The Horror Tree Recent Markets, Articles, Interviews, and Fiction!

Writing Prompt Wednesdays: A Child’s Laughter

Writing Prompt Wednesdays: Writing Prompt Wednesdays: A Child’s Laughter

Welcome to “Writing Prompt Wednesdays,” a haven where your imagination can roam free in the realms of speculative fiction. As we embark on this weekly journey, it’s thrilling to think about the untold stories waiting to be penned in the domains of horror, science fiction, and fantasy. Whether you’re a seasoned author or a budding wordsmith, these prompts are your gateway to unexplored worlds and untapped potentials.

Every Wednesday, we’ll serve up a fresh, thought-provoking prompt designed to ignite your creative spark and challenge your storytelling prowess. Think of these prompts as a key, unlocking the doors to uncharted territories where your creativity is the only limit. From eerie, shadow-laden corridors of Gothic horror to the farthest reaches of interstellar space, and the mystical depths of high fantasy, our prompts are a kaleidoscope of possibilities.

Remember, there’s no right or wrong way to approach these prompts. They are mere stepping stones, guiding you towards the vast landscapes of your imagination. Use them to break free from writer’s block, to experiment with new ideas, or simply as a fun exercise to keep your writing skills sharp.

This week’s writing prompt:

(more…)

Ongoing Submissions: Incensepunk Magazine

Payment: $100 and royalties of the profits from the magazine
Theme: High tech, high church. A literary magazine on the intersection of faith and sci-fi.

Length: About 4,000 to 6,000 words

Pay: $100, plus lifetime “paid” subscription to Incensepunk Magazine. Stories included in annual anthology also receive pro-rata share of 50% of profits (each story’s author receiving a share from that 50% proportioned by the length of their contribution to the total length of the book) and a print copy of the anthology. See the sample contract for details.

Rights: First digital print plus one-time non-exclusive digital and print rights for the annual anthology.

(more…)

Aethon Is Open To Novels

Payment: Royalties
Theme: Science Fiction and Fantasy novels

At Aethon Books, we’re open to all genre fiction, with a focus on Science Fiction and Fantasy. We don’t care what sub-genre you write in. Hard Sci-fi, Epic Fantasy, Romantasy, Space opera, LitRPG, Military SF, Alt/History, Time Travel and more, our main concern is story, story, story. We are also now open to Thrillers of all types, though with an emphasis on Action, Political, and Military Thrillers.

A compelling narrative should pull us through your world, rife with three-dimensional characters, urgency, and enough conflict to keep things interesting. Make us think, make our heart race, but never forget that the most important thing to us when it comes to fiction, is the plot itself.

We are only looking to publish novel-length work that can either stand-alone or are part of a greater series. No novellas or short story collections at this time. No poetry or plays, graphic novels, or anything else that is plainly not a prose novel.

(more…)

Baynam Books Is Open To Novels, Novellas, Novelettes, and Short Story Collections

Payment: 70% of your royalties come to you
Themes: horror (all sub-genres including extreme/splatterpunk), romance, science fiction, erotica, poetry, young adult fiction, and fully illustrated children’s books

At Baynam Books, we understand the craving for adventure, excitement, and thrills that our readers seek. Yearning to escape the mundane and delve into worlds teeming with mystery and intrigue.

Whether you have a novelette, novella, a gripping novel, or a collection of short stories, we’re eager to take a look.

We welcome works across various genres, including horror (all sub-genres including extreme/splatterpunk), romance, science fiction, erotica, poetry, young adult fiction, and fully illustrated children’s books.

Whether your story sparks love, nightmares, adventure, passion, or discovery, we’re excited to explore its depths.

(more…)

New Year, New Fear in the Mojave Desert

New Year, New Fear in the Mojave Desert

Overview: Inspired by the journey Magdala and her father are forced to take in Kay Chronister’s Shirley Jackson Award Winning post-apocalyptic novel Desert Creatures, this roadtrip will have you traversing through the desolate Mojave Desert toward the neon lights of Las Vegas, Nevada, or “the Holy Land”, as it is known to the characters in Chronister’s book. The father-daughter duo in Desert Creatures are on a healing mission and, if you approach this trip as a way of facing your fears going into the New Year, you can fancy yourself on a healing mission, too. Who or what would you be most afraid of encountering? A ghost? A clown? Cannibals? A serial killer? A religious cult? No matter. On this trip you will face all five. 

(more…)

Trembling With Fear 01-26-25

Greetings, children of the dark. And it really is dark out there, isn’t it? I hope you’re staying safe, staying kind to yourself and to others, and finding what you need to get through this. It’s going to be a long haul, but we’ll get there together. 

