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Deadline: September 30, 2015 Payment: Charity Anthology With Free Digital Contributor's Copy Slay bells ring, Kids are screaming In the lane, snow is blood stained There's nowhere to hide Krampus has arrived There'll be feasting in a winter slaughter land Our third and final visit to Deathlehem will be DEATHLEHEM REVISITED. Our target for this collection is 25 stories with a targeted release date of December 1, 2015. What do we want? As with the previous two collections, the subject matter is open, just so long as it takes place on or around Christmas. HOWEVER, we would like to see FEWER Krampus/Santa stories this year. In fact, we will only be accepting three Krampus stories, so think outside the box. No sexual situations involving children or animals. DEADLINE: September 30, 2015 (or until filled) WORD COUNT: 1,000-7,000 words (query for longer/shorter submissions) PAYMENT: This is an anthology for charity. Contributors will receive a Digital copy (mobi, epub, or pdf) of the anthology. Print copies will be available to the contributors on request, but given the nature of this project, we hope you would be willing to purchase a print copy. REPRINTS: Query first MULTIPLE SUBMISSIONS: No SIMULTANEOUS SUBMISSIONS: No FORMAT: Left-justify only FONT: 12 pt Times New Roman SPACING: Double spaced, no extra spacing between paragraphs, single space after periods TAB INDENT: Please do not set a tab. Instead, use Word's paragraph formatting for first line, and set the first line indent to 0.3" PAGE NUMBERING/HEADERS: Page numbers only First page should include your name, address, phone number, e-mail address, word count, and pseudonym (if writing under one). Send submissions as a word attachment to [email protected] or [email protected]. Include DEATHLEHEM REVISITED and the submission title in the subject line. Via: Grinning Skull Press.

Deadline: September 30, 2015 Payment: 3 cents per word. NOTE: ANOTHER DIMENSION HAS CLOSED EARLY Another Dimension Magazine is the evolution of Wily Writers Speculative Fiction Podcast. It has a more focused theme, that of classic-style Horror and Dark Fantasy, as seen on the television shows Night Gallery and The Twilight Zone, produced and often written by Rod Serling. We are doing blatant homage to these wonderful contributions to these genres. We'll release issues quarterly in both text and audio formats. What We're Looking For We've identified elements that we're looking for in the stories we'll buy: An interesting and well-thought-out lead character, first and foremost. Supernatural elements or alternate reality/history. The genres of either Horror or Dark Fantasy. The various subgenres of Horror are perfectly acceptable, such as SciFi Horror. A commentary on the world we live in (however metaphorically). Say something with your story. A surprising climax. Take us by surprise, if you can. Impressive imagination -- show us a different culture or an alternate world. Submission Requirements Submissions need to follow the guidelines listed below. IMPORTANT: Name your file so that it makes sense. An impressive filename for a fiction submission is: (lastname)-(word from title).RTF Word count: 1000 - 3000 (Firm. Do not query). Use standard manuscript formatting. (more info) Simultaneous submissions to other publishers are okay. Do not submit more than once to the same issue. You may submit only one story to each issue. Gore, sex, and adult language okay, but make sure it improves the story. Use good grammar, double-check your punctuation, and run a spell-check. We prefer Chicago Manual of Style rules, and we will reject it if it's a mess, even if it's an amazing story. If you're bad at grammar and spelling, then hire an editor or bribe a friend with...

Deadline: September 30th, 2015 Payment: $25 Submission Request for Visions III Submission Request Visions III: Inside the Kuiper Belt Anthology Editor: Carrol Fix Word Count: 3,000 – 8,000 Deadlines: Art: 8/30/15 Stories: 9/30/15  Authors and Artists receive token payment of $25. Authors and Artists We are looking for original and exciting work that presents a futuristic representation of the Kuiper Belt and everything between it and the Sun. Book cover art must be wide enough to include a Front, Spine, and Back, with the main focus to the right for the front of the book.       Eris and Dysnomia An artist’s concept of the dwarf planet Eris and its moon Dysnomia. The sun is the small star in the distance. From NASA and the Jet Propulsion Laboratory: The Kuiper Belt is a disc-shaped region of icy objects beyond the orbit of Neptune — billions of kilometers from our sun. Pluto and Eris are the best known of these icy worlds. There may be hundreds more of these ice dwarfs out there. The Kuiper Belt and even more distant Oort Cloud are believed to be the home of comets that orbit our sun. The best known resident of the Kuiper Belt is Pluto, but it also is home to Eris, Haumea, Makemake and countless comets. 10 Need-To-Know Things About the Regions Beyond Neptune The Kuiper Belt and the Oort Cloud are regions of space. The known icy worlds and comets in both regions are much smaller than Earth’s moon. The Kuiper Belt and the Oort Cloud surround our sun, a star. The Kuiper Belt is a doughnut-shaped ring, extending just beyond the orbit of Neptune from about 30 to 55 AU. The Oort Cloud is a spherical shell, occupying space at a distance between five and 100 thousand AU. Long-period comets (which...

