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Writing Prompt Wednesdays: On a Ghost Hunt

Writing Prompt Wednesdays: Writing Prompt Wednesdays: On a Ghost Hunt

Welcome to “Writing Prompt Wednesdays,” a haven where your imagination can roam free in the realms of speculative fiction. As we embark on this weekly journey, it’s thrilling to think about the untold stories waiting to be penned in the domains of horror, science fiction, and fantasy. Whether you’re a seasoned author or a budding wordsmith, these prompts are your gateway to unexplored worlds and untapped potentials.

Every Wednesday, we’ll serve up a fresh, thought-provoking prompt designed to ignite your creative spark and challenge your storytelling prowess. Think of these prompts as a key, unlocking the doors to uncharted territories where your creativity is the only limit. From eerie, shadow-laden corridors of Gothic horror to the farthest reaches of interstellar space, and the mystical depths of high fantasy, our prompts are a kaleidoscope of possibilities.

Remember, there’s no right or wrong way to approach these prompts. They are mere stepping stones, guiding you towards the vast landscapes of your imagination. Use them to break free from writer’s block, to experiment with new ideas, or simply as a fun exercise to keep your writing skills sharp.

This week’s writing prompt:

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Epeolatry Book Review: Witchcraft for Wayward Girls by Grady Hendrix

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: Witchcraft for Wayward Girls
Author: Grady Hendrix
Genre: Horror, Thriller and Suspense
Publisher: Tor, Pan Macmillan
Publication date: 16th January, 2025

Synopsis: There’s power in a book…

They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened.

Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who plans to marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who.

Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid…and it’s usually paid in blood.

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Epeolatry Book Review: You Can’t Take It With You by Marcus Hawke

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: You Can’t Take It With You
Author: Marcus Hawke
Genre: Horror
Publisher: Hawke Haus Books
Publication date: 26th November, 2024

Synopsis: What would you do for more time?
Christmas Eve, 1984. Montgomery Nolan is about to die. Even at ninety years old it’s never enough. But he has a way out. A way to live…beyond death. No longer hunted by time, he will become the hunter. And the night will be anything but silent.
From Marcus Hawke, author of The Miracle Sin and Grey Noise, comes a bold new vampire tale. One of greed and lust. Power and immortality. Age and youth. And of course, blood!

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Trembling With Fear 01-19-25

Greetings, children of the dark. How’s your 2025 emerging? I’m already berating myself for not sprinting out of the gates, so it feels right to remind you tomorrow, 20 January, is the third Monday of the month which makes it Blue Monday. While this was originally a marketing gimmick for a travel company, it’s ballooned into a global mental health awareness day. January can be dark in more than just weather ways, so check in on yourself, check in on your friends, and keep each other safe. It’s ok to not be ok, and it’s definitely ok to ask for help. 

With that, I have some parish notices for you before launching into this week’s edition:

  • First, our January short story submissions window is now firmly closed. We will not be taking any more short story submissions until the next window opens in April; find the details over here, and note they’re also on the submission form itself if you need a reminder!
  • That said, we are always open for drabbles – those tiny tiny complete stories in 100 words – as well as unholy trinities and serialised stories. You’ll find details for those over in the submissions page as well.
  • Finally, thanks to those who’s expressed interest in joining our assistant editor team to help out with the special editions. I’m hoping we have three out of four confirmed now, but are still seeking a volunteer to take ownership of our Christmas special edition. Could it be you? Do you love a bit of festive darkness? Get in touch and let us know!

And so onto this week’s edition. The TWF dark and delicious menu today is centred around Jessie Atkin’s strange growth. That’s followed by the short, sharp speculations of:

  • Jane Bryan’s gloomy warning,
  • Joshua Ginsberg’s dark omen, and
  • Weird Wilkins’s thirst for knowledge.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

More progress on the overdue anthology. We found a ton of work that had been missed, which is good – because we aren’t missing it now. However, it isn’t good because I think we’re now going to be at two books again.

