Taking Submissions: Onyx Neon Shorts Horror Collection – 2016
Deadline: August 1st, 2016 Payment: a percentage of the final product based on how many stories are in the collection. The Project: In Fall 2016 we’ll be releasing our second collection of stories under the wide umbrella genre of ‘Horror.’ It will be released as one large volume. This collection will be edited by Head Editor of Onyx Neon Shorts, Jeffrey P. Martin. What genre are you looking for?: This isn’t for a specific sub genre, but more of a call for anything that fits under the larger umbrella of “Horror.” Stories about haunted houses, killer dolls, classic gore, weird fiction, or various other topics will fit right in. What authors inspire you? We are inspired by authors like Laird Barron, Stephen King, Thomas Ligotti, Nathan Balingrud, M.R. James, H.P. Lovecraft How will this work? We’re looking for 13 stories and they will be released in one large collection in October/November. What’s the length? Because it’s a collection of stories they can range anywhere from 0-30,000 words. So, no minimum limit. What we pay: Our standard collection rate is a percentage of the final product based on how many stories are in the collection. What’s the deadline: Because the collection comes out in the fall, no stories will be considered if they come in after August 1st. We need time to read through stories and decide if we want to include them. This isn’t a moveable deadline. This is literally the final deadline that we will take submissions for the collection so please, be aware. First Print and Electronic Publishing Rights: It must be stated that when your story is published for the first time that publisher has taken your stories First Print Rights. What this means is that every publication that publishes the story after that has to list where the stories were published. In this case we...
Taking Submissions: The First Line – Fall 2016
Deadline: August 1st, 2016 Payment: $25.00 – $50.00 for fiction, $5.00 – $10.00 for poetry, and $25.00 for nonfiction (all U.S. dollars). We also send you a copy of the issue in which your piece appears. You’ll receive your money and issue at the same time. Fall Prompt: Mrs. Morrison was too busy to die. We love the fact that writers around the world are inspired by our first lines, and we know that not every story will be sent to us. However, we ask that you do not submit stories starting with our first lines to other journals (or post them online on public sites) until we've notified you as to our decision (usually two to three weeks after the deadline). When the entire premise of the publication revolves around one sentence, we don't want it to look as if we stole that sentence from another writer. If you have questions, feel free to drop us a line. (Also, we understand that writers may add our first line to a story they are currently working on or have already completed, and that's cool. But please do not add our first line to a previously published story and submit it to us. We do not accept previously published stories, even if they have been repurposed for our first lines.) One more thing while I've got you here: Writers compete against one another for magazine space, so, technically, every literary magazine is running a contest. There are, however, literary magazines that run traditional contests, where they charge entry fees and rank the winners. We do not - nor will we ever - charge a submission fee, nor do we rank our stories in order of importance. Occasionally, we run contests to help come up with new first lines, or we run...
Taking Submissions: Body Parts Magazine #7 – Fairy Tales, Mythology and Gods & Monsters
Deadline: 8/01/16 Payment: $5 for flash fiction and $10 to $20 (depending on length) for short stories "We are not afraid." Body Parts Magazine is an online literary magazine of horror, erotica, speculative fiction, essays and art. Each themed issue honors Eros and Thanatos, the Greek gods of libido and mortido—life and death. We celebrate the vast and various expressions of dreams and darkness, our primitive desires and urges, and seek to encounter—and embrace—those shadowy monsters who dwell in the dimly lit corners of human experience. Submission Guidelines Upcoming Themes Submissions for each issue are accepted through the last day of each reading period (if specified). You are welcome to submit material for any issue--simply indicate which issue you would like your work to be considered for. Issue #7: Fairy Tales, Mythology and Gods & Monsters (Fall/Winter 2016) Submission deadline: 8/01/16 Fiction Body Parts accepts well-written, thoughtfully structured horror, erotic horror, speculative fiction, dark fantasy (including fairy tales and mythology), exceptional stories about ghosts, ghouls, monsters and wretched creatures, Gothic fiction, and all combinations of the above. Our boundaries are few and far between. Flash Fiction: 1,000 words or fewer. Short Stories: up to 8,000 words. Serialized or Longer Fiction: query us with total word count. Art/Photography We accept your original artwork and photography reflective of an issue’s theme. Email a query with a link to your art online (web, Dropbox, Google album, etc.) Payment varies. Essays & Interviews We accept short essays and interviews (up to 1200 words) about topics that fit within our themes, people integral to the type of work published in Body Parts (writers, artists, photographers, etc.). Query first. We do not accept book/game/music reviews. Payment varies. Payment Body Parts is a paying market. We offer an honorarium of $5 for flash fiction and $10 to $20 (depending on length) for short...
