Payment: 0.01 per word, CAD
Note: Non-released in audio reprints allowed
The Centropic Oracle is looking for science fiction and fantasy stories that make you feel and think. In our opinion good fiction – particularly SF and Fantasy – should challenge us to examine our own lives and beliefs. It should force us to reflect on how we fit into the world and what it takes to make the world a better place by our being in it. We aren’t looking for things that will give us answers to those questions, but that doesn’t mean your story shouldn’t have a resolution (good, bad, or indifferent!) to its conflict.
What we do not accept:
– erotica of any description;
– gratuitous graphic violence;
– profanity – we need to maintain our non-explicite rating on iTunes, so keep it PG
– anything to do with zombies;
– pieces that are nothing but proselytization of a religious or political perspective;
– racist, homophobic, misogynistic, or misandrist works;
– fan fiction – it must be an original story that you own all the rights to.
What’s a tough, tough sell and makes us shudder at the thought of having to read it yet again:
– any supernatural being in a romance with a human.
The prose must be readable and easily spoken aloud. This means that it must flow naturally and not distract the reader from the story. Lyricism is fine (we quite enjoy it) but pointless repetition is distracting. This is flash and short fiction so every word counts. Make those verbs active and incorporate your adjectives well to set mood! A single well-placed word in a sentence can change it entirely. Word usage frequency is something we notice. Take a break from your piece and read it again. Do you notice one word that pops up again and again? If you notice it, it’s guaranteed we will – it’s a pet peeve. Rhythm and cadence matter too, we don’t want to read pieces that sound like they were written by a robot who is only capable of crafting sentences five words long.
Characterization is integral. If you don’t know your character, your reader won’t either. It’s distracting when a character behaves in ways that don’t make sense, or outbursts feel like they came out of nowhere.
Continuity errors are a sure way to get a rejection. If your antagonist changes hair colour part way through the story, you will get a rejection. Continuity is one of the key basics in editing and is an indicator that you haven’t proofread your piece, let alone given your best effort to it.
Grammar matters. Know the difference between your, you’re, and yore, and between to, too, and two. Know when to use a comma. The occasional typo is one thing (even those of us who are proficient in grammar can miss a single typo despite reviewing a manuscript a dozen times) but poor grammar won’t get you past the first read, and if it’s bad enough we won’t even finish the read.
If we have rejected your story, do not resubmit it. We do not ask for rewrites. Ever. If it’s almost there, we will accept the piece contingent on specific edits. If you refuse the suggested edits and we feel strongly enough about the necessity of those edits, we will release your piece unpublished and without payment.
If we accept your story we will require a bio and a photo from you for promotional purposes on our website. In addition, be prepared to be called to interview with the reader and/or a small panel for a group discussion of your story. Talking points will be sent out prior to the voice-only interview so that you can have anecdotes or comments prepared. If you do not wish to have your photo posted, or appear on the show, do not submit.
Flash fiction submissions should be between 200 and 1500 words. We accept vignettes in the flash fiction category as long as they make us feel and think. We aren’t of the belief that they don’t have value and we actually enjoy them when the prose is beautiful.
Short story submissions should be between 1500 and 6500 words. The upper limit is absolute and longer stories will be rejected without being read. This is an audio podcast, and we aim to keep our ‘casts to a maximum of 40 minutes.
Query us about serial works (not novels, serials in the fashion of the original Sherlock Holmes stories). It’s a tough sell, but we may go there for the right worlds and characters. Our criteria for those are more extensive and our automated system does not handle our process.
We do not accept multiple submissions. We do our best to keep our response times as short as possible, which means keeping the pending list as short as possible. Once you have received a response to your submitted story you are welcome to submit again.
We do not accept simultaneous submissions. We try hard not to keep you waiting long for a response.
We do not accept pieces that already have audio recordings published but we do not consider your story a reprint if it has appeared elsewhere in print (hardcopy or electronic) only. Be sure to tell us when submitting if it has been published in print and we will promote it before the ‘cast so our audience may read along if they wish.
Currently we pay CAD$0.01 per word, but that will increase as we grow. If we publish your story we do ask that you help us promote it on your social media platforms. The faster we grow our audience, the faster we can increase our word rate. Payment will be made within 30 days of publication.
As part of the compensation you will be actively promoted on our website, so please keep us updated with any new credits you accumulate. We will provide an affiliate link to anything you have listed under your byline on Amazon – or any other online retailer – and a direct link to any electronic free-to-read publication. You will receive periodic email requests from us to review your Contributor page and provide us with any relevant updates. Your Contributor page will appear on our Featured Author page in rotation and we will give you notice of when you will be featured so that you can share it on your social media platforms.
