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Taking Submissions: Monstrous Angels

Submission Window: February 23rd to May 23rd, 2025
Payment: $20
Theme: Answering the question – why are angels so compelling as anti-heroes and/or villains?

Monstrous Angels is an anthology that will explore one of the most enduring questions of religious horror–why are angels so compelling as anti-heroes and/or villains? We’ve seen it time and time again: Angelfall, Constantine, Legion, Angelology, the list goes on. We love our dark angels.

We want stories of the morally gray. Of angels and humans trying their best and failing. We want to explore all corners of this topic so feel free to be broad. Angel-like beings from other cultures are welcomed and encouraged. Our definition of angel is loose. We want winged divine creatures trying to navigate moral quandaries, being consumed by righteous anger, and experiencing the consequences of being too close to humans. 

Give us your nasty angels. Your conflicted angels. We want dark, complicated stories.

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Epeolatry Book Review: The Daughters’ War by Christopher Buehlman

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: The Daughters’ War
Author: Christopher Buehlma
Genre: action and adventure fantasy
Publisher: Tor Publishing Group
Publication date: 25th June, 2024

Synopsis: Enter the fray in this luminous new adventure from Christopher Buehlman, set during the war-torn, goblin-infested years just before The Blacktongue Thief.

The goblins have killed all of our horses and most of our men.

They have enslaved our cities, burned our fields, and still they wage war.

Now, our daughters take up arms.

Galva ― Galvicha to her three brothers, two of whom the goblins will kill ― has defied her family’s wishes and joined the army’s untested new unit, the Raven Knights. They march toward a once-beautiful city overrun by the goblin horde, accompanied by scores of giant war corvids. Made with the darkest magics, these fearsome black birds may hold the key to stopping the goblins in their war to make cattle of mankind.

The road to victory is bloody, and goblins are clever and merciless. The Raven Knights can take nothing for granted ― not the bonds of family, nor the wisdom of their leaders, nor their own safety against the dangerous war birds at their side. But some hopes are worth any risk.

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Writing Prompt Wednesdays: A Chance With Cupid

Writing Prompt Wednesdays: A Chance With Cupid

Welcome to “Writing Prompt Wednesdays,” a haven where your imagination can roam free in the realms of speculative fiction. As we embark on this weekly journey, it’s thrilling to think about the untold stories waiting to be penned in the domains of horror, science fiction, and fantasy. Whether you’re a seasoned author or a budding wordsmith, these prompts are your gateway to unexplored worlds and untapped potentials.

Every Wednesday, we’ll serve up a fresh, thought-provoking prompt designed to ignite your creative spark and challenge your storytelling prowess. Think of these prompts as a key, unlocking the doors to uncharted territories where your creativity is the only limit. From eerie, shadow-laden corridors of Gothic horror to the farthest reaches of interstellar space, and the mystical depths of high fantasy, our prompts are a kaleidoscope of possibilities.

Remember, there’s no right or wrong way to approach these prompts. They are mere stepping stones, guiding you towards the vast landscapes of your imagination. Use them to break free from writer’s block, to experiment with new ideas, or simply as a fun exercise to keep your writing skills sharp.

This week’s writing prompt:

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Unleash Your Imagination: 3 Creative Writing Guides Every Author Needs

Unleash Your Imagination: 3 Creative Writing Guides Every Author Needs

As a writer, you understand the importance of honing your craft. Whether you are just starting out or have been writing for years, having the right resources can significantly enhance your skills and creativity. This article explores three essential creative writing guides that can help you unlock your potential and elevate your storytelling. By investing time in these resources, you will not only improve your writing but also gain confidence in your ability to express your unique voice.

Now, I am purposely omitting Stephen King‘s ‘On Writing’ from this list. You all either have it, have read it, or have no interest in it. I’m trying to give you a few books you may not have read before that will give you more insight into different ways to tackle writing. As always, when it comes to these, your mileage may vary. What works or resonates with one person may not for another. At the very least, I hope I can help give you a few ideas on writing resources you may not have considered before.
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Epeolatry Book Review: An Ocean and a Desert by Rachel Roth

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: An Ocean and a Desert
Author: Rachel Roth
Genre: eclectic horror
Publisher: Alien Buddha Press
Publication date: 18th December, 2024

Synopsis: A collection of seven horror stories ranging from Lovecraftian tales of unnamed terror to smaller-scale, personal tales of anxiety and paranoia. Starting in a dark cave inhabited by a paranormal figure in “Our Land, Our Cave, Our Home” and ending lost in the deserts of New Mexico surrounded by a pack of shapeshifters in “The Moroi,” this collection dives deep into the unknown and all its nightmares.