Deadline: September 30th Payment: Contributor's Copy I am looking for work by Indiana writers or stories from other writers who set their work in Indiana. Payment: 1 (one) paper copy of the Anthology. Short fiction 2k – 5k No simultaneous submissions or reprints Authors may submit up to two short stories and five poems No headers / no footers Double space / 12 pt., Georgia font for prose, single space for poetry Submit as rtf or doc. File E-mail submissions to [email protected] In subject line of e-mail: Your name, Title, Submission type (story or poetry) Include a bio in the body of your email. Failure to do so may result in no recognition in the author bio section. Deadline will be September 30, 2015 or until filled. Via: JWK Fiction.

Deadline: October 1, 2015 Payment: Royalty Split and contributor copy Once again, Charon Coin Press and editor Jerry E. Benns hop on tour of the United States to bring the State of Horror Anthology to the next state, the Show-Me-State—Missouri. Missouri brings a deep well of potential with its history and folklore. As a river state, Missouri’s eclectic past has been told around the campfires as travelers shared different manifestations of tales discovered as they traversed the Mississippi and Missouri Rivers. As the launching point of the Lewis and Clark expedition, it was one of the first areas traveled while the United States was expanding into what we know today, and earned the moniker, “The Gateway to the West.” The many rivers are not the only sources of stories Missouri has to offer.  Beneath the surface of Missouri’s rolling hilly landscape lurks another world, one cut out of the soft stone, it lays claim to some of the most intricate, and unexplored cave systems in existence.  Used by the beer brewing families to house their beer before the time of refrigeration, they brought wealth and industry making cities like St. Louis into turn-of-the-century boom towns—until the collapse after prohibition. Some of the legacies these families left behind have become legend while others are a shade darker. The border cities are not the only source of stories from the Show-Me-State. From the northern plains to the rolling hills of the Ozark Mountains, Missouri’s background is steeped in a rich history full of expectation, conflict, opportunity, struggle and success. The cultures of Missouri are born from industry and grown in the vast farmlands. The rivers and mountains feed into the heart of the United States and are the reason Missouri is our next stop in our exploration in the State of Horror...

Deadline: October 1, 2015 Payment: $100 and contributor's copy iPhones are magic. I mean, do you know how yours works? Could you take it apart and put it back together? We can’t go out without our smartphones. They organize our lives, find our locations, and sync with all our other tech. We sleep with them beside our pillows. Yet… their workings are a mystery. What does “magic iPhone” mean to you? Consider the supervillain who mind-controls a city’s populace, or the employee who stamps the runes that make your iPhone 8s so lightweight. This anthology is based on the success of anthology editor Janine A. Southard’s recent novel, Cracked! A Magic iPhone Story, which stars an explicitly magical iPhone (found by story gamers in modern-day Seattle). That iPhone comes pre-loaded with a romance finder app of dubious morality that not only sends its users on terrible dates, but also sucks their life forces. Editor’s Note: I’m looking for stories that cleverly incorporate the idea of a “magic iPhone” into any setting you like. I will, of course, be psyched to read variations on my crazy romance app, but I’m also excited to read something totally different. I’m accepting all genres except straight-up erotica or hard-core horror. (We’re aiming this anthology at general audiences, after all.) I think the idea lends itself well to comedy and dark fantasy, but… I guess that was obvious already. 😉   How to submit: Send your story in .doc, .docx, or .rtf format to Janine A. Southard [email protected].   Note about brands: In Cracked! A Magic iPhone Story the titular device was, clearly, an iPhone. Cantina Publishing acknowledges that not everyone rates an iPhone as their favorite device, but the concept of the magic iPhone is the element which will tie together stories in this...

Deadline: October 1st, 2015 Payment: $50 What we’re looking for WCP is looking for stories to publish in its magazine, Weird City. These stories should… Fit the general Weird City theme that can best be described as “strange things in dense places”. While we’re flexible with definitions of “strange” and “dense” (and we look forward to seeing your interpretation), please exercise some discretion. Be original works, both in concept and in execution. Please no fanfics or story rewrites and certainly no passing of another’s work as your own. Be self-contained, standalone stories. No chapter excerpts please. Be no less than 1500 words and no more than 7500. Be submitted according to our “How to Submit” process. Read this carefully before submitting. (For the inaugural issue) be submitted before October 1st, 2015. To answer a few common questions: YES, we do accept simultaneous submissions. NO, we don’t at the moment take multiple submissions. NO, we don’t accept reprints at the moment. Rights & Rates WCP purchases worldwide first publication rights in English, for publication in electronic formats, under a limited-use contract. Currently we are offering a flat payment of $50 per story, though we may offer additional compensation for exemplary stories (at our discretion). How to Submit All submissions must be sent electronically. Please attach your story to an email sent to our lovely submissions manager Amelia [email protected]. Make sure you: Include your name and story title in the subject line along with a submission tag, using this format: . This helps dramatically with sifting through our inbox. Save your story to a .doc, .docx, or .rtf format. No Google Drive, Dropbox, etc links. If we can’t open it, we won’t read it. Edit your story according to a common manuscript format. We strongly recommend William Shunn’s guide. At the very least each page should be numbered, with...

