The Horror Tree Recent Markets, Articles, Interviews, and Fiction!

Taking Submissions: Space Opera Stories

Deadline: April 30th, 2025
Payment: $50 and a contributor’s copy
Theme: Space opera stories with any of the following themes:
Note: Reprints welcome

Here’s a new project I’ll be launching via Kickstarter in May, 2025. And I’d like to invite you to submit a story for consideration! Feel free to share the link to this page with others.

New Sci-Fi Anthology Series
24 Space Opera Short Stories Wanted
Sub Window Closes April 30, 2025

Genre: Space Opera

 

Four Volumes of Six Stories Each

Each Volume Will Feature a Specific Theme:

  • First Contact
  • Alien Invasion
  • Generation Ship
  • Colony World

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Taking Submissions: Story Unlikely Magazine 2025 Window

Deadline: September 29th, 2025
Payment: 8 cents per word, 2 cents per word for reprints
Theme: Action/adventure, general, fiction/narrative nonfiction, humor/comedy/satire, speculate (fantasy, sci fi, horror, magic realism, cyberpunk), memoir, western, romance, alternate history, suspense/thriller, mystery/crime, literary, and any cross/hybrid genres.
Note: Reprints Welcome

Submissions to our magazine run annually from February 2nd through September 29th

Why submit to us?
– WE PAY WRITERS FAIRLY. It’s hard work writing good stories, and you deserve to get paid. Or maybe you don’t and you’re just duping us? Regardless, we pay 8 cents a word (with a $500 cap), and 2 cents a word for reprints.
– NO SUBMISSION FEES. Nobody’s getting rich off $3 per submission, but paying money just for the privilege of receiving a form letter rejection is the worst. (Costs of running an E-zine aside) We’re going to go ahead and coin a phrase right here and now – ‘Write privilege’, get it? Of course, you do.
– GET YOUR WORK IN FRONT OF A LARGE AND GROWING AUDIENCE. Our aim is fixed on telling good stories, period, and because of that we have built a massive readership from all over the globe. Want to get your stories out to more than just dear old nana? Then you’ve come to the right place.
– REASONABLE TURN-AROUND TIME. If you haven’t heard from us within 90 days, then your story was rejected. Rejections stink – we get it – but its better than forever waiting and wondering.

– WORKABILITY. Is that the right term? Well, we’re going with it. Unlike large publishers who view authors as just a number, we actually work with you to help present the story in its best possible light. We do, however, expect reciprocity; Story Unlikely is comprised of volunteers who are by nature team players. If you’re an inflexible my way or the highway type – or even worse, an unbearable ideologue – then consider this a premature breakup. No really, it’s us, not you.
– GET ILLUSTRATED. We illustrate ALL stories we publish, and we think we’re doing a pretty bang-up job with that. You can learn more about our artists at Design Unlikely.
– GET REVIEWED. Although we’re not genre specific, since we’re a professional paying magazine, Tangent Online reviews any SF&F (loosely defined) stories we publish. Your story might even make their Annual Recommended Reading List.
– Still NOT CONVINCED? Then listen to a word from our CFO – who The Office fans may recognize – to our editor-in-chief on every writer’s bane: rejection. Yes, that’s a watchable video below, and you’ll find more of them (with other cheeky celebrities) littered throughout our site.

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Epeolatry Book Review: We All Go Into the Dark by Kevin Lucia

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: We All Go Into the Dark
Author: Kevin Lucia
Genre: Horror 
Publisher: Crystal Lake Publishing
Publication date: 6th December, 2024

Synopsis: In We All Go Into the Dark, Kevin Lucia masterfully blends atmospheric horror with cosmic dark fantasy, taking readers on a spine-chilling journey through small-town myths, cult horrors, and paranormal mysteries. If you enjoy creepy ghost stories, mysterious lore, and the ever-present sense of an evil lurking just out of sight, this collection will haunt you long after the final page is turned.

