Deadline: June 15th, 2017
Payment: Accepted poems will be paid for at the following rate: US 3¢/word rounded to nearest dollar; minimum US $3, maximum $25. Payment is on publication.
ye to the Telescope 25, Garbage, will be edited by John Reinhart.
Garbage, trash, refuse, junk, detritus, waste, rubbish. It’s that stuff on the curb, orbiting our planet, jammed into that drawer in the kitchen that always requires an extra shimmy before it’ll close.
The human relationship with waste is a close one. It’s also one where perspective is vital. One multidimensional being’s waste byproduct may be another less mobile humanoid extraterrestrial’s valued possession, or however that saying goes. What are the stories aged space debris tells their newer members? How do the outer worlds deal with the issue of garbage? Who are the people who deal with trash?
I am interested in poetry that addresses all aspects of garbage in the speculative realm. I’ve been a garbage man, a dumpster diver, and a treasure walker. Although I am not likely to sing Oscar the Grouch’s “I Love Trash,” I have an affinity for the overlooked, the discarded, the junk of modern life—and I want to know what the future holds.
- Please send submissions to [email protected] with the subject line “ETTT sub:” followed by the poet’s name.
- Please submit 1–5 poems in English (in body of email or attached as .rtf).
- Include a short bio.
- Deadline: June 15, 2017. The issue will appear on July 15, 2017.
Payment and rights
- Accepted poems will be paid for at the following rate: US 3¢/word rounded to nearest dollar; minimum US $3, maximum $25. Payment is on publication.
- The Science Fiction & Fantasy Poetry Association normally uses PayPal to pay poets, but can also send checks.
- Eye to the Telescope is an online publication. Therefore, First Electronic Rights (for original unpublished poems) are being sought.
Who can submit?
Anyone writing speculative poetry.
What is Speculative Poetry?
Speculative poetry is poetry which falls within the genres of science fiction, fantasy, and supernatural horror, plus some related genres such as magic realism, metafiction, and fabulation. It is not easy to give precise definitions, partly because many of these genres are framed in term of fiction rather than poetry.
A good starting point is “About Science Fiction Poetry” by Suzette Haden Elgin, the founder of the Science Fiction Poetry Association. Despite its title, this article is applicable all forms of speculative poetry.
Tim Jones, editor of Issue 2, had a go at defining science fiction poetry on his blog, in two parts (These blog posts date from 2009, and the Voyagersanthology has since been published. These posts do refer specifically to science fiction poetry, rather than the broader field of speculative poetry.):
What Is the Science Fiction & Fantasy Poetry Association (SFPA)?
As the SFPA says on its website at sfpoetry.com, “The Science Fiction Poetry Association was founded in 1978 to bring together poets and readers interested in science fiction poetry. What is sf poetry? You know what they say about definitions—everybody has one. To be sure, it is poetry (we’ll leave that definition to you), but it’s poetry with some element of speculation—usually science fiction, fantasy, or horror. Some folks include surrealism, some straight science.”
See the SFPA site for lots more information—and please consider joining.
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Interested in editing an issue of Eye to the Telescope? See the Editors’ Guidelines for information and requirements.
Via: Eye of the Telescope.
Payment: Payment in US is $12 on acceptance + 2 contributor’s copies, outside of US is 3-issue subscription plus 2 copies.
I print primarily poetry, but also publish a small amount of short short fiction. The genres of fantasy and SF are preferred. I am interested in experimental formats and content, and prefer fantastic horror a la Lovecraft or Blackwood to the blood and gore type. Any SF or fantasy is appropriate if it isn’t sappy or trite. If your poem rhymes, be sure that the rhymes are not forced, and that the meter is consistent.
The magazine consists of 20 digest-sized pages with card-stock cover. Publication is thrice yearly, issues are numbered sequentially. Issue #1 was published in January of 1986. Print run 200. Most-recent issue is #85. DN is distributed free to interested libraries.
