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Deadline: 8/01/16 Payment: $5 for flash fiction and $10 to $20 (depending on length) for short stories "We are not afraid." Body Parts Magazine is an online literary magazine of horror, erotica, speculative fiction, essays and art. Each themed issue honors Eros and Thanatos, the Greek gods of libido and mortido—life and death. We celebrate the vast and various expressions of dreams and darkness, our primitive desires and urges, and seek to encounter—and embrace—those shadowy monsters who dwell in the dimly lit corners of human experience. Submission Guidelines Upcoming Themes Submissions for each issue are accepted through the last day of each reading period (if specified). You are welcome to submit material for any issue--simply indicate which issue you would like your work to be considered for. Issue #7: Fairy Tales, Mythology and Gods & Monsters (Fall/Winter 2016) Submission deadline: 8/01/16 Fiction Body Parts accepts well-written, thoughtfully structured horror, erotic horror, speculative fiction, dark fantasy (including fairy tales and mythology), exceptional stories about ghosts, ghouls, monsters and wretched creatures, Gothic fiction, and all combinations of the above. Our boundaries are few and far between. Flash Fiction: 1,000 words or fewer. Short Stories: up to 8,000 words. Serialized or Longer Fiction: query us with total word count. Art/Photography We accept your original artwork and photography reflective of an issue’s theme. Email a query with a link to your art online (web, Dropbox, Google album, etc.) Payment varies. Essays & Interviews We accept short essays and interviews (up to 1200 words) about topics that fit within our themes, people integral to the type of work published in Body Parts (writers, artists, photographers, etc.). Query first. We do not accept book/game/music reviews. Payment varies. Payment Body Parts is a paying market. We offer an honorarium of $5 for flash fiction and $10 to $20 (depending on length) for short...

Deadline: August 1st, 2016 Payment: $25.00, plus digital and 1 trade paperback copy upon distribution Elven, Dwarven, Orc or Mage. Fae and Seelie leap off the page. Poems, sagas, epics too, this is what we ask of you. With parchment and quill in hand, take us to your mythic land. Build a world ethereal and fair, bring it to us so we can share. An anthology for us to build, helping us, the lily gild. Please do not use or reference stories, characters etc that are already established and/or property of someone else. No copyright infringements please.  We are looking for original work with original characters and the plot should be original as well. Please, NO fan fiction. Characters must be your own, originally created, and not a version or fan fiction of an existing character. Do not use the names or personalities of existing trademarked characters. No references should be made to characters from well-known sources. Please keep stories relatively clean as we are looking to make this available to all ages. Therefore in keeping with the Codes of Chivalry, profanity, gratuitous violence, sexual themes and the like will be deemed as unsuitable for this work. Only submit unpublished, original stories, and characters. Story length, between 2,500 minimum and 8,000 maximum words. This is going to call for a high level of skill to keep your story fast paced and interesting without falling back on those particular crutches to carry the plot along. We are looking forward to some high quality, entertaining reading. We are looking for short stories between 2500 and 8000 words. Please spend time reviewing the guidelines, this will ensure that your best work is submitted free of editorial issues, such as spelling, formatting, and grammar. Any submission with EXCESSIVE formatting, spelling, grammatical or editing issues...

