Deadline: May 25th, 2017
Payment: Contributor’s Copy
Note: Reprints Allowed
See Through My Eyes Anthology Call:
Ghost Mystery/Horror Anthology
Submission Period: January-May 25th
Word Count: 1,500-15,000
Horror anthology featuring chilling ghost mysteries. With this anthology, I want you to send chills up my spine and keep me guessing at every turn. Who is the real ghost? Do they know they are dead? Do you? Who killed them? Why? What do they want?
For this anthology, we will not be accepting flash pieces as it is hard to convey the atmosphere and intricate mystery story line that we are looking for in so few words.
Response Time: Please allow up to one month. After that, if you don’t hear from us then feel free to give us a little nudge.
Payment:Compensation for the anthology will be one paperback print copy as well as a PDF. All authors will also get a Createspace discount code to purchase additional copies.
Editing: Yes, your story will be edited if we decide to accept it. After we go through and edit your story, it will then be sent back to you for final approval. In some cases, we may ask for revisions to be made.
Payment: We pay $.06/word for original fiction 6000 words or less, $100 flat rate for reprints over 2000 words, and $20 flat rate for flash fiction reprints (stories below 2000 words).
Note: PodCastle opens and closes throughout the year.
PodCastle is looking for quality fantasy fiction. If you’re a writer with a speculative short story that you’d like to hear narrated by one of our performers, we’d like to see it.
Occasionally, we run reprints in the novelette range (up to 17,000 words), although they are a harder sell. Query to [email protected] before submitting longer works.
No multiple submissions.
Simultaneous submissions are permitted; just mention it in your cover letter up front, and let us know if you sell it elsewhere first.
Reprints are welcome, and strongly encouraged. We are happy to consider stories previously released on Patreon as reprints.
Payment and Rights
We pay $.06/word for original fiction 6000 words or less, $100 flat rate for reprints over 2000 words, and $20 flat rate for flash fiction reprints (stories below 2000 words).
As of January 2016, PodCastle publishes in both text and audio. You are offering us both when you submit your story. We ask for 4 months exclusivity for text and audio for original stories, and 4 months audio exclusivity for reprints. We are happy to receive previously-podcasted stories; this just means don’t re-pod the story until 4 months after publication with PodCastle.
We distribute under the Attribution-NonCommercial-NoDerivatives license. Briefly, this means that the entire world has permission to distribute the audio files for free, provided they give credit for it, don’t try to make money off of it, and don’t change it in any way. Transcribing it, extracting portions from it beyond fair use, and mashing it up are all prohibited.
This license applies only to our audio performance of your work, for which we’ve contracted and paid you. It does not apply to your story itself; you retain your copyright and all rights to any other use of the story.
You can find samples of our contracts at the links below. Note that these are for informational purposes only, and upon acceptance all the relevant information will be completed by our managing editor:
PodCastle is looking for fantasy stories. We’re open to all the sub-genres of fantasy, from magical realism to urban fantasy to slipstream to high fantasy, and everything in between. Fantastical or non-real content should be meaningful to the story.
We are an audio magazine. Our audience can’t skim past the boring parts. Ideally, fiction should have strong pacing, well-defined characters, engaging dialogue, clear action, and still be beautiful. Above all, we’re looking for stories that are fun to listen to. Humor is encouraged.
We hope to publish fiction reflecting the full range of settings and tropes found in fantasy fiction. We’d particularly like to see more stories set outside America, and stories that feature characters who represent a range of backgrounds and ethnicities.
Podcastle welcomes submissions from writers of all backgrounds. We are especially interested in seeing more submissions from people of backgrounds that have been historically underrepresented or excluded from traditional publishing, including, but not limited to, women, people of color, LGBTQIA and non-binary gender people, persons with disabilities, members of religious minorities, and people from outside the United States.
If you identify as part of these or other underrepresented groups, we welcome and encourage you to indicate so in your cover letter. We acknowledge the reality of unconscious bias and will make our best efforts to account for it during the editorial review process. Our goal is to publish fiction that reflects the diversity of the human experience.