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Trembling With Fear 3-9-25

Greetings, children of the dark. I don’t mean to alarm anyone but… I’m actually up-to-date on reading submissions! Yes, after being almost an entire year behind, I’ve been reading like a madman and sending out feedback and contracts left right and centre. We are absolutely 100% up to date on drabbles (as at time of writing), and I’m just waiting on the bossman looking at the last few short stories from the January window and then we’ll be done. Which means: if you submitted in 2024/25 and haven’t heard from us, please get in touch as the gremlins might’ve been hard at work as well.

The reason I’ve been able to spend so much time catching up? That’s simple: we have so much help around TWF Towers these days. It is so, so lovely to have housemates to keep us ticking over, to pick up the slack, to keep us on track. The biggest help in recent months has been the lovely Annette taking over inbox management – I’m sure you’ve seen her name in your inboxes acknowledging your submissions. Just having that admin taken care of is a huge help, and means that you don’t have to wait so long for me to get time to respond to things. Soooo helpful!

But of course, it’s not just Annette’s help that’s got us bursting at the seams around here. We welcomed a couple of new Assistant Editors a few months ago to take over the mantles of Serials and Unholy Trinities –  hi, Vicky and Sarah! – but we’ve now got another four on board to help with the special editions. Yes, that’s a total of six assistant editors in TWF Towers! As interest in this free fiction publication has increased, and we’ve gotten more and more submissions through, we needed to grow the team. It had to happen, or Stuart and I would’ve imploded in a very messy way. (Stuart may still, given he’s trying to revamp the site.) Please join me in welcoming our new residents:

  • Jane Morecroft, who you met when we published the Valentine’s Edition
  • John Nugent, who’ll be looking for all your dark summer stories very soon
  • Angela Zolner, taking up the Halloween Queen mantle, and
  • Ahlissa Eichhorn, our new festive fiction specialist 

You can meet the full TWF team over here

These newbies are also helping us get out the incredibly-very-late-embarassingly-so 2023 TWF anthology; the great Steph Ellis has laid it all out, and we just need to proofread it all, so hopefully that will be out by the end of the month. Then we’ll get cracking on the 2024 anthology, and hopefully have a new Publications Editor to help with that!

So yes, lots and lots of new blood around TWF Towers now, but we can always do with fresh blood for Horror Tree as a whole. If you’d like to get involved as a reviewer, interviewer, blogger, social media person, website manager, etc etc, do get in touch and let us know. Or, pitch an idea! You never know what the bossman will be in the mood for…

With that out of the way, it’s time for this week’s edition of dark speculative fiction. For our main course, we’re off on an autumnal walk with Austin Anna; it’s full of nostalgia, strange characters, and, well, suckers. That’s followed by the short, sharp speculations of:

  • Karin J Robinson’s monster under the bed,
  • Margaret Eve’s danger outdoors, and
  • Geoff Holder’s economics of grave robbing.

Want to join these four in the illustrious pages of TWF? Here’s what we’re looking for:

  • Always, always with the drabbles – those short, sharp bursts of exactly 100 words. Make it dark and make it speculative (scifi, fantasy, horror). We publish three of these every darn week of the year.
  • Unholy Trinities – that’s three drabbles that are connected in some way. Sarah Elliott awaits your tales.
  • Serials, or dark speculative fiction that can be serialised on the site over several weeks. Vicky Brewster is ready for ‘em.
  • Finally, our next submissions window for general short stories opens at the beginning of April. 

Make sure you check our submissions page here for what we do and DON’T want. That last bit is super important – don’t waste your time sending us things we have publicly stated we’ll reject! (Seriously, you’d be surprised…)

OK, rant done. Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

I’ve been stuck on a huge project at work, so aside from trying to keep the site functioning, my time has been mainly focussed on the new layout. It’s really the central thing that I’m working on, and I still think that I’m going to need to take a day off of work coming up to try and organize it. Now, to just find a day without meetings. 

I’m also harassing my fellow Trembling With Fear editors to hopefully get the print copy out from last year’s edition. Sigh. I’m so sorry that this is so overdue at this point :/ 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

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Serial Saturday: Wotan Watches by J. R. Santos, Chapter Four

  1. Serial Saturday: Wotan Watches by J. R. Santos, Chapter One
  2. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Two
  3. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Three
  4. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Four
  5. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Five
  6. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Six
  7. Serial Saturday: Wotan Watches by J. R. Santos, Chapter Seven

Chapter Four

                                                          

The wind carried the smell of rain, and far away he could hear a familiar rumbling. Bard picked a direction at random, walking until he recognized the part of town he had been left at. It was the old downtown; familiar homes, many of which falling to ruin, announced it long before Bard found a market square he hadn’t visited in years. There was a water fountain at the center, the source spraying from the bodies of pagan deities. Semi-naked figures held each other in a deep embrace, legs and arms wrapped in angles hard to follow.