Deadline: October 1st, 2015 Payment: 2 Cents Per Word Mythic Delirium is an online and e-book venue for fiction and poetry that ranges through science fiction, fantasy, horror, interstitial and cross-genre territory— we love blurred boundaries and tropes turned on their heads. We are interested in work that demonstrates ambition, that defies traditional approaches to genre, that introduces readers to the legends of other cultures, that re-evaluates the myths of old from a modern perspective, that twists reality in unexpected ways. We are committed to diversity, and are open to and encourage submissions from people of every race, gender, nationality, sexual orientation, political affiliation and religious belief. We publish 12 short stories and 24 poems a year. Our quarterly ebooks in PDF, EPUB and MOBI format, published in July, October, January, and April, will each contain three stories and six poems. We will also publish one story and two poems on our website each month. The rights we purchase are First World Serial Rights and First World Electronic Rights in the English language. Short stories: We are seeking short stories of up to 4,000 words. Electronic submissions only. Word limit firm. No unsolicited reprints. No simultaneous submissions. No multiple submissions. Please use the words “fiction submission” in the e-mail subject line. Stories should be sent in standard manuscript format as .rtf or .doc attachments. Payment is 2 cents/word on publication. Poems: You may submit up to 6 poems at a time of any length. Electronic submissions only. No unsolicited reprints. No simultaneous submissions. Please use the words “poetry submission” in the e-mail subject line. Poems may be included in the e-mail or sent as .rtf or .doc attachments. Payment is a $5 flat fee on publication. All submissions should be sent to mythicdeliriumgmailcom. NOTE: We do not use an auto-responder system....

Deadline: October 1st, 2015 Payment: $25 and a contributor's copy “Walk Hand in Hand Into Extinction: Stories Inspired True Detective” anthology has found a home with ThatLitPress. We are opening up submissions for this fiction anthology inspired by True Detective. We want authors to take their favorite themes from either season and write a story inspired by them. We want stories that are artful and entertaining. Have fun with it! Send us a story between 2,000 to 3,000 words with your favorite themes of True Detective. ThatLitPress will pay $25 per story and a contributor’s copy and you will keep the rights. No previously published stories. Stories are due October 1st. Email the story in a word document to [email protected]. Please use a 12 point Georgia font and have it be double-spaced. Via: That Lit Site.

Deadline: October 15th 2015 Payment: $20 We are currently accepting submissions. A note on our editorial policy: before publication we may edit the story for length or readability. However, we always remain true to the spirit of the story. Issues are published at the end of February, May, August, and November. We have reading periods for each issue, though we never close to submissions. February closes January 15 May closes April 15 August closes July 15 November closes October 15 Please do not submit the same story more than once, and please submit only one story at a time. We consider any story between 250 and 7000 words with speculative fiction elements. We prefer science fiction, fantasy, and the macabre, but we're willing to push the limits of traditional forms of these genres. We do not consider poetry, stories with over-the-top sex or violence, serials, novels, fan fiction, or non-fiction. We don'taccept multiple submissions; in other words, only submit one story at a time and wait for a response before submitting another. We accept simultaneous submissions as long as you let us know up front and tell us as soon as it's accepted elsewhere. We do not publish reprints, including anything that has appeared on a website. We pay $20 for each story we publish. We buy first-printing world exclusive rights for four months. Payment will be made shortly after publication using PayPal. We encourage our authors to establish a PayPal account if they don't already have one. We prefer to read submissions in traditional manuscript format. This means indented paragraphs instead of left justification, and Courier or Times New Roman font in 12 pt, double-spaced. Also, please include the title, your name, address, and word length on the first page of your story. To submit your story to Electric...

Deadline: October 17th, 2015 Payment: $0.01/word) plus one contributor’s copy and one digital version in the format of the author’s choosing CALL FOR SUBMISSIONS: ELDRITCH EMBRACES, Putting the Love back in Lovecraft Our first anthology explored loneliness, isolation, and solitude.  This time around we are looking for love…in some seriously wrong places. For our new anthology, tentatively entitled Eldritch Embraces, we want to put the love back in Lovecraft.  In order to be considered for inclusion in this anthology, your story must focus on two things.  There must be an element of love or romance and the story must invoke the cosmic terror of H.P. Lovecraft. What We Want: Finely crafted works of Dark Speculative fiction which explore the connections between people or between elder gods or combinations thereof.  Obviously, this topic lends itself best to horror, which is our wheelhouse genre, but science fiction and fantasy are also welcome, provided there is some element of fear involved.  We have no restrictions on the setting of your work in time or space.  We look forward to exploring ancient deserts, Depression Era alleyways, modern cityscapes, and even far off worlds.  While we usually dwell in the shadows, we do enjoy laughter.  Humor is more than welcome. Bonus points for fiction which explores some of the more Lovecraftian themes like the how humanity is influenced by forces beyond its comprehension, the quest for forbidden knowledge, and apocalyptic threats to the world. What We Don’t Want: To be sued.  While the works of H.P. Lovecraft are in the public domain, the works of those who picked up the Mythos torch (like these fine authors) are not.  If you plan on using one of he established mythos creatures, make sure it is one of Howard Phillips’ and not invented by someone who came later. ...

