Deadline: January 31, 2016
Payment: $50 for stories up to 1,500 words, rising to a maximum of $150 for stories up to 5,000 words (longer stories are paid a slightly higher fee, but in order to exceed the word length limit of 5,000 words, the editor must judge a story to be of surpassing excellence.)

Tesseracts Twenty: Compostela, is now OPEN for submissions.

Compostela (Tesseracts Twenty) is an anthology of hard and soft science fiction stories that best represent a futuristic view of the sciences and how humanity might be affected (for better or worse) by a reliance in all things technological. For more than 1,000 years, Santiago de Compostela (Compostela means “field of stars”) has attracted pilgrims to walk to the cathedral that holds St. James the apostle’s relics. The stories in this anthology in their own way tell the tale of futuristic travelers who journey into the dark outer (or inner) reaches of space, searching for their own connections to the past, present and future relics of their time.

Submissions will close January 31, 2016.

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About the Series:

[CLICK] for more information ABOUT THE TESSERACTS SERIES

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ABOUT THE EDITORS:

Spider Robinson

Since he began writing professionally in 1972, Spider Robinson has won the John W. Campbell Award for Best New Writer, three Hugo Awards, a Nebula Award, and countless other international and regional awards. Most of his 36 books are still in print, in 10 languages. His short work has appeared in magazines around the planet, from Omni and Analog to Xhurnal Izobretatel i Rationalizator (Moscow), and in numerous anthologies. The Usenet newsgroup alt.callahans and its many internet offshoots, inspired by his Callahan’s Place series, for many years constituted one of the largest non-adult content networks in cyberspace.

In 2006 he became the only writer ever to collaborate on a novel with First GrandMaster of Science Fiction Robert A. Heinlein, posthumously completing VARIABLE STAR. That same year the Library of Congress invited him to Washington D.C. to be a guest of the First Lady at the White House for the National Book Festival. In 2008 he won the Robert A. Heinlein Award for Lifetime Excellence in Literature.

Spider was born in New York City in 1948, and holds a Bachelors degree in English from the State University of New York. He was regular book reviewer for Galaxy, Analog and New Destinies magazines for nearly a decade, and contributes occasional book reviews to The Globe and Mail, Canada’s national newspaper, for which he wrote a regular Op-Ed column from 1996-2004. As an audiobook reader of his own and others’ work, he has won the Earphones Award and been a finalist for the Audie, and his podcast Spider On The Web has appeared online weekly since September 2007. In 2001 he released Belaboring the Obvious, a CD featuring original music accompanied by guitar legend Amos Garrett. He has written songs in collaboration with David Crosby and with Todd Butler.

Spider was married for over 30 years to Jeanne Robinson, a Boston-born writer, choreographer, former dancer and teacher. She was founder/artistic director of Halifax’s Nova Dance Theatre during its 8-year history. The Robinsons collaborated on the Hugo- Nebula- and Locus-winning Stardance Trilogy, concerning zero-gravity dance. Jeanne contributed to writing, producing and choreographing a film, STARDANCE, with producer/co-director James Sposto. Spider and Jeanne met in the woods of Nova Scotia in the early 1970s, and lived for the last two decades in British Columbia.

James Alan Gardner

Raised in Simcoe and Bradford, Ontario, James Alan Gardner earned Bachelor’s and Master’s degrees in Applied Mathematics from the University of Waterloo.

A graduate of the Clarion West Fiction Writers Workshop, Gardner has published science fiction short stories in a range of periodicals, including The Magazine of Fantasy and Science Fiction and Amazing Stories. In 1989, his short story “The Children of Crèche” was awarded the Grand Prize in the Writers of the Future contest. Two years later his story “Muffin Explains Teleology to the World at Large” won an Aurora Award; another story, “Three Hearings on the Existence of Snakes in the Human Bloodstream,” won an Aurora and was nominated for both the Nebula and Hugo Awards.

He has written a number of novels in a “League of Peoples” universe in which murderers are defined as “dangerous non-sentients” and are killed if they try to leave their solar system by aliens who are so advanced that they think of humans like humans think of bacteria. This precludes the possibility of interstellar wars.