Deadline: August 1st, 2016 Payment: $50 Great fiction never simply reinforces what we already know, and a good scary story, by the same token, goes beyond a mere exploitation of those fears with which we have become familiar. Old, dilapidated houses, primordial forests, dark alleys, and cramped, creaking elevators may provide familiar settings, but a good scary story does more than remind us of the everyday dangers inherent to these uncomfortable places. What we find in truly terrifying fiction is not only the possibility of violence or even annihilation, but a confrontation with a world that is utterly different than we perceive it to be. To fear not just a set of negative outcomes, but the utter dissolution of reality, is the challenge and triumph of every great scary story. While most of us have at some point in our lives feared the death of a loved one, rarely do we stop to consider the ramifications of our departed returning home a half-feral and decaying corpse, but this awful scenario is precisely what Nathan Ballingrud forces us to consider in his horrifying and heartbreaking story, “The Good Husband.” Many people suffer from a natural revulsion to cockroaches, but those who have read “Mimic” by Donald Wollheim have found themselves pondering in disgust the possibility that their strange and mysterious neighbor might be an unidentified species of man-sized bug with an apartment full of fertilized eggs. The devices and methods by which fiction can terrify its readers are as broad and twisted as the imaginations of the authors who dream them up. Scary stories can come in all shapes and sizes, from surrealistic fever dreams like Franz Kafka’s “A Country Doctor” to contemporary, enigmatic ghost stories such as Kelly Link’s “I Can See Right Through You,” from vicious retellings of classic fairytales...

Deadline: August 15, 2016 Payment: $10 and a contributor's copy Anthologist: Kate Wolford Krampus, Santa's dark companion, is in the spotlight these days. Thousands of people across the globe celebrate Krampusnacht on December 5th of each year. And the movie, Krampus, was a hit during the 2015 holiday season. Krampusnacht: Twelve Nights of Krampus, which I anthologized and World Weaver Press published, was a hit as well. So, World Weaver Press and Enchanted Conversation are publishing another volume. For now, it's just called Krampusnacht Two. Remember, Krampus is the "corrective" to Saint Nick or Santa's indulgence and generosity. He carries a switch and chains, and sometimes throws very rotten children in a basket he carries on his back. He has horns, hooves, and a creepy, long tongue. He's horrible and fascinating at the same time. You can learn a lot about him from this site , and you should read Krampusnacht: Twelve Nights of Krampus as well, to see what we like. But we are interested in new, fresh stories, not retreads of what we have already published. We’re looking for short stories that explore every possible Krampus angle. He’s a nasty old dude, and we hope your imaginations will get the better of you. Now for the fine print. Rights and compensation: Payment: $10 and paperback copy of the anthology. We are looking for previously unpublished works in English. We are seeking first world rights in English and exclusive right to publish in print and electronic format for six months after publication date, after which publisher retains non-exclusive right to continue to publish for life of the anthology. Open submission period: May 15 - Aug. 15, 2016. (Please do not send stories before May 15!) Length: 1,000 to 10,000 words. Submission method: Email cover letter and story to enchantedconversation gmail com...

Deadline: August 15, 2016 Payment: Contributor's Copy Note: Sorry about the short notice on this one, just hit my inbox. We’ve learned a lot while creating our first book “Asylum of the Ancient Ones” is that it takes a long time to collect submissions. This time around, we are working on multiple books at once. It sounds kind of crazy, but it makes sense to us. We are looking for both short stories and artwork. Guidelines for Submissions: All work must be original. All submissions must be horror of some kind. Vampires, werewolves, zombies, witches, etc…classic horror stuff. No limit on how many stories or how much art you can send in, as many as you want. You can send both art and stories. If the artwork goes with the story, all the better, but it doesn’t have to. No limit on story length, as long as it’s a well-developed story. Focus on content, not length. Artwork can be any medium, as long as the content is horror. Artwork must be in JPEG format, please get all the image in the picture without cutting anything off. Stories must be double-spaced, have paragraphs, and one space between sentences. All stories should be spell checked and grammar checked prior to being sent in. Some minor mistakes are expected, but if the document has too many, it will be rejected. All submissions must include Name, address, and an optional short bio, along with any websites you’d like people to visit. All submissions must be sent to [email protected], with “Horror Submission” in the subject. All submissions must include a release form for all submissions. We have one for art and one for stories. If you have multiple submissions, you can do one for all art and one for all stories if there is enough space. Here...

