Trembling With Fear 8-25-24
Greetings, children of the dark. Ever been exhausted from just too much creative stimulation? Worldcon was an absolute bloody blast but so overwhelming – I gave up on attending panels by the end of day 3, and spent the final two days wandering the halls, chatting to people, and being present at the British Fantasy Society’s fan table (we signed up so many new members!!) – and I was glad to have a few days in rural Yorkshire to recover. But the creative stimulation just kept coming: our cabin was nestled by a babbling brook and surrounded by trees so was just gorgeously relaxing; I spent my birthday hanging out in the shadow of Pendle Hill, the site of one of England’s most infamous witch trials (and the legal precedent that let Salem use children’s testimony); and then a very gothic and rainy afternoon in Haworth, home to the Brontes. My brain and my heart were full… until I returned to reality with a thud! Why do we need to earn money and stuff like that? It’s so stupid.
Anyways, I hope you’ve enjoyed the darkly speculative offerings over the last few weeks, because we have another edition for you today chock full of the good stuff. This week’s menu kicks off with a tale of family traditions (or is it curses?) and a set of doomed twins from Christopher Pate. That’s followed by the short, sharp speculations of:
- Hannah Greer’s zombie heartbreak,
- Andrew Keyworth’s disturbing art, and
- George Davey’s tree surgery.
Before you jump in, one quick plea to those who’ve been considering subbing to us: we are looking with much effort for MORE DRABBLES, as always, but also our serialised stories need some love. Have you got a longer story (up to 15,000 words) that can be easily broken into chapters for us to publish over a weekly period? We have a new serials editor who awaits your great and magnificent new worlds! Sub in the usual place.
Over to you, Stuart.
Join me in thanking our upcoming newsletter sponsor for the next year! Please check out Charlotte Platt’s ‘One Smile More’!
Ena Sinclair, a Scottish mage and spy, abandons her role in a prominent Edinburgh college and escapes to London to avoid an arranged marriage.
But London is not safe: a mage killer is on the hunt…
Abducted by vampires ‘for her safety’, Ena is terrified the nest owner will drain her to fuel his power but also curious to learn about his magic. Taking this once-in-a-lifetime chance to learn more about what her college had warned were dangerous creatures, Ena finds herself fond of the nest, particularly their bonded leaders, Addison and Tobias.
As survivors of the Immortal War, the pair still navigate a schism in vampire society that they are trying to heal. They now seek a peaceful life and offer Ena protection until she finds her own path.
…and dark things await them all.
Ena’s college seeks to forcibly return her to Edinburgh, and a killer is still on the loose. Hidden resentments surface, and Ena pays the price. Magically unstable and isolated, she must rely on her non-magical training to avoid being turned or used as a weapon to harm the nest she has grown to care for.
Be sure to order a copy today!
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Hi all!
Again, I’d like to share a huge warm welcome to Corinne Pollard for taking over as our newsletter editor! Change is in the air, and we’ve got a pile of Trembling With Fear news on the horizon as well as a few other things. We have a lot of changes that we’re juggling and slowly putting into place and I’m so excited for it to all be announced!
Now, for the standards:
- Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
- The paperback is now live! Please be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!
Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review! 🙂
Christopher Pate
Christopher Pate is a speculative fiction author whose work has been published in over a dozen anthologies, e-zines, and a podcast. His latest works include Boundaries in Something Woked This Way Comes, Beneath Ice Long Abeyed in Strange Aeon, 2023: Wonderfully Human, and Upon the Winds of Dead Stars in Lovecraftiana magazine. Born in rural Ohio, he currently lives with his wife, daughter, and dog in coastal Virginia. Read his blog, or find him on Mastodon, Facebook, Bluesky or Threads.
No Seeker of Forbidden Knowledge, by Christopher Pate
Before he took his last breath, their father insisted on two things.
First, the brothers were to take the key in the top drawer of their father’s bureau for safekeeping, for theirs was now a solemn trust handed down from fathers to sons within their family for generations.
Second, the twins were to never venture into the mound beyond the old cotton fields, for theirs was a duty to ward, not to seek revelation.
Each nodded gravely as their father shuddered and died.
#
The twins, Elijah and Ethan, took possession of the key after their father’s funeral. Each agreed to conceal it upon a chain about their neck for a week at a time, for theirs was to be a shared burden.
Ethan, who was named for their maternal grandfather, remarked, turning the ancient, rust-pitted key over in the delicate fingers of a musician. “Why should there be a secret mound upon our land that we guard but do not visit?”
Elijah, who was named after their paternal grandfather, shrugged as he eyed the key that once must have been bright but now seemed time-bitten and shadow-blighted, “Sometimes we are not meant to know certain things, brother. Trust in Father’s words and keep it safe. That is all we have been tasked to do.”
Ethan nodded, fingering the key a moment longer before tucking it away beneath his shirt. “True, brother. We will do our duty as Father intended.”
Elijah nodded, templing fingers grown callused from hard work on the farm. “And so we shall, brother.”
#
Ethan stole through the briar-choked fields until he stood before the low, squat mound in the lurid moonlight. The key winked dully in his delicate fingers.
The door was hard to find, and he took no few scratches and scraps clearing away the brambles and thorn bushes that sought almost willfully to impede his progress. At last, the ancient door was revealed beneath the moon’s cold radiance, bearing an ornate lock and a rusty grate. Ethan opened the grate and peered within but could make out nothing in the thick darkness. The key fit deftly, and the lock turned with a sharp click as if the mechanism were well tended.
Blackness yawned beyond the open door, and Ethan knew a moment of deep dread and indecision. He left the key in the door, the chain glittering in the moonlight. With a thumb-flick, his flashlight splashed the interior in yellow light as he stepped across the threshold, boldly overcoming shaky knees and trembling breath.
