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Taking Submissions: In The Mood #10

Deadline: April 30th, 2024
Payment: $30 CAD for features, $20 CAD for film diaries
Theme: TEN + Films
Note: This outlet looks more for non-fiction though does take poetry and some fiction on their topics, see details below to see if your work will count!

In honour of our 10th issue, we’re getting literal and asking for submissions on film, TV, music videos, and pop culture relating to the number 10! This could look like: Cinema’s 10 Most Ineffectual Therapists, movies with “10” in the title, 10 Times I Fell Asleep in the Theatre, or movies celebrating their 10-year anniversary. At In The Mood, we don’t believe in taking ourselves too seriously, and this might be our least serious theme yet!*

*But on a serious note, please read our full guidelines below before submitting 😉 This special issue will only feature 10 pieces, so send us your best!

– Theme: TEN
– Deadline: April 30th, 2024
– Word count for completed pieces: max 1,000 words for features, max 300 words for film diaries
– Honorarium: $30 CAD for features, $20 CAD for film diaries
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Trembling With Fear 3-17-24

Greetings, children of the dark, and Happy Saint Patrick’s Day to the Irish diaspora. I’m fighting the urge to make comments about evil leprechauns and suchlike, and am thankful I’m feeling so drained from battling the mega virus from hell all week that I can’t think of anything Irish and witty to say. (The Irish are probably thankful for that, too!)

Speaking of the mega virus from hell—’twas not the plague; the test told me so—it is the reason I’m running a bit behind on TWF correspondence at the moment. A few of you have slid into my DMs to chase me on some things, and I can assure you I’ll get to it. Hopefully in the coming days. And yes, I said “hopefully”, because I have a lot to catch up on! I promise you, I’ll get back to you as soon as I can. 

With those two ridiculous paragraphs re-read, I’m telling myself it’s time to cut my fevered losses and just jolly well get on with the show. So here we go.

This week’s TWF menu is some top shelf stuff, that’s for sure. Our feature short story is absolutely stunning—and its author, Miley Chen, is a high school junior, people!! I may as well throw in the towel now… 

That story is followed by the short, sharp (and somewhat gothic/folklorish, aka right in my wheelhouse) speculations of:

  • Steven Patchett’s chosen one, 
  • Samantha Lokai’s gardening tips, and 
  • Joshua Ginsberg’s award-winning service.

I hope you enjoy these offerings as much as I did.

To finish, two quick event plugs. Writing the Occult: The Fae is coming up on 6 April, with a whole globe full of amazing speakers. Never fear if you can’t make the whole day—it IS long—because we’ll record it all, but only for ticket holders. You’ve got one week left to get tickets at the early bird price of £35+bf; after that, the price will rise to £40+bf, with sales ending the day before the event. Get in quick before that price rise! Tickets here. (Yes, I’ll probably plug this every week until the event.)

Also: I’ve roped Stuart into being on a panel at the next British Fantasy Society online event day. The whole day is about “the book journey”—all those things besides the writing!—and I’ll be moderating the panel on marketing with the boss man, plus Jenn Hanson-dePaula from Mixtus Media, and indie writers/promo machines Beverley Lee and Nicole Eigener (aka Nicoverley). It’s free for BFS members, and just £5 for everyone else, plus it will also be recorded if you can’t make any/all of it live. Our panel will be up last, at 4pm UK time (11am East Coast / 10am Chicago for the boss’s diary). Details are over here.

And now it’s over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

 
We have a new site sponsor for the month, so if you’re looking to pick up a new book, I highly suggest The Dark Man, by Referral and Less Pleasant Tales by Chuck McKenzie!
 
***
 
 
We’ve had a lot of people reach out over the last three weeks about the notable increase in ads on Horror Tree. Not only do we hear you, we see it as well. The number of ads has skyrocketed. I went in with our ad provider and manually lowered it, but it didn’t have any change. I’ve got an open ticket with our ad network to troubleshoot the issue. I’m hoping that within the next week, things will settle down a bit on exactly how much is being shown. Fingers crossed this doesn’t drag on for a long time as we really can’t afford to lose our ad revenue, but we also won’t have any readers if they stay how they are. So… Hopefully soon. I’ve been in contact with them all week about the issue.
 