And if issuing our weekly missives of dark speculative fiction from TWF Towers helps in any way to keep you chugging along, then we’re very happy to oblige. Soon, we’ll have new residents moving in, and I hope to introduce them soon. We’re still seeking someone to take on our festive special editions, so please do get in touch if you’d like to join the crew. Obviously we have a bit of time up our sleeve, but it’d be nice to complete the crew sooner rather than later!

The good news is that our newly-expanded crew is also helping to get our very overdue 2023 anthology into your hands, so they’re already making an impact. And, of course, all credit, glory, and gifts go to the incredible Steph Ellis who’s jumped back in to help with the technicalities of that project. 

And so onto this week’s edition. For today’s TWF we head into the furthest reaches of space with Anna Orridge. That’s followed by the short, sharp speculations of:

  • Kara Kahnke’s artistic needs (trigger warning: domestic violence),
  • Robert Allen Lupton’s assessment of manking, and
  • DJ Tyrer’s lost city.

Until next time, stay strong.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

The last week has been spent doing a few things:

  • Working more on the upcoming overdue anthology releases.
  • Looking over the new layout that we’re hoping to get in place. I’ve been trying to remember what still needs to be done so am working through that.
  • Removed our “Missing Letter” connection which was used to promote old posts on Facebook and Instagram. We may look to bring it back later since we do enjoy showing support for our older posts, and people do seem to go back and read them! However, we’ve just had too many problematic ones come up (interviews with authors who ended up not being great people, etc.) So. It is something I want to bring back, once we can better vet what goes to it.
  • Working on 2 short stories and a novella that I’m hoping to submit by deadlines.

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out and leave a review!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

(more…)

Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Two

  1. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter One
  2. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Two
  3. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Three
  4. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Four

Chapter Two: Marmos

                                                          

The journey isn’t far, just steep and rocky underfoot. Mother and I venture slowly up the mountain to where the village’s prophet resides. 

Marmos’s place is desolate and demarcated by a semi-circle of pampas grass brush and weathered stone pillars. Each pillar is etched with incomprehensible rune arrangements and topped with a lit fire staff. I’ve never been here before, but Mother has, before she met Father.

A low chant rises and falls on air currents as we move closer to the building. Mother complains about volume, plugs her curled fingers in her ears, but to me, the music’s barely detectable. 

The front door’s wide open. Mother tells me I must go in first, must present the offerings to Marmos, will probably be taken deeper into the building without her. She follows me through a tunnel roofed with billowing silk scarves. The air is rich with incense, a floral kind. Heady. We enter a small room, warm and lit only around its edges with flickering tallow wax candles in shades of crimson and gold.

Marmos sits humming, cross-legged, buckled forwards on a red velvet rug, his head hung. He wears a kilt of linen, the rest of his large body otherwise unclothed. There’s something chelonian about this ancient man. His skin’s the most leathered I’ve ever seen. A carapace covers his shoulders and back.

He appears to be lost in thought, maybe searching for his soul in his upturned hands. A misplaced step lands my foot on something crunchy. He stops humming, glances up.

Unable to hold his gaze, I look down at my own hands, in them clutched my sack of loosenings, the bag much lighter than it should be. My heart clacks fast. I worry. Will he notice? 

He draws me in closer with one slow arm movement. No hellos, no introductions. A wild sound bursts from his mouth, a noise that forces some of the darkness of the room into a hard ball that lodges in my stomach. “It’s time,” he says. I’m unsure if this is a question or a statement but all I want to say is, no, I am not ready, it is not time before grabbing Mother’s hand and running for the exit.

Marmos grins, exposing grey, toothless gums. The sight takes my breath like the driest wine. He stands and snatches the bag from my hands and coerces me into a side room. Mother trails behind. “Wait here,” he instructs her. 

Mother’s eyes are as empty as death, twin white pearls revealing nothing. Does she not care? Can’t she come with me? I run my hands down the sides of my arms in an act of self-comfort to find no quills, no thorns. I am, I realise, for the first time truly no longer a child. 

A fire crackles in the hearth. Sweat beads collect on the nape of my neck. Here must be the heart of the house, if such a house has any heart at all. Suspended over the fire, a copper pot on a hook rocks, squeaks, as Marmos tips the contents of my bag into it, then stirs the contents with a ladle. 

As the dropped protrusions that mark my youth tumble out, in my head, I regress. I recall my own entrance into the world, green placenta vine coiled dangerously around my neck, cut free by the doula, I hear my newborn scream. 