Deadline: August 22, 2016 Payment: $5.00 for poetry/flash; $10.00 for short stories and a contributor's copy Reprints Allowed Anticipated Release Date: February 2017 in print and ebook. Once again, the title should tell you all you need to know for the theme. Sharks and/or dinosaurs! We expect teeth. Lots and lots of teeth. Beyond that, pretty much anything goes. Fighting each other? Chomping teenagers on spring break? Teaming up buddy-cop-movie-style and learning to respect one another’s differences? The doomed romance of star-crossed lovers? Time travel? Monstrous hybrids? Magical musical singing and dancing? Bring it! Submission Period: July 22, 2016 — August 22, 2016 Word Limit: poetry/flash fiction up to 1000 words; short stories 2000-5000 words. Compensation: contributor copy, $5.00 for poetry/flash; $10.00 for short stories. Standard manuscript format; Times New Roman 12-point preferred. Italics for italics and whatnot.  Send submissions attached as a .doc or .rtf to: [email protected]. “Fossil Lake IV” in the subject line, please. What we look for: the dark, the transgressive, the controversial, the surreal. Horror, humor, bizarro, erotica, suspense, fantasy, historical, Lovecraftian … pretty much anything goes genre-wise and content-wise as long as it’s well-written and entertaining to read. Bonus points for somehow involving thematic elements of fossils and/or lakes. What we’re NOT looking for: Crap writing (hey, let’s be honest).  Some editorial pet peeves and tough sells include adverbs, non-“said” dialogue tags, passive voice, “was (verb)ing” and “could (sense)” phrasing, excessive blocking or stage direction. What we’re hoping for: close communication with authors who are willing to work with an editor, can handle criticism, and are just generally personable and fun. What we’re asking: One-time non-exclusive anthology rights. Reprints are welcome; just let us know where and when the piece has appeared before. Via: Fossil Lake.

Deadline: August 30, 2016 Payment: 2¢ per word, contributor's copy, potential royalties Pole to Pole Publishing is seeking original science fiction, fantasy and horror stories of 3,000-5,000 words (firm) to be published in the In a Cat’s Eye anthology, slated for publication October 2016. “In a cat’s eye, all things belong to cats.” ~ English Proverb Is it true that all things belong to cats, or do they just think so? Will cats one day rule the world, or one day get their comeuppance? Either way, we want to know about it. Stories should be dark, and include a cat—which should be integral to the story. Edition and Rights: In a Cat’s Eye will be published in electronic and trade paperback in English. We are asking for exclusive, worldwide rights to your work for both electronic and print for six months. Payment: Payment is 2¢ per word for new fiction, paid at publication, via PayPal only. If you do not have a PayPal account, please do not submit your work. Bonus Royalties Multiplier: If the anthology earns out, that is, recoups all up-front costs to produce, authors will receive a royalty-share payment based on word-length of their story, at six-months from date of publication. Authors will receive one copy of both the electronic and trade paperback versions of the anthology. Submission Procedures: Submit stories through the Pole to Pole Publishing Submission Manager only:    Submission Manager In your cover letter, tell us your favorite cat quote and cat story. All stories should be in standard manuscript form and in rich text format (.rtf) only. In a Cat’s Eye is not accepting poetry. Please do not send poems. Poetry will be deleted without a response. No reprints. We do accept simultaneous submissions, but not multiple submissions. Please send your best work. Only one...

