Trembling With Fear 6-29-25

Greetings, children of the dark. Keeping it short and sweet for you this week; just the facts, or at least just the dark stories. Mainly because it’s been a busy week and today I’m off to be with all the other teen rebels at an Olivia Rodrigo concert in Hyde Park in London. Yes, I am in my mid-40s. What of it?

Here’s the dark and speculative stuff. For our main course, Maddox Emory Arnold haunts our very beings. That’s followed by the short, sharp speculations of:

  • Dawn Colclasure’s forgotten house,
  • Jessica Gleason’s spell-binding blood, and
  • Corinne Pollard’s painful payments.

Oh, and I almost forgot: congratulations to Tiffani Angus, whose story “Oracle at Dairy”—which was originally published on these pages—has been shortlisted for the Best Short Story category at the British Fantasy Awards! Dr Tiff is also co-author of the Spec Fic for Newbies series of non-fiction books (also award-nominated) and an all-round good egg, so I highly recommend checking out what she does. 

Over to you, Stuart

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

First off, I’m thrilled to share the news that once again, we’ve hit the top 101 websites for authors according to Writer’s Digest!

I’m thrilled that we’ve once again had this armor of being a source for speculative fiction authors! 

Onto this week’s news. Not too much to report. I made a little progress in a few areas for the new layout, the new newsletter source, etc. However, all of them need a big sitdown from me, and I need to plan a day or two off work to really knock these out, I believe. 

As previously stated, our next goals are to get the newsletter swapover done, the new layout put in place live, and finish Trembling With Fear: Year 8, which is this year’s release. Fun fact, that last one we’ve got a digital copy to start proofing. Hopefully, that’ll begin soon! 

Just a reminder that Trembling With Fear: Year 7 and More Tales From The Tree: Volume 5 are now available for order! Again, a huge shout out and a big thank you to all of the authors who contributed to it and all of our editing staff for helping push this one live!

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

Maddox Emory Arnold

Maddox Emory Arnold (he/they) is a writer and educator based in Chicago. His words can be found in If There’s Anyone Left, HAD, NonBinary Review, Flame Tree Press’ Sun Rising Collection, and elsewhere. You can find him online at maddoxemoryarnold.substack.com

None the Wiser, by Maddox Emery Arnold

You must have known I was coming. Or did you forget? We’ve met before, you see. Long before the colors drained from your vision, when you could still wash the blood out of the wrinkles in your palms.

Don’t you remember all the good times we’ve shared? Diving for pearls in the back of slit throats, digging for gold between broken ribs. Ah, worry not, my love. I will tell you again. I vow to never grow tired of telling this story.

We can begin where we always do, by looking in the mirror. Such a simple act, and yet… What do you see? It is you, but not quite. Look at the arch of the brow, the curl of the lip. These things do not belong to you. Look at the eyes, just there. Ah, you see. A little deeper. A little older. Not quite yours. 

Close your eyes, now, and think back. That’s it, back to the night I first arrived. You and your little friends, prancing among the gravestones, broken glass pattering against frosted clover and narrowly avoiding flesh. Did you mean to awaken me? No, I think not. It was the bottle that told him to seek the oldest gravestone, the one with no name. If he had been in his right mind, perhaps he would have realized it was unmarked for a reason.

You remember him, don’t you? Your lover, your gemstone, your sun. I see flashes of his hands, his hair. The two of you in a polaroid, fading into view: him tall and you short, him sharp and you soft, a dazzling pair, you and he.

How did it feel to bathe in his blood? The warm viscosity, slick skin. The fear in his eyes, the confusion, utter betrayal… A tragedy, really. But I made sure you reveled in it.

I’ve told you before how I came to be. The when of it does not matter, the how is unimportant. But the fact of my being has become your compass, your rule of law. So you should know, my dear, that it was Death that bore me and Death that killed me and Death that brought me back. A terrible cost, but oh, so simple. So sweet. 

You loitered there, the four of you, you and him and the others I never cared to know. You laughed and cheered, exulting in the closeness of Death, the discovery of some ancient relic at the back of a cemetery you never thought you’d be buried in. This was all it took.

I had been gathering, condensing, waiting, for many years longer than you had been visiting that cemetery. A hole, a tiny pinprick indistinguishable from the darkness around me had opened. I reached out, sent forth a mere thread of myself, pushing through the soil and clay and grass. The chill night air was glorious, the first I had tasted in so long.

And then I found you. You were the closest, the easiest. I sent myself forward to reach you, your mouth open in a wide grin, and it was almost too easy to slip between your teeth. To expand and congeal against the roof of your mouth. To sink into the membranes. To change your smile from one of mirth to one of menace.

It took precious moments to acclimate to your form. I had to force your lungs to expand, contract, expand again, then to expel air with the proper vibrations, the correct shape of the lips and tongue.