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Pixelated Nightmares: The Psychology of Fear in Horror Games and How Writers Can Use It

Pixelated Nightmares: The Psychology of Fear in Horror Games and How Writers Can Use It

 

The best horror games are, of course, the ones that scare or make us jump off our couches or from behind our computer screens. Aside from the jumpscares and terrifying creatures, ghosts, and monsters, however, another trait of a good horror game is its storytelling and its ability to get in the player’s head and make the most of their fear. Let’s examine a bit of how this fear can work so we’ve got a better idea as to how it can be applied to our writing.

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Trembling With Fear 2-16-25

Greetings, children of the dark. Did you enjoy your international day of corporate love? I’ve never been a Valentine’s gal, but I sure did enjoy the V-Day edition of TWF assembled by our own Jane Morecroft. Thanks to all who submitted – next special edition is the Summer one, and we have another new assistant editor to take the helm of that one. I’ll introduce the revamped team very soon, I promise! Just got to get over this stupid virus first…

In other news, I’m very excited to almost be up to date with our short story submissions reading. That hasn’t happened in… oh, I don’t know… YEARS. The expanded team is truly helping, and I would give each of them a massive hug if I could. Thanks to all in TWF Towers for all you do. Including the boss man, who is the world’s busiest man and I honestly don’t know how he does it all and still finds time to write and submit!

Speaking of submissions: I’m in a mode, my friends. I actually wrote an almost-10,000 word story last month and submitted it to an anthology being put together by the amazing PS Livingstone. No word yet on how/when it will be released, but I feel so smug for having actually done it that I’ve now got my sights on two folk horror anthology calls that close in the coming fortnight. And considering I’ll be off at the UK Ghost Story Festival this coming week, and then at the British Fantasy Society’s annual retreat at the iconic Gladstone’s Library the following weekend, well, maybe my writing journey might be getting back on track? Don’t make too much of a fuss; I don’t want to alert the universe to this anomaly. 

Soooo, let’s quickly and seamlessly transition to this week’s edition, where Adam Hannah tries to keep Friday’s love-fest going but takes it in a much more familiar TWF-y dark direction (aka revenge). That’s followed by the short, sharp speculations of:

  • Autumn Bettinger’s art experiments,
  • Crystal N. Ramos’s therapy tech, and
  • Shiloh Kuhlman’s generational trauma.

And one last thing: I often mention the British Fantasy Society here, mainly because I volunteer as its marketing officer, but there’s something afoot you should really know about. We’ve recently announced a mentorship programme, and there’s a whole range of speculative fiction bods lining up to offer mentorship across everything from ideation to writing a manuscript to editing and querying to, yes, marketing and building an author brand (that one might be me). It’s only open to BFS members, but with membership starting at just £20 per year and open to anyone, anywhere, there’s really not much stopping you. Right? Details over here.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

This week has been quite busy! For Trembling With Fear, we’ve been putting a huge dent into our backlog of submissions and putting out our Valentine’s Day edition! We have our internal readers going over the document for our overly late physical edition to see where it stands on going to Amazon for release. (This year’s installment looks like it’ll be split into two editions again due to size.)

For my own writing, I received a rejection and submitted a novella and a short story this week. We’ll see how those go! 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out and leave a review!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

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Serial Saturday: Wotan Watches by J. R. Santos, Chapter One

  1. Serial Saturday: Wotan Watches by J. R. Santos, Chapter One
  2. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Two
  3. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Three
  4. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Four
  5. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Five
  6. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Six
  7. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Seven

Chapter One

                                                          

“Their chief is Crom. He dwells on a great mountain. What use to call on him? Little he cares if men live or die. Better to be silent than to call his attention to you; he will send you dooms, not fortune! He is grim and loveless, but at birth he breathes power to strive and slay into a man’s soul. What else shall men ask of the gods?”

― From Robert E. Howard’s Conan of Cimmeria.

*

He prayed for it to stop, wishing to be unseen: to be forgotten. Even should all of humanity forget him, he would accept it—Bard just couldn’t take it anymore.