“Your offering is short.” His deep voice echoes like a clap in a cave. Once empty, he tosses the bag on the floor and stares at me, the only sign of lightness in his eyes, the reflection of licking flames.

“I’m sorry.” My voice quivers. “Some may’ve been lost.” 

Marmos growls. “Bring the rest when it is found.” 

He lifts the kettle from its suspension, tips its bubbling contents into a bowl. Offcuts of me thicken the liquid.  

 “Sit.” I sit. “Expose your spine, the skin of your back. Curl into a ball.” I untie the fastenings at the back of my smock, push my sleeves down, and huddle over on the sticky stone floor.

He gulps down the potion then looms over me. I press my cheek flat on the ground. The hard skin on his legs ripples. Dark brown, grey, then youthful shades: orange, pink. Then, like the mysterious near-telling of the ocean earlier, unobtainable images flash, twirl in and out of focus on his transmogrifying flesh. The shifting patterns on his skin slow. I focus on his ankle, his calf. There, I see, I feel, childhood memories. 

Mother holds me, a tight bundle, in her arms, her eyes bright and clear. She smiles at my father. He is humming for her, first and last time I ever hear Father sing. Mother inspects my thighs, counts the four nubs where my thorn tips will break through when I am off the breast, searches for a fifth. Her smile drops. 

With his palms inches from my spine, Marmos pushes and pulls air, yanks invisible strings. My organs distort. I dry heave as Marmos stretches and melds my liver and lungs into new positions, all without contact, like I’m a ragdoll.

He babbles in celestial tongue the patternations on my arms and back which suggest my future while I see my history flash by in his. A curl of vomit pulses up into my mouth.

Warm currents snake up my spine as Marmos weaves the void above me. This touchless violation hurts, yet it is not a sentient pain. This can’t be the pain that leads to bliss. I have not felt an ounce of pleasure, and no man has laid a hand on me.

Marmos growls and steps away. Relief. Distance between us. “Your offering was very short.” His words cut like razors. “Stand. Dress.”

My fingers fumble as I re-tie the ribbons that held my dress closed. 

*

Steam from the remnants of the broiling potion fills the room. Candlelight dusts the steam, makes kingdoms of glowing cloud, and Marmos steps through it towards me. He stretches out his arms, becomes the shape of a lightning-struck tree, as his joints and bones crack with indecision. I cower. Even though I’m now clothed, he sees through me, into me.

Marmos’s chest of leathered skin swirls with vivid, warmer sunset shades of youth. His eyes roll back, another guttural growl, one that scares the clouds of mist away. 

The surface of my flesh ripples, sharing information with Marmos, but I can’t translate the messages my body reveals. I stare, afraid and amazed, as Marmos’s skin patterns dance, shifting in time with mine, in response.

There it is, the face.

On Marmos’s chest, an undulating image. The face of my betrothed. The man I’ll be hand-fasted to before the next new moon. The vision is like a whip to my throat. Deep-set eyes, teeth like weathered gravestones. A large nose, askew—has it been broken in several places? A silvered scar stretches from his ear to his neck. Much older than I and with nothing familiar about it, I know this is the face of my betrothed, even though I’ve never seen him before. 

The mirage slips, glitches. His eyes narrow, and a grin too big for his jaw cuts into his mandible. A cruel face.

I stagger, tripping over my own skirt as I move, and fall backwards. Marmos collapses into a heap, the colour fading from him fast, his old, hard skin returning. I get up and run out of the room, find Mother, and leave.

Epeolatry Book Review: Upon a Starlit Tide by Kell Woods

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: Upon a Starlit Tide
Author: Kell Woods
Genre: Fantasy
Publisher: Tor Books
Publication date: 18th November, 2025

Synopsis: Saint-Malo, Brittany, 1758. To Lucinde Leon, the youngest daughter of a wealthy French shipowner, the high walls of Saint-Malo are more hindrance than haven.

While her sisters are busy trying to secure advantageous marriages, Luce spends her days secretly being taught to sail by Samuel, her best friend―and an English smuggler. Only he understands how the waves call to her. Then one stormy morning, Luce rescues a drowning man from the sea.

Immediately drawn in by the stranger’s charm, Luce is plunged into a world of glittering balls and faerie magic, seduction and brutality. Secrets that have long been lost in the shadowy depths of the ocean begin to rise to the surface, but as Luce wrestles with warring desires, she finds that her own power is growing brighter and brighter, shining like a sea-glass slipper.

Or the scales of a sea-maid’s tail.

(more…)