Taking Submissions: The First Line – Spring 2024
The First Line P.O. Box 250382, Plano, TX, United StatesDeadline: February 1st, 2024 Payment: $25.00 - $50.00 for fiction, $5.00 - $10.00 for poetry Theme: Story must begin with: Mr. Morton needed a new pair of shoes. We love that writers around the world are inspired by our first lines, and we know that not every story will be sent to us. However, we ask that you do not submit stories starting with our first lines to other journals (or post them online on public sites) until we've notified you as to our decision (usually four weeks after the deadline). When the entire premise of the publication revolves around one sentence, we don't want it to look as if we stole that sentence from another writer. If you have questions, feel free to drop us a line. Also, we understand that writers may add our first line to a story they are currently working on or have already completed, and that's cool. But please do not add our first line to a previously published story and submit it to us. We do not accept previously published stories, even if they have been repurposed for our first lines. And, just to be clear, we do not accept simultaneous submissions. One more thing while I've got you here: Writers compete against one another for magazine space, so, technically, every literary magazine is running a contest. There are, however, literary magazines that run traditional contests, where they charge entry fees and rank the winners. We do not - nor will we ever - charge a submission fee, nor do we rank our stories in order of importance. Occasionally, we run contests to help come up with new first lines, or we run fun, gimmicky competitions for free stuff, but the actual journal is not a contest in the traditional sense. Fiction: All stories must...
Taking Submissions: Last Girls Club Spring Issue 2024 (Early)
Last Girls Club DuotropeSubmission Window: January 1st - February 1st, 2024 Payment: Short Story-2,500 words or less. $0.01 USD per word/$25 USD max, Poems-less than 200 words $10, Flash Fiction-less than a 1,000 words $0.01 USD per word/$10 USD max Theme: Poison Opens on Monday, January 1, 2024 12:00 AM PST (in 19 days) Last Girls Club Spring Issue Theme is Poison: Poison has an interesting history as a liberator, a political tool, and the perfect murder. It also could mean the poisoning of our air, our water, and our land. Take it where you want. Acceptances will be notified on Feb 15. No more than two fiction or flash fiction stories per author per submission period. Fiction is limited to 2,500 words or less. Authors are paid $0.015 USD per word upon acceptance ($37.50 USD max). Flash fiction is limited to under 1,000 words. Authors are paid $0.015 USD per word upon acceptance ($15 USD max). No more than three poems per poet. Poems are limited to 200 words or less for each poem. Poets are paid $10 USD upon acceptance. I prefer to use PayPal to pay authors, but will work with authors where PayPal is not available. Nonfiction columns will must be pitched to editor in chief before submission. Email your idea to [email protected] The Last Girls Club Magazine is a quarterly feminist horror magazine that publishes international short stories and poems from the female gaze. It is an homage to the scary comics and zines of the late 20th century. Please check on the website for the theme in detail. Submissions will be accepted from Jan 1-Feb 1, April 1-May 1, July 1-Aug 1, Oct 1-Nov 1. Final notifications will be Feb 15, May 15, Aug 15, Nov 15. Authors must be 18+. Submissions from underage authors will not be considered. No more than...
Taking Submissions: Carnage House Issue 2
Carnage HouseDeadline: February 1st, 2024 Payment: $5 Theme: Splatter/Gore-friendly horror We want solid, entertaining writing that evokes feelings. Carnage House is a splatter friendly web ’zine—so nothing against cozy, but cozy, we’re not. We’re looking for gore, extreme horror, splatterpunk, and horror with sexual elements to it. For a better understanding of what we’ll take, think of the Hot Blood book series or Love in Vein. Or, as a more practical proposition, read our first issue at carnagehouse.com. We invite LGBTQIA and BIPOC themes, and we encourage authors from diverse backgrounds to submit to us. Hard NOs: Nothing with children in an adult manner. If you’re writing a story about a child predator who gets what’s coming to him—great. But we don’t want to read about that predator violating his victims. We won’t publish anything supporting a racist, transphobic, or homophobic agenda, so don’t try it. Our description includes the words “splatter” and “friendly” for a reason. We love splatter, and we’re super friendly. Carnage House is about supporting writers and entertaining readers, and we’re dedicated to both in equal measure. We look forward to reading your work in all its splattertastic glory. The Editors [email protected] Submissions: We want solid entertaining writing. That has to be clearly stated because we are open to gore, extreme horror, splatterpunk, and horror with sexual elements to it. Sounds great? Like anything too good to be true, there is a catch. We have some hard “Nos.” Before you go off about the freedom of expression, remember, this is a web ‘zine, not a government. We donate our time to it and if we’re not getting joy from reading your story we’re not going to publish it. This website runs on our love of horror. Starting Vol 2 (this submission call), we offer a token payment of $5...
