Deadline: December 31st, 2017
Payment: 1 cent a word
VOLUME 3: STORIES PUBLISHED IN 2017
Is your story too heavy and hardcore for other “best of” anthologies? Then you’ve come to the right place because Comet Press is now accepting stories for YEAR’S BEST HARDCORE HORROR VOL. 3, a yearly collection intended to give recognition to the extreme, harder side of horror, stories that break boundaries and trash taboos.
Editors: Randy Chandler and Cheryl Mullenax.
Requirements: The story was (or will be) published in a 2017 anthology, single author collection, magazine, or online magazine. Self-published anthologies and collections are acceptable as well.
Deadline: December 31, 2017.
Length: Short stories/novelettes.
Payment: 1 cent a word.
What to Send
In the body of an email:
- Author name
- Story title
- Name of anthology or magazine or online magazine it was published in:
- If the book is available on Amazon and your story credit appears somewhere on the page, send us the link. If not, send a link to the best source with that information (publisher’s page, etc).
- If the story was in a magazine, send us a web link to the issue TOC where your story appears, or if that’s not available send us a scan of the table of contents (print magazines, etc.).
- A bio
- A short synopsis.
- Attach the entire manuscript in rtf, doc, or pdf format. Note: please make sure this is the final version of your story, exactly as it appears in the published version.
Important Note: Make sure your contract allows you to publish the story in a “best of” anthology. If you’re not sure, check with your publisher. If necessary, ask them for a waiver.
In an email include the following:
- Author name and story title(s) for consideration
- Name of publication and publisher, date published and format (print, ebook, magazine, etc)
- A pdf or text document of the publication.
Include in the Email subject line: HARDCORE ANNUAL – Your Story Title
We’ll send a notification within 48 hours that we received your submission. If you don’t get this, please inquire. We may not have received it.
Email to randyman [at] cometpress [dot] us .
Via: Comet Press.
Deadline: July 31st, 2017
Payment: Original Fiction (3,500 to 7,000 words) 0.01 pounds (GBP) per word, capped at 50 pounds Reprints (3,500 to 7,000 words) 10 pounds (GBP) per piece
Reprints welcome but I suspect unlikely to be chosen
We will be accepting six short stories of the highest quality for this anthology, which is designed to be read in one stormy sitting. The story must begin with an individual, couple, or group seeking shelter from a storm of some kind. Atmosphere, suspense, and a gripping plot are essential elements.
Submissions open: January 1st, 2017 to July 31st, 2017
Acceptances: September 30th, 2017
Publication: Early 2018
What We Want:
Well-written and thoroughly edited tales in the following genres:
– Mystery (especially, a brilliant locked-room mystery)
– Psychological Horror
– Historical (but you need to know your facts, because we do)
– Strange and quirky stories
– More of this: Shop
It’s also worth noting that we greatly prefer British English.
What We Don’t Want:
– Fantasy, Dark Fantasy, or Modern Fairy Tales
– Science Fiction
– Supernatural Horror (but we will consider stories with an ambiguous ending)
Contributors will be paid via PayPal upon publication. Contributors will also receive an ebook copy of the issue and will be able to order up to ten print copies at near cost price.
Original Fiction (3,500 to 7,000 words) 0.01 pounds (GBP) per word, capped at 50 pounds
Reprints (3,500 to 7,000 words) 10 pounds (GBP) per piece
General submissions guidelines can be found on our submissions page.
Via: Black Beacon Books.
Payment: 0.01 per word, CAD
Note: Non-released in audio reprints allowed
The Centropic Oracle is looking for science fiction and fantasy stories that make you feel and think. In our opinion good fiction – particularly SF and Fantasy – should challenge us to examine our own lives and beliefs. It should force us to reflect on how we fit into the world and what it takes to make the world a better place by our being in it. We aren’t looking for things that will give us answers to those questions, but that doesn’t mean your story shouldn’t have a resolution (good, bad, or indifferent!) to its conflict.
What we do not accept:
- – erotica of any description;
- – gratuitous graphic violence;
- – profanity – we need to maintain our non-explicite rating on iTunes, so keep it PG
- – anything to do with zombies;
- – pieces that are nothing but proselytization of a religious or political perspective;
- – racist, homophobic, misogynistic, or misandrist works;
- – fan fiction – it must be an original story that you own all the rights to.
What’s a tough, tough sell and makes us shudder at the thought of having to read it yet again:
- – vampires;
- – werewolves;
- – any supernatural being in a romance with a human.