Poetry & Fiction
Maximum length for poetry or fiction is 2 single-spaced typed pages, but I prefer less than one page. I prefer e-submissions in the body of the message. Send up to five manuscripts with SASE from the US. From other countries use an IRC or US stamps. Submissions lacking sufficient return postage or equivalent will be discarded. Cover letter not required. PLEASE put your name and address on each poem you submit!
I print 15-20 poems per issue. Buying 1st N.Am. serial rights unless state otherwise. Payment is $12 on acceptance + 2 contributor’s copies. Contributors outside North America can instead receive a 3-issue subscription plus 2 copies. DN is a tough market because of the high volume of poetry submissions I receive. Fewer than 5% of submissions are accepted. Response time is commonly 4-8 weeks. Sample copy for $5.
Artwork should be line drawings; no half-tones. Good photocopies OK, but I prefer to receive JPEG’s as e-mail attachments. Art should be no larger than 4 1/2 by 7 1/2 inches, but I can reduce it. Payment $12 on acceptance plus 2 copies. I always need covers, and small filler illustrations. Filler illos that are the right size and shape to fill up the bottom of a page are particularly useful. Payment for covers includes an extra copy of the issue.
Send submissions to: [email protected]
If you must send snail-mail submissions:
Dreams & Nightmares, 1300 Kicker Rd, Tuscaloosa, AL 35404.
Please address all other correspondence to the e-mail address given above. I will respond promptly to e-mail messages.
David C. Kopaska-Merkel
Via: Dreams & Nightmares.
Payment: ¼¢ per word ($5 minimum) and a contributor’s copy. For poems, $5 and a contributor’s copy
Not One of Us is about people (or things) out of place in their surroundings, outsiders, social misfits, aliens in the SF sense—anyone excluded from society for whatever the reason. We’d like Not One of Us to consider the problem of “otherness” from every possible fictional angle: horror, SF, fantasy, noir, slipstream, Western, mainstream, whatever.
The editorial philosophy of the magazine reflects my own personal taste in genre fiction. To me the scariest and most deeply moving horror stories are not about monsters or about good vs. evil, but rather about the reader’s own fears and discomforts. Similarly, for Not One of Us, fantasy isn’t about pseudo-medieval worlds, science fiction isn’t about space opera or funny-sounding names, Westerns are not about gunfights. In our magazine, it’s all about the characters.
We crave characters (human or otherwise) who are different and who act the way they do out of plausible (if occasionally insane) motives. All the wondrous settings and complex plots in the world will fail to convince me if at the center of the tale there isn’t a protagonist with whom I can somehow empathize. I don’t have to like that character: heaven knows we’ve had some pretty nasty protagonists, and empathy is not the same as excuse-making. But I want to get some insight into the character, and vicariously into myself. Also, I like stories, and characters, with edge.
Themes to avoid: vampires, alcoholic villains without any understanding of their motives, tales about writers, sword and sorcery, deals with the devil, and revenge stories that have no other point, especially if the punishment far exceeds the crime.
Because we’re a digest-sized (5.5 x 8.5 inch, 52-page) publication, we prefer stories of 6000 words or less. While we’re willing to read stories up to 7500 words long, they are a harder sell because of the size limitation of our format. We prefer poems of 40 lines or less, although we’re willing to read longer poems. Just not ones of epic length.
We assume first serial rights, with rights reverting to the author/poet upon publication. Payment is ¼¢ per word ($5 minimum), payable upon publication, plus one contributor’s copy for stories; $5 plus one copy for poems.
Artwork takes the form of story illustrations plus theme-related front and back covers. Typical payment ranges from $8 to $15. Query with samples.
Send electronic submissions from the contact page. We prefer Word or RTF attachments (do not send submissions in PDF), but it’s OK to embed submissions. All hardcopy correspondence should be accompanied by a self-addressed stamped envelope. Please send only one story or up to three poems at a time.
John Benson, Editor
12 Curtis Road
Natick, MA 01760
Via: Not One of Us.