Taking Submissions: Cosmic Roots And Eldritch Shores February 2024 (Early Listing)
Cosmic Roots And Eldritch ShoresSubmission Window: February 1st - 2nd, 2024 Payment: 8 cents per word for original, 2 cents for reprints, For artwork: $10 for the non-exclusive right to use each image, for as long as the site is online. If we publish a print collection we will pay a pro-rata share for each image used. Theme: Well written original work in science fiction, fantasy, myth, legend, fairy tales, and eldritch, in written, podcast, video, and/or graphic story form, and from around the world. Note: Reprints welcome Submissions Schedule We have a new submissions schedule as of June 1, 2020: The first and second day of every month, 12 am of the 1st to 12 am of the 3rd, E.S.T. Only one submission per person. For reading impaired individuals, our submissions manager and ‘forget password’ have a captcha compatible with screen readers. We pay 8¢ per word for new fiction, 2¢ per word for fiction reprints, 2 – 6¢ per word for new fact-based work, 1- 4¢ per word for reprinted fact articles. For new poetry, we pay $1 a line, reprints would be 50¢ a line, up to 40 lines. We’ll look at longer poems but that would be a hard sell, and words over 40 lines would be paid at 6¢ per word. We began The Kepler Award to recognize and encourage writers of excellent science fiction and fantasy stories that creatively extrapolate on known science in constructive and exciting ways. You can learn about The Kepler Award here. You can read a copy of our standard contract here. It can be varied as needed to include the rights of translators, voice actors, etc. Writers Guidelines We accept new work as well as reprints, prose and poetry, anywhere from 1000 word flash fiction on up, but all else being equal,...
Taking Submissions: Myths, Gods & Immortals: Odin
Flame Tree PublishingDeadline: February 4th, 2024 (Extended from original post!) Payment: 8 cents/6 pence per word for original stories, 6 cents/4 pence for reprints Theme: Stories Featuring Odin Note: Reprints Welcome Discover the mythology of humankind through its heroes, characters, gods and immortal figures. Myths, Gods & Immortals brings together the new and the ancient, familiar stories with a fresh and imaginative twist. Each book brings back to life a classic mythological or folkloric figure, with completely new stories alongside the original tales. New and emerging writers from open submissions, reveal hidden themes, casting fresh perspectives on well-known stories, alongside specially commissioned text on the origins and the cultural background of the mythology. The first three books will focus respectively on Odin, Anansi and Medusa. Odin Everyone knows about Odin, the All-father, the one-eyed, all-seeing, powerful King of the Gods, presiding over his great hall Valhalla, surveying the nine realms and the billions of souls. He bears the pain of Ragnarok, the joy of travelling in disguise through Midgard and shapeshifting in the dusk joins his ravens in their flights across the mythic landscape. Featuring new stories from open submissions this enthralling book reveals the larger-than-life stories of Odin and his kin, their adventures in the ancient and the modern world, with the gods, the giants, the valkyrie and the creatures of the epic Norse literature. Stories submitted for consideration need to explore new angles to the character: have him follow alternative paths, present different viewpoints, imagine new futures, or perhaps pursue story lines that are hinted at in the original tales. Submissions to: [email protected] Terms: Multiple submissions are fine but must be in separate emails. Simultaneous submissions are fine but you must have the right to license your story in an anthology. For accepted stories we pay Science Fiction & Fantasy Writers of America (SFWA)...