Bard admired the one figure he recognized, Hermes, standing atop it, holding aloft his iconic staff. The symbol of alchemy and medicine, of knowledge brought from the gods. Fat water droplets began to fall the mark of rain, and in a flash of lightning, Bard blinked, and found the head of Hermes had moved to stare him down.

“No,” he laughed, uncaring of a couple passersby who rushed out of the coming rain. “It’s just my imagination.” Hermes lowered his arm and with his Caduceus pointed right at Bard; stone lips moved, unable to expel air or sound, to silently form words Bard could not hear.

“You’re not real. This isn’t real.” Bard walked backwards, nearly falling on his back. “Leave me alone!”

Another rumble, as the skies ran crisscross with lightning, and from the fountain rose all its water as a waterspout, circling higher and higher until it reached the very heavens, then added to the rain which hit with the might of fists. Bard tried to shield himself with his jacket but the wind stole what little protection he had until the winds nearly swept him away.

For a moment, Bard was a black-winged bird midflight.

Around him the clouds and rain billowed like a cloak, and above him was the great black shape of a hammer. From the massive open mouth blew a gale, and throwing Bard backways, flailing to the ground, it seemed the storm-head announced to the world the coming of the old gods.

But rather than a name, came the scream of a horse. A whining and neighing that drove 

Bard to run for his life, as the skies exploded with lightning and the buildings shook with the strength of the thunder. Projected upon and ahead of Bard was a misshapen shadow, far-reaching, with the hammering of an anvil the size of the world came sparks the size of harpoons, raining on the world of men.

Each scorching blast seemed to draw nearer, despite the next bolt always being a near miss. One piercing bolt of light hit close enough to scorch Bard’s hair, sparks flying in every direction as Bard turned a corner, nearly sliding to the ground, his shoulder thumping against the glass display of a shoe store.

Large as a titan, fully formed, came horrid Donar, a younger man astride his father’s horse, naked, slowly turning the corner with hammer in hand. His eyes and mouth expelled black clouds emitting thunder, and repeatedly he hit the ground and surrounding buildings with his hammer. More lightning came as he rode on a black cloud-horse with too many legs. On his shoulders hung a storm mantle weaved of the sky-symbols that morphed from one shape to another, crafted by the hand of Wotan and unreadable in the eyes of mortals, casting the enchantments with which Donar chased Bard.

Frigid winds blew, slowing Bard down. Nearly blind, he peeked between shadows and lights, and saw long lost forests. Bard was, for a moment, trapped between present and past. One moment he ran down alleyways, the next he was dodging massive trees, running away from Roman soldiers.

Bard would have gladly crossed to those other woods and dealt with a human menace rather than the godly one, if he had the chance, but the mirages were gone the moment he reached them, leaving behind only the frigid cold. Bard continued being pelted by rain and hail, freezing him to his bones as he reached the foothold of some edifice, too darkened by the storm for him to see clearly. Bard fell, managing to sit with his back to the gates of the building, staring into the eye of the god thing who gazed down at him as if he was both cathedral and lighthouse.

“Leave me alone! Leave me alone!” Bard screamed, driven mad with fright. “I don’t know you; I have nothing!” Donar raised his hammer to the skies, while the horse lunged forward towards Bard, who screamed and pushed himself against the gates.

He tried to escape in blind panic, wishing with his whole body he could squeeze through the metal bars of the gate that were digging into his back, until the gate swung inward, giving in to his weight. Bard fell past the threshold and into the building; without looking back, he turned and raced inside, past the double doors.

He was crouching with his hands on his knees once he made it to some sort of reception area. Warm artificially conditioned air, and artificial light that hurt his eyes, welcomed him from the chaos outside as the doors closed behind him. One last bolt cracked like a whip, shattering stone and filling the air with static. This lashing out and the roar of the cacophony were muffled by the thick walls.

