Deadline: June 15th, 2017
Payment: Accepted poems will be paid for at the following rate: US 3¢/word rounded to nearest dollar; minimum US $3, maximum $25. Payment is on publication.
ye to the Telescope 25, Garbage, will be edited by John Reinhart.
Garbage, trash, refuse, junk, detritus, waste, rubbish. It’s that stuff on the curb, orbiting our planet, jammed into that drawer in the kitchen that always requires an extra shimmy before it’ll close.
The human relationship with waste is a close one. It’s also one where perspective is vital. One multidimensional being’s waste byproduct may be another less mobile humanoid extraterrestrial’s valued possession, or however that saying goes. What are the stories aged space debris tells their newer members? How do the outer worlds deal with the issue of garbage? Who are the people who deal with trash?
I am interested in poetry that addresses all aspects of garbage in the speculative realm. I’ve been a garbage man, a dumpster diver, and a treasure walker. Although I am not likely to sing Oscar the Grouch’s “I Love Trash,” I have an affinity for the overlooked, the discarded, the junk of modern life—and I want to know what the future holds.
- Please send submissions to [email protected] with the subject line “ETTT sub:” followed by the poet’s name.
- Please submit 1–5 poems in English (in body of email or attached as .rtf).
- Include a short bio.
- Deadline: June 15, 2017. The issue will appear on July 15, 2017.
Payment and rights
- Accepted poems will be paid for at the following rate: US 3¢/word rounded to nearest dollar; minimum US $3, maximum $25. Payment is on publication.
- The Science Fiction & Fantasy Poetry Association normally uses PayPal to pay poets, but can also send checks.
- Eye to the Telescope is an online publication. Therefore, First Electronic Rights (for original unpublished poems) are being sought.
Who can submit?
Anyone writing speculative poetry.
What is Speculative Poetry?
Speculative poetry is poetry which falls within the genres of science fiction, fantasy, and supernatural horror, plus some related genres such as magic realism, metafiction, and fabulation. It is not easy to give precise definitions, partly because many of these genres are framed in term of fiction rather than poetry.
A good starting point is “About Science Fiction Poetry” by Suzette Haden Elgin, the founder of the Science Fiction Poetry Association. Despite its title, this article is applicable all forms of speculative poetry.
Tim Jones, editor of Issue 2, had a go at defining science fiction poetry on his blog, in two parts (These blog posts date from 2009, and the Voyagersanthology has since been published. These posts do refer specifically to science fiction poetry, rather than the broader field of speculative poetry.):
What Is the Science Fiction & Fantasy Poetry Association (SFPA)?
As the SFPA says on its website at sfpoetry.com, “The Science Fiction Poetry Association was founded in 1978 to bring together poets and readers interested in science fiction poetry. What is sf poetry? You know what they say about definitions—everybody has one. To be sure, it is poetry (we’ll leave that definition to you), but it’s poetry with some element of speculation—usually science fiction, fantasy, or horror. Some folks include surrealism, some straight science.”
See the SFPA site for lots more information—and please consider joining.
* * *
Interested in editing an issue of Eye to the Telescope? See the Editors’ Guidelines for information and requirements.
Via: Eye of the Telescope.
Payment: Payment in US is $12 on acceptance + 2 contributor’s copies, outside of US is 3-issue subscription plus 2 copies.
I print primarily poetry, but also publish a small amount of short short fiction. The genres of fantasy and SF are preferred. I am interested in experimental formats and content, and prefer fantastic horror a la Lovecraft or Blackwood to the blood and gore type. Any SF or fantasy is appropriate if it isn’t sappy or trite. If your poem rhymes, be sure that the rhymes are not forced, and that the meter is consistent.
The magazine consists of 20 digest-sized pages with card-stock cover. Publication is thrice yearly, issues are numbered sequentially. Issue #1 was published in January of 1986. Print run 200. Most-recent issue is #85. DN is distributed free to interested libraries.
Poetry & Fiction
Maximum length for poetry or fiction is 2 single-spaced typed pages, but I prefer less than one page. I prefer e-submissions in the body of the message. Send up to five manuscripts with SASE from the US. From other countries use an IRC or US stamps. Submissions lacking sufficient return postage or equivalent will be discarded. Cover letter not required. PLEASE put your name and address on each poem you submit!
I print 15-20 poems per issue. Buying 1st N.Am. serial rights unless state otherwise. Payment is $12 on acceptance + 2 contributor’s copies. Contributors outside North America can instead receive a 3-issue subscription plus 2 copies. DN is a tough market because of the high volume of poetry submissions I receive. Fewer than 5% of submissions are accepted. Response time is commonly 4-8 weeks. Sample copy for $5.
