Events

Submission Window: April 1st - 30th, 2024 Payment: 8 cent per word for fiction, $20 for poetry, 8 cent per word for non-fiction, $125 for cover art Theme: Speculative fiction It's our goal to publish diverse voices from around the world, and to do that, we are actively seeking stories, poems, and non-fiction pieces by authors from backgrounds that have been historically underrepresented in the science fiction and fantasy canon. Our submission cycle is therefore split into two categories, where every other month is explicitly reserved for submissions by authors of color, members of the LGBTQIA+ community, and other underrepresented groups. The interposing six months remain open to everyone. As writers ourselves, we do our best to handle each submission with the care and attention it deserves. Every submission is an act of bravery, and we know that putting yourself out there as a writer can be tough. Just know that any submission we receive, unless it contains something illegal, will be kept in confidence. When in doubt, don't self reject! Submit submit submit! Guidelines for Fiction We like stories that are subtle in their telling and stick with us long after we've finished, and we're more likely to buy stories that balance a sense of wonder with a bold plot and emotional depth. For our two issues focused on the climate crisis, we're particularly interested in publishing stories from people displaced by or threatened by the climate emergency (see our themes below). For our other four issues, we're open to a wide variety of stories across the SFF and weird spectra. Pay: 8¢ per word for original fiction Word limit: 6000 words Language: English Rights: We buy first serial print and electronic rights for publication of the story in the English language and throughout the world. We also buy non-exclusive archival rights for...

Submission Window: April 1st - 30th, 2024 Payment: $100 Theme: Telling the cannibus-positive tales of the last survivors of a specific neighborhood. Details found below Opens: April 1, 2024, midnight est  Closes: April 30, 2024, midnight IDLW Compensation: $100 USD Theme: Adult horror, including genre-chimeras Submissions must be between 3,000 and 6,000 words Expected release April 2024 Submit to [email protected] On the night of April 19, 2021, something happened in the suburban town of Brookhaven that changed the course of humanity. In the fancy Southtown gated community, The Sanctuary at Lemongrass Lake, a cosmic event occurs, destroying most of it in the impact. Over on the North end, middle-aged, overweight, cannabis grower, Pam Goodall, determined to save her holy holiday—4/20, bands with unlikely neighbors to not just survive the night, but save humankind. HENTAI ECTOPLASM is not your average anthology. Twelve - fifteen authors will tell a story of survival as their neighborhood is cut off by the destruction, each delivering the perspective of their respective home. You can read the introduction here.  What we are looking for: First exclusive (1 year) US rights for cannabis positive stories written from the perspective of a residence stuck inside “The Danger Zone”. Submissions must be between 3,000 and 6,000 words. GENERAL GUIDELINES FOR ALL ANTHOLOGIES:  Please read carefully. Submissions that don’t meet the guidelines will be rejected. Open to any and all writers, both new and established, unless otherwise noted. ALL horror subgenres and tropes are welcome, including comedy and splatter.  Genre-blending is highly encouraged. Queer retellings and gender swaps are our favorites.  Writers should have a diverse representation of BIPOC, LGBTQ+, gender identities, disability, fat positivity, and neurodivergency. What we are NOT looking for: Submissions cannot contain sexualization of minors (under 18, yes that includes “17 almost 18”). Sexual assaults are encouraged to happen off-page and only if it serves...

