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Who sold the most books in 2024?

Who sold the most books in 2024?

by Melody E. McIntyre

For three years now, I have written here about who sold the most books each year. This question does not have an easy answer as each site uses different metrics. Therefore, finding the exact numbers can be difficult. That is why I have chosen to feature ten of the best-selling authors in 2024 based on a variety of sources.

2024 had some interesting trends. The biggest of which being the dominance of the “romantasy” genre. Fantasy overall saw an increase in sales of 35.8%, with romantasy being a driving factor. As well, 2024 saw the first increase in print book sales in the last three years. It was a modest increase of less than 1%, but it could mark the beginning of a new trend. I still remember when it seemed like e-books would kill print sales, but that has not been the case.  Other trends show that adult fiction still sells the most and having a good backlist is key. As mentioned on Lithub, only 29% of the 200 bestselling books of 2024 were actually published in 2024.

This year’s list will include some regulars as well as new names and a couple of surprises. So, without further delay, here is a list of ten of the best-selling authors of 2024.

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Trembling With Fear 2-2-25

Greetings, children of the dark. Finally – finally! – the neverending bullsh*t of January is over. But that does mean it’s now February, and time marches ever onward. I’m consoling myself with the fact the daylight is staying around slightly longer every day. 

The arrival of February also means we’ve officially started reviewing our Valentine’s submissions, but you’ve got a few more days left to get yours in – hit our submissions page for details, and make sure you’re channeling your best jilted monster lover, ghostly unrequited feelings, and other obsessions of the soul. Which brings me to introducing the first of our new residents in TWF Towers: welcome, Jane Morecroft, who’s now laser-focused on your dark hearts. Jane is a journalist as well as a creative writer, a slush reader for Andromeda Spaceways, an editorial assistant at Beneath Ceaseless Skies, and now the Assistant Editor for the Valentine’s Special Edition at TWF. Needless to say, she’s pretty darn qualified to sit in the loveseat.

Wanting to catch her eye? Jane says she’s looking for character driven stories with a twist, and a close narrative voice is very appealing to her. All the usual TWF submission guidelines also apply, so head over here to check those and get submitting. 

And so onto this week’s edition. For today’s TWF main course we get weird – real weird – on a stormy clifftop with Andrew Keyworth. That’s followed by the short, sharp speculations of:

  • Catherine Berry’s warning, (trigger warning: sexual harassment)
  • Brian Rosenberger’s vengeance, and
  • Henry Gibbons’s impatience (trigger warning: talk of suicide)

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

Another week of working on the new layout, we’re closing in! I didn’t have much of a chance to work on the anthologies, however. Hopefully, this week! 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out and leave a review!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

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Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Three

  1. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter One
  2. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Two
  3. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Three
  4. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Four

Chapter Three: Hand-Fasting

                                                          

Three days have passed since Marmos. I’ve barely slept, have not eaten. This evening, the eve of my hand-fasting ceremony, my betrothed will join us for dinner. Mother made me piece together a makeshift bed in the living room. There, he will sleep alone tonight. We are forbade to touch until hand-fasted, so celestial law states.

Tomorrow morning, in the top field where the stone circle of our dead sleep, under the watchful eye of the village council, my betrothed and I will be wed, then he and I will return to the home in which I grew up and he will sleep in my room, with me. By tradition, consummation will occur. Tomorrow night, I will experience the pain before the bliss. I do not even know his name.

*

Mother, from her chair, hurls out commands: how I should wear my petals, how the table should be laid, what we can and can’t ask my betrothed of his wealth and background. 

 “Do not forget to turn the meat.” Mother’s voice, trill. “Put Alora in her prettiest frock, the white one. The short sleeves which show off her quills.”

“Stop fussing, woman,” Father says. Mother shrinks. Father pours himself an ale, pulls out his seat, head of the table, and sits.

I polish and lay out cutlery. We’ve borrowed fine porcelain from next door. Father insists we give off the impression of wealth, hoping it will beget wealth. 

In the kitchen, I turn the piglet on the spit. Cooked pork tang fills the air, a smell that normally whets my palette. 

I wash and dress myself and Alora and we sit and wait.

A knock at the door.

My heart bolts. 

I let him in. “Hello,” I say. Here he is: broad, oxen-like. He grunts hello back, his greeting punctuated with a deep wheeze, and enters. 

I muster a half-smile and guide him through our home. He walks with a thuggish limp, his left foot dragging slightly. I take his coat, careful not to brush my skin against his as he passes it to me, hang it up, and direct him to the table where my family sit.

*

I serve up the meat, the soup made from parsnips from the garden. Father fills our glasses with wine, downs his in three, fills it up again. 

“Glad to have someone with grand connections taking on our daughter,” Father says. “She’s not perfect, but her skin is smooth.” Father raises his glass in my direction, swigs from it, maintaining eye contact with our guest.

“Yes.” My betrothed speaks, drawing breath loudly. “Your daughter is a fine flower—I see by the scars on her hand she works hard— ” 

They discuss me as if I’m not there, am but an object. Heat rises in my belly. But fast, the conversation veers from me as our guest turns to his right and pats my sister on her petals. 

