Taking Submissions: The Grey Rooms – Season 5
Deadline: April 17th, 2022
Theme: Any genre, Rated R, your story’s main character must be killed at the end of the story
The Grey Rooms – Season 5 Story Submission Guidelines
We are excited to bring you another season of our horror anthology series. But we can’t do it without *you.*
Please read the following submission guidelines below, as we’ve shaken them up a great deal for this season! Thanks for joining us in… the Grey Rooms!
Submissions Begin: October 1st, 2021
Submissions Close: April 17th, 2022: Midnight ET
1.) Stories must be original submissions. To be considered for the Grey Rooms, stories may not have been published in a printed or ebook format, or produced as a podcast or radio drama narrative.
2.) Your story’s main character must be killed at the end of the story, or the narrative must heavily imply that the main character will die just after the story concludes. This is a cornerstone requirement of Grey Rooms stories, and any submissions without this as an element will be rejected.
3.) In general, content in Grey Rooms stories is similar to what you might find in a Rated R horror film, or an HBO series. Violent acts, psychodrama, confrontational ideas, torture, and pulpy demonic explosions are all welcome additions to the Grey Rooms.
4.) Sexual encounters with underage characters, of any kind, is not acceptable content for Grey Rooms stories.
5.) Rape or sexual assault of any kind is never acceptable content for Grey Rooms stories.
6.) Abuse or torture of children is never acceptable content for Grey Rooms stories. While horror may happen because of children, or around children, we are not looking to publish fictional depictions of children suffering.
7.) Racially charged violence for the sake of it is never acceptable content for Grey Rooms stories.
8.) There are no genre restrictions to Grey Rooms anthology stories. Submissions can explore any space you desire. In the past we’ve published mysteries, sci-fi, fantasy, love stories, and even a story with a fluffy stuffed bear.
9.) Above all else, the Grey Rooms is a horror podcast. That means that your story should be a horror story. Horror means a lot of things to a lot of people. We encourage authors to consider the many different ways horror can be considered (Alien vs. IT), genre-specific interpretations (Haunting of Hill House vs. The Conjuring), and how horror can speak to people beyond simple scare factor (Get Out, The Shining, Silence of the Lambs).
1.) Stories can range from 2500 to 3500 words. If it’s a few more or a few less, it’s fine, but this is the range we’re looking for. Note that this is a smaller number than in previous years, because of how we’d prefer you format your stories this year. Please see below.
2.) Narration elements of your story must be in the past tense. Using tense changes occasionally for drama is fine, but please check your tense to ensure most of your narration is in the past tense.
3.)Foul language is allowed, but please keep it contextual and light. If the word “fuck” appears every sentence in your piece, we will most likely reject it.
4.) For the first time this year we would prefer that authors submit their stories in a radioplay format rather than as prose. For Season 4 of the Grey Rooms, we will still accept prose-style submissions, but please be aware all stories will be converted to a radioplay format. Submitting your story in that format means less work on our part, and makes it easier to accept your submission. (More details on this under Editorial Process, below.)
A.)This is a change from previous years on the Grey Rooms. In Season 3 we moved to converting all submissions into radioplay documents, and saw an immediate improvement in production speed, quality, and comprehension on the part of our voice actors.
B.)The Grey Rooms is a podcast, an audio medium. While we love prose, we want to focus on and highlight that audio medium for our audience.
C.)Prose format content, for the purposes of this discussion, is what you might see in a novel, with narrative elements bookended by dialogue in quotation marks, and with artifacts like “she said” or “he snarled.”
D.)Radioplay format is more like a screenplay format. It can use narration, but it recognizes that most content in the story is going to be spoken out loud.
For example, here is a snippet from a Season 2 script, setting a scene within the Grey Rooms:
Here’s an example of a quick back and forth between two characters:
And here’s an example of how narration could still work very well in this format:
E.) We have an example script in this format appended at the end of this document.
F.) If you currently use a tool like Word or Google Docs to write your scripts, your best approximation of this formatting is totally fine. The most important factor is to write your story like a radioplay, and not a prose short story.
G.)Word can be configured to approximate this formatting fairly easily. We have also had success using the software tools Final Draft, or Magic Movie Screenwriter.
Selection and Editorial Process
Selection and Editorial Process
1.)After submissions close, our staff will retire to Management’s lounge to consider your story. The food isn’t great, but we usually have a good time.
2.) Authors will be contacted before the end of spring, most likely sometime in May. We take great care in selecting anthology stories for the series, and will want to take some time.
3.) Once your piece is selected, you will be contacted by our submissions staff! Congratulations!
4.) At that point our staff writer will contact you to work through the editorial process. All pieces will undergo the same editorial process, no exceptions.
5.) The goal of this process is to clarify authorial intent, as well as streamline the work to become a voice acted production.
6.) Examples of changes we might make in this pass include correcting typos and ungrammatical sentences.
7.) As stated above, we will also make any changes deemed necessary to create a compelling audio drama, such as chopping down long sections of narration into manageable VO, and removal of prose signposts like ‘he said, she said.’
8.) While prose submissions are acceptable, all submissions will be converted to radioplay format. Writing your submission in a radioplay format means less editing work required on the back end.
9.) Our only goal with this process is to make the best possible audio drama from your piece. We can’t wait for the chance to work with you!
Submitting, Payment, and Promotion
1.) To submit, attach your story in a Word, .rtf, .txt, or Final Draft format to an email. Address the email to [email protected]. Please put “The Grey Rooms Season 5 Submission” in the subject line.
2.) Any and all questions regarding submissions should be directed to [email protected].
3.) Submissions entered after April 17th, 2022 at 12pm EST will not be considered for entry into Season 5 of the Grey Rooms.
4.) Payment for each story will be $25 dollars US.
5.) Authors selected for their stories to run as part of the series will enjoy several other benefits, including, but not limited to:
A.) An invitation to join us on the Behind the Door ‘making of’ episode for your story.
B.) A Grey Rooms website blog entry outlining your narrative accomplishments and asking a few questions about you.
C.) Social Media promotion and Promotional artwork created to support your story.
D.) Our deep appreciation for joining the Grey Rooms family of contributors.
Download the Sample Script Here: grey_rooms_example_script
Via: The Grey Rooms.
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Stuart Conover is a father, husband, published author, blogger, geek, entrepreneur, horror fanatic, and runs a few websites including Horror Tree!