The prose must be readable and easily spoken aloud. This means that it must flow naturally and not distract the reader from the story. Lyricism is fine (we quite enjoy it) but pointless repetition is distracting. This is flash and short fiction so every word counts. Make those verbs active and incorporate your adjectives well to set mood! A single well-placed word in a sentence can change it entirely. Word usage frequency is something we notice. Take a break from your piece and read it again. Do you notice one word that pops up again and again? If you notice it, it’s guaranteed we will – it’s a pet peeve. Rhythm and cadence matter too, we don’t want to read pieces that sound like they were written by a robot who is only capable of crafting sentences five words long.
Characterization is integral. If you don’t know your character, your reader won’t either. It’s distracting when a character behaves in ways that don’t make sense, or outbursts feel like they came out of nowhere.
Continuity errors are a sure way to get a rejection. If your antagonist changes hair colour part way through the story, you will get a rejection. Continuity is one of the key basics in editing and is an indicator that you haven’t proofread your piece, let alone given your best effort to it.
Grammar matters. Know the difference between your, you’re, and yore, and between to, too, and two. Know when to use a comma. The occasional typo is one thing (even those of us who are proficient in grammar can miss a single typo despite reviewing a manuscript a dozen times) but poor grammar won’t get you past the first read, and if it’s bad enough we won’t even finish the read.
If we have rejected your story, do not resubmit it. We do not ask for rewrites. Ever. If it’s almost there, we will accept the piece contingent on specific edits. If you refuse the suggested edits and we feel strongly enough about the necessity of those edits, we will release your piece unpublished and without payment.
If we accept your story we will require a bio and a photo from you for promotional purposes on our website. In addition, be prepared to be called to interview with the reader and/or a small panel for a group discussion of your story. Talking points will be sent out prior to the voice-only interview so that you can have anecdotes or comments prepared. If you do not wish to have your photo posted, or appear on the show, do not submit.
Flash fiction submissions should be between 200 and 1500 words. We accept vignettes in the flash fiction category as long as they make us feel and think. We aren’t of the belief that they don’t have value and we actually enjoy them when the prose is beautiful.
Short story submissions should be between 1500 and 6500 words. The upper limit is absolute and longer stories will be rejected without being read. This is an audio podcast, and we aim to keep our ‘casts to a maximum of 40 minutes.
Query us about serial works (not novels, serials in the fashion of the original Sherlock Holmes stories). It’s a tough sell, but we may go there for the right worlds and characters. Our criteria for those are more extensive and our automated system does not handle our process.
We do not accept multiple submissions. We do our best to keep our response times as short as possible, which means keeping the pending list as short as possible. Once you have received a response to your submitted story you are welcome to submit again.
We do not accept simultaneous submissions. We try hard not to keep you waiting long for a response.
We do not accept pieces that already have audio recordings published but we do not consider your story a reprint if it has appeared elsewhere in print (hardcopy or electronic) only. Be sure to tell us when submitting if it has been published in print and we will promote it before the ‘cast so our audience may read along if they wish.
Currently we pay CAD$0.01 per word, but that will increase as we grow. If we publish your story we do ask that you help us promote it on your social media platforms. The faster we grow our audience, the faster we can increase our word rate. Payment will be made within 30 days of publication.
As part of the compensation you will be actively promoted on our website, so please keep us updated with any new credits you accumulate. We will provide an affiliate link to anything you have listed under your byline on Amazon – or any other online retailer – and a direct link to any electronic free-to-read publication. You will receive periodic email requests from us to review your Contributor page and provide us with any relevant updates. Your Contributor page will appear on our Featured Author page in rotation and we will give you notice of when you will be featured so that you can share it on your social media platforms.
Paypal support payments made directly on your page will be forwarded to you less Paypal’s fees and a 10% commission. Payments made from the story’s feature page will be split 50/50 between the author and the actor less Paypal’s and our fees.
In the future, we may ask to include your piece in an audio anthology compensated a on pro-rata royalty basis with 33% to the author and 33% to the actor.
We require a one year exclusive and five years non-exclusive to audio rights from the date of publication. If you make a print (hardcopy or electronic) or video performance sale, let us know – we want to promote that!
Please submit in the Shunn format. If you aren’t familiar with it, you can see it here. Submissions that do not follow this format will be rejected unread.
Please submit rtf files only as our readers use a variety of devices.
How to Submit
We accept submissions through our electronic submissions manager only. Emailed submissions, or submissions sent via the contact form, will be deleted unread. We do not accept hardcopy submissions.
