REMAINS TO BE TOLD – An Interview with Kiwi author Nikky Lee 

 

In this unique interview series, we chat with the contributors of Kiwi horror anthology Remains to Be Told: Dark Tales of Aotearoa, edited by five-time Bram Stoker Award-winner Lee Murray (Clan Destine Press, 1 October). 

 

Today, we welcome author Nikky Lee, whose dark dystopian story “What Bones These Tides Bring” appears in the anthology. 

 

Tell us about your story in the anthology.  

 

This is one of those stories that started with a scene in my head, and not much else. When I sat down to write it, I had a clear idea that I wanted the story to begin in a post-apocalyptic future with a woman collecting trinkets on an unnamed black sand beach. Auckland’s Muriwai Beach with its gannet colony was the primary inspiration behind this. However, it wasn’t until I wrote the line ‘The best bones’ did I start thinking about ghosts and making this character into some sort of bone witch.  

 

Once I’d decided on ghosts, another influence came to the fore: Samantha Shannon’s The Bone Season series. In this series, ghosts are wielded as tools and weapons by the series’ clairvoyant characters. I figured my bone witch would have a similar power over ghosts, but I wanted her power to be a necessary evil in this post-apocalyptic world. I thought, what if ghosts were actually a source of electrical energy in a world that didn’t have electricity anymore? How might humanity use them? How would they trade them? Transport them? Thus the world and tension of “What Bones These Tides Bring” started coming together.  

 

Going in I wanted to make this story subtly set in Aotearoa without dropping a pin too firmly on a specific place. So I drew on the things that are, to me, distinctively Kiwi. Black sand beaches to Mable’s hut (inspired by our Department of Conservation huts), local wildlife in the likes of Gannet, and a couple of nods to Māori culture and mythology, such as the mention of the fantail (an omen of death).  

 

As for our ghost Riley’s point of view, she was actually a bit of a surprise! I initially planned to tell the whole story from Mable’s point of view, but when I got to the second scene, my gut (muse maybe?) urged me to explore the ghost’s viewpoint. So, in true panster fashion, I went with it. 

 

Last of all, living in Auckland, the recent floods and Cyclone Gabrielle are still relatively fresh in my mind. It seemed right to imagine Riley’s world—our world—ending in a catastrophic storm and flood. I think my subconscious was trying to process it all! 

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REMAINS TO BE TOLD – An interview with Kiwi author Kathryn Burnett 

 

In this unique interview series, we chat with the contributors of Kiwi horror anthology Remains to Be Told: Dark Tales of Aotearoa, edited by five-time Bram Stoker Award-winner Lee Murray (Clan Destine Press, 1 October). 

 

Today, we welcome author Kathryn Burnett, whose short story “Hook” appears in the anthology. 

 

Tell us about your story in the anthology.  

 

Years ago I read about an American guy with terrible asthma who travelled to a third world country to infect himself with hook worms. Apparently, dear reader, the results were life-changing. As I’m an asthmatic, my ears kinda pricked up and I idly considered whether that was something I would ever do. I should point out that I am quite repulsed by worms and slugs – so the thought of infecting yourself with said creatures made me feel uncomfortable. And that squirm of ill-ease has been sitting in the back of my mind for years just waiting for the right story.   

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REMAINS TO BE TOLD – An interview with Kiwi author Jacqui Greaves 

 

In this unique interview series, we chat with the contributors of Kiwi horror anthology Remains to Be Told: Dark Tales of Aotearoa, edited by five-time Bram Stoker Award-winner Lee Murray (Clan Destine Press, 1 October). 

 

Today, we welcome author Jacqui Greaves, whose historical short story “Fires of Fate” appears in the anthology. 

 

Tell us about your story in the anthology.  

 

One of the walls of the Āpiti Tavern used to feature a blown-up photograph of a settler woman doing her washing. It was taken some time in the 1890’s, and the subject was Angela Jacobs. Behind Angela is a rough wooden fence, rumoured to hold ghostly faces. In the background is a glimpse of remnants of a burnt forest.  

 

My inspiration for “Fires of Fates” grew from that photo. Very little is known about Angela, or most other women settlers. Women gained the vote in Aotearoa in 1893, around the time the photo was taken. By that time, large swathes of the country had been cleared for agriculture by fire. Āpiti was one of the last remaining pockets of virgin forest left in the Manawatu.  

 

One of my favourite books growing up was a collection of myths and legends. It intrigues me how myths and legends from around the world share similarities. They are stories, which explain fundamental truths.  

 

I also love things being out of place: whales swimming in the sky; historical characters in the wrong time; elves in space. So, I introduced powerful women in the form of the Fates and Furies from Greek mythology into the ongoing conflict between Tāne-nui-a-Rangi and Tāwhirimātea.  

