Deadline: June 1st, 2017
**Deadline: June 1st, 2017**
Prompt: Literature is inseparable from context: medium, culture, and conflict. Whether that be social media or formal writing, we are always part of a conversation with the world. As writers, we live our lives in the margins, we go beyond a social conversation and create an artistic dialogue. This is the way we process and handle big events in our history, this is the way we change our history; by recognizing what is happening within our environment and putting it in ink. “People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster” (Baldwin, 1953). We want to read your work outing the monsters and keeping our eyes open. We want to share your experience with the world as a statement.
Writing reflects the human experience—especially that bound by social and political pressures. We write in hopes to disrupt power dynamics and increase the voice of subalterns (Said, 1979). Onyx Neon seeks submissions of disruptive poetry for a social activist anthology.
The Project: In Fall 2017, Onyx Neon will release a collection of poems under the umbrella of American Upheaval. The world is reacting to a drastic shift in administration—and those reactions are raw, loud, and critical. We want poems that add to the political conversation.
This collection will be edited by Head Editor of Onyx Neon Shorts, Lindsay Deter-Wolf, with Kit Martin.
Submission Instructions: Please submit 1–6 poems. Each poem (including its enjambed stanzas and verse paragraphs, your chosen formatting) should appear on its own page, and the submission itself must exceed no more than six pages in total.
What we pay: Our standard collection rate is a percentage of the final product based on how many poems are in the collection.
What’s the deadline: No poems will be considered after June 1st.
First Print and Electronic Publishing Rights: When your poem is published for the first time, that publisher has taken your work’s First Print Rights. This means that every subsequent publication must list where it was first published. In this case, we also take Electronic Publishing Rights. Other publishers may be uncomfortable publishing your work electronically after it has been printed by Onyx Neon. For all intents and purposes, after your work is published by us it can only be marketed as a reprint, which could limit the number of markets that will accept it thereafter. It is up to you—the author—to decide if publishing your work in print and/or eBook formats and/or on the web (surrendering First Publishing Rights for royalty-based payment) method is what you want to do.
What rights do we get from you? Our contract states that poetry we acquire from you is yours, now and forever. We come from a background of both fiction and open source coding. We do not require exclusivity. We publish the work so long as you allow, and stop publishing it per your preference.
What about works printed elsewhere? (known as a Reprint): If you own the rights and we like it, we will print it. First publishing rights, and Exclusive E-publishing Rights, are not important criteria for Onyx Neon. Good writing and original ideas: these are important.
How to submit: Submissions should be emailed to (shorts)(at)(onyxneon.com). Please put “Poetry Collection—‘your name’—‘collection/poem title’” in the subject line to ensure we see and log it appropriately. Do not attach a cover page or put your name on any of the pages. All contact information must be enclosed in the email. Submit your work in .doc, .docx, .rtf, LaTex, Twine or plain-text format. Do not copy and paste submissions into the body of the email, but please include a summary of your work.
Do you accept multiple submissions? Yes. If you send them all in one email it’s much easier for us to track.
Do you accept simultaneous submissions? We will absolutely consider a poem that you sent to someone else. We would, however, hate to fall in love with your poem and not be able to publish it. Please alert us immediately if you decide to publish your work elsewhere.
Have you read my poems? We reply to everything when we have finished evaluating, and we will let you know if we are going to publish it or not. We hate waiting to hear back from people as much as the next person, so we do not wish that on anyone.
Why are you so slow? We read a lot, and we leave the vault sometimes. But keep in mind, we are reading your work. If you have not heard from us after three months, please feel free to send us an angry email with lots of grumpy emoticons and pictures of cats.
If your work doesn’t fit into our anthology’s scope, it will still be considered for general publication.
Please submit to (shorts)(at)(onyxneon.com).
We look forward to reading your beautiful, original poetry.
Via: Onyx Neon.
Deadline: June 15th, 2017
Payment: 4-5% of gross profits depending on length.
Curated by Peter Rawlik
“I pray God will curse the writer, as the writer has cursed the world with its beautiful stupendous creation, terrible in its simplicity, irresistible in its truth…”
~Robert W. Chambers, The King in Yellow
Robert E. Chambers’ The King in Yellow features a being, the King in Yellow himself, who is embodied in the play of the same name, and in the color yellow.
We want to follow in the footsteps of Chambers, invoking links between specific colors, the mythos deity they might represent, and what influence they might have on the various arts.
For example, what terrifying things are hinted at by the titles the Black Goat, the Green Man, the White Worm, and the Red Queen, and to what arts are they linked?
Give us tales that invoke the chromatic avatars of the Great Old Ones and the impact they have on the arts, but as we all know the arts are open to interpretation, and could easily include architecture, literature, cuisine, pantomime, and haiku. Art is in the eye of the beholder, and color is only an abstract concept, but fear and terror are very real, and so are the Great Old Ones.
