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Unholy Trinity: Old Monsters by Brian Maycock

Our church worships at the altar of the Unholy Trinity. Its gospels are delivered as a trio of dark drabbles, linked so that Three become One. All hail the power of the Three.

Unstitched

It was coming apart at the seams.

Felt the cold wind sneak in where stitches that had been straining on the leash for years finally gave.

Felt things shifting and sliding inside as a patchwork of jaded pieces strained to be released. 

It tried to speak. It watched helpless as its tongue tumbled to the floor. It tried to roar. Its  throat split and its words were lost in a wheezing howl.

It tried to get drunk to calm its disjointed mind, only the ale leaked out of its belly onto its hobnail boots, dribbled away down cobbled, empty streets.

Towering

After initial panic, the construction work continued. Schedules, designs, layouts were quickly changed. 

This was worth billions, a vast corporation’s crowning dream, and nothing could get in its way.

The new mega city rose around the curve of the bay.

On the frame of what was to become 101 Central Plaza, the workers paused for lunch. Their main gripe was that the great creature’s form blocked out the sun.

For days now it had moved inland, one immense footstep after another, the creak of its ancient limbs screaming like failing steel, as they built around its unstoppable, slow, tired rampage.      

Tear

He remembers a kiss. A dark-haired vision. 

How lips brushing his neck at first inflamed, then drained. 

He remembers racing through a feverish dream. The lust. The first taste of blood.

He recalls as he crouches over his prey. 

His heart sinks as he sees the broken off teeth left in his victim’s flesh.

Brittle, decayed, less remain every time he feeds.

The compulsion rages always unsated and soon, he knows, when he can bite no more he will be an addict without a drug, tearing at skin with his bare hands, a knife; a scavenger of scraps, lost, alone.    

Brian Maycock

Brian Maycock’s short stories have most recently appeared in BFS Horizons and Lighthouse Horror. He has work due in Flash Fiction Magazine and Black Hare Press’s Dark Drabbles 666. He lives in Scotland.

Taking Submissions: Olit Issue #2

Deadline: September 15th, 2021
Payment: $10
Theme: Stories that are gritty with grace
Note: Prefer writers/stories with a connection to Orlando or the greater Central Florida area

Send Us Your Weird and Wonderful

Submission Guidelines

While we prefer writers with a connection to Orlando or the greater Central Florida area, Olit will accept quality writing meeting our aesthetic and criteria from writers anywhere around the world. What do we mean by aesthetic and criteria? We’re glad you asked.

Olit seeks the following:

Genres: Fiction, Nonfiction, Poetry, Hybrid, Artwork, Photography. Send us all kinds of stuff. We love the artfully weird.

Strong preference for Orlando based writers/submissions about Orlando and surrounding areas.

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What Teaching Composition Has Taught Me About Writing Fiction

What Teaching Composition Has Taught Me About Writing Fiction

By: Macy Harrison

When I left graduate school, I thought I knew a lot about reading and writing literature. After all, I had a fancy slab of vellum that said as much, right? That confidence spurred me on as I applied for my first solo teaching job at my local community college, carried me through the interview, and followed me about up until the time I first set foot in the classroom that was to be mine, and mine alone. That was when the bottom fell out of the bucket.

Okay. Maybe that’s a little dramatic (sometimes it’s hard to turn off that old story-telling feature in the brain). My point is that I, like many fresh-out-of-college teachers, realized that I hadn’t actually thought about basic composition skills in a while, graduate school having taken me further and further into the realms of high conception, as opposed to fundamental knowledge. What was I supposed to tell the twenty-five faces peering up at me from their desks? Okay, class, today we’re going to discuss Barthes’ conception of semiology and how it relates to a post-postmodern world? Obviously, that wasn’t going to fly (though, regrettably, I’ve noticed the tendency for some first time higher ed teachers to do just that—but that’s an article for a different day).
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Of Metal And Magic Publishing Is Open To Fantasy Novels, Novellas, And Collections

Payment: Royalties
Theme: “traditional fantasy.” We define this as second-world, past settings.

We are always on the lookout for new fantasy voices! Whether you are a brand new fantasy author, or a veteran looking for more publishing opportunities, we would love to hear from you. Send us your pitch through the contact form below.

