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Submission Window: January 1st - 30th, 2024 Payment: $5.00 Theme: Original feminist tales, feminist retellings of traditional tales, and personal essays related to traditional tales. Although we started as a magazine of fairy tales, we’re now open to pieces based on or related to fairy tales, folklore, myths, legends, and pop culture. Criteria. We’re looking for original feminist tales, feminist retellings of traditional tales, and personal essays related to traditional tales. Although we started as a magazine of fairy tales, we’re now open to pieces based on or related to fairy tales, folklore, myths, legends, and pop culture. We accept fiction, poetry, creative non-fiction, and pieces that are in-between. For prose, we accept stories of up to 5,000 words. Longer pieces will be declined. Please note that you do not need to be female or femme to submit a piece; writers of any gender identity and expression are welcome. We’re listed on Duotrope & Chill Subs! How to submit. To submit a piece, please fill out our submission form. Please submit only one piece per reading period. Multiple submissions will be declined. Our submission form is unfortunately not able to send an automatic response or a copy of your submission; if you aren’t sure if your submission has gone through, please email [email protected]. We’re always happy to check! Wish list. We encourage you to read through the journal to get a sense for the stories that generally speak to us, but here are some specific characters, themes, & forms we’d love to see in this round of submissions! coming soon! Policies. We do accept simultaneous submissions; reprints from defunct blogs, magazines, and presses; and pieces that have been pulled from publication for ethical reasons. We do not accept pieces that are currently still available online. We ask that you include content...

Submission Window: January 23rd-30th, 2024 Payment: €0.01 per word, with a €20 minimum. Theme: Diverse sci-fi and fantasy fiction. We are open to submissions within the following periods: January 23rd-30th April 23rd-30th July 23rd-30th October 23rd-30th Submissions received outside of these dates will unfortunately be lost and therefore not responded to. When open, we seek and offer the following: Length: 1,000-5,000 words. These are firm limits. Shorter or longer works will be considered, but the further a story goes outside these bounds the more it will need to impress. Compensation: €0.01 per word, with a €20 minimum. Please be aware that payment is via PayPal only. If you do not receive an acknowledgment within 24 hours of submission, please get in touch. We aim to accept or reject within 14 days of acknowledgment, but rl (real life) and rl (reading load) can get in the way. If you do not hear from us after 30 days, feel free to query. REQUIREMENTS We acquire First Print and Digital rights with a six month period of exclusivity from the date of publication. We also ask permission to potentially include accepted pieces in future anthologies; in event of agreement, an additional payment and digital copy will be offered in compensation. All other rights remain entirely with the author. Simultaneous submissions are not only accepted, they are encouraged. Please tell us if you sim-sub, and we merely ask that you notify us of acceptance at another market as soon as possible. In the event that we accept first, we expect a positive and timely confirmation. Therefore we recommend sim-subbing to markets of equivalent status – we won’t wait for someone else you’d like better to turn you down. We do not accept multiple submissions. Please wait until your first submission has been rejected before submitting another work. If...

Deadline: January 30th, 2024 Payment: 8 cents per word for fiction, $50 per poem Theme: Character-focused, weird sword-and-sorcery: stories of a dark and transgressive nature, set in a secondary or historical-paranormal (“our” reality, but with a twist, if you will) world, What  We  Want Old Moon publishes character-focused, weird sword-and-sorcery: stories of a dark and transgressive nature, set in a secondary or historical-paranormal (“our” reality, but with a twist, if you will) world, with a focus on rounded characters undergoing some sort of conflict, resolved (though not always successfully!) by the might of their main or mind. ​ We love stories that combine that sense of action and adventure with well-rounded characters who make us question our own realities and perceptions. We love to see the gothic, the baroque, the eldritch, and we love to see it hit with an axe. Weird fiction and sword-and-sorcery can both be slippery terms. That is part of the fun! But, for our purposes we know it may help prospective writers if we list a series of authors and their stories we feel encompass (at least in part) what we love about the borderland of sword/sorcery and weird fiction: ​ Joe Abercrombie ("Three's a Crowd," "Yesterday, Near a Village Called Barden...") Laird Barron ("Oblivion Mode," "Ode to Jode the Toad") Leigh Brackett ("The Sea-Kings of Mars")  E.R. Eddison (The Worm Ouroboros) John R. Fultz ("Chivaine") Robert E. Howard ("The Shadow Kingdom," "Worms of the Earth") John Langan ("The Savage Angela in: The Beast in the Tunnels") Tanith Lee (Birthgrave, "Southern Lights") C.L. Moore ("The Black God's Kiss") Silvia Moreno-Garcia (The Return of the Sorcereress) Michael Shea (Nifft the Lean) Clark Ashton Smith ("The Charnel God," "Necromancy in Naat") E. Catherine Tobler ("The Living, Vengeant Stars, "And After the Fire, A Still Small Voice") Gene Wolfe ("Bloodsport") ​ The...