In your cover letter, please include your legal name, byline (if different from your legal name), mailing address, and the story’s approximate word count and publication history. If you have any previous publications, feel free to list the most recent three, but this is optional and won’t affect your story’s consideration.
Once you’ve sent us your story, you will get an automated confirmation via email. Please query if you have not received this confirmation within 24 hours.
After three months, if you haven’t received a response, feel free to query by email.
By sending us your story you understand and agree that:
You are the original creator of the work submitted to us;
You are the copyright holder of the work;
You are not prohibited by any prior agreement from the transfer of non-exclusive electronic and audio rights to the work;
All information in the contact and cover sections of your submission is accurate and truthful;
You accept sole responsibility for any false statements or encumbrances upon rights not disclosed to us.
If we buy your story we’ll send you a contract, and you’ll be bound to all of the above.
If you have questions, comments, or suggestions, send them to our staff at [email protected] We’ll do our best to get back to you within a few days.
Thanks very much for your time, and we look forward to reading your fiction!
Deadline: December 31st, 2017
Payment: 1 cent a word
VOLUME 3: STORIES PUBLISHED IN 2017
Is your story too heavy and hardcore for other “best of” anthologies? Then you’ve come to the right place because Comet Press is now accepting stories for YEAR’S BEST HARDCORE HORROR VOL. 3, a yearly collection intended to give recognition to the extreme, harder side of horror, stories that break boundaries and trash taboos.
Editors: Randy Chandler and Cheryl Mullenax.
Requirements: The story was (or will be) published in a 2017 anthology, single author collection, magazine, or online magazine. Self-published anthologies and collections are acceptable as well.
Deadline: December 31, 2017.
Length: Short stories/novelettes.
Payment: 1 cent a word.
What to Send
In the body of an email:
Name of anthology or magazine or online magazine it was published in:
If the book is available on Amazon and your story credit appears somewhere on the page, send us the link. If not, send a link to the best source with that information (publisher’s page, etc).
If the story was in a magazine, send us a web link to the issue TOC where your story appears, or if that’s not available send us a scan of the table of contents (print magazines, etc.).
A short synopsis.
Attach the entire manuscript in rtf, doc, or pdf format. Note: please make sure this is the final version of your story, exactly as it appears in the published version.
Important Note: Make sure your contract allows you to publish the story in a “best of” anthology. If you’re not sure, check with your publisher. If necessary, ask them for a waiver.
In an email include the following:
Author name and story title(s) for consideration
Name of publication and publisher, date published and format (print, ebook, magazine, etc)
A pdf or text document of the publication.
Include in the Email subject line: HARDCORE ANNUAL – Your Story Title
We’ll send a notification within 48 hours that we received your submission. If you don’t get this, please inquire. We may not have received it.
Deadline: July 31st, 2017
Payment: Original Fiction (3,500 to 7,000 words) 0.01 pounds (GBP) per word, capped at 50 pounds Reprints (3,500 to 7,000 words) 10 pounds (GBP) per piece
Reprints welcome but I suspect unlikely to be chosen
We will be accepting six short stories of the highest quality for this anthology, which is designed to be read in one stormy sitting. The story must begin with an individual, couple, or group seeking shelter from a storm of some kind. Atmosphere, suspense, and a gripping plot are essential elements.
Submissions open: January 1st, 2017 to July 31st, 2017
Acceptances: September 30th, 2017
Publication: Early 2018
What We Want:
Well-written and thoroughly edited tales in the following genres:
– Mystery (especially, a brilliant locked-room mystery)
– Psychological Horror
– Historical (but you need to know your facts, because we do)
– Strange and quirky stories
– More of this: Shop
It’s also worth noting that we greatly prefer British English.