Submission Window: April 1st - 30th, 2024 Payment: $100 for the chosen story + 50% of subscription revenue Theme: Any genre, short story Mission = Revive the art of the short story, support artists, and produce something wonderful. Payout = Base Pay of $100 for the chosen story + 50% of subscription revenue to be sent by Paypal, Zelle, or check. Wait, you mean if this substack gets thousands of subscribers, the winner would get thousands of dollars? Yes! The New Yorker pays roughly $7,500 per story and I sincerely hope to go way past that. What does the timeline look like? Submit stories by the end of the month, winner to be announced on the 15th. There is ONE story that wins and receives the full payout. Where do I send submissions? [email protected] What are the rules for submitting? 1. No Fees 2. Send in Microsoft Word or Google Doc form 3. Any genre 4. 6- 10,000 words. Yes, just 6 words, like Hemingway's famous 6-word story "For Sale: Baby shoes, never worn." 5. Reprints are ok so long as you still have the rights to distribute. 6. Acknowledge Distribution Rights on this Substack - You can still sell your story elsewhere but we need to be able to save and publish it here. The goal is to create a library for subscribers. 7. Only the winner will be published and rights will only transfer for the winning story. What do I get for subscribing? One beautiful story every month. The complete library. The joy of supporting artists and doing something interesting. What if I can’t pay right now? That’s ok! If you publish a blurb about this site on your website, blog, or social media, I will send you one full story of your choosing. Best of all, it is...

Deadline: April 30th, 2024 Payment: $30 CAD for features, $20 CAD for film diaries Theme: TEN + Films Note: This outlet looks more for non-fiction though does take poetry and some fiction on their topics, see details below to see if your work will count! In honour of our 10th issue, we’re getting literal and asking for submissions on film, TV, music videos, and pop culture relating to the number 10! This could look like: Cinema’s 10 Most Ineffectual Therapists, movies with “10” in the title, 10 Times I Fell Asleep in the Theatre, or movies celebrating their 10-year anniversary. At In The Mood, we don’t believe in taking ourselves too seriously, and this might be our least serious theme yet!* *But on a serious note, please read our full guidelines below before submitting 😉 This special issue will only feature 10 pieces, so send us your best! - Theme: TEN - Deadline: April 30th, 2024 - Word count for completed pieces: max 1,000 words for features, max 300 words for film diaries - Honorarium: $30 CAD for features, $20 CAD for film diaries 💡 Some ideas for inspiration: - 10-year anniversaries - Movies from 1910 or 2010 (but not ‘11s to ‘19s) - Top/Bottom 10 lists - 10 blindspots (and what you thought of them after watching) - Movies with “10” in the title (e.g. 10 Things I Hate About You, 10, 10 Items or Less, Ten Years, How To Lose A Guy in 10 Days) - What you loved watching when you were 10 - If you had 10 days left to live, what would you watch? - 10 times I ___ during a movie (e.g. cried, fell asleep, got horny, screamed) - First 10 movies you remember seeing - 10 frames from a movie - Focus on 10 of something in a movie (e.g. costumes, meals, furniture) - A celebrity/ famous...

Deadline: April 30th, 2024 Payment: $20 Theme: Horror stories that center around undertakers, funeral homes, mortuaries, cremations, and other aspects of the funeral trade We are looking for 10 short stories that center around undertakers, funeral homes, mortuaries, cremations, and other aspects of the funeral trade for “Stories to Take To Your Grave”. We are open to all subgenres of horror, from suspense to splatterpunk! WHAT WE’RE LOOKING FOR -Complete stories with a beginning, middle, and end. -Stories that leave us feeling satisfied yet also wanting more. -Stories that make our reformed undertaker feel like he’s back in the business. WHAT WE DON’T LIKE -Boundaries. If you think it meets the call requirements, send it our way. Please read are standard submission guidelines if questions. WHAT WE WON’T ACCEPT -Depictions of sexual violence against children. -Racism, sexism, homophobia, or other displays of focused hatred that don’t further the story’s plot. -Animal torture. -Dealing with lawyers. No stories containing anything that might cause issues with copyrighted characters, lyrics, or anything of that nature. This means no Fan Fiction. SUBMISSIONS Submit via email to [email protected]. In the subject line, please put GRAVE – – PAYMENT $20 per story and a digital copy of the anthology. SIMULTANEOUS SUBMISSIONS Simultaneous submissions are accepted. Please notify us as soon as possible if your story is accepted elsewhere. MULTIPLE SUBMISSIONS Authors may submit up to two stories. REPRINTS No reprints will be accepted. LENGTH 3,000-6,000 Words FORMATTING Modern Shunn. Please submit your files in .doc or .docx format, named “CHAMBER--” CALL CLOSES April 30, 2024 Via: Undertaker Books.