After a few strides, he gasped and stepped back, flinging the light shakily about the mound’s dank, darkness-clotted interior. Bones littered the floor—cracked and gnawed, gouged and shattered, chewed and splintered. The fragile domes of skulls grinned up at Ethan from the hard-packed floor.
Something shifted in the inky murk, ponderous and squelching. A croak echoed thunderously in the close, noisome confines. The brute noise sounded insanely, horribly like a word—hungry. Ethan blanched and turned to flee, but the door slammed shut in his face with a rasping clang.
Elijah peered through the grate, bearing a wistful expression lit by the moon. “Always too curious, brother. Always too eager to disobey our father.”
“Elijah, open the door. Some thing is within!” Ethan desperately pushed and shoved at the door, eyes wide with terror.
“Oh, I know, dear brother.” Elijah’s voice came through the grate, cool as well-water. “Did you know Father had a twin brother?”
“What? What are you saying?” Ethan turned to put his back against the door, waving his flashlight wildly. The beam lanced through the darkness but only picked out more moldering bones and twisted roots dangling from walls and ceiling. “We have no uncle.”
“Oh, quite true. Not anymore, at least. Our uncle met his fate before we were born, not long after our paternal grandfather passed a certain key to his twin sons. The same key, in fact, you used to gain entry to this place expressly forbidden to us.” Elijah’s voice carried pity and resignation as he slipped the key’s chain about his neck and tucked the ancient device inside his shirt.
“Elijah, let me out! Something’s in here!” Ethan’s voice crackled in panic.
A heavy slithering shivered the musky air as if to confirm the assertion. Another guttural croak rumbled, “Hungry.”
Elijah sighed and shook his head. “Never the one to gasp the obvious, brother. As did our father and uncle, we both bear a profound responsibility. A terrible treasure dwells within this place. One that secures our family’s fortunes as it has for generations. One son guards, and the other honors the other half of an ancient bargain, crossing the threshold of his own free will. Father chose me long ago to fulfill the former.”
The flashlight dropped from nerveless fingers as Ethan whirled and gripped the door’s grill—voice shaking and spittle flying. “Brother, what are you saying? Open the door! Let me out!”
Clumsy, heavy movements quaked the mound, shivering earth and mold from the low, arched ceiling, and a terrible voice boomed, “HUNGRY.”
“Goodbye, Ethan.” Elijah’s smile was sad as he closed the door’s grill. “Time now to fulfill your duty, brother.”
Eager for Flesh
I’ve spent seven years running. From zombies, people, anything that would hurt my little girl. But the end still found us through a kid too confident for her own good, a small knife, and a lucky zombie.
“Mama, I’m sorry,” she cries, wrist weeping crimson.
I hold her close, throat tight. “Everything will be alright.” She knows I’m lying. Hot tears wet my neckline, mine and hers. Her little body falls limp in my arms.
And then she stiffens. Dull eyes find me, teeth snapping eagerly for flesh.
She was my world, and my world has turned. I’ll turn too.
Hannah Greer
Hannah Greer’s work has appeared or is forthcoming in PseudoPod, The Pink Hydra, Radon Journal, and others. She is a first reader for Fusion Fragment, hoards books, and competes in combat sports. She resides in North Carolina with her partner, a trio of cats, a small flock of pigeons, and several geckos. Find her on Bluesky @hannahgreer.bsky.social or at hannahgreer.carrd.co
Tidewalkers
I hated the picture that hung above the fireplace at our new home in Heronsea, but Tilly had decided that she loved it.
The oil painting was ugly at the best of times, but when there was a storm, it became… unsettling. The canvas was an interpretation of the view from our back window, down onto the beach. When a tempest blew in from the bay (as one did now), I swear I could see people painted at the water’s edge, hunched and ragged.
Rain clattered against the window. There were more figures in the painting now.
Were they closer?
Andrew Keyworth
Andrew is an amateur author hailing from the North of England. He enjoys taking walks in the hills and mountains whenever he can find the time. He is also an avid reader who loves books of (almost!) any genre. He has a self-published children’s novella available on Amazon. You can find him @keyworth_andrew on X (Twitter).
Just an Oak Tree
It was a week before my thirteenth birthday when mother dragged me to the bottom of the garden. She shoved me straight into an oak tree I’d climbed, plucked leaves from, and sat beneath, a thousand times. It didn’t hurt, not in the slightest. If anything, it was pleasant. Like flying, only a bit more…dizzying.
It took five visits before mother deemed me suitable for solo travel. However, on my third journey alone, things took a turn. You see, I never made it to the magical realm. I got trapped in this place.
It’s been three days. There’s nothing here
George Davey
George Davey is studying Creative Writing in London, and predominantly publishes poetry. He was featured in Acumen 107, one of the UK’s longest running literary journals in September 2023. He is now in the process of editing a fantasy novel inspired by Haruki Murakami’s 1Q84.
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Lauren McMenemy wears many hats: Editor-in-Chief at Trembling With Fear for horrortree.com; PR and marketing for the British Fantasy Society; founder of the Society of Ink Slingers; curator of the Writing the Occult virtual events. With 25+ years as a professional writer across journalism, marketing, and communications, Lauren also works as a coach and mentor to writers looking to achieve goals, get accountability, or get support with their marketing efforts. She writes gothic and folk horror stories for her own amusement, and is currently working on a novel set in the world of the Victorian occult. You’ll find Lauren haunting south London, where she lives with her Doctor Who-obsessed husband, the ghost of their aged black house rabbit, and the entity that lives in the walls.