He has also explored themes of gender in his novels, including Commitment Hour in which people change sex every year, and Vigilant in which group marriages are traditional. Gardner is also an educator and technical writer. His book Learning UNIX is used as a textbook in some Canadian universities.

A Grand Prize winner of the Writers of the Future contest, he lives with his family in Waterloo, Ontario.

SUBMISSION DETAILS:

• Compostela (Tesseracts Twenty) is an anthology of hard and soft science fiction stories that best represent a futuristic view of the sciences and how humanity might be affected (for better or worse) by a reliance in all things technological. For more than 1,000 years, Santiago de Compostela (Compostela means “field of stars”) has attracted pilgrims to walk to the cathedral that holds St. James the apostle’s relics. The stories in this anthology in their own way tell the tale of futuristic travelers who journey into the dark outer (or inner) reaches of space, searching for their own connections to the past, present and future relics of their time.
• Submissions must be: science fiction (hard or soft).
• Submissions may be either short fiction or poetry.
• The maximum length for stories is 5,000 words, with shorter works preferred.
• The Tesseracts anthology series is only open to submissions from Canadians, landed immigrants living in Canada, long time residents of Canada, and Canadian expatriates living abroad.
• Canadian authors who write in languages other than English are welcome to submit an English translation of their work, provided it otherwise falls within the parameters of this anthology. Translation into English is the sole responsibility of the author. Please supply details of original publication for any submission that originally appeared in a language other than English.
• Deadline: January 31, 2016 (midnight).
• Do not query before submitting.
• Email submissions to: [email protected]
• Emails MUST contain the word “submission” in the subject line, or they will be deleted automatically by the server. Please also include the story title in the subject line.
• Submissions MUST come in an attachment: only .RTF and/or .DOC formats are acceptable.
• Emails MUST contain a cover letter in the body of the email; for security reasons, email attachments with no cover letter will be deleted unread and unanswered.
• Cover letter: include your name, the title of your story, your full contact information (address, phone, email), and a brief bio. If you do not live in the place where you were born, please also include your place of birth.>/LI>
• Do not describe or summarize the story.
• If your address is not within Canada, please indicate in the cover letter your status vis-à-vis Canada.
• Reprints (stories having previously appeared in English in any format, print or electronic, including but not limited to any form of web publication) can be considered but will be a hard sell; reprints must come from a source not easily available in Canada. If your submission is a reprint, please supply full publication history of the story. If your story appeared previously, including but not limited to anywhere on the web, and you do not disclose this information to the editor upon submission, you will be disqualified from consideration.
• Submission format: no strange formatting, colour fonts, changing fonts, borders, backgrounds, etc. Leave italics in italics, NOT underlined. Put your full contact information on the first page (name, address, email address, phone). No headers, no footers, no page numbering. DO NOT leave a blank line between paragraphs. Indent paragraphs. ALWAYS put a # to indicate scene breaks (a blank line is NOT enough).
• ALWAYS include your full contact information (name/address/email/phone number) on the first page of the attached submission.
• Payment for short poetry is $20.00. Payment for short stories is prorated as follows: $50 for stories up to 1,500 words, rising to a maximum of $150 for stories up to 5,000 words (longer stories are paid a slightly higher fee, but in order to exceed the word length limit of 5,000 words, the editor must judge a story to be of surpassing excellence.)
• Rights: for original fiction, first World English publication, with a two-month exclusive from publication date; for all, non-exclusive anthology rights; all other rights remain with the author.
• Spelling: please use Canadian spelling, as per the Canadian Oxford Dictionary.
• Response time: initial responses (no / rewrite request / hold for further consideration) will be prompt. Please query if you’ve not heard back within 30 days. Final responses no later than 15 April 2016.
• Submit only one story at a time. You can submit up to two poems and a story simultaneously. We do not advise that you submit more than one story.
• Simultaneous submissions are not encouraged but are acceptable. Should you receive a “rewrite request” or “hold for further consideration” response, please indicate immediately whether your story is under consideration anywhere else.

 

• Publication: Spring 2017 (trade paperback & e-Book).
• Email submissions to: [email protected]

Via: Edge.