What We Want
Fresh takes on the Cthulhu Mythos, Chambers’ mythology (the Yellow Mythos), and Cosmic Horror. This isn’t the place for Lovecraftian clichés. The more it feels like a “lost” Lovecraft story, or relies on the clichés of the genre, the less interested we are. Creativity is the watchword.
While we are open to straight horror, we much prefer submissions closer to Chambers’ style and tone. Which is to say, we’d greatly prefer dark fantasy with a cosmic horror undercurrent. If you’re unfamiliar with Chambers: The Twilight Zone, Manly Wade Wellman’s fiction, and THING are all excellent examples of that sort of tone and sensibility.
We want complex tales of cosmic horror, the arts and artists all properly hued. To avoid overlap of colors, monsters, titles, and arts story pitches must be made to the curator first. We already have a King, and we already have a Prince; help us a fill the rest of the court.
In addition to unique and clever takes on the Chromatic Court concept, we’d prefer: strong, developed characters;
We recommend reading Robert W. Chambers’ The King in Yellow, the monumental work of dark fantasy that started everything. It’s the foundation of so many of the above ideas and mythology. Lovecraft linked the King in Yellow—both the entity and the play—to his own revised elder god Hastur.
T.E.D. Kline’s Black Man with a Horn linked Nyarlathotep to jazz and horned instruments, making Kline’s story an early forbear of this concept.
My own story The Sepia Prints, featured in my novel Reanimatrix, establishes Cthulhu as the Sepia Prince, and intrinsically links the being to opera.
Payment: 5% of the gross profit will be paid for each accepted story. These payments will be issued to you at quarterly intervals. Stories under 1,500 words will only receive 4% of the gross profit.
Rights: First World Digital and Print.
Deadline: June 15, 2017
Word Count: 4,000-16,000
How to Submit your Story:
• All stories should be sent, as an attachment, to [email protected]
• The file must be formatted in .doc or .docx.
• The interior of the document must be in double spaced Times New Roman (12 point font).
• Indents must be placed through your system’s Paragraph function; do not set indents by pressing tab or space. If you already have tabbed or spaced indents, please remove them first. Please use full em dashes (—).
• At the top of your document, please include William Shunn’s submission header.
• Tell us a bit about yourself in the body of your email. Don’t stress this, it won’t make or break your submission.
• Place the collection you’re submitting to, your name, and your story title in the subject line of your email. For example, “Speakeasies and Spiritualists / Rose Mackenberg / So You Want to Attend a Séance?”
Pete Rawlik is the author of the novels Reanimators, The Weird Company, and Reanimatrix, and the co-editor for the anthology Legacy of the Reanimator. His fiction has appeared in Tales of the Shadowmen, The Lovecraft eZine, Talebones, Morpheus Tales, Crypt of Cthulhu, and Innsmouth Magazine. The concept for The Chromatic Court evolved out of his story The Sepia Prints, which became a key chapter in Reanimatrix.
Deadline: June 1st, 2017
Payment: Royalties and a contributor’s copy
Not horror, but with undeath involved you may be able to weave some elements in
We’re looking for Steampunk stories—specifically, mysteries that take place in a Steampunk setting. A mystery is the story of a crime and its solution. As for Steampunk, you can find a good, concise description at Steampunk.com. Supernatural elements are welcome.
Here are the particulars:
Length: Maximum 10,000 words.
Deadline: June 1, 2017
Submit to: editorjessfaraday at hotmail.com
Format: paperback and e-book
Payment: share of royalties plus author copies
Contract: we use a modified EPIC contract.
A lot of Steampunk focuses on the European experience. Elm Books is dedicated to promoting diverse authors and stories. Priority will be given to stories that feature characters from traditionally underrepresented groups—main characters of color, female protagonists, differently-abled main characters, LGBTQ main characters, and so on. Also, priority will be given to stories set outside of Europe, especially those examining colonialism from a non-European perspective.
We will not print stories containing graphic sex or violence.
Sound like enough of a challenge? Get writing!
Via: Elm Books.
Payment: 10% royalty on issue sales.
The goal of Under the Bed is to give readers horror stories that are fresh, tightly written, and most of all, scary. Reading with your back to the wall, occasionally getting up to check all the locks, hiding under the blankets–scary.
FictionMagazines.com(FMDC) publishes seven monthly magazines; one for each major genre of fiction. Stories of all types may find their home in our publications, though perhaps not on the first try. We offer feedback on every declined submission which follows our guidelines.
Upon acceptance, contributors are expected to collaborate with editors, FMDC staff, and other contributors to revise their submission, as well as promote the issue to which their work is accepted.
- Compensation: 10% royalty on issue sales.