What We Don’t Want:
– Fantasy, Dark Fantasy, or Modern Fairy Tales
– Science Fiction
– Supernatural Horror (but we will consider stories with an ambiguous ending)
Contributors will be paid via PayPal upon publication. Contributors will also receive an ebook copy of the issue and will be able to order up to ten print copies at near cost price.
Original Fiction (3,500 to 7,000 words) 0.01 pounds (GBP) per word, capped at 50 pounds Reprints (3,500 to 7,000 words) 10 pounds (GBP) per piece
General submissions guidelines can be found on our submissions page.
Payment: 0.01 per word, CAD
Note: Non-released in audio reprints allowed
The Centropic Oracle is looking for science fiction and fantasy stories that make you feel and think. In our opinion good fiction – particularly SF and Fantasy – should challenge us to examine our own lives and beliefs. It should force us to reflect on how we fit into the world and what it takes to make the world a better place by our being in it. We aren’t looking for things that will give us answers to those questions, but that doesn’t mean your story shouldn’t have a resolution (good, bad, or indifferent!) to its conflict.
What we do not accept:
– erotica of any description;
– gratuitous graphic violence;
– profanity – we need to maintain our non-explicite rating on iTunes, so keep it PG
– anything to do with zombies;
– pieces that are nothing but proselytization of a religious or political perspective;
– racist, homophobic, misogynistic, or misandrist works;
– fan fiction – it must be an original story that you own all the rights to.
What’s a tough, tough sell and makes us shudder at the thought of having to read it yet again:
– any supernatural being in a romance with a human.
The prose must be readable and easily spoken aloud. This means that it must flow naturally and not distract the reader from the story. Lyricism is fine (we quite enjoy it) but pointless repetition is distracting. This is flash and short fiction so every word counts. Make those verbs active and incorporate your adjectives well to set mood! A single well-placed word in a sentence can change it entirely. Word usage frequency is something we notice. Take a break from your piece and read it again. Do you notice one word that pops up again and again? If you notice it, it’s guaranteed we will – it’s a pet peeve. Rhythm and cadence matter too, we don’t want to read pieces that sound like they were written by a robot who is only capable of crafting sentences five words long.
Characterization is integral. If you don’t know your character, your reader won’t either. It’s distracting when a character behaves in ways that don’t make sense, or outbursts feel like they came out of nowhere.
Continuity errors are a sure way to get a rejection. If your antagonist changes hair colour part way through the story, you will get a rejection. Continuity is one of the key basics in editing and is an indicator that you haven’t proofread your piece, let alone given your best effort to it.
Grammar matters. Know the difference between your, you’re, and yore, and between to, too, and two. Know when to use a comma. The occasional typo is one thing (even those of us who are proficient in grammar can miss a single typo despite reviewing a manuscript a dozen times) but poor grammar won’t get you past the first read, and if it’s bad enough we won’t even finish the read.
If we have rejected your story, do not resubmit it. We do not ask for rewrites. Ever. If it’s almost there, we will accept the piece contingent on specific edits. If you refuse the suggested edits and we feel strongly enough about the necessity of those edits, we will release your piece unpublished and without payment.
If we accept your story we will require a bio and a photo from you for promotional purposes on our website. In addition, be prepared to be called to interview with the reader and/or a small panel for a group discussion of your story. Talking points will be sent out prior to the voice-only interview so that you can have anecdotes or comments prepared. If you do not wish to have your photo posted, or appear on the show, do not submit.
Flash fiction submissions should be between 200 and 1500 words. We accept vignettes in the flash fiction category as long as they make us feel and think. We aren’t of the belief that they don’t have value and we actually enjoy them when the prose is beautiful.
Short story submissions should be between 1500 and 6500 words. The upper limit is absolute and longer stories will be rejected without being read. This is an audio podcast, and we aim to keep our ‘casts to a maximum of 40 minutes.
Query us about serial works (not novels, serials in the fashion of the original Sherlock Holmes stories). It’s a tough sell, but we may go there for the right worlds and characters. Our criteria for those are more extensive and our automated system does not handle our process.