“And Alora. Alora has something about her.” My betrothed pauses, looks at me again, lust dripping like honey from his tongue, then at Alora. “An innocence.” I watch on, like a pinned victim of sleep paralysis, as his eyes drink her in. “A rose with thorns.” He swigs on his wine. “Dangerous, yet beautiful, don’t you think?”

Father rests his fork, grabs at the tuft of white petals that crest his scalp, then picks up his fork again. With a wavering hand, he stabs another piece of meat from the central mound and pushes it off onto his already full plate without uttering a word.

Mother drops her knife. I pass her a clean one, enclosing the handle of the sharp silverware between her arthritic fingers, and directing her hand back to her plate, 

Father grunts. “Eat.” He shovels pink meat into his mouth.

The tongue of the stranger slithers between ridges of pork. He makes primordial sounds as he feeds. Yet all the while I stare at him, disgust pulsing in my belly, he sucks and chews and stares—the white of his eyes exposed—at Alora. Still covered with spines and thorns, dolls and sea treasure her sources of joy in life, he watches her while she eats.

I blow steam from my bowl, rearrange my napkin, sip on soup I do not hunger for, find anything to do at the table except be in my head. 

Bones stack like grim firewood on our guest’s plate. “Delicious,” he says and pushes his plate forward, then leans back in his seat. He strokes my sister’s quills with the back of his hand. My sister—her plump, pale arms far from adult softness, her small fingers clumsy—giggles. Her childhood spines bounce as she laughs. “Tickles,” she says.

My betrothed releases a slow sigh. Too far away to push his hand from her, I cough and kick a table leg. Cutlery and plates jump, clink. My betrothed looks across at me and removes his hand from her. My fingers flinch and move towards my meat knife. I wrap my right hand around the blade’s stone handle so tightly my knuckles shout in whiteness.

I can’t face another mouthful. “May the Celestials excuse me,” I say, and rise and take my full bowl to the sink. He follows me into the kitchen. I skirt around him like a glass chess piece on a board, I, a queen alone, all my pieces captured; him, encroaching, gearing up for checkmate. He grabs me. Firm, dirty fingers poke hard into the crook of my waist. “You are not my usual type,” he says, his hot breath a miasma of dinner and no self care, “but we will wed regardless.” 

 “Don’t touch me,” I say and pull myself from his grip. “You know as well as I, those betrothed must not touch before hand-fasting. What’ve you done? Get off.” My waist smarts from his aggressive grip. I brush away the kinks his forceful hand crimped into my smock and continue to brush long after my dress lies flat. 

He mirrors my actions, mocking me. “Cheer up,” he says and heads back to the table. 

In the kitchen, I scrape plates, wipe crumbs, contemplate a brittle marriage. A ghost pain strikes me in my side where his fingers have undoubtedly left their foul mark. I rub the area where my thorns once were to ease the discomfort and wish for the freedom of youth, quills and thorns.

Father calls me to the table. I return, squeezing Mother’s arm as I drop into my seat. She doesn’t respond. No one speaks. The rattle of my betrothed’s laboured breathing is all I hear.

“Alora, do you know the penny and handkerchief trick?” the stranger asks. He pulls a coin and dirty rag from his pocket, my sister captivated by his faux magic. Father, half-cut since sunset, offers this beast of a man something a little stronger, to which my betrothed nods and  the two men head to Father’s study.

*

Alora and I sort the kitchen. Mother knits in her chair, feeling each stitch onto the needle. A grey scarf drapes and puddles onto the floor by her feet. 

The click clack of her art, although hypnotic, is not enough to distract me from the anxiety in my bones. I keep busy, keep Alora busy. We do anything that keeps a wall between us and the men.

Mother calls my name. “Take me to my room,” she says. “Then put Alora to bed. You both need sleep for tomorrow.” A hollowness rings in her voice. Her eyes, catching the light of the candelabra, shine with a blank iridescence. Oil on water. I’ve never seen her look so old. I help her from her seat, her frail body a sad lightness to it, and she says nothing else. I want to express my trepidation to her, but these feelings pop like bubbles in my sternum, way before they birth into words.

*

“To bed, Alora,” I say after I’ve guided Mother to hers. I poke safe fireplace embers, then check on Father and the guest to bid them goodnight. 

Father sleeps in his chair, his jaw hung open. I drape blankets over him and direct our guest to his makeshift bed. He sways as he walks loudly, knocking paintings, and swigs the remnants of Father’s sherry. 

“Those are for you,” I gesture at the blanket stack, turn on a lantern for him so the room is dimly lit, and leave to get Alora ready for bed without looking him in the eye.

*

I read to Alora, brush smooth her petals, her quills. “He’s a nice man,” she says as I put down the book. “When he speaks closely though, I breathe like this.” Alora inhales and exhales through her mouth. “Remember the carcass we found on the beach? The ripped dolphin?” She mock-vomits. “He told me my thorns were beautiful though. Said he’d never felt such sharp tips.”