Deadline: June 15th, 2017
Payment: $60 USD for fiction and $30 USD for poetry
Fiction and Poetry Guidelines
Arsenika is looking for previously unpublished original fiction and poetry up to 1,000 words long. Payment is $60 USD for fiction and $30 USD for poetry for first world electronic rights and non-exclusive audio rights. We hope to raise the poetry rate to $60 as well in the future—please support us on Patreon if you’d like to help us reach our goal.
Submit no more than two flash fiction pieces and five poems at a time, and please make sure you fill out the form again for each piece you send, unless the pieces are meant to be read together (e.g. a triptych of poems).
All work should be in Standard Manuscript Format (fiction format | poetry format). Format poetry exactly as you would like to see it online—use italics for italics, underlines for underlines, boldface for boldface, etc. Send only TXT, RTF, DOC, and DOCX files.
Please do not send simultaneous submissions (pieces that are submitted to Arsenika and another market at the same time). Multiple submissions are accepted, but please have no more than two flash fiction pieces and five poems in the submissions queue at a time.
We try to respond to all submissions within 14 days. If you haven’t heard from us in 30 days, please send us a query at [email protected].
Remember: Don’t self-reject.
Arsenika does not accept unsolicited reprints. Payment is $10 upon acceptance.
Arsenika pays $100 for reprint art. Please feel free to query us at [email protected] with a link to your portfolio.
Q. Can I submit multiple times per submissions period?
A. Yes. Please have no more than two flash fiction pieces and five poems in the queue at a time; once we respond to those, you can send more. For example, if you’ve sent one flash piece and four poems and we’ve responded to all of them, you can send another two flash pieces and five poems. Please note that pieces held for further consideration count as being in the queue: if you send three poems and we hold one and reject the other two, you may only send another four poems and two flash fiction pieces at a time.
Q. Does Arsenika accept microfiction (fiction under 500 words long)?
A. Absolutely! We have no minimum word limit, though we do require that microfiction still tell a story of some sort.
Q. Does Arsenika accept prose poetry?
Q. Does Arsenika have any line limits for poetry?
A. No, although we do have a word limit of 1,000 words.
Q. Does Arsenika accept horror?
A. Yes; we prefer horror with a speculative element.
Q. Does Arsenika accept translations?
A. Definitely; we’re very interested in translations! Please note that you must acquire translation rights from the original author unless the piece is already in the public domain. If we accept your translated piece, we will need the original author’s contact information as well; we treat translations as co-authored and pay both the author and the translator our rate for individual pieces.
Q. Does Arsenika accept fanfiction?
A. It depends—we’d rather not face potential legal issues with properties that are currently trademarked/under copyright, but we’re fine with reinterpretations of works in the public domain, myths, fairy tales, folk tales, etc. We understand there will be some degree of allusion, but we also would prefer it if the works could stand alone.
Q. Does Arsenika accept interactive fiction and poetry?
A. Yes. Please send a link to your piece and make sure it is password-protected or otherwise not viewable to the public. Be sure to include the password or access details in your submission.
If you have any further questions, please email [email protected].
Reading Periods: September 15 – January 15 and March 15 – July 15
Payment: $25 and a contributor’s copy
Outlook Springs is a literary journal from another dimension. It is devoted to your PREVIOUSLY UNPUBLISHED fiction, poetry, and non-fiction tinged with the strange. Submit one story or essay at a time (up to 7,500 words) or up to five poems (Important: Submit all poems as 1 document). Please do not submit more than twice per reading period, unless told otherwise by an editor.
Our reading periods are:
September 15 – January 15
March 15 – July 15
(See categories for descriptions & details.)
Submission Guidelines: Keep it simple. 12 pt font. Double-Spaced. Name and page number on each page. Cover letter should include contact information, as well as anything else you would like our editors to know about you. Make sure to read our genre-specific guidelines. Please don’t conceal hexes and/or curses within these cover letters.
Important note: we do not accept paper submissions.
Non-Important note: we can’t seem to find the cap to our toothpaste. We’ve looked everywhere.
Simultaneous submissions are a-OK in our book, but please notify us immediately if your work is accepted elsewhere. Outlook Springs acquires first serial printing rights. All rights revert to the author upon publication. For fiction and non-fiction, contributors will be paid $25 in addition to a contributor’s copy. Poets will be paid $10 per poem in addition to one contributor’s copy total.