Paypal support payments made directly on your page will be forwarded to you less Paypal’s fees and a 10% commission. Payments made from the story’s feature page will be split 50/50 between the author and the actor less Paypal’s and our fees.
In the future, we may ask to include your piece in an audio anthology compensated a on pro-rata royalty basis with 33% to the author and 33% to the actor.
We require a one year exclusive and five years non-exclusive to audio rights from the date of publication. If you make a print (hardcopy or electronic) or video performance sale, let us know – we want to promote that!
Please submit in the Shunn format. If you aren’t familiar with it, you can see it here. Submissions that do not follow this format will be rejected unread.
Please submit rtf files only as our readers use a variety of devices.
How to Submit
We accept submissions through our electronic submissions manager only. Emailed submissions, or submissions sent via the contact form, will be deleted unread. We do not accept hardcopy submissions.
Once you have created an account in our Submission Manager and have submitted your story you will be redirected to a page that shows your Submission ID number and a confirmation email will be sent out. If you don’t get a submission ID, please contact our site support ([email protected]) to report the error. If you don’t receive the email, check your spam folder before contacting us. You can check back often to see your submission progress through the various reading stages. We take pride in our writer friendly submission manager, and hope that it helps your stress level to know where exactly your piece is at in the process, and how long you should expect it to get through that step. Please do not send us an email query unless your submission disappears from the manager (open or closed) and you have not received an email. We do not keep copies of rejected stories, only the submission activity.
$.06/word, $100 flat rate for Short Fiction, and a $20 flat rate for Flash Fiction
Note: Reprints Allowed
Note: MAKE SURE to read the guidelines before submitting
Cast of Wonders is a young adult short fiction market, open to submission up to 6,000 words in length. One of our goals is to further the education of new writers of any age. With that in mind, these submission guidelines are both lengthy and extensive. They aim to explain what we’re looking for, what we’ll do with your story, and where you can find further information.
What We’re Looking For
As a young adult fiction podcast, we’re looking for stories that evoke a sense of wonder and have something unreal about them. We aim for a 12-17 age range: that means sophisticated, non-condescending stories with wide appeal, and without explicit sex, violence or pervasive obscene language. Think Harry Potter or The Hunger Games.
Stories are presented in audio format, which means our audience rarely skim past boring bits. We’re looking for fiction with strong pacing, well-defined characters, engaging dialogue, and clear action. We like a proper narrative structure and a unique prose style not laden with clichés and over-worn idioms. We like fiction that makes us think, but the main element should be thrilling entertainment and adventure.
We prefer high fantasy — elves, dragons, secondary worlds, and magic — to the more cerebral forms of fantasy you find in adult markets.
We like all forms of science fiction: far-future, near future, space opera, “hard” sci-fi — but it must be accessible to our target audience. This means a minimum of technical jargon.
We’re happy to read comedy, steampunk, horror, urban fantasy, paranormal romance, superheroes and many other genres. All that matters is adherence to our core concept and that critical spark of wonder.
Check out our Staff Picks page for more examples of favorites.
Does My Story Have To Be About Young Adults?
Absolutely not! A good story appeals to all ages. We define YA as the absence of the adult elements described above, not as stories featuring children or young adult characters.
Some good examples include “Cosmetic Procedures” by Desmond Warzel (a noir horror detective story) and “Gods of Stone” by Jeff Samson (the thoughts of a Gorgon victim).
What About Sex?
Sex is a universal constant, regardless of age, gender, orientation or even species. How an author deals with that reality is up to them and the characters of their stories, not us. We won’t reject a story simply because it includes sexual content, but it’s not the sole thing we look for in stories, either. In other words, just because it’s happening doesn’t mean we want it to take center stage.
Sadly, violence too is a reality of the everyday lives of many young people around the world. Like sex, we don’t require our stories to avoid the subject, but violent acts should never be the centrepiece of a tale.
We use the word “wondertales” as the generic description of speculative fiction stories based on classic and/or historical cultural narratives. Synomyms include fairy tales, folklore and mythology – all academic terms with their own meanings, origins, distinctions and historical connotations.
This is to help distinguish wondertales as a whole from the subset of stories based on Western European ancestry, which we assign the label “fairy tales”. Good examples include Hans Christian Andersen stories, or older Disney movies.