We were able to get away with one book last year, which was pretty great; however, doing that this year would likely be able to be used as a weapon with how big it would be. We’re still working it out but should be able to get into the final edits, followed by cover creation, in the coming week or two. 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out and leave a review!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

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Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter One

  1. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter One
  2. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Two
  3. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Three
  4. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Four

Chapter One: Before the Bliss

                                                          

I sit on sloped shingle and toy with my last keratinous protrusion to try and quell the itch. This thorn, barb-rooted to my femur, anchored to the meat of my thigh by a red cable, is part of me and has been there, growing, since birth. It stings. But soon, it’ll detach and fall, and I’ll be peach-smooth all over. All woman. 

In front of me, Alora crouches awkwardly so as not to hurt herself on her five small hip spurs. She rummages through her rucksack and takes out handfuls of something from where childish treasures—shells, sea glass, dead moths—are usually stashed. “What’s in your fists?” I ask.

“Nothing.” Doe-eyes. My little sister smiles sweetly, then runs off, into breaking waves. I shrug at Emmanuelle—my friend beside me—and yawn. At least we’ve the beach to ourselves this evening and the sun, low in the sky, feels warm on my skin. 

I stop twisting the thorn and, instead, hold it in place and imagine the snapped ligaments deep within my thigh re-attaching it to the bone of my leg. If only I could slow time. What lies ahead terrifies me: womanhood, the consequential trip to Marmos.

*

 “Don’t swim past the outcrop,” I shout after Alora. “Ah, do what you like.” Leaning back on a cobble bed, I snag my sore spot. “Ay—This one hurts.”

Despite my desire to remain a child, the perseverance of this fourth and final hip thorn—my fifth never emerged—frustrates me. It’s sore.

“But you’re glowing, ripening well,” Emmanuelle says. 

“Apart from this thigh and my tatty hands.” I show her my knuckles and palms, calloused from labour. But Emmanuelle’s right. Velvety dappling, swirls of tangerine and russet now cover my body, and for this, I’m grateful.  

I run the back of my hand over my lower leg. Of recent, something within me, my groin a bag of honey bees, finds enjoyment in self-touch. The flat terrain of adult, spike-free skin, the way my shoulders, waist, hips feel. New sensations ripple within at night, when I caress myself in the dark, alone, under my quilt. 

A twinge in my thigh. My fingertips return to my hip. I twist the thorn again, in time with the breaking waves. The irritation eases. Perhaps I do long for total smoothness, to be adult. Maybe I do want this last thorn out.

*

Alora, still so young, a bundle of spikes and quills, tumbles and splashes through wave crests and wades further into the ocean, giggling all the while. 

“Why can’t I remain carefree, like Alora?” I ask. Emmanuelle stares ahead.

And why must I work so hard? Since my first quill fell away, I’ve laboured each day, levering a diamond-tipped chisel in and out of the quarry face. All shedding adolescents stand and chip there, together, liberating precious resources from a millennia of geology for our leathered elders. And before and after each long shift, I care for Alora. 

*

I stare at the ocean. With each breath of the tide, a pattern hinting at what my future may hold, a heedance, comes into fruition on the ocean’s surface, then, before I’ve a chance to interpret it, the missive disperses back into loose liquid form, blue and white froth, and the vision becomes lost. 

*

“You’re bleeding.” Emmanuelle’s face contorts. Smooth for over a year, memories of shedding for her, I expect, are forgotten, like childhood dreams. She pushes my picking fingers. “It will drop when it’s ready, when you’re ready,” she says. 

Will I ever be ready? My body? Maybe. But, my heart? I yearn to play, skip, and swim in the water like Alora, not labour and care for others. What happens after Marmos petrifies me.

Emmanuelle squeezes my hand. She smiles, closed-lipped. “And you’re nearly ready, darling. The future’s nothing to fear.”

“But what about the pain?” 

“Pain? This final thorn will hurt no worse than the others,” she says. She must know it’s the other pain I ask of, because there’s something hidden, a whisper behind her eyes.

 “I mean the pain that comes after Marmos, before the bliss—” 

Emmanuelle takes my chin in her hand. “That pain is a gift. A blessing from the feminine celestial.” Her warm breath graces my cheek. “It’s more of a universal, all-encompassing . . . deep discomfort. At its peak, the sensation is almost . . . sentient.” I swallow hard. For a moment, the quickening of my pulse and the rush of blood around my cranium drown out the insidious alternative story the waves have been whispering. “But as with all in life, dearest, there is balance. Polarity.”

“Go on,” I say. 