Deadline: October 31st, 2015 Payment: $0.01/per word Perpetual Motion Machine presents a new anthology of horror transmissions titled Lost Signals, edited by Max Booth III and Lori Michelle, including a cover design by Matthew Revert. In the darkness, sound is your best friend and your worst nightmare. Radios are the conductors of noise. They are the radiation of electromagnetic signals. Their waves are invisible, yet they consume us. Forget about what’s hiding in the shadows, and start worrying about what’s hiding in the dead air. We are looking for short stories to publish in Lost Signals. That’s where you, the writer, come in. Send us your best horror fiction about radiotelegraphy. We want to be disturbed. Stories should somehow involve radios, radio stations, radars, cell phones, military broadcasts, distress signals, walkie talkies, podcasts, or anything similar. We aren’t necessaryonly after straightforward prose. It’s okay to get experimental on this project. Don’t just think outside the box on this one. Burn the box and eat the ashes.2 — Guidelines for Submissions: Deadline: October 31, 2015 Payment: $0.01/per word Word count: 1,000 – 20,000 Acceptable file types: doc. and docx. Simultaneous/multiple submissions: Yes Reprints: No - All submissions should be formatted 12 pt, any font. Please use your word processing software’s auto-indent for paragraphs, and do not insert a space between paragraphs. In your cover letter, include your contact information and a brief author bio. We are asking for six months exclusive rights for all accepted stories. All authors included in the anthology will receive two contributor copies. We may send out rejections/acceptances before the deadline, but please do not query about your story’s status until November 15, 2015. All submissions must be sent through our Submittable page. If you have any questions, don’t hesitate to shoot us an email at [email protected]....

Deadline: October 31st, 2015 Payment: $5 and digital copy “Happily ever after” is for children. This book prefers to evoke the grim warnings of our oldest fables. We are seeking frightening fairytales, fables, and folklore. We want to feature your own new tales or new takes on old classics. Stories of seelie and unseelie alike. Are the things that go bump in the night there to help or harm us? Submitted stories should deal with fairies or fairy tale settings, and must also be considered horror, evoking a classic fear and dread reminiscent of the fables of old. If you are submitting a new take on a classic fairy tale, the original story and characters must be in the public domain. The setting can be our world in the past, present, or future, or a fictional setting, or the exploration of both. Stories must be Gothic, Horror, Steampunk, Gaslamp Fantasy, Dark Fantasy, Horror Romance, or have a horror element of some kind. Manuscripts Format: Font either Courier or Times New Roman. Double spaced, font size 11 or 12 point. Your manuscript must be in either DOC or RTF format. 1st page header to state: author name, mailing address, email address, and word count. Following pages header to state: author name, story name, and page number. In the body of the email, give us: 100 words or less bio about you. One sentence explaining the story attached. Your elevator pitch. In the subject of the email state: ONCE UPON A SCREAM/Author Name/Story Title Send to: [email protected] No previously printed work and no simultaneous submissions. Deadline: October 31st, 2015, 11:59pm PST Length: 2,000-8,000 words, ideal length 5,000 Payment:$5.00 USD + digital contributor copy Return time: Final decisions will not be made until AFTER the submission close date (10/31/15). You should expect a return...

Deadline: October 31st, 2015 Payment: 5% Net Profit Urban legends are unavoidable. From college campus to unlit road, they cling to our lives. Did you hear about the librarian who died, right here, and now haunts the halls at night?             Satanists haunt these woods. Never stop for anyone. Not on this highway.             If you’re very quiet here, and listen to the wind, you’ll hear her scream “MY BABY” Running though these small-town myths are a shot of the horrible: ghouls, ghosts, cryptids, revenants, secret societies, and occult knowledge. But are such cases true, or the work of humans looking to disguise their own murders? Your task, should you choose to accept it, is to combine urban legends and murder mysteries. All The Petty Myths is a mystery anthology edited by crime writer M.H. Norris. Consider it a revival of Golden Age Detection, where the emphasis is placed on clues and the mastery of the mind (“little grey cells” as Poirot would remind us), rather than the bones and gristle of the victim. The eight relevant “Commandments” of Golden Age Detection have been amended to the back of this document as inspiration and guidance. The urban legends used must have a real world counterpart, though you’re free to mix and match similar legends to form the backbone of your tale. Virtually anything loosely termed an urban legend is open for your exploitation, be it crypids (Bigfoot, Mothman), killers and killer ghosts (Bunny Man, Teke Teke), classic urban legends (Bloody Mary, the Vanishing Hitchhiker), modern folklore (One Man Hide and Seek), public domain fauxlore (Slenderman), locations (Tayopa, Theorosa’s Bridge), fiction which mutated into a form of urban legend (the monkey’s paw), or the simply weird (Spring-Heeled Jack, Polybius). Urban legends can, over the course of your story, be shown to...