Artwork should be line drawings; no half-tones. Good photocopies OK, but I prefer to receive JPEG’s as e-mail attachments. Art should be no larger than 4 1/2 by 7 1/2 inches, but I can reduce it. Payment $12 on acceptance plus 2 copies. I always need covers, and small filler illustrations. Filler illos that are the right size and shape to fill up the bottom of a page are particularly useful. Payment for covers includes an extra copy of the issue.
Send submissions to: [email protected]
If you must send snail-mail submissions:
Dreams & Nightmares, 1300 Kicker Rd, Tuscaloosa, AL 35404.
Please address all other correspondence to the e-mail address given above. I will respond promptly to e-mail messages.
David C. Kopaska-Merkel
Via: Dreams & Nightmares.
Payment: ¼¢ per word ($5 minimum) and a contributor’s copy. For poems, $5 and a contributor’s copy
Not One of Us is about people (or things) out of place in their surroundings, outsiders, social misfits, aliens in the SF sense—anyone excluded from society for whatever the reason. We’d like Not One of Us to consider the problem of “otherness” from every possible fictional angle: horror, SF, fantasy, noir, slipstream, Western, mainstream, whatever.
The editorial philosophy of the magazine reflects my own personal taste in genre fiction. To me the scariest and most deeply moving horror stories are not about monsters or about good vs. evil, but rather about the reader’s own fears and discomforts. Similarly, for Not One of Us, fantasy isn’t about pseudo-medieval worlds, science fiction isn’t about space opera or funny-sounding names, Westerns are not about gunfights. In our magazine, it’s all about the characters.
We crave characters (human or otherwise) who are different and who act the way they do out of plausible (if occasionally insane) motives. All the wondrous settings and complex plots in the world will fail to convince me if at the center of the tale there isn’t a protagonist with whom I can somehow empathize. I don’t have to like that character: heaven knows we’ve had some pretty nasty protagonists, and empathy is not the same as excuse-making. But I want to get some insight into the character, and vicariously into myself. Also, I like stories, and characters, with edge.
Themes to avoid: vampires, alcoholic villains without any understanding of their motives, tales about writers, sword and sorcery, deals with the devil, and revenge stories that have no other point, especially if the punishment far exceeds the crime.
Because we’re a digest-sized (5.5 x 8.5 inch, 52-page) publication, we prefer stories of 6000 words or less. While we’re willing to read stories up to 7500 words long, they are a harder sell because of the size limitation of our format. We prefer poems of 40 lines or less, although we’re willing to read longer poems. Just not ones of epic length.
We assume first serial rights, with rights reverting to the author/poet upon publication. Payment is ¼¢ per word ($5 minimum), payable upon publication, plus one contributor’s copy for stories; $5 plus one copy for poems.
Artwork takes the form of story illustrations plus theme-related front and back covers. Typical payment ranges from $8 to $15. Query with samples.
Send electronic submissions from the contact page. We prefer Word or RTF attachments (do not send submissions in PDF), but it’s OK to embed submissions. All hardcopy correspondence should be accompanied by a self-addressed stamped envelope. Please send only one story or up to three poems at a time.
John Benson, Editor
12 Curtis Road
Natick, MA 01760
Via: Not One of Us.
Deadline: June 30, 2017
This is proving to be a recurring problem, so we’re putting it up front. Please, for all our sakes, read this next part carefully.
All submissions should be sent by e-mail (no letters or telephone calls please) to [email protected]. Below are some formatting rules to help us process your submission more quickly.
Email and Cover Letters
Email is accepted in both text and HTML formats. When submitting, please put this in the subject line:
Submission: (Title) – (First and Last name)
Include the following in the body of the email and in the attached submission:
Name to use on the story (byline), if different
Your preferred email address
Your mailing address
The story’s title
The story’s word count
You may also include a cover letter in the body of the email. We get a lot of strange stuff in cover letters, so if you’re unsure of what goes in them (and especially what doesn’t) please refer to these cover letter tips:
How to write a cover letter | What not to put in a cover letter by Jed Hartman
We ONLY accept submissions as attachments!
All stories submitted as an attachment must follow standard manuscript formatting. We will no longer read any story not properly formatted. (And we much prefer Courier New to Times New Roman) For explanations and tips on what SMF is and how to do it with word processing programs, please see this article.
Please send your submission as an attachment in Microsoft Word (DOC, DOCX) or Rich Test Format (RTF) only. Other formats, such as Works, WordPerfect, Open Office, etc., have proven difficult to open.