Fairy tales are popular as a genre of young adult fiction to the point where they cross the line into tropes. We receive a lot of them. Unless a story succinctly retells one of these narratives in a new and unique way, we generally decline. A good example of one we liked was “Piper” by Ian Rose – a flash piece retelling ‘The Pied Piper’ from one of the rat’s point of view.
Wondertales, on the the other hand, are under-represented in short fiction and we’d love to receive more of them. For an example of one we liked check out “The Dun Horse” by Edward Ahern – the retelling of a Pawnee legend.
We don’t accept media-based fiction (for example, stories set in the Harry Potter or Hunger Games universes) or any kind of fan fiction. We don’t have a problem with people reading or writing fan fiction or media-based fiction, we’re just not legally allowed to consider publishing it. Many popular properties allow others to use their settings, characters and plot lines for fanuse, but you’re submitting to a commercial market.
Anything In Particular You’re Looking For?
Our editor is always interested in receiving more short stories set in the worlds of existing novels. We refer to these as “off-cut” stories, and love to run them because our audience can immediately buy the author’s novel to enjoy more of the same. If you’re submitting an off-cut, please let us know so we can make sure your biography includes full purchase links to the related novels.
The same applies if you have a book coming out soon and want to publish a short story with us to coincide with its release. We’re always happy to delay our episode if the resulting timing is better for author promotion. And you can approach us about a sponsorship opportunity as well – just email our editor.
I’ve Got A Great Holiday Story, When Should I Submit It?
Holiday-themed stories (regardless of which holiday) are ideally submitted 4-5 months prior to the holiday in question. A short note in the submission cover letter helps too. Cast of Wonders runs themed episodes every year for Halloween, the Winter Holidays, and Banned Book Week (usually in September).
What We’re NOT Looking For
We’re a YA podcast. If you wouldn’t give your story to a teenager to read — or worse, the activity in question is unlawful — it doesn’t belong in our slush pile. Consider instead our recommended list of adult fiction Marketsand their submission guidelines. Stories which talk about or address these issues are fine, but graphical descriptions are not. We absolutely, positively do not want to receive:
Graphical depictions of rape or sexual assault
Non-consensual sexual activity (including necrophilia)
Non-consensual drug use. Drug use of any kind will be a very hard sell.
Graphical or explicit descriptions of animal abuse
The gratuitous brutalization of women, people of color, and people with disabilities
ANY sexual depictions of children whatsoever
The following subjects will be difficult to pass our slush readers but have appeared in stories in the past. Be prepared to address why these topics appear in your story and what purpose they serve. Our editor may challenge you to change them. Pervasive use is more likely to lead to rejection.
Drug use, especially if not critical to the story
Broad baseless assumptions (‘all gamers are overweight’ — ‘all athletic girls are gay’ — ‘boys don’t feel emotions’)
We are particularly interested in considering stories and content from younger writers. If you are under 18, please let us know your age when you submit your work and be aware that your parent or legal guardian will be required to sign and return your contract. If your submission is part of a school project, please let us know that as well and we’ll work with you to provide any documentation required by your teachers.
Our episodes are in English, but we accept and encourage translated stories from across the globe. Translation of non-English works of fiction is a growing and thriving new aspect of the market, and we want to help bring those works to audio fiction audiences.
Cast of Wonders welcomes and encourages submissions from writers of all backgrounds, and would like to see more submissions from people of backgrounds that have been historically underrepresented or excluded from traditional publishing. Some examples include people of color, LGBTQ or non-binary gender people, persons with disabilities, members of religious minorities, and people from outside the United States and Western Europe. We want to publish YA fiction that reflects the entire spectrum of the human experience, so we strongly encourage submissions from these and any other underrepresented groups. We are not interested in acquiring fiction that denigrates any culture or perpetuates stereotypes: stories should be well-researched, respectful, and conscientious.
Cast of Wonders is the broadest reaching Escape Artists podcast in terms of genre, but the tightest in terms of story requirement. As a result, we may occasionally refer a story from our slush pile to the editors of Pseudopod, Podcastle orEscapepod for consideration. All four shows operate on substantially the same pay scale.
If we decide to refer your story to another editor for consideration, we will contact you first and get your permission. If you are unwilling to have your story referred, please make a note of this in your cover letter.
Also, if you have been encouraged to submit to us from another source, please let us know so we can thank them!
We run both reprints and original stories, and have no strong preference between the two. We always fully attribute the original publication of a story in our episodes, and are happy to consider stories previously released on Patreon or under crowd-funding arrangements as reprints.