 

In Greek mythology, Prometheus stole the secret of fire from the gods and gifted it to humans in the form of a fire-drill. In Māori myth, Māui did much the same thing. In the process, he required the assistance of Tāwhirimātea, and fire ended up being stored in Tāne’s trees–to be released using a fire-drill.  

 

Brownie is the voice of so many men I’ve met. By the simple biological accident of being born, and recognised, as men, the Brownies of this world have rights and privileges never afforded to the Angela’s. The Brownies are not clever and they’re not brave, but they think they are. In “Fires of Fate”, despite the evidence of his own experience, Brownie believes he is a master of fire. The Gods disagree, and as for Prometheus, his punishment is meted out by birds of prey. 

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REMAINS TO BE TOLD – An interview with Kiwi author Helena Claudia 

 

In this unique interview series, we chat with the contributors of Kiwi horror anthology Remains to Be Told: Dark Tales of Aotearoa, edited by five-time Bram Stoker Award-winner Lee Murray (Clan Destine Press, 1 October). 

 

Today, we welcome author Helena Claudia, whose historical short story “I’m a Gemini” appears in the anthology. 

 

Tell us about your story in the anthology.  

 

I was interested in writing about the “horror” that manifests in the heads and actions of people who have an incredibly negative reception of the world, such as our unnamed protagonist, who suffers from PTSD, drawing on my own experience. New Zealand is in the midst of a mental health crisis, and accessing help is particularly difficult for younger people and students who rely on overburdened university services. Our protagonist has suffered a great personal loss and is deeply combative and critical of everyone she encounters, yet still holds a deep desire to be appreciated by them. She generally wants the same things as the people around her, but her desire to protect herself prevents her from trusting them. The only way forward she can see is back.  

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REMAINS TO BE TOLD – An interview with Kiwi author Gina Cole 

 

In this unique interview series, we chat with the contributors of Kiwi horror anthology Remains to Be Told: Dark Tales of Aotearoa, edited by five-time Bram Stoker Award-winner Lee Murray (Clan Destine Press, 1 October). 

 

Today, we welcome award-winning author Gina Cole, whose murderous short story “Blind Date” appears in the anthology. 

 

Tell us about your story in the anthology.  

 

My story “Blind Date” began as a very creepy short film script about murder and assassination. In the process of editing and turning it into fiction I ramped up the horror aspect and it morphed into a completely different and terrifying story.  

 

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REMAINS TO BE TOLD: An interview with Kiwi author Denver Grenell
 

In this unique interview series, we chat with the contributors of Kiwi horror anthology Remains to Be Told: Dark Tales of Aotearoa, edited by five-time Bram Stoker Award-winner Lee Murray (Clan Destine Press, 1 October). 

 

Today, we welcome Denver Grenell, whose action horror short story “Ngahere Gold” [Bush Gold] appears in the anthology. 

 

What, in your view, are the core elements of Aotearoa horror? What makes Kiwi horror unique? 

 

Our landscape, our history, and our voice—all of which are intertwined like a complex raranga / flax weaving. There is a darkness to the history of Aotearoa, which hangs over us like a long (white) cloud and often seeps into our art—from the cinema of unease to certain musical stylings and, of course, our written word. 

 

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REMAINS TO BE TOLD: An interview with Kiwi author Debbie Cowens 

 

In this unique interview series, we chat with the contributors of Kiwi horror anthology Remains to Be Told: Dark Tales of Aotearoa, edited by five-time Bram Stoker Award-winner Lee Murray (Clan Destine Press, 1 October). 

 

Today, we welcome award-winning author Debbie Cowens, whose Lovecraftian short story “The Reaper Beetle” appears in the anthology. 

 

Please tell us about your story, Debbie.  

 

My story “The Reaper’s Beetle” was a hybrid of two separate story ideas. One was the horror version of an incident from my youth when a friend disappeared during the night on a school camp, and we found her out in the bush after she’d apparently sleep-walked of the cabin. The other was more focused on tensions that can arise when old school friends reunite, especially when the relationships haven’t matured, and people’s lives have gone in very different directions. The story also in some way reflects my aversion and discomfort with funerals. Ever since my father’s funeral when I was younger, I’ve found them an anxiety-inducing blend of overwhelming, personal grief and a polite, formal ceremony.  

 

The story is also inspired by Lovecraft, his tradition of dangerous consequences befalling those who delve too deeply into the study of dark, ancient mythos, and the reaper beetle itself owes part of its creation to his story ‘Winged Death’ amongst others.   

 

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