Taking Submissions: Myths, Gods & Immortals: Anansi
Flame Tree PublishingDeadline: February 4th, 2024 (Extended from original post!) Payment: 8 cents/6 pence per word for original stories, 6 cents/4 pence for reprints. Theme: Stories about Anansi, a creator god, a trickster folk hero, a wily spider and a heroic symbol of resistance Discover the mythology of humankind through its heroes, characters, gods and immortal figures. Myths, Gods & Immortals brings together the new and the ancient, familiar stories with a fresh and imaginative twist. Each book brings back to life a classic mythological or folkloric figure, with completely new stories alongside the original tales. New and emerging writers from open submissions, reveal hidden themes, casting fresh perspectives on well-known stories, alongside specially commissioned text on the origins and the cultural background of the mythology. The first three books will focus respectively on Odin, Anansi and Medusa. Anansi Anansi is at once a creator god, a trickster folk hero, a wily spider and a heroic symbol of resistance. From his origins in West African folklore, to his lauded status in Jamaica, Anansi is a versatile immortal whose many stories reflect the early world of his origins, and the potential for re-imagination. Sometimes dark and chilling, occasionally light-hearted, but always lively and clever, Anansi appears in the lives of everyday folk, pricks the pomposity of the mighty and in this collection of new stories, appears in the modern and the ancient world, a symbol still of individuality and resilience, adapting to City life, with the undertow of ancient lore ever-present. Stories submitted for consideration need to explore new angles to the character: have him follow alternative paths, present different viewpoints, imagine new futures, or perhaps pursue story lines that are hinted at in the original tales. Submissions to: [email protected] Terms: Multiple submissions are fine but must be in separate emails. Simultaneous submissions are fine but you...
Taking Submissions: Myths, Gods & Immortals: Medusa
Flame Tree PublishingDeadline: February 4th, 2024 (Extended from original post!) Payment: 8 cents/6 pence per word for original stories, 6 cents/4 pence for reprints. Theme: Stories about Medusa Note: Reprints Welcome Discover the mythology of humankind through its heroes, characters, gods and immortal figures. Myths, Gods & Immortals brings together the new and the ancient, familiar stories with a fresh and imaginative twist. Each book brings back to life a classic mythological or folkloric figure, with completely new stories alongside the original tales. New and emerging writers from open submissions, reveal hidden themes, casting fresh perspectives on well-known stories, alongside specially commissioned text on the origins and the cultural background of the mythology. The first three books will focus respectively on Odin, Anansi and Medusa. Medusa Variously described as a fiend, a monster, a charming seductress who was felled by the righteous might of Perseus, son of Zeus, Medusa is perhaps the most misunderstood of mythological women. Described by male historians and epic writers such as Virgil and Ovid there are many aspects of her imagined life which find resonance in the struggles of the outsider, the cursed and those used in the service of another's vision of the world around them. This fascinating collection brings together new stories and ancient origins, offering a wider perspective on the whole life of the powerful, wonderful Medusa. Stories submitted for consideration need to explore new angles to the character: have her follow alternative paths, present different viewpoints, counter the patriarchal narrative and male gaze, or perhaps pursue story lines that are hinted at in the original tales. Submissions to: [email protected] Terms: Multiple submissions are fine but must be in separate emails. Simultaneous submissions are fine but you must have the right to license your story in an anthology. For accepted stories we pay Science Fiction & Fantasy...
Taking Submissions: Xanax Hamster #1 and #2
From Beyond PressSubmission Window: February 3-4, 2024 for all writers, and February 2-4 for writers who identify with one of the following groups: BIPOC, LGBTQIA+, disabled. Payment: 5 cents per word Theme: Brilliant but unloved and rejected horror stories Xanax Hamster knows you have a horror flash fiction trunk story that is your beloved, misunderstood baby, but it hasn’t found a home yet. Xanax Hamster wants to be that home. For one weekend in February, send us your brilliant but unloved and rejected horror stories, maximum 1500 words, for possible inclusion in a biannual (that means twice a year) zine, to be published in June and December (see?). We have room for 4-5 stories in each issue, depending on their word count. Each issue will feature at least one story that’s the first pro-rate sale for an author. Stories are not required to have anything to do with xanax or hamsters, and mentioning xanax or hamsters in your story will have no impact on whether we accept or reject your story. Edited by Ende Mac and Michael W. Phillips Jr. Issue 1 cover art by Bonnie Hockin. Issue 2 cover art by Jacky Kelsey. General Info Subs are open February 3-4, 2024 for all writers, and February 2-4 for writers who identify with one of the following groups: BIPOC, LGBTQIA+, disabled. This is a stupid short submission window, but we have to go with what we think we can handle. We will select stories for both 2024 issues of the zine from this one submission period. Stories should be 1500 words or less. Preference will be given to shorter stories. We want trunk stories—stories that have been rejected a bunch of times. We won’t ask for receipts, but if you lie to us—well, just don’t, OK? Pay is 5 cents a word (US$). Payment is via PayPal, but we...