Once you have created an account in our Submission Manager and have submitted your story you will be redirected to a page that shows your Submission ID number and a confirmation email will be sent out. If you don’t get a submission ID, please contact our site support ([email protected]) to report the error. If you don’t receive the email, check your spam folder before contacting us. You can check back often to see your submission progress through the various reading stages. We take pride in our writer friendly submission manager, and hope that it helps your stress level to know where exactly your piece is at in the process, and how long you should expect it to get through that step. Please do not send us an email query unless your submission disappears from the manager (open or closed) and you have not received an email. We do not keep copies of rejected stories, only the submission activity.
Via: The Centropic Oracle.
Deadline: August 10 2017
Payment: 0.01 cent a word and a contributor’s copy
Notes: Reprints allowed
A Science Fiction anthology looking at the future well after the current presidents of the USA have moved on. The projected science fiction date is 2030 and can examine American Politics in a new era, or look at world politics changed by the actions of USA policies and people. While war stories can be popular in this collection only 2 will be purchased. Political shenanigans would be interesting, as well as romance, spooks, robots and evil overlords. While the initial inspiration is based after the Presidency of Donald Trump it has been advised not to slander or denigrate him or anyone with anything that is not already well known and shared in open media sources (not rumour or innuendo – facts are okay, mistruths are not)
Deadline – August 10 2017
Word Counts – 4000 to 7500 words
Pay 0.01 cent a word paid on acceptance.
Reprints 1/2 a cent per word. I buy very few reprints. / Return times 6 weeks/
submissions to – [email protected] (subject line – TRUMPETER)
Publication Date. – October/November 2017
The rights purchased are first international right in e-book/reader/pdf/POD/Print. All rights return 6 months after publication, though the anthology will remain in print for an indefinite period.
As well as payment authors also get a copy of the anthology in print form and access to all forms of download systems.
For Advertisers – a complete ad for the opposite page of a short story and which is in keeping with the futuristic style of the collection will need to be set at 5″x 8″ with 5mm bleed all round. To help support this product ads are kept at a low rate of $150 per ad. All payments for ads are made to
Robert N Stephenson, owner, editer, and publisher for Altair-Australia.com
Via: Robert N. Stephenson.
Payment: $10 for original poetry, essays, flash stories (under 2.5K words), and reprints; $50 for original stories between 4-8K words or longer.
Note: Reprints Allowed
Mithila Review is a speculative arts and culture magazine. We are open to original submissions as well as translations from around the world.
Along with original speculative fiction and poetry, we will host reviews, discussions and appreciations of stories, books, movies, television series, arts, comics, etc that explore interstitial spaces and marginal experience in the world we live today.
What are speculative arts?
Speculative arts and culture encompass literary and artistic works in the broad genre with supernatural, fantastical or futuristic elements i.e. science fiction, fantasy, science fantasy, horror, alternative history, magic realism, uncanny and weird. Learn more.
You’re welcome to join our Science Fiction and Fantasy group on Facebook for reading recommendations, academic resources and occasional call for submissions.
We welcome literary and speculative poetry from around the world. Please send us your best work. Our favorite poets include Arvind Krishna Mehrotra, Amal El-Mohtar, Arundhathi Subramaniam, Gwendolyn Brooks, Kabir, Li-Young Lee, Shweta Narayan, Sofia Samatar, W.B. Yeats, among others.
We are looking for speculative fiction that explores the interstitial spaces and marginal experience. We are also open to excellent literary fiction with speculative elements.
Stories that we love regularly appear in leading SF magazines including Strange Horizons, Clarkesworld, Tor,Uncanny, Apex, Lightspeed, Nightmare, Futures (Nature), Interfictions, Daily Science Fiction, Drabblecast, Beneath Ceaseless Skies, PodCastle, EscapePod, among others.
Please send one story, essay, film or book review or up to 3 poems in a single document at a time tosubmissions[@]mithilareview.com.
Document formatting tips: Please use Times New Roman, Font Size 12. We accept .doc and .docx formats.
Response Time: 1-3 weeks. Average: 1 week.
Payment: $10 for original poetry, essays, flash stories (under 2.5K words), and reprints; $50 for original stories between 4-8K words or longer. (Update: 10/24/16)
Rights: We need first world electronic rights (text), and non-exclusive audio and anthology rights for our planned annual anthology.
Patrons: We need patrons to help us become a professional market for emerging and award-winning poets, authors and artists across the world.