Deadline: October 31st, 2015 Payment: Charity anthology, 1 cent per word and a contributor's copy Stories are powerful—they can open our perspectives to allow us to see things in ways we haven’t before and can be used to provide a voice to those who otherwise would remain silent. With that in mind, I am pleased to announce that I am now taking submissions for the upcoming horror/dark fiction anthology, Silent Screams. The focus of this anthology will be to give a voice to and point public attention toward those who are vulnerable who have no means to speak for themselves—from victims of human trafficking and the sex industry, to the aborted unborn, to third-world sweat shop workers. As writers (and perhaps particularly as writers of dark fiction), we have the opportunity to do some good by shining a light on the uncomfortable truths that our society often prefers to ignore. WHAT I WANT I’m looking for unpublished stories (no reprints) ranging from 1,000 to 10,000 words (soft) that EITHER focus of the plight of specific silent victims of our modern world OR that play with the idea of silence in general. (Think of Harlan Ellison’s classic “I Have No Mouth And I Must Scream,” or the famous tag-line from Alien: “In space, no one can hear you scream.”) What does it mean to be a voiceless victim, and what could be done to alleviate that kind of suffering? I want horror stories of pretty much every subgenre, including dark science fiction. My tastes for this sort of thing lean more toward the surreal and uncanny than to the realistic, and most of what I enjoy would fall under the “Dark Fantasy” sub-heading (think the type of stuff written by guys like Robert Bloch and Jeff VanderMeer). I love stories that don’t...

Deadline: October 31, 2015 Payment: $30 and contributor's copy Note: This one is for the ladies! I don't see as many horror stories from women as from men in anthologies. I don't know if it's because they don't submit or if they're rejected. I do know one thing. Women write horror well and I hope this anthology will show the reader the truth of the statement. Women, since the time of Mary Shelley, have written great horror works. If you'd like to submit, this editor will be pleased to read the story. I want horror the way only great women can write it. There is no theme because I like the idea of giving you leeway in subject matter. Try for at least 3000 words up to 10,000 words. Submission date: August 2015-October 31, 2015. (Or when anthology is full. Please don't delay to submit until deadline). Distribution will be through Amazon and possibly other online markets. Stories needed can be either supernatural horror or realistic horror. Naturally if you write about a serial killer it better be a new take and unique to the genre since this type of killer is overdone. Likewise, vampires, werewolves, and the walking dead are pretty much played out so if you use these, make them new and refreshing (in an evil sort of way). No simultaneous submissions and don't send more than one story, thanks. No gore for gore's sake. Creepy scary horror is the ticket. While this is an R-rated anthology, please no stories involving graphic rape, child molestation, or animal torture. No gratuitous sex—if you include sexual content, make sure it is germane to the plot of your story. Use profanity strategically and sparingly. An unedited story with many errors will, of course, have less chance of inclusion as one that...

Deadline: October 31st, 2015 Payment: 1 cent per word Note: Reprints Allowed! WHAT DO YOU ACCEPT? We accept fantasy, science fiction, and horror. WHAT DO YOU PREFER? We are seeking original, thought-provoking weird fiction. WHAT DO YOU PAY? Contributors receive 1¢ a word.    IS THERE A READING FEE? No, we do not charge a reading fee.   IS THERE A WORD LIMIT? Yes, we ask that contributors limit their submissions to 10,000 words. With that said, we prefer longer, more complex works to flash fiction. WHEN DO YOU ACCEPT SUBMISSIONS? We accept submissions year round. Those received from May 1 to October 31 will be published in the fall issue. Those received from November 1 to April 30 will be published in the spring. DO YOU ACCEPT MULTIPLE SUBMISSIONS? Yes, you may submit multiple works. Receiving multiple rejections, however, can be devastating for a writer, so we recommend that you submit your works one at a time.    DO YOU ACCEPT SIMULTANEOUS SUBMISSIONS? Certainly, we encourage you to submit your work to multiple publishers. However, please inform us if your submission is accepted elsewhere. DO YOU ACCEPT REPRINTS? Yes, we do accept reprints. We prefer, however, to publish original work. HOW SHOULD SUBMISSIONS BE FORMATTED? We prefer Microsoft Word files (either .doc or .docx). Also, we ask that you include your name and email address on your submission. Decisions concerning font, margins, and style are left to you.    DO YOU ACCEPT POETRY OR NONFICTION? No, we do not accept poetry, essays, or reviews. DO YOU ACCEPT ART OR PHOTOGRAPHY? No, we do not accept art or photography.   DO YOU COMMENT ON SUBMISSIONS? No, we choose not to comment on submissions because we believe the best writers have followed their own instincts. Those that cater to a specific publisher tend to produce work that is dull, formulaic, and devoid of subtlety. On rare occasions, however, we do feel moved to comment...