“No matter where I go or what I do, he’s there, staring at me.” Bard didn’t care if the psychologist, Joanita DeMillo, believed him or not; he needed to talk and she was paid to listen. “It started on the night I broke up with Angelo. It was an ugly scene, decades in the making.”

“I’m sorry to hear it,” she tried, meekly; the feeling was genuine, but the relationship had been bound to crash and burn. It had been obvious to her, and certainly to him.

Bard shook his head. “He was cheating on me and didn’t have the balls to break up. I’m not sure he ever even liked me. I had money from some royalties and that’s all he really cared for. Residuals and bragging rights, having me as his trophy boy—the artist.

“I hate him.” Even as he said the words, Bard knew he only half meant them. He hated himself more than he could hate Angelo, who had always presented himself as he was: a tremendous piece of shit.

“He was somewhat aggressive, wasn’t he?” DeMillo asked politely. Angelo had a history of beating Bard, shouting and manipulating him.

“I’m the only one who cares about you. They’re not your friends. Why did you let him talk like that to you? Why are you such a coward?

“Why are you so useless?”

Angelo was a hedonist, seeking his own pleasure and stopping at nothing to obtain it. Bard had thought to see a core of decency in his boyfriend, something approaching kindness. At last the scales had fallen from his eyes. Not only to have found Angelo with his cock in another man’s mouth, but the state of that man. Bruised, anemic, and needle marks like a deadly constellation against the ashy skin.

A mummified teenager. His eyes were haunting and beyond suffering, dead and numb. Bard recognized himself in those eyes and felt his throat burning with acid. Angelo reacted as he had expected.

“What? Can’t I have a fucking moment for myself? Go home and try not to piss the bed this time.”

Bard forced himself back to the present, half-awake in the shadows in the confines of the little doctor’s office. A potted plant stood in a corner looking dejected, a sun-bleached calendar marking the year of 1981 hung from the wall, and every wall was covered by green patterned wallpaper.

The doctor waited patiently for Bard to continue, letting him form the words, but all he could see were the patterns, how they seemed to move. Bard mouthed syllables which he could not voice or even comprehend himself, reading a language so ancient it was alien to him.

Still the writing on the wall, or walls, didn’t need to be read in order to be known for what it was: a warning. He would fall to either madness or death and nothing would stop it. From the parade of runes, a face peered with a single baleful eye.

“I was outside. The night air cooled down the fire in my head and I started to shake. I was so angry, so lost. I think that maybe I deserved it. That I was weak, so he cheated on me. That weak people don’t deserve love, or respect. He never loved me…”

“Everyone deserves love,” DeMillo tried, her concern genuine. Despite having heard such things uttered a thousand times before, she hadn’t been numbed to them.

“No. Some people weren’t made for it. Maybe weakness has nothing to do with it and was just what I felt at the time, but I know it is not for everyone.”

“Do you mean Angelo or yourself?”

“I don’t know,” Bard admitted, hiding his face to shield himself from the glare of the one-eyed man. “I saw him then, that night, out in the street. He was staring at me from across the road, his face hard to see. I thought it was a homeless man at first.

“His hair and beard were so long and dirty, matted with shit. Half his face was covered with hair, and he was staring at me with this horrible yellow eye. He was all hunched, covered by some kind of quilt.”

“Did he say anything?”

“He … he made a sound.” Like the wind, like a trumpet announcing judgment day, a fog horn from the end of time cutting through the mist of ages. “He pulled back his hair,” and the stranger peeled back also the lids over both his eyes, “his left eye was missing,” a cavernous hole, a black chasm on a purple pit, his right eye yellowed and reddened, amber colored.

“You said you thought he was a homeless man. He wasn’t?”

Bard felt if left to his nervous ticks he might chew the inside of his cheek until he bled. He pried the answers from himself with tremendous effort. “It wasn’t a man at all.”

Outside Doctor DeMillo’s office the wind whistled like an oncoming train. She looked through the half shielded window panes to witness the sudden swaying of trees in the warmly lit afternoon. “What do you mean, Bard?”

“It was God.” Bard was again standing in the night, street lights dimming as the single-syllable lament grew deeper and louder. Winds grew violent, dust and filth were swept and some of that grime latched to Bard’s skin and clothes. He flinched and shouted in more surprise than pain; some of the dust had gotten into his eye. “I closed my eyes for a moment, and when I looked back, he was gone.”