Via: Mithila Review.
Payment: .02/word with a $20 minimum for previously unpublished work. Reprints $10 per piece.
Note: Reprints Allowed
Blue Monday Review is a quarterly publication that draws inspiration from the works of Kurt Vonnegut. He was a man who knew how to craft great stories that celebrated truth and beauty while maintaining a sardonic wit that makes our hearts swell with bitterness and joy. If your work can stir up even a sliver of that feeling, we want to see it.
* Please note, we tend away from political satire and any work that is misogynistic, racist, homophobic, etc.
We like get-up-and-go in our prose. We want a complete story, not a premise; rounded characters, not caricatures. Past that, what trips our trigger is the peculiar and off-center. We love anything that’s absurd, experimental, quirky, satirical or surreal while still retaining its humanity. We want to lose track of ourselves in the beauty or horror or wildness of your story.
By all means, experiment with form and genre, but first make sure your story engages. If your story wanders off into the corner to mumble to itself, be damned sure you’ve made us want to follow and listen in.
All of the above applies to nonfiction, too. Your work should extend past personal experience to seek a deeper truth. Finally, keep it literary in tone. Right now, we don’t do book reviews, academic essays, travelogues, etc.
Your poetry should send our minds reeling, but make sure you give us substance to sink our teeth into. Make us want to climb into your poem and live there for a while. Your poetry should highlight the peculiar and the off-center and pull us in.
We love prose poetry but are open to all styles. We will freely admit to a bias against purely pastoral/nature poetry and poetry that rhymes. That said, we also like being proven wrong. Please send no more than 3 poems in a single document.
FICTION & CREATIVE NONFICTION
Got something that’s not really poetry, fiction, nonfiction, or artwork? We want to see it! We’re talking one-acts, comics, screenplays, photo essays, fake advertisements, whatever. Just keep it literary in tone and make sure it fits in with our general style guidelines.
3500 words max, please query if longer.
Keep it under 3500 words. Above that, query us.
No more than 3 poems or 3 flashes (1500 words apiece). Submit these as a single document. For Express Lane submissions, each individual piece must be submitted separately.
Edit your stuff! We hate to see typos and sloppiness. Also, ensure your fancy stuff (accent marks, special formatting) makes it through on your final document.
Use Times New Roman, 12 point font. Double space your prose and single space your poetry. We prefer .doc or .docx.
Leave your name and other personal info off your work. That information belongs in your cover letter. Your submission may be immediately rejected if you fail to follow this.
No more than 5 pieces, please. Submit them in a .zip folder.
Put your last name in the file title.
The higher the resolution, the better. 300 dpi and 1500 pixels on the shortest edge is an optimal minimum.
Cover art should be colorful, with a peculiarity that captures attention and stirs the imagination.
Interior art should be in black and white. We like pen & ink, brush & ink, B&W photos, stuff like that. We especially like work in a series, so send us multiple samples, especially if you do cartoon art.
No fucking clowns.
From our Art Director: “The tragicomic human condition is what moves us, rather than opinion, polemic, or social commentary. We gravitate towards artwork that is edgy. Nature-centric art and pictures of your cat rarely fulfill this deep internal need of ours.”
One submission at a time, people! If we decline you, go ahead and re-submit whenever; we just really hate seeing 15 pieces in a row by the same person. We try our best to get back to you within 3 months or less, but feel free to contact us if we’re running behind on your submission.
Feel free to send your work to other publications, but please let us know if your submission becomes unavailable to us for any reason. To withdraw only one piece of several or if you want to change your status from “unpublished” to “previously published,” just leave a note in the Submittable system or shoot us an email.
One last thing: Please don’t plagiarize or violate someone else’s copyright. We won’t print your fanfiction or anything that utilizes characters/universes you didn’t create. We also don’t dig work that features public personalities because we hate getting sued.
Failure to strictly adhere to our stated guidelines may result in a submission being immediately declined. If you have any questions about this, please query us first.
We believe in paying contributors for their work. It is work, after all. Contributors whose work is selected will receive the following compensation along with one free contributor’s print copy.
We reserve one-time and anthology rights, all other rights revert back to the author upon publication.
Fiction, creative nonfiction, and ETC. work is compensated at a rate of .02/word with a $20 minimum for previously unpublished work.
Poetry is compensated at $10 for previously unpublished work, $5 for reprints.
Art is compensated at a flat rate of $20 per accepted piece.
Via: Blue Monday Review.