Cast of Wonders is open to submissions for stories of up to 6,000 words. We will reject unread any submissions exceeding the 6,000 word cap if you haven’t previously contacted us for permission.
Please note we have a strong preference for stories between 3000 and 4500 words in length: they best fit our target episode length of 20 to 30 minutes. Please do not submit single chapters of novel-length works; they rarely hold up as properly self-contained short stories.
Your story is mostly likely to run in its own episode, but may be serialized over multiple episodes or combined with other stories in a single episode, such as our Little Wonders themed flash fiction collections.
Our Submittable portal has options for Flash Fiction (under 1500 words) and Short Fiction (1500 to 6000 words).
Cast of Wonders uses a blind review process. This means allauthor information (including your name) MUST be removed from the manuscript text body, headers, and file name. It should be saved and uploaded in any standard word processing file type, such as Word, Google Docs or .RTF. PDFs are not accepted.
We have prepared a sample manuscript to show you exactly what we’re looking for. The sample is derived (with thanks) from the Shunn standard manuscript format and has undergone the ‘blinding’ process we require. It also contains some comments specific to submitting manuscripts to audio venues such as ours. We have no preference between American or British English, as long as you’re consistent.
Inappropriately formatted manuscripts, including those submitted containing identifying author information, will be rejected unread.
Our Submittable portal will request the story’s title, first publication (if any), and word count. There’s also a field for you to enter any of the items we’ve asked you to note in these submission guidelines. Please do NOT supply a full covering letter or summary of the story, either on the submission form or the manuscript. The text box on the submission form is minimal to help prevent this.
Once you’ve sent us your story, you will get an automated confirmation via email. Please query if you haven’t received this confirmation within 24 hours.
We aim to respond to all submissions within 8 weeks. After three months, if you haven’t received a response, feel free to query by email.
Multiple and Simultaneous Submissions
We do not accept multiple submissions from an author at the same time. If you submit multiple stories at once (and yes, we do check) we will reject all of them.
We don’t mind if you submit your story to us and other venues at the same time, as long as you withdraw the work if it’s accepted elsewhere (and congratulations!)
Payment and Rights
We pay $.06/word for original fiction of any length (yes, including flash!). Cast of Wonders intends to qualify as a SFWA Short Fiction market retroactively from January 1, 2016. We are currently in our one year probationary period.
For reprints, we offer a $100 flat rate for Short Fiction, and a $20 flat rate for Flash Fiction.
We ask for 4 months exclusivity for text and audio for original stories, and 4 months audio exclusivity for reprints. We happily accept stories that have been podcast previously; this means we ask you don’t re-sell the story to another audio market for 4 months after publication with Cast of Wonders.
Cast of Wonders buys nonexclusive audio and print rights to distribute the audio file under a Creative Commons license. Specifically, we use the Attribution-NonCommercial-NoDerivatives license. As we say every week in our outro, this means the entire world has permission to distribute the audio files for free, provided they give credit for it, don’t try to make money off of it, and don’t change it in any way. Transcribing it, extracting portions from it that exceed fair use, and mashing it up are all prohibited.
This license applies only to our audio performance of your work, for which we’ve contracted and paid you. It does not apply to your story itself. Authors retain their copyright and all rights to any other use of the story.
You can find samples of our contracts at the links below. Note these are for informational purposes only, and upon acceptance all the relevant information will be completed:
If you have concerns about these rights, please let us know. We are happy to discuss tailoring the contract if you have particular requirements (such as estates).
Any personal information we collect (name, address, email, social medial links, secret identity, etc.) is held in strict confidence and not shared with anyone unless we are compelled by law or in the event threats are made against our staff.
If a third party contacts us expressing interest in an author’s work, we will contact the author for permission before sharing any contact details.
By sending us your story you understand and agree that:
You are the original creator of the work submitted to us;
You are the copyright holder of the work;
You are not prohibited by any prior agreement from the transfer of non-exclusive electronic and audio rights to the work;
All information in the submission form is accurate and truthful; and
You accept sole responsibility for any false statements or encumbrances upon rights not disclosed to us.
How To Submit
Once you’ve read all the above, click the link below!
Don’t self-reject. If in doubt, submit. Every submission is another step in the learning process. We take pride in giving the most constructive and helpful rejections time allows.
Email the editor, Marguerite Kenner. You can expect a response within a few days, but feel free to query if you’ve received no response in over a week.
Thank you for reading all the way through to the end, and we look forward to receiving your stories!