We do not accept multiple submissions. We do our best to keep our response times as short as possible, which means keeping the pending list as short as possible. Once you have received a response to your submitted story you are welcome to submit again.
We do not accept simultaneous submissions. We try hard not to keep you waiting long for a response.
We do not accept pieces that already have audio recordings published but we do not consider your story a reprint if it has appeared elsewhere in print (hardcopy or electronic) only. Be sure to tell us when submitting if it has been published in print and we will promote it before the ‘cast so our audience may read along if they wish.
Currently we pay CAD$0.01 per word, but that will increase as we grow. If we publish your story we do ask that you help us promote it on your social media platforms. The faster we grow our audience, the faster we can increase our word rate. Payment will be made within 30 days of publication.
As part of the compensation you will be actively promoted on our website, so please keep us updated with any new credits you accumulate. We will provide an affiliate link to anything you have listed under your byline on Amazon – or any other online retailer – and a direct link to any electronic free-to-read publication. You will receive periodic email requests from us to review your Contributor page and provide us with any relevant updates. Your Contributor page will appear on our Featured Author page in rotation and we will give you notice of when you will be featured so that you can share it on your social media platforms.
Paypal support payments made directly on your page will be forwarded to you less Paypal’s fees and a 10% commission. Payments made from the story’s feature page will be split 50/50 between the author and the actor less Paypal’s and our fees.
In the future, we may ask to include your piece in an audio anthology compensated a on pro-rata royalty basis with 33% to the author and 33% to the actor.
We require a one year exclusive and five years non-exclusive to audio rights from the date of publication. If you make a print (hardcopy or electronic) or video performance sale, let us know – we want to promote that!
Please submit in the Shunn format. If you aren’t familiar with it, you can see it here. Submissions that do not follow this format will be rejected unread.
Please submit rtf files only as our readers use a variety of devices.
How to Submit
We accept submissions through our electronic submissions manager only. Emailed submissions, or submissions sent via the contact form, will be deleted unread. We do not accept hardcopy submissions.
Once you have created an account in our Submission Manager and have submitted your story you will be redirected to a page that shows your Submission ID number and a confirmation email will be sent out. If you don’t get a submission ID, please contact our site support ([email protected]) to report the error. If you don’t receive the email, check your spam folder before contacting us. You can check back often to see your submission progress through the various reading stages. We take pride in our writer friendly submission manager, and hope that it helps your stress level to know where exactly your piece is at in the process, and how long you should expect it to get through that step. Please do not send us an email query unless your submission disappears from the manager (open or closed) and you have not received an email. We do not keep copies of rejected stories, only the submission activity.
Deadline: August 10 2017
Payment: 0.01 cent a word and a contributor’s copy
Notes: Reprints allowed
A Science Fiction anthology looking at the future well after the current presidents of the USA have moved on. The projected science fiction date is 2030 and can examine American Politics in a new era, or look at world politics changed by the actions of USA policies and people. While war stories can be popular in this collection only 2 will be purchased. Political shenanigans would be interesting, as well as romance, spooks, robots and evil overlords. While the initial inspiration is based after the Presidency of Donald Trump it has been advised not to slander or denigrate him or anyone with anything that is not already well known and shared in open media sources (not rumour or innuendo – facts are okay, mistruths are not)
Deadline – August 10 2017
Word Counts – 4000 to 7500 words
Pay 0.01 cent a word paid on acceptance.
Reprints 1/2 a cent per word. I buy very few reprints. / Return times 6 weeks/
The rights purchased are first international right in e-book/reader/pdf/POD/Print. All rights return 6 months after publication, though the anthology will remain in print for an indefinite period.
As well as payment authors also get a copy of the anthology in print form and access to all forms of download systems.
For Advertisers – a complete ad for the opposite page of a short story and which is in keeping with the futuristic style of the collection will need to be set at 5″x 8″ with 5mm bleed all round. To help support this product ads are kept at a low rate of $150 per ad. All payments for ads are made to