Other questions? E-mail us at: [email protected]
Via: Outlook Springs’ Submittable.
Deadline: June 1st, 2017
**Deadline: June 1st, 2017**
Prompt: Literature is inseparable from context: medium, culture, and conflict. Whether that be social media or formal writing, we are always part of a conversation with the world. As writers, we live our lives in the margins, we go beyond a social conversation and create an artistic dialogue. This is the way we process and handle big events in our history, this is the way we change our history; by recognizing what is happening within our environment and putting it in ink. “People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster” (Baldwin, 1953). We want to read your work outing the monsters and keeping our eyes open. We want to share your experience with the world as a statement.
Writing reflects the human experience—especially that bound by social and political pressures. We write in hopes to disrupt power dynamics and increase the voice of subalterns (Said, 1979). Onyx Neon seeks submissions of disruptive poetry for a social activist anthology.
The Project: In Fall 2017, Onyx Neon will release a collection of poems under the umbrella of American Upheaval. The world is reacting to a drastic shift in administration—and those reactions are raw, loud, and critical. We want poems that add to the political conversation.
This collection will be edited by Head Editor of Onyx Neon Shorts, Lindsay Deter-Wolf, with Kit Martin.
Submission Instructions: Please submit 1–6 poems. Each poem (including its enjambed stanzas and verse paragraphs, your chosen formatting) should appear on its own page, and the submission itself must exceed no more than six pages in total.
What we pay: Our standard collection rate is a percentage of the final product based on how many poems are in the collection.
What’s the deadline: No poems will be considered after June 1st.
First Print and Electronic Publishing Rights: When your poem is published for the first time, that publisher has taken your work’s First Print Rights. This means that every subsequent publication must list where it was first published. In this case, we also take Electronic Publishing Rights. Other publishers may be uncomfortable publishing your work electronically after it has been printed by Onyx Neon. For all intents and purposes, after your work is published by us it can only be marketed as a reprint, which could limit the number of markets that will accept it thereafter. It is up to you—the author—to decide if publishing your work in print and/or eBook formats and/or on the web (surrendering First Publishing Rights for royalty-based payment) method is what you want to do.
What rights do we get from you? Our contract states that poetry we acquire from you is yours, now and forever. We come from a background of both fiction and open source coding. We do not require exclusivity. We publish the work so long as you allow, and stop publishing it per your preference.
What about works printed elsewhere? (known as a Reprint): If you own the rights and we like it, we will print it. First publishing rights, and Exclusive E-publishing Rights, are not important criteria for Onyx Neon. Good writing and original ideas: these are important.
How to submit: Submissions should be emailed to (shorts)(at)(onyxneon.com). Please put “Poetry Collection—‘your name’—‘collection/poem title’” in the subject line to ensure we see and log it appropriately. Do not attach a cover page or put your name on any of the pages. All contact information must be enclosed in the email. Submit your work in .doc, .docx, .rtf, LaTex, Twine or plain-text format. Do not copy and paste submissions into the body of the email, but please include a summary of your work.
Do you accept multiple submissions? Yes. If you send them all in one email it’s much easier for us to track.
Do you accept simultaneous submissions? We will absolutely consider a poem that you sent to someone else. We would, however, hate to fall in love with your poem and not be able to publish it. Please alert us immediately if you decide to publish your work elsewhere.
Have you read my poems? We reply to everything when we have finished evaluating, and we will let you know if we are going to publish it or not. We hate waiting to hear back from people as much as the next person, so we do not wish that on anyone.
Why are you so slow? We read a lot, and we leave the vault sometimes. But keep in mind, we are reading your work. If you have not heard from us after three months, please feel free to send us an angry email with lots of grumpy emoticons and pictures of cats.
If your work doesn’t fit into our anthology’s scope, it will still be considered for general publication.
Please submit to (shorts)(at)(onyxneon.com).
We look forward to reading your beautiful, original poetry.
Via: Onyx Neon.