Gallery of Curiosities is a story podcast that comes along whenever we have managed to put together a new show. This is a paying audio fiction market catering to the steampunk and retro-futurist niche, as well as those who like good audio fiction during their commute. Our early episodes from 2010 to 2015 went under the title Tales from New Babbage and were a mix of public domain and original stories which were originally broadcast on Radio Riel Steampunk before being made available for download.
What we’re looking for:
Weird fiction. Steampunk. Horror. Mad science. Monsters. Machines. InsertRetroEvocationWordHerePunk. Strong narratives. Vivid imagery. Holiday themes on the above for when those times of the year roll around. Original short stories up to 7500 words. We don’t like flash fiction as much as short stories but you never know, we might need to tuck one in now and then. Did we mention how much we like to be scared?
What we’re not looking for:
Modern/mundane settings. Vulgar language. Serialized novels. Fan fiction. Futuristic settings that do not have an appropriate level of technology to a retro-futurist genre. For example, we would be perfectly happy with with you outwitting cannibal mutants in a post apocalyptic wasteland, but we want to see a technology that has collapsed to an interesting level of anachronism.
At present time we are offering a penny a word. We know, this is not the pro rate, but right now, it is the best we can do.
Is there a contract?
After we are both satisfied with the terms of the contract, it will be sent for electronic signature via a service such as HelloSign.
Are you going to publish an anthology or post my story for online reading?
What about simultaneous submissions?
Yes, but do tell us if you sold it somewhere that would not want us to produce it after they bought it so we don’t waste our time.
My story has already been published. Can I still submit it?
Yes, as long as you are not violating any terms of your previous contract. We do want to know if it is a reprint. That would be splendid of you.
How do I submit?
Send your story in an email or email attachment to [email protected] with SUBMISSION: Your Story Title in the subject line. We’re not picky about the format. Kevin the mailroom guy strips all identifying information from your manuscript before sending it on to our slush readers. Make sure all commentary has been removed from your document before you convert it, that could be embarrassing as it does show up after reloading it into our Google Doc files.
Rights: Non-exclusive English language audio & non-exclusive English electronic reprint rights.
Wordcount: 100 – 6000 words
Genre: Science fiction, fantasy, horror, interstitial, speculative, whatever. It’s an SF/F mag, but if in doubt, send it.
Stories must contain some queer content. I believe in queer as a large umbrella term and specifically include trans, genderqueer, and ace/aro identities in addition to LGB. If your story includes an identity not listed here that you feel is queer, please don’t self-reject.
Attach stories in standard manuscript format .rtf/.doc/.docx format and send to submissions at glittership dot com. Please put REPRINT somewhere in the subject line.
Simultaneous submissions: Fine! I mean, it’s a reprint…
Multiple submissions: Please send no more than 3 at a time.
Stories will be reprinted in text on the site and read aloud for the podcast. If you are only able to sell audio rights for some reason, feel free to let me know. I’d rather work with you than miss out!
Short fiction originals: (Open for subs May 1, 2015.)
Pay: 3c/word ($30 minimum)
Rights: Exclusive English language audio and electronic rights for 6 months after publication, non-exclusive right to keep the story in our archive.
NOTE: GlitterShip will consider fiction produced as rewards for Patreon backers, or on locked/non-public mailing lists and accounts as previously unpublished for our purposes.
Wordcount, submissions email, and genre information is as above.
Simultaneous and multiple submissions are okay, but please do not send more than 3 stories at a time.
Please put ORIGINAL somewhere in the subject line.
Please drop me a line at submissions at glittership dot com.
If you have read fiction for podcasts or audio books in the past, please include your bio, relevant experience, and provide a link or two to your work.
If you do not have any previous experience, that’s okay! Please record yourself reading fiction for 4-5 minutes and have it available to upload or send. (Please don’t send any audio files to the submissions email, however, they’ll probably bounce. I’ll get back to you as soon as I figure out how to get those files from you!)
Non-native speakers, speakers of world Englishes, and speakers with accents are all welcome to apply as well.
Podcast readers will receive a token payment of between $10-$20 per episode recorded.
Authors and readers do not need to identify as LGBTQ or queer, though LGBTQ authors, authors of color, and authors of other marginalized identities, are specifically encouraged to submit.
Payment: 2 cents per word
Note: Submission during January, April, July, and October.
We accept submissions quarterly, during the months of January, April, July, and October.