Taking Submissions: Phantasmagorical Fantasy Anthology Book 2
Deadline: August 1st, 2016 Payment: $25.00, plus digital and 1 trade paperback copy upon distribution Elven, Dwarven, Orc or Mage. Fae and Seelie leap off the page. Poems, sagas, epics too, this is what we ask of you. With parchment and quill in hand, take us to your mythic land. Build a world ethereal and fair, bring it to us so we can share. An anthology for us to build, helping us, the lily gild. Please do not use or reference stories, characters etc that are already established and/or property of someone else. No copyright infringements please. We are looking for original work with original characters and the plot should be original as well. Please, NO fan fiction. Characters must be your own, originally created, and not a version or fan fiction of an existing character. Do not use the names or personalities of existing trademarked characters. No references should be made to characters from well-known sources. Please keep stories relatively clean as we are looking to make this available to all ages. Therefore in keeping with the Codes of Chivalry, profanity, gratuitous violence, sexual themes and the like will be deemed as unsuitable for this work. Only submit unpublished, original stories, and characters. Story length, between 2,500 minimum and 8,000 maximum words. This is going to call for a high level of skill to keep your story fast paced and interesting without falling back on those particular crutches to carry the plot along. We are looking forward to some high quality, entertaining reading. We are looking for short stories between 2500 and 8000 words. Please spend time reviewing the guidelines, this will ensure that your best work is submitted free of editorial issues, such as spelling, formatting, and grammar. Any submission with EXCESSIVE formatting, spelling, grammatical or editing issues...
Taking Submissions: Burrow Press’s ‘A Month Of Horror’!
Deadline: August 1st, 2016 Payment: $50 Great fiction never simply reinforces what we already know, and a good scary story, by the same token, goes beyond a mere exploitation of those fears with which we have become familiar. Old, dilapidated houses, primordial forests, dark alleys, and cramped, creaking elevators may provide familiar settings, but a good scary story does more than remind us of the everyday dangers inherent to these uncomfortable places. What we find in truly terrifying fiction is not only the possibility of violence or even annihilation, but a confrontation with a world that is utterly different than we perceive it to be. To fear not just a set of negative outcomes, but the utter dissolution of reality, is the challenge and triumph of every great scary story. While most of us have at some point in our lives feared the death of a loved one, rarely do we stop to consider the ramifications of our departed returning home a half-feral and decaying corpse, but this awful scenario is precisely what Nathan Ballingrud forces us to consider in his horrifying and heartbreaking story, “The Good Husband.” Many people suffer from a natural revulsion to cockroaches, but those who have read “Mimic” by Donald Wollheim have found themselves pondering in disgust the possibility that their strange and mysterious neighbor might be an unidentified species of man-sized bug with an apartment full of fertilized eggs. The devices and methods by which fiction can terrify its readers are as broad and twisted as the imaginations of the authors who dream them up. Scary stories can come in all shapes and sizes, from surrealistic fever dreams like Franz Kafka’s “A Country Doctor” to contemporary, enigmatic ghost stories such as Kelly Link’s “I Can See Right Through You,” from vicious retellings of classic fairytales...