“He did?” Dear Celestials. “They are not his to touch, Alora.” She blushes. Pride slips from her face. “I’m sorry. Didn’t mean to raise my voice.” I pull her quilt up, and kiss her forehead. “You are gorgeous, what’s inside you is beautiful.” I point to her heart, blow another kiss, then leave. Closing her door behind me, I scurry to my room.

Indie Bookshelf Releases 01/31/2025

Got a book to launch, an event to promote, a kickstarter or seeking extra work/support as a result of being hit economically by life in general?

Get in touch and we’ll promote you here. The post is prepared each Tuesday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

 

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Unholy Trinity: Rats by Alex Grass

Our church worships at the altar of the Unholy Trinity. Its gospels are delivered as a trio of dark drabbles, linked so that Three become One. All hail the power of the Three.

 

An Influx of Vermin

 

There’s a nasty dead rat on the tabletop. It’s dried out, like roadkill left on a desert road during a drought. A balloon-shaped snifter hits the table, the burning spoon goes flying, and cognac soaks the rat’s tail. The air is dense with fumes like old furniture and dried fruit. The rat’s tail fattens like a dry paper towel eating up a spill.

No one else watches, no one else notices, but fascination keeps his eyes on the rat. There’s a creaking sound like a branch groaning just before it breaks. The rat’s eyes open. The rat looks at him.

 

A Wriggling Purge

 

The woman’s flesh looked like someone took a cheese grater to it, unevenly scraped off her eyebrows, scalped her, dragged her lips from her face. I’ve seen her walking outside Emory University, and today I saw her when I pulled into the Headquarters’ parking lot off off Clifton Road. I stopped my car and rolled down the window. There aren’t that many people to talk to anymore; beggars can’t be choosers.“Afternoon,” I said.

The woman smiled. Then she started retching. I was about to perform CPR. But I was paralyzed by the sight of her mouth spewing out rats.  

 

The Bubonic Transfiguration

 

People used to kill each other over this place. There’s blood in the stones, soaked into the ground. The sun rises over the temple wall. It reminds the boy of the floating ball illusion; the sun is the magician’s ball, the limestone wall a two-thousand year old prestidigitator’s rag.

The boy thought he was the only one alive who didn’t have a tail like a worm with fur. Then, the old man came and started praying. With each day of supplication, his head worn raw from pressing it to the stones, the old man changed. He became like a vermin.

 

Alex Grass

I am a writer born in Harrisburg, Pennsylvania. I live in Brooklyn now with my wife and kids. It’s important to me that I find the readers who I can make feel about my writing the way I feel about my favorite authors.

Ongoing Submissions: Jupiter’s Eye

Payment: Original Stories: $30.00, Reprint Stories: $15.00, Flash Fiction: 1 cent/word, Poems: $5.00, Articles and reviews: $10.00
Theme: Original science fiction stories about the exploration and settlement of other worlds

Jupiter’s Eye is a digest published three times a year, in April, August, and December, in print and digitally. It presents original science fiction stories about the exploration and settlement of other worlds. It also presents one or two original fantasy stories along that same theme. Although it does consider darker sf/f, it
does not present horror. It also presents a few original poems, again consistent with the overall theme.

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Taking Submissions: Hellbound Highway

Deadline: August 31st, 2025
Payment: $15
Theme: Road trip terror

Are you brave enough to take a ride on the Hellbound Highway? HellBound Books is seeking short horror stories for an anthology on the theme of bad trips, which will be curated and edited by the double-trouble partnership of veteran horror writers Jane Nightshade and Ann O’Mara Heyward. We want road trips, sure, but also airplane journeys, ship crossings, railroad passages, heck even cattle drives–as long as it’s a trip and it’s B-A-D.

What if a family like the Griswolds from National Lampoon’s Vacation were zombies? What if a weary business traveler waits for the red-eye in an airport that is literally a portal to hell? What if the night manager of the local Greyhound bus station was a vampire who feeds off of the poor and desperate? What if a crook on the lam checks into a cheap motel and discovers that the usual cockroaches are mutants with deadly powers? What if someone stopped at a cafe in the middle of nowhere, and slowly realized that they were the special on next day’s menu?

These are the types of scenarios we are looking for, so let your creepiest imaginings run wild. Scary horror, psychological horror, or comedy horror are all welcome–it just has to be GOOD.

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Remember James Bama – From Art To Horror

When I was a kid, I visited my local comic shop where I first laid eyes on the Aurora model kits for Godzilla and King Kong. These kits were bright and colorful and really captured my eyes. However, on a small allowance of $5 in 1990, these were not something I could afford, so I begrudgingly stuck to my monthly issues of Amazing Spider-Man and Teenage Mutant Ninja Turtles. Years later, when I was attending my first convention, I saw more and more of these model kits based on the likes of Dracula, the Frankenstein Monster, The Wolf Man and other various Universal monsters. I came to learn they all bore the artwork of James Bama, a man I would eventually learn more and more about. It turned out, I had seen his art at various points while growing up – from the Man of Bronze, Doc Savage to his depictions of Native Americans and Cowboys and other styles of western art. 

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