five hundred pet bugs.

Indie Bookshelf Releases 09/06/2024

Got a book to launch, an event to promote, a kickstarter or seeking extra work/support as a result of being hit economically by life in general?

Get in touch and we’ll promote you here. The post is prepared each Thursday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

 

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Epeolatry Book Review: Draw You In, Volume 3 by Jasper Bark

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: Draw You In, Volume 3 – Behind the Mask
Author: Jasper Bark
Genre: horror fiction, horror fantasy, conspiracy thrillers
Publisher: Crystal Lake Publishing
Publication Date: 5th July, 2024

Synopsis: Draw You In Vol.3 – Behind the Mask is the explosive finale to this mind-bending trilogy.

Is the whole of history a convenient lie?

That’s how it’s beginning to look to Linda, Richard and Agent McPherson as they hunt for Tales That Draw You In, cartoonist R. L. Carver’s legendary lost work. The key to finding it could lie in a memory Linda’s repressed, from when she was a captive of the serial killer Henry McLaughlin.

The sinister cabal known as the Shadows in the Cave is also keen to retrieve Linda’s memory. Their reasons are linked to a military compound in the Chihuahuan desert and a clandestine psychic espionage program. Linda, Richard and McPherson learn that more than their own lives hang in the balance. The program’s terrible purpose could bring about the end of the world as we know it.

Described as “Kavalier and Clay meets Clive Barker,” it contains stories within stories that explore horror in all its subgenres, from quiet to psychological horror, from hardcore to cosmic horror.

Experience the epic conspiracy thriller that redefines the genre for a new generation.

 

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Writing Prompt Wednesdays: Abandoned Interview

Writing Prompt Wednesdays: Abandoned Interview

Welcome to “Writing Prompt Wednesdays,” a haven where your imagination can roam free in the realms of speculative fiction. As we embark on this weekly journey, it’s thrilling to think about the untold stories waiting to be penned in the domains of horror, science fiction, and fantasy. Whether you’re a seasoned author or a budding wordsmith, these prompts are your gateway to unexplored worlds and untapped potentials.

Every Wednesday, we’ll serve up a fresh, thought-provoking prompt designed to ignite your creative spark and challenge your storytelling prowess. Think of these prompts as a key, unlocking the doors to uncharted territories where your creativity is the only limit. From eerie, shadow-laden corridors of Gothic horror to the farthest reaches of interstellar space, and the mystical depths of high fantasy, our prompts are a kaleidoscope of possibilities.

Remember, there’s no right or wrong way to approach these prompts. They are mere stepping stones, guiding you towards the vast landscapes of your imagination. Use them to break free from writer’s block, to experiment with new ideas, or simply as a fun exercise to keep your writing skills sharp.

This week’s writing prompt:

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