Taking Submissions: Sci Phi Journal January 2024 Call
SciPhiJournalDeadline: February 4th, 2024 Payment: 3 (Euro) cents per word for original fiction and 1 (Euro) cent per word for translations of fiction into English. Theme: Hard SF that zooms out of the personal and lifts off into the structural, the systemic, the epic. There are plenty of amazing print and online journals out there for ‘character-driven’ fiction, and we encourage you to read them. Sci Phi Journal (SPJ) is not one of them, though. Hence, we are not too keen on stories predominantly about the sentiments and subjective experiences of fictional people. We want hard SF that zooms out of the personal and lifts off into the structural, the systemic, the epic. We yearn for carefully crafted philosophical speculation that puzzles over the questions of the future and alternate pasts. And we have a soft spot for stories created as ‘artifacts’ (fictional, ‘in-universe’ non-fiction). So here are SPJ‘s quests: – Campbellian hard SF. Reaching back to the roots of classic sci-fi, these rigorous tales take themselves seriously and push the boundaries of our scientific imagination, scaling from the nano to the meta. The cast, if any, is functional and disposable. It’s the sociological, technological and indeed cosmic developments that sweep the reader up in an expanding sense of wonder. (For a contemporary long-form example that received mainstream attention, see the latter two books of Cixin Liu’s Three-Body Problem trilogy.) – Fictional non-fiction. The purest, most intimate form of world-building. A transcript of the last UN Security Council meeting before an extinction-level event. The dental bills of a cybernetic vampire. Interviews with eyewitnesses of a battle between Martians and archangels. (Epistolary fiction falls within this category, though we encourage you to interpret it more broadly, across the full spectrum of artifact fiction.) Think ‘World War Z’, not ‘Walking Dead’. – Speculative philosophy. Extrapolating abstract ideas to examine the implications if they were to manifest....
Taking Submissions: At the Edge of Darkness
Shotgun HoneySubmission Window: January 1st, 2024 - February 29th, 2024 Payment: $25 and a contributor's copy Theme: Stories on that dark, half-lit space where crime and horror simultaneously reside. We are excited to announce At the Edge of Darkness, the sixth edition of our original Shotgun Honey Presents anthology series. At the Edge of Darkness will release October 1st, 2024 right in time for the Halloween Season, featuring stories on that dark, half-lit space where crime and horror simultaneously reside. That’s right, we’re dipping our toe into the dark pool of horror and we’re not doing it alone. Our guest editor, who will be knee deep in the quagmire of submissions, is none other than Keith Rosson, author of Fever House and the Shirley Jackson Award winner for Best Short Story Collection, Folk Songs for Trauma Surgeons. Joining him will be series editor, Ron Earl Phillips. As with the recent Thicker Than Water anthology released last August, At the Edge of Darkness will be a charity anthology. As guest editor, Keith Rosson has chosen to support a Portland nonprofit assisting children entering the foster care system with vital goods and necessities. All profits for this edition will go to benefit this cause. Now, you know the title, the theme, the release date, the editors, the cause, what else would you want to know? Oh, yeah… when and where to submit. Now that we’re fresh off the Halloween Season, many of you getting over your Halloween hangovers, we hope you’ve retained some of that dark spirit and will spend the next two months writing an original horror/crime mashup that is between 1000 to 5000 words. Our open submission for At the Edge of Darkness will open on January 1st and close on February 29th. We will open a special submission page prior to the window. TL;DR Title: At the Edge of Darkness Theme: Crime and Horror...