What We Want
We are interested in speculative fiction, whatever that means to you, be it Science Fiction, Fantasy, Alternate History, Steampunk, Magical Realism, or an as-yet-unnamed genre. Anything that looks at the world from an unexpected angle, we want to see it. We want the lyrical vision of William Gibson. The magic and beauty of Erin Morgenstern. The uncompromising voice of Margaret Atwood. The technical brilliance of Ted Chiang. We want to read stories that infuse us with extraordinary feelings, transport us to places we’ve never imagined, and fill our lives with characters that we love and loathe. We want to still be thinking about a story days after reading it. Be original. Be amazing.
We are based in Portland, Oregon, and the focus of our podcast is speculative fiction by authors hailing from, living in, or connected to the Pacific Northwest, as loosely defined by the bioregion of Cascadia. There is an exceptionally strong talent pool of speculative writers in Cascadia, and we want to celebrate and promote them to a larger audience. That said, we are not exclusive. We are open to submissions from anywhere. While we’d ideally like to feature Pacific Northwest authors in at least 3/4 of our podcasts, we first and foremost want to feature great stories. So no matter where you live, send us your stories. If they make us laugh, cry, or turn cartwheels of astonishment, preferably all at once, we will find a place for them in our podcast.
This is an audio format publication. We feel that stories of about 20 minutes in length are the sweet spot for podcasts. In preparing for our podcast, we’ve discovered that our average reading speed is approximately 100 words per minute. Which means that a 2,000 word story falls right in the sweet spot. We will consider submissions of anywhere from 1,000 – 5,000 words, but if it comes down to a choice between two stories of otherwise equal merit, we will generally choose the story that is closer to the sweet spot.
Reprints are welcome, so long as they have not been previously produced in an audio format.
What We Don’t Want
Generic settings or characters we’ve seen a million times before (lithe elves, dour dwarves, charming vampires, etc.)
How to Submit
Please attach your story in standard manuscript format to a brief email containing the following information: Story Title, Word Count, and whether or not you are a resident of Cascadia. Please DO NOT include a bio or list of credits. We do not care how many degrees, publications, or awards you have. We want your fiction to speak for itself. If we love your story, we will ask for a short biography upon acceptance.
Please make the subject line: “Submission: (Story Title)”
We do not accept multiple submissions.
If you have not heard back from us by the beginning of the submissions period following yours, please send us a query.
Also, we have had extreme difficulty responding to AOL users in the past, (our responses keep getting bounced as undeliverable), so please do not submit from AOL email addresses to avoid frustration on all sides. Thank you.
What We Pay
Our authors are the heart and soul of our podcast. We are creators ourselves, and we strongly believe that all creators should be paid for their work to the best of our ability. As we are just starting out, the current limits of our ability are a semi-pro rate of $0.02 cents a word. We hope, however, that our podcast will quickly become a success beyond our wildest dreams and bring us fame, fortune, and the ability to pay pro rates. We’d also like a pony. A genetically modified pony with six legs that runs 100 MPH and urinates a nice, rich stout.
Payment will be made through Paypal upon acceptance.
We purchase first worldwide exclusive audio rights to your story, as well as the right to keep the episode in which your story is produced available in our archives for as long as The Overcast remains in operation. We do not own your story, nor do we wish to. You are free to publish and sell it elsewhere in any other format.
Our magazine is an SFWA-certified professional market.
Editor-in-Chief: Jason Sizemore
Managing Editor: Lesley Conner
Original Short Fiction:
1) Submit your work in Shunn Standard Manuscript Format.
2) Maximum word length is a firm 7,500 words. Anything more will be auto-rejected.
3) Payment for original fiction is $.06 per word up to 7,500 words.
4) If we podcast your story, payment is $.01 per word up to 7,500 words.
5) Apex Magazine welcomes and encourages submissions from writers of all race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, and military status, in any of its activities or operations. We want diverse voices. We value diverse voices. Having said that, please be aware that we do not collect any information that might clue our editors to any of these attributes other than your name, email, and address prior to any decisions made regarding your submission.
We do not accept unsolicited reprints.
1) Your poem must be 200 lines or less.
2) Your poem must be original and unpublished.
3) Poets can submit up to 5 poems at a time. However, please submit each poem in a separate email.
4) Payment is 25 cents per line.
5) Poetry editor Bianca Spriggs provides some tips regarding the type of work she is seeking in this blog post. Reading it is probably a good idea. 🙂
Rights and Rules:
No simultaneous submissions. No multi-submissions. We try to respond to all submissions within 30 days.
Before you submit your work, please review the appropriate contract template. If we accept your work, we will expect you to be familiar with our terms. Thanks!