Greetings, children of the dark. Sad to say our April short story submissions window is now closed, and I thought I’d bring you a very real statistic to show why we moved our submissions process to this strange quarterly beast. 

The statistic is this: in that 2-week window, we got more than 50 submissions.

Yes, 50 stories. Each of you should have now received an email to acknowledge your story is in the system, but if you haven’t and were expecting one, please do get in touch. We are very old-school here at TWF Towers and there is no automated email immediately going back to you to say “hey, we got it!”—it does take an actual human (i.e. me!) to go into the inbox and fish them out, catalogue them, and put them into our system—but I’ve now moved every submission into the next step of the process. From here, Stuart, Shalini and I get to reading, reviewing, analysing, arguing, and finding those stories that we’d like to accept. Of course, with 50+ stories for essentially about 12 spots, we’re going to have to be very critical and maybe let go of something that would’ve made it once upon a time. For that, I’m sorry.

Before the move to a staggered submissions process, we would be getting around the same number of submissions every single month. And there are just a handful of us, all volunteers, trying to make our way through those submissions. And we can only publish one short story a week, alongside our three drabbles. (If you want us to be able to afford more, get to supporting us on Patreon!)

If we didn’t try to limit the opportunity to submit, we would currently be scheduling stories several years in advance—and no one wants to wait a decade to see their story in digital print! (And yes, we still haven’t made our way through all of the stories from the last window, and there’s actually a handful of stories I need to edit and send back to writers who submitted in the last half of 2023. Life, sorry, etc.)

This process is to protect our writers from frustration as much as it is to protect our tiny team from burnout. We do, of course, have many other opportunities within the Horror Tree ecosystem to flex your creative muscles and submit your works. Your story might fit one of the many open calls we list on this site—the very reason for our being!—or maybe you’d like to write for a special themed edition or submit a story for serialisation. We also have our short sharp speculations, aka the drabbles, of which we publish three every single week! Maybe try your hand at some teeny tiny stories, or stringing three of those together on a theme to tell a longer story as an unholy trinity? 

Anyways, this week’s TWF menu. Our main course is a silent one, and it comes from the dark mind of Mitchell Strickland Jr—and it’s so great to put a strong disabled protagonist on these pages. That story is followed by the short, sharp speculations of:

• SG Perahim’s monsters under the bed 
• Santiago Eximeno’s stranded mermaid, and
• RJ Meldrum’s renovation surprise.

Over to you, Stuart.