I regret to say that I do not remember what I said. But once I spoke, he looked at me strangely. Your love. He knew I was there, somehow. I struck him down first, but killed him last.

I will spare you the details; we haven’t the time to delve. Three lives, three Deaths, a grounding. One the shovel, one the key, one the first meal. Glorious warmth against the cold, a newfound strength to chase back the weakness and malnutrition of my imprisonment.

And all that remained was you. You were the last, my dear, and I left you at dawn with a still-beating heart, dripping out of your mouth and melting away into the bitter wind that snapped you back to your senses. The worst of it is that you thought you escaped. I apologize for that deception. For it wasn’t until sunset that the truth and I found our way back to you.

You see, I am ancient, I am formidable, and yet I was never gifted with the same… stability that you and your kind possess. There is too much of me, too much within me, to contain in one vessel for too long. A body is all that I lack. And a body is what I need to continue my work.

Look closely, now. At the moonlight in your eyes. The shadow pooling beneath your jaw. It is as I said: you, but not quite. It is we, it is us. A prisoner for so long, subject to the worms and beetles and far-reaching roots, now becomes the jailer. By day I offer you the freedom of sunlight and ignorance. And each night I return to press my skin over yours, my will over yours, to pursue the blood and bone that will feed my strength. Together we become Death, to give and take, to rip and peel, to bear the weight of screams and don a veil of crimson silk.

And that is what you do for me, my love, what you sacrifice for me. Hush, now, drift within your mind, for you will not wish to see the deeds we commit on this night. Rest, my sweet, as a dagger may rest within a gilded sheath. Come morning, I promise you will have forgotten. But once the sun sets, you will be mine again, and I will tell you a story to help you fall asleep.

Left to Rot

We tried everything to make the house happy. We took good care of it, told it how much we loved it, and made pretty flowers appear all around it. 

We told the house how beautiful it was, despite the chipped painting, the leaky roof, the collapsed floors and uneven foundation. Even the roof seemed caved in. We often saw water leaking from the edges of the windows outside. As though the house was crying.

But nothing we did mattered, because one morning, it just collapsed to the ground. Dead.

I guess we’ll have to find some other house to haunt.

Dawn Colclasure

Dawn Colclasure is a writer in Oregon. She is the author of several books. She is also a freelance writer, columnist, and book reviewer. Her fiction has appeared in Tales of the Talisman, Sirens Call, Monstrous Femme, and BarBar, among others. Her websites are dawnsbooks.com and dmcwriter.com. She’s also on Instagram and Bluesky.

Thrall

Melisande closed her eyes, humming in her lower register, as she brought the knife to her palm. Closing a fist around the sharp ceremonial blade, she slit a shallow gash across her life, money, head, and heart lines. She hated this part. 

As she let precious drops of crimson lifeblood drip into her small bowl, she smiled, knowing the thrall would take him quickly, “In my clutches, Alex, so mote it be.”

Looking up, she saw him sitting there, no longer straining against his bonds, “What would you do for me, Alex?”

“Anything,” he said, eager though vacant-eyed.

“Excellent.”

Jessica Gleason

Jessica Gleason finds writing horror therapeutic. So, she puts her nightmares to paper for your enjoyment. She often draws from her AAPI culture and lived experience to bring occult-flavored and slasheriffic horror to life. If you look hard enough, you can catch her singing hair metal karaoke somewhere between Chicago and Milwaukee. Her daytime persona is a college professor in the American Midwest. Jessica’s recent releases include “Playing Hooky” (Unnerving Books), and “The Dangerous Miss Ventriloquist” (Evil Cookie Publishing). Follow her on Instagram or Threads (@j.g.writes), where she hosts the #WeWriteHorror challenge. Website: jgwrites.carrd.co

Payment Plan

“Do you pay for your prescriptions?” the pharmacist asked without looking up from her machine.

I swallowed, wincing as pain pounded above my hip bone. My forehead grew sticky with sweat as I delayed. 

Screams echoed from down the hall, a pitch higher than the growls of chainsaws and beeping machines. I hesitated as a sickening realisation hit me. My dying screams could be next.

The pain then punched, doubling me over in my chair. I couldn’t take it. “Yes!”

The pharmacist click-clacked on the keyboard. “Credit or…? Wait, you aren’t eligible. For antibiotics, it’ll cost…five fingers or ten toes.”

Corinne Pollard

Corinne Pollard is a disabled UK horror and dark fantasy writer, published in Black Hare Press, Carnage House Publishing, Three Cousins Publishing, The Ravens Quoth Press, Raven Tale Publishing, A Coup of Owls Press, and The Stygian Lepus. Corinne writes reviews and the weekly newsletter for The Horror Tree. Follow her dark world on Twitter, Threads, and Instagram: @CorinnePWriter

You may also like...