Please note that we no longer accept “inline” submssions – that is: submissions with the stories pasted directly into the body of the email.
We’re looking for good, solid fiction. We specialize in the Science Fiction, Fantasy and Horror genres. We will consider other genres, such as humor or general interest, provided that the work possesses an original, “quirky” slant in the Northern Exposure, Ally McBeal vein.
Here are some basic “do’s” and “don’ts”.
DO give us strong characters and good plotting. DO put clever, but logical twists on the end of your tales. DO experiment with new ideas and unusual writing styles, but without falling into traps of contrivance and cliché.
DON’T submit any stories based on movies, television or any printed media not your own. DON’T submit reprints without including the name of the publication in which the work first appeared, along with the date of publication. DON’T send more than one story in the same submission.
There is no minimum or maximum length for fiction. But bear in mind that short-shorts (less than 500 words) and flash fiction (less than 100 words) are usually hard sells for us, as are stories longer than 5000 words. We’ll consider them, but they will have to be exceptional.
We pay a flat rate of $15 (U.S. dollars) for each story.
Payment is made upon publication, either by PayPal or personal check, based on the author’s wishes.
We publish one or two articles an issue. The subject matter MUST involve the art or business of writing. Research, editing, characterization, narrative style, query letters, cover letters, dealing with editors, agents or publishers – virtually any topic that concerns writing is fair game.
The maximum length for non-fiction is 2000 words.
We pay a $15 (U.S. dollars) flat rate.
Payment is made upon publication, either by PayPal or personal check, based on the author’s wishes.
We publish bi-annually, on the first of January, May and September. The order in which stories and articles appear on the site is solely arbitrary and should not be construed in any other way. All works that are accepted for publication remain on the site for the full four months. With the publication of the subsequent issue, all rights to the works previously displayed revert to the author. We buy First World Rights and World Reprint Rights. Bylines are most certainly given.
Most submissions are reviewed within 4-6 weeks. If the story shows merit, we will respond with a “maybe” letter, explaining that the submission is in the running for a spot in the next issue. At the end of the submission cycle, which is always two months before the next issue comes out, all “maybe” submission are re-reviewed, and the top eight selected for publication. At that time, all accepted authors receive contracts to sign. Since these contracts and, later, the payment checks, go out by snail mail, it is VERY important that all submissions include a snail mail address.
We don’t “buy ahead”. By that, we mean that ALLEGORY purchases only the stories it needs for the current issue, rather than stocking up for the next and the next. This means that every author who received an acceptance from us will see their work on this site with the next new issue.
Simultaneous submissions are “OK”, provided that you let us know at the time of submission that other editors are reviewing this work.
That’s about it. Good luck.
Via: Allegory Ezine.
Deadline: September 1st, 2017
Payment: Unlisted but “will always meet or exceed SFWA minimum compensation guidelines”
Retro Future is a quarterly pulp magazine that searches for diverse, surprising, and progressive science fiction in art, prose, essay, and comics.
Issue Submission Themes
Issue #4: Resistance to oppression.
We welcome submissions of art and writing that approaches retrofuturism through a progressive lens. Essays and flash fiction of approximately 250-500 words is especially welcome; longer works may be serialized.
Comic submissions should be 1-8 pages of finished work. Anything longer may get serialized across multiple issues. Please note that inside art should be in grayscale (please refer to art and comic templates for details.)
Galileo Books acquires first serial rights; upon publication, these rights revert back to you, the author. We ask that you acknowledge Retro Future (Galileo Books) as the venue of original publication when the work appears in your book or is otherwise collected.
If a work becomes unavailable while under our review, please contact us via email. Submitted work for specific issues may be considered for other issues if themes fit. Please include your name and contact information (at least an email) at the top of your submission.
Art and comic templates are located here. Please make sure that art finals are high resolution (at least 300 DPI), in the RGB or Grayscale color space, and native Photoshop or TIFF files. No JPG or GIF.
(Dropbox will ask you to join, you can ignore that and click the ‘continue to download’ link)
Written material should be attached to the email in TXT, RTF or Word formats.
Retro Future is a progressive publication. Subjects such as sexual violence, un-examined racism, and other potentially offensive material are often used as fodder for exposition in genre stories–this is not appropriate for inclusion in Retro Future.
We are looking for forward-looking and optimistic science and science-fiction. Sensitive topics can be part of a good story, but a vision of a future better than our present is the focus of Retro Future. Keep this in mind when submitting.