Deadline: Aug 31st, 2016 Payment: $5.00 plus equal share of 50% of the anthology’s royalties. Crime. Punishment. Justice. Order. Security. Community. Safety. Rehabilitation. Crime and punishment has been a part of human history since the earliest days of man. And will (unfortunately) be a part as we move forward into the future. Incarceration (tentative title) is looking for stories that feature incarceration in the future. Be it some form of innovation rehabilitation, a return to public shaming, an evolution of the prison system—whatever form it takes. We want to see ideas of where the system can go to do a better job at separating out those who truly must be separated from society as a whole. Rehabilitating those who can be rehabilitated and re-integrated into society. Punishing those who deserve to be punished for their crimes. Will current crimes no longer be crimes in the future? What will be considered a crime? What types of punishments will exist for what crimes? What will incarceration be like in the future? Warning the editor worked for ten years as a Deputy Sheriff in the El Paso County Criminal Justice Center and will be looking for realistic scenarios. I am also looking at the possibly of writing an introduction to each story selected that compares the story’s incarceration setting to what is current practice in some areas today. Break the story-writing rules if you want. If you use a tried and true plotline, twist it in an original and interesting way. Original stories are preferred. Query for reprints. ALL writers are encouraged to submit. Doesn’t matter if you’re a pro with years of credits, a beginner just starting out, or a teenager - please feel free to send the editor a story. In your cover email, please tell the editor a bit about...

Deadline: August 31st, 2016 Payment: 5 cents per word and 3 Contributor's Copies The purpose of the SpeKulative,tories Anthology Series is to publish provocative and powerful tales related to a single theme. Our debut anthology Is titled AUTOMOBILIA, and as the title suggests an automobile should be such an integral part of the story that if removed the story collapses. We seek quality short stories (and poems) from every genre: fantasy, magical realism, science fiction, mystery, crime, romance, supernatural, horror, and mainstream; from drama to humor, but if you are submitting horror try to avoid slasher or gore. We are open to all genres because the focus of AUTOMOBILIA is to celebrate the influence of the automobile on the hearts and minds people as seen through the eyes of fiction writers, whatever that form may take. We are writers too so we are writer friendly. GUIDELINES: • All genres accepted. English language only. Stories from any country accepted. Previously published stories accepted. 7,500 words max for stories. Pays 5 cents per word for stories on acceptance. Negotiates higher rates for established authors. Poems also accepted. 50 lines max. Pay S1 a line. Buys first or reprint anthology rights. • Unpublished writers welcome. We provide feedback when time allows. Send your best work. • Submissions accepted as an e-mail attachment in Word, or by postal mail. E-mail to: [email protected]. Write "Anthology" in the e-mail subject line. Include a cover letter in the body of the email noting a few prior publishing credits {if you have them) and a bio. Postal Mail to: OmicronWorld, 800 Village Walk, Suite 281, Guilford, CT 06437-2762 USA. When submitting by postal mail please include your e-mail address (or a Self-Addressed, First Class Stamped Envelope) for our response. Manuscripts sent on paper will not be returned. •...

Deadline: August 31st, 2016 Payment: 5 cents per word Before submitting to SpeckLit, please read the submission details below carefully, then fill out the contact form at the bottom of this page to let us know a bit about yourself. Do not send us your submissions directly. We want to get to you know you first. Include your pen name, website, Twitter, and a link to your most recently published work (if you have one) in your initial contact. Fiction:  We are suckers for plot. If it ain’t got plot, it ain’t a story. We want each piece to have the feeling of a beginning, a middle, and an end (or inciting incident, attempt(s) to fix it, and climax). All fiction must be original. There are lots of places for fanfic – this isn’t one of them. And finally, of course, it also has to be speculative – fantasy, science fiction, myth fairy tale, dark fantasy, etc… – but no erotica and no gore. A well-placed swear word, the recognition that we are sexual beings, and off-camera violence are all okay, but within limits, eh? Besides, with the focus on plot, there’s no time to get all graphic. Titles do not count as part of the 100 words, and after your drabble, add a bit of an explanation of how you got there from the topic (but remember to keep it short!). Non-fiction: We also publish drabble-length reviews of spec-fic containing media – books, movies, video games, comics, TV shows (or even specific outstanding episodes of TV shows), etc… Make sure your reviews are non-nasty (negative reviews are fine, but be nice!), and of course, spoiler free. Again, you don’t have much space, so get to the point. Your hundred words do not need to include the title, author, director,...