And now the regular announcements:
  • Don’t forget – Trembling With Fear Volume 6 is out in the world, and if you’ve picked up a copy, we’d love a review! Next year, we may be looking to expand past just the Amazon platform. If we do that, what stores would you like to purchase your books from?
  • ATTENTION YOUTUBE WATCHERS: We’ve had some great responses so far but are open to more ideas – What type of content would you like to see us feature? Please reach out to [email protected]! We’ll be really working on expanding the channel late this year and early into next.
  • For those who are looking to connect with Horror Tree on places that aren’t Twitter, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.
  • If you’d like to extend your support to the site, we’d be thrilled to welcome your contributions through Ko-Fi or Patreon. Your generosity keeps us fueled and fired up to bring you the very best.

Stuart Conover

Editor, Horror Tree

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Indie Bookshelf Releases 03/15/2024

Got a book to launch, an event to promote, a kickstarter or seeking extra work/support as a result of being hit economically by life in general?

Get in touch and we’ll promote you here. The post is prepared each Thursday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

 

Before you scroll down through the books however, please could you consider checking out the ‘Creatives in Crisis’ section. This has been added to help those who need additional support at this time. Please note I keep these up as long as they’re either running or have hit their targets. The two still showing, Claire Fitzpatrick and Bill Spangler continue to need support. Thank you!

 

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Taking Submissions: Hemorrhaging Flowers: A Collection of 100% Femme Rage

Deadline: April 30th, 2024
Payment: $10 USD
Theme: Poems inspired by feminine rage. All speculative tropes are welcome

OpensMarch 1s 2024, midnight EST 

ClosesApril 30, 2024, midnight IDLW

Compensation: $10 USD

Theme: Adult speculative poetry

Submissions must be under 50 lines

OPEN to any and everyone that identifies (now or in the past) as femme in the most inclusive of definitions.

Expected release: March 2024

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Taking Submissions: Hemorrhaging Flowers: A Collection of 100% Femme Rage

Deadline: April 30th, 2024
Payment: $10 USD
Theme: Poems inspired by feminine rage. All speculative tropes are welcome

OpensMarch 1s 2024, midnight EST 

ClosesApril 30, 2024, midnight IDLW

Compensation: $10 USD

Theme: Adult speculative poetry

Submissions must be under 50 lines

OPEN to any and everyone that identifies (now or in the past) as femme in the most inclusive of definitions.

Expected release: March 2024

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Taking Submissions: Vault of Shadows: Issue 1

Submission Window: April 1st – 15th, 2024
Payment: $35 per page of the adapted script, up to 12 pages, paid via PayPal, and a print copy of the issue.
Theme: Scripts for comics in the style of Tales from the Crypt, Haunt of Fear, Vault of Horror, etc.

Vault of Shadows: Issue 1

A New Generation of Horror Comics

Wish your story could be adapted as a comic book?
Here’s your chance to make it happen.

Open call submission window open April 1 – April 15, 2024.

Extended submission window exclusively for LGBTQIA+, BIPOC, neurodivergent, and other marginalized writers open April 16 – May 1, 2024.

Do you love old-school horror comics? Think Tales from the Crypt, Haunt of Fear, Vault of Horror, etc. We want to work with you to adapt your short story (original stories and reprints welcome) into a comic with artwork by the incredible Christopher Castillo Díaz (It Was All a Dream, It Was All a Dream 2 interior illustrator). If your story is selected, you’ll have the opportunity to adapt your story into an 8-12 page comic script that will be inked, colored, and included in the first volume of Hungry Shadow Comics’ Vault of Shadows. Only 3 stories will be selected for the first issue, with a fourth selected from an invited author (TBD).

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Trembling With Fear 3-10-24

Greetings, children of the dark. This week, I’ve mainly been pondering my life and trying not to make it morose or morbid. On Tuesday, I was honoured to be asked to speak to a university MA class about being a jobbing writer, which had me reflecting on an almost-30 year career across two continents and way too many different companies. And then on Wednesday, the All Creatives Now podcast released its recent interview with me where I spoke about something very similar. I’m not used to all of this attention. It’s a bit odd, to be honest.