In the subject, please format as follows for artwork:
Full Name, artrf, Your Project Title
In the subject, please format as follows for writing:
Full Name, litrf, Your Project Title
This will help our filters organize better! You can expect a response up to a month after the deadline date.
We will always meet or exceed SFWA minimum compensation guidelines.
Via: Galileo Games.
Payment: 6.00 for each accepted original story; $2.00 for each accepted story reprint; $2.00 for each accepted poem; and 10.00 for the door art
Note: Reprints Allowed
Note: Younger Target Audience – READ!
Spaceports & Spidersilk is an online magazine for younger readers [8 to 17 and beyond]. Formerly it was called KidVisions. Spaceports & Spidersilk features short stories, poems, and art, as well as brief essays on science and the environment, interviews, quizzes, contests, [and, quite frankly, anything else that is genre-oriented and will help encourage the younger generation to read…and to dream, especially about going to the stars]. We at Nomadic Delirium Press hope that younger writers and artists, as well as adults, will submit their work.
The genres for Spaceports & Spidersilk include fantasy, science fiction, and a category we are going to define as ‘shadow stories’. Shadow stories are mild horror. We want spooky, not terrifying. Most of all, we want ADVENTURES! And especially SF or fantasy adventures.
Also, we are looking for works set in a speculative genre, rather than about a speculative genre. In other words, we want stories where the fantasy or science fiction is real within the piece, not pieces where those elements turn out to be a dream, or even a daydream.
While we believe that adult readers can and will enjoy good stories aimed at kids, we still want stories which are aimed at kids. Generally, kids (especially in the 8-14 range ) prefer to read about other kids. Stories about middle-aged couples seldom appeal.
No reader, young or old, wants to be force fed a moral. Too often stories written for kids seem to be all about the lesson the reader is meant to learn, and few things are as likely to make readers run screaming. Give us a good story, one that entertains and connects with emotions. If that story causes the readers to rethink something, or proves an interesting point, great, but in the end it has to be something they enjoy reading.
The guidelines for submissions to Spaceports & Spidersilk are simple and straightforward. Here they are:
What we want:
Spaceports & Spidersilk will consider—
genre stories of up to 3000 words.
poetry of up to 25 lines.
art, in color or black-and-white
essays of up to 800 words.
interviews and articles of up to 800 words
Spaceports & Spidersilk will accept reprints, provided they are identified as such, provided you have the rights to the work, and provided you tell us where and when the submission was first published. We do not accept simultaneous submissions.
What we DO NOT want:
NO “bad language”. This includes cussing, swearing, and those wonderful hyphenated words you use when you whack your thumb with a hammer. You know what they are. I don’t have to tell you. Also, no racial epithets. You know what those are, too.
NO sex. Your characters may kiss, or fall in love, or get married, but that’s all.
What we ALMOST DO NOT want:
NO drugs, unless there are severe and very clear consequences to the character involved with them.
NO sexist language. I said ‘almost’. It is quite typical of boys of a certain age to say things like, “She can’t do that, she’s just a girl.” Usually, in real life, such statements are preludes to valuable and sometimes painful lessons learned. So it must be in the fiction you submit to Spaceports & Spidersilk.
Effective 01/01/2008, Marcie Lynn Tentchoff is the editor of Spaceports & Spidersilk.
Payment–Effective the issue of March 2008, the following payments apply:
Spaceports & Spidersilk will pay $6.00 for each accepted original story; $2.00 for each accepted story reprint; $2.00 for each accepted poem; and 10.00 for the door art. These rates are effective with the December 2011 issue.
HOW TO SUBMIT YOUR WORK:
Please submit stories and essays [and articles, etc] as RTF attachments to Spacesilk at yahoo dot com. You will have to convert this to a usable address, of course. Please write SUBMISSION and the title of your piece in the subject line of your e-mail.
Please submit poems in the body of the e-mail to Spacesilk at yahoo dot com. You will have to convert this to a usable address, of course. Please write SUBMISSION and the title of your piece in the subject line of your e-mail.
Please submit art as a jpeg attachment to Spacesilk at yahoo dot com. You will have to convert this to a usable address, of course. Please write SUBMISSION and the title of your piece in the subject line of your e-mail.
If Spaceports & Spidersilk accepts your submission, we will ask for your mailing address so that we may send your payment. We will also ask for a brief bio of the writer or artist.
If you have any questions about this, or about Spaceports & Spidersilk, please e-mail them to Spacesilk at yahoo dot com. Again, you will have to convert this to a usable address.
Via: Nomadic Delirium Press.