“When the pain is nothing but a memory, a thing of no mass or matter, there will be pleasure.” She caresses the markings which dust her upper arm, then strokes mine. “My husband lies with me and thrusts as he sings until a bliss like no other fills my soul. Between his melodies, I hear the beautiful truth of his love.” 

A bolt, a longing, shirks down my spine to the place where bees buzz at night. She draws my face kiss close. “Womanhood brings equal measures of joy and despair. You’ll embrace it, darling girl, the pain. You’ll cope. Women do.”

She reaches for her water flagon. My fingers return to my thorn. Sharpness. It comes free in my hand. Warm red gushes down my thigh. “Dammit,” I say, and show Emmanuelle. “It’s out.” 

Root now exposed, the thorn’s longer than my palm is wide. The hole in my thigh gathers at its edges, puckers, starts to seal. Fresh epidermal tiles tessellate into a new holoscar of orange and pink. 

I’ll pass the thorn to Mother. She saves all my shed protrusions—countless flaked quills from my back and shoulders, the three thorns from the infantile frills that once decorated my thighs. Currency for Marmos.

Emmanuelle pays attention to my thigh. 

“I am now a woman?” I ask. 

A line forms between Emmanuelle’s brows. She speaks slowly, holding each vowel too long. “You’ll get there,” she says. Her eyes remain on my leg. “Patience.”

Where the sun touches the water, plums and oranges mottle, like the patternations swirling into place where my thorn shed from. 

“Listen to the waves.” Emmanuelle’s dulcet words. “There’s balm in nature’s rhythm.” She strokes the back of my neck and hums gently. 

And like this, like reaching a cliff edge, the path behind you having fallen away, my childhood is over. What will become of me? Relentless spring tide waves crash in.

*

 “Alora,” Emmanuelle shouts, stands and strides towards the water. “Where’s Alora?”

I stand too. “I can’t see her,” I say. Rushing towards the shoreline, one hand hat-peaked against my forehead, my other arm eagle-winged for balance, I scan the expanse of ocean all the way to where sea becomes sky. “She’s there,” I say and point. 

In the distance, the top half of my baby sister, smaller than she should be, too far out, her body a spiky mark against the shifting sheet of sea. Alora throws her arms in the air. An arc of water rainbows above her head. 

“She’s swum out past the rocks. How many times…” I tsk and cuss and cup my hands around my mouth and shout instructions to my feral sibling to get her sorry ass back to shore. 

“She’s okay,” Emmanuelle says. “She’s paddling back. All this exercise before supper is great to release her energy.”

I side-eye my friend and in exchange, Emmanuelle gives me another knowing smile. “Release her energy?” My voice high-pitched. “Alora is young, without a worry in the world, of a time before responsibility and fear. She does not need release, she’s already free.”

*

When Alora sets foot on the beach, I reprimand her. She apologises, then sulks. Emmanuelle says goodbye and heads home to her new husband.

I yank free a thick towel from my sister’s bag and hold it out for her. It ribbons in a breeze which marks the onset of evening. Her teeth and quills chatter as she reaches for the edge of the fabric. Wrapping the towel around herself, her protrusions catch. The tip of one of her baby hip thorns tears a hole.

I sling on my old sandals. A redness spots up on my ankle where the broken strap of my footwear rubs. I think back to the sentient pain Emmanuelle spoke of, the pain which must come before pleasure—could it match the agony of lugging a wriggly, quilled and thorned child several miles home, along a beach, wrecked shoes?

I lift Alora up, her thorn spurs jabbing into my waist, and carry her home for a supper I will have to fix.

*

I prepare a simple meal. After we’ve eaten, Father slinks to his study, I tidy away dishes and instruct Alora to ready herself for bed. Then, I guide Mother to her rocker. 

“Mother.” I show her my dropped thorn. “It fell.” Mother eases herself up and grapples for the thorn in my hand. 

“We go now,” she says. 

Tonight, I will be Mother’s eyes, hers aged, milky from too much sun, and she, as tradition states, will be my chaperone. “Your loosenings are in the cloth sack. A lantern is prepped in the hallway.” She gestures at the door. “I knew by the song on the breeze, the call of migrating swans, tonight would be the night, but first, put Alora to bed.”