Submission Windows: March 15th to March 31st and April 8th to April 30th Payment: 8 cents per word Theme: Dark speculative fiction that transports the reader somewhere interesting, see below for details. Themes that will fit well are death, loss, love, grief, trauma, self-exploration, discovery, and hope. EARLY WINDOW — March 15 at 12:01 am EST to March 31 at 11:59 pm EST GENERAL WINDOW — April 8 at 12:01 am EST to April 30 at 11:59 pm EST REVIEW WINDOW — May 1 to May 26 OFFERS FINALIZED — May 28 to May 30 (tentative) WORD COUNT — 2000 to 5000 (hard limit) PAY — 8 cents per word SIMULTANEOUS SUBMISSIONS — Yes MULTIPLE SUBMISSIONS — No REPRINTS — Yes, but with some caveats (see TOC GOALS below for more info) AI-GENERATED SUBMISSIONS — Don’t bother ABOUT THE PROJECT “I knew they'd speak to you," the Curator says, anticipation in his tone. But his voice seems far away now, carried off on a hollow wind, and you swear you can hear the rhythmic ticking of a pocket watch, beating like the cadence of a gallows drum. "I call these works IMPRESSIONS," says your host, leaning in, quieter still. "They give you a glimpse into another life, a scene playing out in some other realm. And a mind as alive as yours, well... it just fills in the rest..." Fills in the rest? You think. What does that mean? But the question barely registers now, your thoughts little more than dreams fleeing the sunrise. The image—the impression—has its hold on you... EMBERLETTER PRESS, in association with HAMLET PRODUCTIONS and STUDIOCOR3, presents IMPRESSIONS VOLUME 1, a new multimedia anthology series from the mind of author and filmmaker Geoff Emberlyn. Life and death, denail and loss, sadness and the surreal are all captured here in 22 tales...

Deadline: April 30, 2024. Submissions will be kept open for BIPOC, LGBTQIA+, chronically-ill/disabled, and writers from other historically marginalized groups until May 15, 2024. Payment: $.05 per word and a contributor's copy Theme: Speculative fiction about billionaires being eaten Submissions will be open from April 1 – April 30, 2024. Submissions will be kept open for BIPOC, LGBTQIA+, chronically-ill/disabled, and writers from other historically marginalized groups until May 15, 2024. The Rules Eat the Rich is a speculative fiction anthology of billionaires being eaten. That’s it, full stop. Give us carnivores, cannibals, kaiju, cryptids, and, of course, capitalist comeuppance. So long as some kind of obnoxiously wealthy fuck gets eaten — somewhere, somewhen, somehow — the sky’s the limit. *we’re looking for interpretations of literally being eaten, but what that means is entirely up to you *billionaires are the cause of 9 out of 10 problems, but if you want to set your sights on lower-tier wealth, go ahead *from 100 up to 8,000 words is acceptable, but between 2K – 6K is the sweet spot *close is okay, but please be reasonable *if you’re so far out of range you feel the need to query, you probably already know the answer *the answer is no *please send only one story at a time *simultaneous submissions are cool, just let us know, if, when, etc. *if you’re rejected, feel free to try again — once, for a total of two submissions per anthology *no reprints *misogyny, sexism, racism, ableism, and homophobic and transphobic bullshit will not be tolerated *pulp, bizarro, and transgressive writing are all a-okay, so long as they don’t do any of the above *anything that could be a right-wing talking point is emphatically not for us *to reiterate: pro-capitalism, pro-cop stances are a surefire way to get yourself an ice-cold form rejection *no...