DeMillo wrote something in her notebook and refrained to comment. Bard could practically see the word “delusional” materialize over her head, her silence accusing him of tipping over the edge. DeMillo would likely be sending Bard to speak with a psychiatrist, to have him followed by someone who could medicate him. “What happened next?”

“I walked home.” Bard arrived at his apartment feeling miserable. Unable to tell fact from fiction, he locked his door and put on the latch; exhausted as he was, he dragged the heavy couch to block the door further. He would have done more to barricade himself but all he could manage was lay on the sofa and fall asleep. “I slept and there were no dreams I can remember. Next morning I put all of Angelo’s things outside the building. Haven’t seen him since, and the homeless just took off with his stuff. I’ve had the locks changed.”

“That will have consequences. I’m afraid for you, Bard.” He knew she would say it next, the thing she had said before and which haunted him since she first uttered the words so many sessions ago. “I see you very alone, Bard.”

“It’s fine to be alone.”

“By choice. Sometimes. We’re all different, but isolation comes at a risk. You need to be able to trust others, to reach out, and what I see is a ship drifting further away from the shore. Have you been talking to anyone? Family? Friends?”

“I’m fine Doc. I’m not a talker, not outside our sessions.”

“I think you would talk more if Angelo had been more receptive to listening. You closed yourself to the world, and you kept feeding a bad habit.” There was a sad shadow of a smile on her lips. “Since he’s gone, maybe it’s time you changed course.

“Is there anyone you could try and reach out to?”

“Yes,” Bard lied, “some friends.”

It would have been unprofessional of DeMillo to question the veracity of the statement; she pretended to take notes while figuring out how to broach the topic.

“I would like to give you a number for a shelter. You don’t have to call,” she cut off Bard before he could protest, “but I want you to consider it. If you need it. I know it can be very hard to ask for help but I want you to try; if the time comes and you feel you have no one else to turn to. There are things we don’t want to share with family or friends either but we have to share with someone, anyone.

“There are burdens too great for a person to carry alone.”

She reached out with the piece of paper and the scribbled number. From outside, the coming storm, the swaying of tree branches, the rustling of leaves and the apparent gathering of storm clouds combined to sound like a nautical scene.

Bard was drowning, and here was a fellow sailor attempting a tenuous rescue by reaching out with a boat paddle. Why was it so hard to accept it?

“Have you been through something like this?”

DeMillo did not budge. “Yes,” was all she said and Bard took the paper.

“Thank you,” he said, “I’m sorry.”

“It’s not your fault, Bard. Not my case, nor yours. It’s not on you.”

He could have cried then, but likely the appointment was already running overtime. “But before you leave … You said this strange man was God. What did you mean by it?”

“Honestly,” Bard replied after thinking about it, “I’m not sure. He made me think of God, I guess.”

The doctor scribbled her final notes for the section and released her patient to flee from her watchful eye. Bard greeted the outside gladly, filling his lungs with the smell of rain and wet grass. A light drizzle filled the air with mist-like textures, and the sky grew darker with clouds, a sudden twilight borne mid-afternoon. Bard had always loved the rain. Anxiety and a bad temper had always made it feel like he had a fire inside his skull that only such weather seemed to cool off. Bard imagined the smoke wafting from under his eyelids, the paper with the number for the shelter still in his hand.

He had stayed in a shelter, some two years before. He saw others he felt were doing worse than him, and felt guilty he had taken space that had to be denied to someone else. Reason told him he was being a fool; that he had to survive, had to stay alive somehow, had been as much a victim as the others. Suffering was not a competition.

He had seen a woman holding her boy. If she was like him, as she was like to be, he could not begin to imagine how much harder she had it. Trying to explain things that shouldn’t require explanation, that simply were, to a world that doubted everything that touched you, as if your existence was a contradiction and the very nature of the reality you inhabited couldn’t be trusted.

Bard would never forget that little boy and his toy hammer. The woman kissed her son atop his head, caressed his auburn hair. “We’ll be fine,” she whispered to him, “we’ll be fine.”

Bard let go of the paper, watched it float to the sodden sidewalk and dissolve away like sugar. The idea of the shelter sickened him; trapped in that warmth but unable to open up; seeing himself reflected in the eyes of others. He didn’t need the shelter, not this time, he argued within himself. He had changed the locks; everything would be fine.