I don’t know about you, dear reader, but this sort of reflection doesn’t tend to make me celebrate the wins—it’s more likely to make me lament the losses. And as I stood there, telling this university class about how I dreamed of being an author but was directed towards journalism so I could make a living, I started wondering about what might have been. What if I’d ignored the advice and stuck to my young guns? What if I’d tried, right out of school, to write books? And the truth is that I know I would’ve sucked. I had no life experience. I hadn’t lived. I had nothing to say: I came from a somewhat middle class suburban background, and hadn’t really fought for anything yet. Now, sitting in a different country and comfortably in my mid-40s, I feel more able to do it. I have learned a lot in 30 years of wandering the world of writing, and picked up a few tricks along the way. 

But I also need to work harder on recognising those wins. I need to recognise that I have things to teach, things to offer. That I’m not a bunch of tightly compartmentalised options; I am a singular, whole being with all the good and bad that entails. So, children of the dark, any advice on how I do that? 🤣

Enough of the therapy; let’s get to the point. (BTW, did you know I’m a coach and mentor to writers as well? Little plug there!)

This week’s TWF menu is kicked off by a not-very-nice character being not-very-nice—and it is delightful. It’s one for the geocachers out there, and it’s by Sabrina Fisher. That story is followed by the short, sharp speculations of:

  • Ariya Bandy’s dancing queen, 
  • FM Scott’s musical mindbender, and 
  • Don Money’s haunted hoodlum.

And finally, a shout-out to the lovely Nicole Eigener and Beverley Lee, a West Coast/UK duo who last week launched a book they co-wrote across the Pacific. A Conclave of Crimson combines both writers’ individual book worlds, and is an unapologetically queer vampire love story. It’s available now from here. Nicole and Beverley were guest speakers at my Writing the Occult: Vampires event back in October, and I’m so excited to see their combined work finally released to the wild.

Oh, and speaking of my Writing the Occult events, we’ve announced the speaker list for the next one. Our look at the fae on 6 April will not only consider the fairy in literature and lore, the dark side of fairy folklore, and, of course, the changeling, as well as hearing from Gabriela Houston how to take inspiration from folkloric creatures for your fiction, but we’ll also take a tour around the world to find out how the concept of the fae is manifest in cultures including Nigeria, Ghana, South Africa, the Philippines, China, Iceland, Latinx, Greece, and South Asia. Event details are here, tickets are now on sale from Eventbrite, and I’d love to see you there.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

We have a new site sponsor for the month, so if you’re looking to pick up a new book, I highly suggest The Dark Man by Referral and Less Pleasant Tales by Chuck McKenzie! Made a bit more progress on Shadowed Realms and we’re about to pass it off to who is putting it together for us, so more on that soon as well. Sorry for the lack of YouTube videos this week. Belinda was on vacation and while I had meant to put one together… It just didn’t happen. 
 
Don’t forget – Trembling With Fear Volume 6 is out in the world, and if you’ve picked up a copy, we’d love a review! Next year, we may be looking to expand past just the Amazon platform. If we do that, what stores would you like to purchase your books from?

ATTENTION YOUTUBE WATCHERS: We’ve had some great responses so far but are open to more ideas – What type of content would you like to see us feature? Please reach out to [email protected]! We’ll be really working on expanding the channel late this year and early into next.

For those who are looking to connect with Horror Tree on places that aren’t Twitter, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

If you’d like to extend your support to the site, we’d be thrilled to welcome your contributions through Ko-Fi or Patreon. Your generosity keeps us fueled and fired up to bring you the very best.

Stuart Conover

Editor, Horror Tree

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Taking Submissions: Sundog Literature 2024 Window #1

Deadline: March 1st – May 1st, 2024
Payment: $50
Theme: Writing that attempts to salvage something pure from the collision of warmth and cold, that says what it can about the world it finds itself in.

A Note on Our Aesthetic

We believe there is beauty in scars on smooth skin, in the small fissures where things begin to break apart. Sundogs are not the sun itself but phantom stars appearing on the horizon, illusions produced by the play of the sun’s heat with crystals of ice. They shed their light all the same. Many are tinged with color.

We look for this same quality in poetry, fiction, and nonfiction. We want writing that attempts to salvage something pure from the collision of warmth and cold, that says what it can about the world it finds itself in. We seek a diversity of voices speaking from visceral, lived experience. We like truth we can stare at until our eyes water, words so carefully chosen we want to reread them as soon as we have finished.

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