Deadline: April 30th, 2024 Payment: $10 + Contributor copy Theme: Gorey and Whorey works that seamlessly blend the Splatterpunk and Smut or Erotica subgenres. PsychoToxin X is seeking short stories and flash fiction for a new anthology, SCREAM and CREAM: A Splatterphuck Collection. Title: Scream and Cream: A Splatterphuck Collection Publisher: X Imprint of PsychoToxin Press Word Count: 2,000 - 8,000 words Pay: $10 + Contributor copy Format: .doc or .docx Font: 12 pt Times New Roman Spacing: Double spaced Send To: [email protected] Write “Scream and Cream” along with your name and story title in the subject of your email (Subject: Scream and Cream: Name, STORY TITLE) *The body of your submission email will be considered the cover letter. * Submit Word (.doc or .docx) documents as attachments to your submission email. Rights returned after six months of publishing date. Submission Deadline: April 30, 2024 Publishing Date: Summer 2024 Edited by: Marie Lestrange What We Want: Gorey and Whorey works that seamlessly blend the Splatterpunk and Smut or Erotica subgenres. What We Don’t Want: Any works that are not a BLEND of Smut/Erotica and Horror. Depictions of child r*pe or pedophelia of any kind will not be accepted. (I don’t want to read it.) Smut vs. Erotica: Smut refers to a work of fiction, typically written, that is highly sexual in nature and intended to arouse the reader. It is characterized by an excessive focus on explicit sexual details and descriptions. The primary purpose of smut is to provide sexual stimulation, rather than to develop a narrative or explore themes. Think “porn on the page.” Erotica is ALSO a type of literature that is intended to arouse sexual desire in the reader. It typically has a stronger focus on the emotional and narrative aspects, with sex scenes serving to advance the...

Deadline: April 30th, 2024 Payment: $25 and a contributor's copy Theme: Hillbillies and Horror 2024 is upon us, and with it comes From the Ashes From the Ashes first official open call from the newly minted press. We’re trying things a bit different with this in that this is only an announcement for the upcoming open call. The reason for this is to give authors who are interested in submitting a story extra time to hone in on the tale they want to tell, without the added pressure of rushing to get it completed. So, without further ado… HOOTENANNY HORRORSHOW We’re going to the mountains with this one, folks. The theme - HIllbillies, Rednecks, Mountain Folk, and all the lore and traditions surrounding these majestic creatures. Think outside the box with these tropes and archetypes. Or, if you go with the old cliches, put a fresh spin on them and make them your own, new tales. OPEN CALL SUBMISSIONS The actual submission period for stories will be the entire month of April, and only in April. Any submissions received before or after April 1st - April 30th will not be considered for publication. GUIDELINES A standard docx word file. 12 pt font (garamond is nice!) Word Count 3-7k No Indentions at all preferred. ***no reprints*** Authors of accepted stories will receive a flat pay out of $25 & a paperback contributor copy of the anthology—with the ability to purchase additional copies at printing cost. Send your submission to [email protected] Via: From The Ashes Facebook Group.

Deadline: May 1st, 2024 Payment: Royalties Theme: Stories related to Robin Hood or Sherwood Forest with at least one grumpy character that are amusing and speculative fiction Hear ye!  Hear ye!!  It’s time for another Grumpy Anthology and this time we’re heading to those forests of yore to revamp tales of Robin Hood and his Merry Men. That’s right, we’re off to the land of leather jerkins and longbows for another chance for a Grumpy twist on a classic mythos.   Why Robin Hood you ask? We’re so glad you asked. Authors are readers, and for many of us, this group of stories are a cherished childhood memory.  Robin Hood wandered in and out of English Literature leaving a trail of tales (looking at you Ivanhoe), despite being the original rebel bad boy. He literally robs from people who are in power. How did these tales even survive?  These stories survived because the common people loved them.  As early as the 1300’s May Day celebrations featured Robin Hood stage plays.  They were entertainment for the masses, and the masses loved seeing the tricksy Robin pulling the wool over the eyes of influential figures.  Some of the first cheap short stories were Robin Hood broadsheets. He’s had more incarnations than Dr. Who.  A lot more. Like all good mythologies, Robin Hood has grown and changed with his audience. We took a deep dive when we began discussing this idea, and to our delight and joy – there’s no set cannon.  There is no written version of this story that can be pointed to as the definitive beginning of Robin Hood.  Like our Grumpy Gods, his traditions were mostly oral and he was only later canonized. What does that mean for us as Grumpy authors? It means it’s open season on storytelling.  It...