Deadline: October 31th, 2015 Payment: 6 cents per word (and possibly more). Royalties on additional sales beyond the Kickstarter will be 25% of ebook cover price and 10% of trade paperback cover price, both split evenly between the authors The ALIEN ARTIFACTS and WERE- anthology kickstarter has made its goal! This means that we can now open up submissions for the remaining slots in the anthology. If you have a story idea that fits one of the anthology themes, write it up, revise it, polish it, and send it in for consideration. I've posted the guidelines below. Please note that the pay rate INCREASES as we reach higher stretch goals in the kickstarter, so please (http://tiny.cc/bfah1x) spread the word about the kickstarter so that we can not only add in additional authors to the anthology, but pay those authors as much as possible. Also, a special thanks to everyone who has already backed the project and gotten us funded! Without you, we wouldn't be funded with over three weeks left in the kickstarter to reach those stretch goals! And now, the submission guidelines: ALIEN ARTIFACTS and WERE- Submission Guidelines Zombies Need Brains LLC is accepting submissions to its two science fiction and fantasy anthologies ALIEN ARTIFACTS and WERE-. Stories must be submitted in electronic form as an attachment with the title of the story as the file name in .doc or .docx format. The header of the email should include the name of the anthology the submission is for along with the title of the submission (for example: WERE-: WereJellyfish Gone Wild!). The content of the email should also include which anthology the manuscript is intended for. Please send multiple manuscripts in separate emails. Manuscripts should be in manuscript format, meaning double-spaced, 12pt font, standard margins on top, bottom and...

Deadline: October 31st, 2015 Payment: $15 USD and 3 contributor's copies Submissions for the 2015 World Unknown Review (Volume II!) are now OPEN! This is an exciting new literary review with a strong focus on independent authors, though anyone is welcome. If you are interested, please consider the following regulations before submitting. We look forward to seeing what wonderful, inspired pieces start flooding in for consideration! Applicants selected to be featured in the Review will be awarded three (3)copies of the publication as well as $15 (USD) via check or PayPal or $30 (USD) for the novella competition. There is no entry fee, and applicants may submit as many stories as they would like. All we ask is that these simple rules be followed: 1. Entries must be submitted via email to [email protected]. Please send entries with the subject “World Unknown Review Submission.” Please send submissions as an ATTACHMENT in .doc, .docx, or .rft formats. Please,no PDFs. 2. All entries must be submitted before the deadline, October 31st, 2015. Responses will follow a few weeks after the deadline. 3. For short stories and poetry, there is no limit on word limit, though moderately sized stories stand a better chance. Novella entries must be 17,5000 words or more, broken up into several chapters. 4. Final decisions are purely on the opinion of the editor of the collection, L.S. Engler. 5. Please include a small blurb about yourself for the eventual publication. 6. Spread the word! Okay, technically, this is not a rule, but please spread the news around that World Unknown Review is looking for submissions. It’s a great opportunity to be a part of something new and exciting. 7. Work that has been previously published in forums or on your own personal blogs or websites will be accepted, but, please,...

Submission Window: October 1-31, 2015 Payment: $5USD advance followed by 35% - split between the contributors It's baaaaaaaaaaaaack! Our annual collection of funny paranormal stories. Story must be funny and have supernatural/paranormal elements. Previous published stories include a farting contest with the Boogeyman, a Shriner who becomes a weregoat, and a hoarding intervention at the home of a wizard. Story length should be 2000-6000 words. If you sub something longer than that, it'd better be really funny or you need to be Stephen King. Our submission window is October 1-31, 2015. Please do not sub sooner because there's a 90% chance it won't get read till October anyway and could get buried under other emails. Publication of SF3 should be in spring 2016 (note the use of 'should' here). Go to our Submissions page to find out what's open and what's not. Please send all submissions (short stories or novels) to [email protected] . To avoid confusion on our part, please put the name of the anthology you are submitting to in the subject line, or "Novel submission: (Your Title)". Mystery and Horror is a market that welcomes LBGTQ, multiethnic, multinational, nontraditional, and unusual fiction. We are concerned with well-written stories involving well-developed characters. PLEASE FOLLOW THE FORMATTING GUIDELINES BELOW: We only accept e-submissions - nothing in print. Our formatting requests are below. Note that 5 and 6 are extra important. 1) Your submission should be an attachment to your email in RTF or DOC format, .JPG for artwork (black and white only, except for book covers). 2) Submission text should be black in color and only use one font and one size print - preferably 12-point Times New Roman. 3) The text should be single spaced. 4) An extra line should only be inserted between scenes - not individual paragraphs....