*

Sat on the stool in Alora’s room, I call out instructions. She brushes her teeth and quills, tidies her petals, gets into her crib. Alora’s shelf is crammed with glass jars packed with puerile booty. Green and brown seaglass chunks glisten by the light of her bedside lantern. 

“I don’t want you to go,” she says. She beckons me over, wraps her arms around my neck, and kisses me on the cheek. 

“I must.” Her arms drop as I pull away. She passes Thalia, her favourite teddy, to me. 

“I know.” She breaks eye contact, then shuffles down beneath crumpled sheets. “And I’m sorry.”

“Sorry? For what?”

A silence follows. She squirms. 

“Marmos.” Alora finally speaks “And for losing you.”

“But none of that’s your fault.” I kneel by her, and stroke the spines on her shoulders flat for comfort. “It’s inevitable. Written in the ebb and flow of the sea. My skin patternations dictate my future, as yours will for you. What’ve you to apologise for?”

“Today. At the beach.” She pauses, sobbing gently. “I took a bunch of your quills and one of your thorns from under Mother’s bed and fed them to the ocean.”

I withhold a gasp. An odd gulp emits from my throat instead. “I see.” 

“It was all I could manage in my bag pocket, in my hands,” she says, and then more firmly, “I’d have taken them all if I could.” Alora pouts and yanks the sheet back over her face. 

“That was wrong, Alora, but . . . I understand. Please sleep.” I pocket the threadbare teddy. “I’ll be back later tonight to tell you a story, if you haven’t soothed yourself.” All I hear are muffled tears as I back out of her room, shutting her door in my wake.

Epeolatry Book Review: Fiasco, Uncharted Hearts Book 2 by Constance Fay

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: Fiasco: Uncharted Hearts, Book 2
Author: Constance Fay
Genre: Sci-Fi Romance
Publisher: Bramble
Publication date: 24th June 2024

Synopsis: Equal parts steamy interstellar romance and sci-fi adventure, Constance Fay’s FIASCO is a perfect wild romp amidst the stars.

Cynbelline Khaw is a woman of many names. She’s Generosity, a cultist who never quite fit in. She’s Bella, the daughter who failed to save her cousin’s life. And then there’s Cyn, the notorious bounty hunter who spaced a ship of slavers.

She’s exhausted, lonely, and on her very last legs―but then a new client offers her a job she can’t refuse: a bounty on the kidnapper who killed her cousin. All Cyn has to do is partner with the crew of the Calamity, a scouting vessel she encountered when she was living under a previous alias. One tiny little issue, she’s been given an additional bounty: deliver the oh-so-compelling medic, Micah Arora, to the treacherous Pierce Family or all her identities will be revealed, putting her estranged family in danger.

Hunting a kidnapper doesn’t usually mean accidentally taking your sexy new target to dinner at your parent’s house, a local mystic predicting you’ll have an increasingly large number of children, or being accompanied by a small flying lizard with a penchant for eating metal, but, as they field investigative hurdles both dangerous and preposterous, Cyn and Micah grow ever closer. When a violent confrontation reveals that everything Cyn thought about her past is wrong, she realizes that she has the power to change her future. The first part of that is making sure that Micah Arora is around to be a part of it.

 

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Indie Bookshelf Releases 01/17/2025

Got a book to launch, an event to promote, a kickstarter or seeking extra work/support as a result of being hit economically by life in general?

Get in touch and we’ll promote you here. The post is prepared each Thursday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

 

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Tips for Terror: Find the Beauty in the Horrific

Tips for Terror: Find the Beauty in the Horrific

Author Joel McKay borrows wise words from horror writers to illustrate how exposition and lyric bring another dimension to horror

“Describe horrific things beautifully,” author Hailey Piper told our local Horror Writer’s Association chapter several months ago.

The words lodged in my head like a mantra and have since been tattooed to a pink sticky pasted to my monitor for daily reference.

Piper was one of three guests on a panel discussion about all things horror fiction (joined by Eric LaRocca and Gwendolyn Kiste) when she uttered those words. 

They were pronounced as a passing thought but immediately became something that resonated deeply with me as a writer.

Describe horrific things beautifully.

That sums it up, doesn’t it?

(Thanks Hailey, Eric, and Gwendolyn – P.S. you’re all awesome. For all you readers out there, get their stuff. Same goes if you’re a writer).

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