We are currently looking for the following content or support:

  • Beta readers, beta readers, beta readers!
  • Flash fiction and short stories for our website and future anthologies
  • Guest posts for our blog
  • Fantasy novellas
  • Stand-alone Fantasy novels (multi-book series are currently a hard sell due to processing time)
  • Fantasy story collections (all stories should be in the same fantasy setting)

If you’ve got something you think we’d like, send us your pitch!
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8 Tips To Write Excellent Historical Fiction

8 Tips To Write Excellent Historical Fiction

Historical fiction is a type of literature where the story takes place in the past. Writing historical fiction provides writers with a fabulously rich backdrop to work with. 

Authenticity is the main characteristic of a quality historical novel. You shouldn’t include interesting, but unverified facts in the book but work hard with sources to check information.

  1.       In addition to information from books and the Internet, use documents from archives, as well as special libraries (universities and museums). It takes some work to gain access to those resources, but the results are worth it. You can incorporate into your novel facts found in parish records, copies of ordinances, and even in ancient records of traders’ deals. Use a whole variety of sources.
  2.       A lot of useful information can be provided by enthusiastic experts – scientists, ethnographers, history teachers, as well as guests of thematic events. If you have already written the text but still want to double-check it, you can use external help. For example, resources, like Write my paper, can check your text for historical accuracy and help to collect needed information.
  3.       It is very helpful to take a tour of the places in which the events of your book unfold. The deeper you will dig into the plot, the more precise you will describe the historical era.

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Trembling With Fear Year 3 Is On Sale!

Good morning all! I just wanted to share that in anticipation of ‘Trembling with FearYear 4‘ that our third Trembling With Fear installment will be on sale for the next week! The perfect time to order if you haven’t already had a chance to!

Trembling With Fear: Year Three features all the drabbles and short flash stories published online at Trembling With Fear, HorrorTree.com’s weekly zine during 2019. All works of speculative fiction, many darkly so, they are the product of writers both new and seasoned and from all corners of the globe. This is a book to dip in and out of, perfect for those moments when you just want a dark ‘bite’ of something. Read, enjoy and then check out Trembling With Fear online for the latest stories.HorrorTree.com is the free online resource for writers in the field of speculative fiction. As well as Trembling With Fear, you will find the latest industry submission calls, articles, and interviews. It is not to be missed!

Order Trembling With Fear Year 3 today!

Trembling With Fear: More Tales From The Tree: Volume 3 Is Ready For Pre-Order

It seems like just yesterday that we announced that Trembling With Fear Year 4 Is Available For Pre-Order! and now I’m thrilled to share that you can also pre-order the digital copy of Trembling With Fear: More Tales From The Tree: Volume 3! Also, it wasn’t yesterday but 3 days ago. 😉 This is the addition that you’ll want to get in order to read our holiday calls and Unholy Trinities!

In our third collection of More Tales from Under the Tree, we have gathered the holiday-themed calls and various special calls released in 2020. From the vaults of ‘Trembling With Fear’, we’ve also included our Unholy Trinities – sets of 3 related 100-word tales – a triple delight.

Each story falls within the realm of speculative fiction. While many are darker works, we include the full range from horror to science fiction to fantasy and beyond!

Our goal is to bring you a diverse collection of voices from around the globe and we hope that you enjoy reading this collection as much as we’ve enjoyed putting it together.

Pre-Order Trembling With Fear: More Tales From The Tree: Volume 3 on Amazon today!

Taking Submissions: DeadSteam II

Deadline: August 16th, 2021
Payment: $25 plus a contributor’s copy.
Theme: gaslamp and dreadpunk stories, which embrace the Victorian gothic

Submissions are now open for the DeadSteam II anthology, the second Grimmer & Grimmer Books anthology.

DeadSteam II is a collection of more gaslamp and dreadpunk stories, which embrace the Victorian gothic. In this edition, we’re really focusing on driving home the dread. We want your scariest, darkest stories that embrace the classic traditions of horror (monsters, gothic castles & haunted houses, dark and stormy nights, foggy walks through gas-lit cobblestone streets) but pair them with modern sensibilities and pacing.

About the anthology

Your tale should include at least one monstrous or undead creature, be it a werewolf, a ghost, a witch, a zombie, or something along those lines, and should take place in or before the Victorian era. Bear in mind, this isn’t a typical steampunk anthology, so the cogs and gears should be used sparingly, if at all.

I want your chilling tales of haunted London, your ghastly stories of bloodthirsty murderers lurking in gaslit alleyways, your suspenseful tales of dead things coming back to life to consume the blood of the living.
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