Deadline: October 31st, 2015 Payment: $15 and contest winners for the top 3 selections For 2015’s Story Quest Competition we want to look at the unlikely, the neglected, the untried. We are looking for either: – unlikely partnerships between characters, species, the smashing together of worlds, cultures, ideas – unlikely genre partnerships, those we don’t see often or at all For combination number two, at the mag we don’t often see fairytale crossovers (we’d love some more diverse voices), steampunk, true romantic horror, Western crossovers, mysteries. Whatever you can think of, we’ll read. Just make it a story that makes the judges eyes bug. Submission Period Opens 1 September 2015 and closes 31 October 2015. Short listed stories and winners will be announced mid to late November 2015. It is free to enter. All submissions must be entered online using the Submittable System.Click here to submit. Please note that this is a third party system that will store submitted short stories on their database.   Awards Five or six stories will be short-listed, all of which will be published in SQ Mag in early 2016 – contract conditions for unsolicited entries strictly apply. Within the short list, 1st place will also be awarded US$100.00, 2nd place: US$50.00, 3rd place: US$25.00. All published short-listed stories will receive the standard US$15.00 SQ Mag payment. Authors who submit to the contest must have or nominate a PayPal account to receive their payments. Submission Requirements Shunn rules for presentation apply. Exceptions: Actual italics to be used and fonts can include Times New Roman, Times, Garamond. 1000 to 3000 words only. No exceptions. In line with SQ Mag being an original fiction market, no reprints will be accepted. Authors are encouraged to submit their manuscripts in the form of English that they wish (for example, US English, UK English, Australian English). Short listed...

Deadline: October 31st 2015 Payment: 1 cent per word for the first 4,000 words, and 1 cent per two words after that point, with a minimum total payment of $10, Free ezine subscription Cyclopean is an upcoming online speculative fiction e-zine. We're open to submissions from September 6th to October 31st. Length: Up to 7,500 words. Pay: 1 cent per word for the first 4,000 words, and 1 cent per two words after that point, with a minimum total payment of $10. Additionally, our authors will recieve a free subscription to the e-zine for you and one friend upon release, lasting for the life of the e-zine. Payment will be distributed during the weeks prior to publication. NEW 9/8/15 Language: English only. Rights: We claim electronic rights, (text and audio,) first serial rights, and non-exclusive rights indefinitely, to sell the e-zine in which it is initially published, and place the story in future anthologies, magazines, e-zines, or simply to reference or iterate the work as we see fit. If we do use the full text of your story again in the future, (not including if we use the audio,) we will pay you at least the amount you received on the initial publication, including a contributor copy, if it appears in print. (We will send contracts out, commencing in mid-October.) Response Time: We try and send a confirmation email within a day, and answer all submissions with a "yes" or "no" within 2 weeks. If you have not received a confirmation email within a couple days, or if it takes longer than 3 weeks to receive a reply, please send a query. Submissions: No reprints. You may submit one short story or two short poems and/or flash fiction stories per week. We accept simultaneous submissions, so long as you inform us in the body of the email of the original submission that...

Deadline: October 31st, 2015 Payment: 6c per word for original content, max $200. 2c per word for reprints published in the magazine, maximum $100. 1c per word for web only reprints, max $50. Reprints Allowed but unlikely See the Elephant is a new semi-pro e-zine published by Metaphysical CircusPress. To learn about the kind of fiction we publish, please see MCP Style & What We’re Seeking. Our open submissions period for the 2016 issues will be Sept 1-Oct 31, 2015 through our Submittable Account (see link below). If you were personally invited to submit, please include a note that mentions which editor invited you. You must be signed up for our mailing list in order to be considered for publication, unless you were personally invited to submit by one of our editors (even then, we hope you will). This is because we are building a community of writers. We need your support to make this a success. Length: 500-6000 words. Longer may be considered if it is suitable for serialization. We are interested in original work only. Pay: 6c per word for original content, max $200. 2c per word for reprints published in the magazine, maximum $100. 1c per word for web only reprints, max $50. Simultaneous Submissions: This year we prefer that you not submit elsewhere at the same time. We will try to reply to all work within one month of submission with a decline or notice that the work has moved to the next round of selection. Multiple Submissions: No, unless the submission is flash fiction (under 1000 words) in which case you may send up to three. Reprints:  Yes, provided the story is not currently available for free elsewhere on the web. Don’t let those great stories languish! If you have a new book out, having reprints on the web...

Deadline: November 1st, 2015 Payment: $25.00 - $50.00 for fiction, $5.00 - $10.00 for poetry, and $25.00 for nonfiction (all U.S. dollars). We also send you a copy of the issue in which your piece appears. You'll receive your money and issue at the same time. Winter: George pressed the call button and said, "Mrs. Whitfield, you have a visitor." We love the fact that writers around the world are inspired by our first lines, and we know that not every story will be sent to us. However, we ask that you do not submit stories starting with our first lines to other journals (or post them online on public sites) until we’ve notified you as to our decision (usually two to three weeks after the deadline). When the entire premise of the publication revolves around one sentence, we don’t want it to look as if we stole that sentence from another writer. If you have questions, feel free to drop us a line. One more thing while I’ve got you here: Writers compete against one another for magazine space, so, technically, every literary magazine is running a contest. There are, however, literary magazines that run traditional contests, where they charge entry fees and rank the winners. We do not – nor will we ever – charge a submission fee, nor do we rank our stories in order of importance. Occasionally, we run contests to help come up with new first lines, or we run fun, gimmicky competitions for free stuff, but the actual journal is not a contest in the traditional sense. Fiction: All stories must be written with the first line provided. The line cannot be altered in any way, unless otherwise noted by the editors. The story should be between 300 and 5,000 words (this is more...