“Hi,” greeted a jovial voice, blind or pretending to be blind to Bard’s distress. “Welcome to the War Museum. Would you like an audio guide?”

Drenched, swallowing dry, Bard stared the young woman in the eyes. He had been tempted to say something quite rude but held back his piece, stunned by her resemblance to his sister. The receptionist was much younger, but the resemblance to that memory Bard still held was baffling.

“No.” He swallowed again, regaining his breath, forcing the parts of his brain that helped him act and sound normal even when stressed out of his mind. “To be honest I hadn’t even noticed where I was going. The storm got so awful I just wanted out of it.”

The young receptionist seemed genuinely worried. “I hadn’t realized it got that bad; helps explain why things are slower than usual around here.” She stood behind a counter and pulled something for him. “Here, it’s not much but you can take this towel.” She winked. “No need to pay. No one’s been buying the things. Not sure why they thought people would buy these from the souvenir shop. No one’s picking the umbrellas either.”

Bard accepted the towel and thanked her. It was the second time in a short period he had received the kindness of strangers, and as counter to his nature it was to accept kindness from others, it would have done him no good to refuse.

“Since you’re here, spend some time looking around. You’ll dry up faster and be a little less bored while you wait for the storm to pass.” Bard was about to mention he had no money on him, when the receptionist anticipated the argument. “You don’t have to pay to enter. We’ll happily sell you stuff or accept a donation to help run the place. Just come back some other day to make up for today, if you feel like it.” She smiled. “We joke about it, given the museum’s theme. ‘War is for everyone’, we say.”

Bard laughed awkwardly at the joke, thanked the young woman again for her kindness, and headed further in while drying himself up.

Celebrating 30 Years: 2025 Women’s Prize for Fiction Longlist Revealed

2025 Women’s Prize for Fiction Longlist: 16 Novels That Define the Year

The Women’s Prize for Fiction has unveiled its highly anticipated longlist for 2025, featuring 16 genre-spanning novels that explore the effects of global events across the past, present, and future. As the 30th anniversary of the prize, this year’s selection continues to honor originality, excellence, and accessibility, showcasing the breadth and diversity of women’s voices in contemporary literature.

Celebrating Women’s Voices in Literature

The Women’s Prize for Fiction was established to recognize and promote outstanding fiction written by women. Over the years, it has celebrated powerful storytelling, compelling themes, and deeply realized characters, bringing attention to both emerging and established authors. This year’s longlist embraces a broad spectrum of narratives, from historical fiction to speculative worlds, offering readers a chance to engage with stories that reflect and challenge our understanding of the world.

These are important, far-reaching novels where brilliantly realized characters navigate the complexities of families and modern relationships, whilst pushing the boundaries placed around them. It’s a list that readers will devour and shows the echoes of world events on everyday lives as well as the power and brilliance of women writing today.Kit de Waal, Chair of Judges

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Epeolatry Book Review: Beyond the Deep by Carson Fredriksen

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: Beyond the Deep
Author: Carson Fredriksen
Genre: Horror (Creature Feature)
Publisher: Baynam Books Press
Publication date: 25th January, 2025

Synopsis: In 1991, shortly after stopping at the Sammy’s Oasis resort, eight-year-old Mike Burgess witnesses the deep end of the swimming pool disappear and a creature emerge from its depths. Although he is able to escape with his life, his older brother Davey isn’t so lucky.

Years later, a new recreation center is built on the land that once housed Sammy’s Oasis. Mike tries to think that the creature is dead and buried. But after reading about several disappearances in the area, Mike realizes that the creature has awoken from its slumber and is seeking fresh victims. With the help of the complex’s receptionist, Ivy, Mike must stop the creature once and for all and uncover why the assistant manager, Lester Snidely, is so protective of the pool.

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Indie Bookshelf Releases 03/07/2025

Got a book to launch, an event to promote, a kickstarter or seeking extra work/support as a result of being hit economically by life in general?

Get in touch and we’ll promote you here. The post is prepared each Tuesday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

 

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