Deadline: November 1, 2015 Payment: $25.00 - $50.00 for fiction Winter: George pressed the call button and said, "Mrs. Whitfield, you have a visitor." We love the fact that writers around the world are inspired by our first lines, and we know that not every story will be sent to us. However, we ask that you do not submit stories starting with our first lines to other journals (or post them online on public sites) until we've notified you as to our decision (usually two to three weeks after the deadline). When the entire premise of the publication revolves around one sentence, we don't want it to look as if we stole that sentence from another writer. If you have questions, feel free to drop us a line. One more thing while I've got you here: Writers compete against one another for magazine space, so, technically, every literary magazine is running a contest. There are, however, literary magazines that run traditional contests, where they charge entry fees and rank the winners. We do not - nor will we ever - charge a submission fee, nor do we rank our stories in order of importance. Occasionally, we run contests to help come up with new first lines, or we run fun, gimmicky competitions for free stuff, but the actual journal is not a contest in the traditional sense. Fiction: All stories must be written with the first line provided. The line cannot be altered in any way, unless otherwise noted by the editors. The story should be between 300 and 5,000 words (this is more like a guideline and not a hard-and-fast rule; going over or under the word count won't get your story tossed from the slush pile). The sentences can be found on the home page of The First...

Deadline: November 1st 2015 Payment: .25 cents per hundred words The term Cheapjack originated as the name for a traveling peddler or tinker. The insinuation was that he was carrying inferior goods. This was moot because he served a poor clientele and did them the service of bringing the goods to them. It was all that some of them had sometimes. In the spirit of the penny dreadful, the pulp magazines of the industrial age, and the traveling tinkers of old....We proudly present to you CHEAPJACK PULP. SUBMISSIONS FOR THE MARCH 2015 ISSUE ARE OPEN FOR ALL DEPARTMENTS PLEASE EMAIL SENIOR EDITOR USING BUTTON ON SUBMISSION PAGE AND INCLUDE THE DEPARTMENT YOU WOULD LIKE CONSIDERATION FOR IN YOUR SUBJECT LINE. PLEASE INCLUDE ALL SUBMISSIONS AS AN ATTACHMENT (.doc or .rtf) For all art work please send queries. Submission Schedule: March issue submission deadline: February 1st (2015 only deadline extended to 2/15/15) June issue submission deadline: May 1st September issue submission deadline: August 1st December issue submission deadline: November 1st CheapJack Pulp is a quarterly pulp webzine which is archived in ebook format. We are free each month to the public. Our back issues are free immediately following archival of the current issue through Kindle Direct Publishing as an e-book. Stories and artwork relating to the pulp themes can be submitted to senior editor in the format the department editor specifies on submission page as they wish to receive it for review.The individual editors will list their contact info as they see fit for individual submission. Stories or articles should be no more than 8000 words long. Longer submissions are accepted by invitation and query only. CHEAPJACK PULP is currently a profit-making webzine (not much mind you!), we will be offering payment, we pay at a rate of .25 cents per...

Deadline: November 1st, 2015 Payment: 25 cents per hundred words Note: Yes, this is an EXTREMELY low paying market for one that doesn't take reprints. The term Cheapjack originated as the name for a traveling peddler or tinker. The insinuation was that he was carrying inferior goods. This was moot because he served a poor clientele and did them the service of bringing the goods to them. It was all that some of them had sometimes. In the spirit of the penny dreadful, the pulp magazines of the industrial age, and the traveling tinkers of old....We proudly present to you CHEAPJACK PULP. SUBMISSIONS FOR THE MARCH 2015 ISSUE ARE OPEN FOR ALL DEPARTMENTS PLEASE EMAIL SENIOR EDITOR USING BUTTON ON SUBMISSION PAGE AND INCLUDE THE DEPARTMENT YOU WOULD LIKE CONSIDERATION FOR IN YOUR SUBJECT LINE. PLEASE INCLUDE ALL SUBMISSIONS AS AN ATTACHMENT (.doc or .rtf) For all art work please send queries. Submission Schedule: March issue submission deadline: February 1st  (2015 only deadline extended to 2/15/15) June issue submission deadline: May 1st September issue submission deadline: August 1st December issue submission deadline: November 1st CheapJack Pulp is a quarterly pulp webzine which is archived in ebook format. We are free each month to the public. Our back issues are free immediately following archival of the current issue through Kindle Direct Publishing as an e-book.  Stories and artwork relating to the pulp themes can be submitted to senior editor in the format the department editor specifies on submission page as they wish to receive it for review.The individual editors will list their contact info as they see fit for individual submission. Stories or articles should be no more than 8000 words long. Longer submissions are accepted by invitation and query only.   CHEAPJACK PULP is currently a profit-making webzine (not much...