- Rights: One month exclusivity & first publishing rights. Previously published work not accepted.
- Circulation: Thousands of readers on Amazon, Barnes & Noble, and FictionMagazines.com.
- Average reading time: Less than thirty days. Stories selected by peer review. Apply to curate.
- Word count: 4,250 to 7,500 words considered for fiction. No exceptions.
- Formatting: We prefer proper manuscript style. USA spelling. No double spaces or manual returns.
- Editing: Our editors use Google Docs for collaborative editing. Apply to edit.
Via: Under the Bed’s Submittable.
We are currently OPEN to fiction collection, novella and novel submissions. (9-14-2016)
Guidelines for all submissions:
- JournalStone is currently accepting manuscripts with the following genres: Horror, Sci-Fi, Fantasy, Paranormal in the Young Adult and Adult markets. We reserve the right to consider the subject matter and how best to utilize it. JournalStone does not practice censorship of any author’s work.
- In your cover letter, tell us the word count, genre, and a brief synopsis of the plot. Submissions without this information cannot be reviewed.
- Please attach your manuscript in your email as a .doc,. docx or .rtf file. Do not paste your text in the body of the email.
- The title of your email subject line and file name should read: “Submission [type] – [title] – [genre] – [last name]”. For example: Submission Novel – Carrie – Horror – King.
- For proper formatting of your manuscript, please follow the Shunn way.
- We consider the quality of the editing in our review process. Please fully proof read and edit manuscripts prior to submission.
- Do not submit a work-in-progress. We only accept completed works.
- Allow two to three months for a response to your submission. We may respond more quickly, but we cannot guarantee timing.
- Please do not send follow up e-mails. We will notify you when we place your work in the queue, and will contact you when we have completed our review.
- Inform us if this is a previously published work. If you have self-published the same work, we would like to know the details about your effort. You may include website links in your email, to direct us.
- Email your cover letter and completed manuscript to jess [at] journalstone.com
What happens when you submit to JournalStone?
JournalStone will review your submission and decide whether we can publish it. Often, authors receive comments about their text, prior to any approval, with suggestions for improvements, or clarifications in the story. While this does not guarantee a firm acceptance, it can certainly help, and can ease the next few steps.
If your work is approved for publication, our president, Christopher C. Payne, will contact you with a contract for your review. Upon acceptance of that agreement, we will begin to move your manuscript through the editing and development channels. This part of the process can take a few, to several months. You will be involved the entire way.
Once editing and development is complete, your new book will be printed in proof form, and it will be reviewed again for any additional work. You will get a chance to see it, too! When approved in that first printed form – your book is ready for the release! JournalStone will begin to distribute and promote your book, to make the world aware of it.
*These are general guidelines to the publishing benefits provided; the contract serves as the final agreement, between JournalStone (publisher) and all authors, for work undertaken.
Payment: All works 250 or less words will receive $5.00. Works of 251 words or more will receive $0.02 per word
New Zenith Magazine is launching its first issue in July 2016. Our print edition will run quarterly, while the web-only supplement will be updated on a monthly basis.
What we accept:
New Zenith accepts any fiction up to roughly 3000 words in any genre except erotica. We accept cartoons, illustrations/illustrated stories and photography/photo storytelling. We publish authors of any age.
We do not accept non-fiction of any type. However, non-fiction on the topic of writing may be submitted to our bloglivewritelovelearn.
Our magazine will have a feature called “The Prompt.” For this prompt, please write one piece of flash fiction 400 words or less. Somewhere in the work should be the line, “I woke up and found myself …” It doesn’t matter where it appears, but it must be included. Prompts should be submitted with the subject line “Prompt.”
For magazine submissions email David Connell [email protected]
For blog submissions email Michelle Irby [email protected]
Fiction should have the subject “New Zenith Submission.”
Cover Art should have the subject “Cover Art.”
Photography/photo stories should have the subject “Photo Submission.”
Cartoons: We are looking for an illustrator who will provide a regular cartoon strip if possible. We also accept standalone cartoons, email with the subject “Cartoon Submission.”
Deadlines for July 30th issue: Works must be submitted by Noon Eastern Daylight Time, June 30, 2016 to be considered for inclusion in the July issue. Anything received after that deadline will be considered for the September issue, and for inclusion on the web site for August and September.
You may submit up to 3 works of prose, 5 works of poetry and 5 works of art/photography unless requested otherwise. Please submit each work in the body of the email, one per message.
All rights will return to the author upon publication. The magazine will retain the right to archive and reprint the story in its original form. This is solely for the purpose of providing reprints and an online archive to our subscribers. We will notify you if we wish to add your work to a “Best of” edition. Authors may choose if they wish to participate in that edition.
Prose/poetry: All works 250 or less words will receive $5.00. Works of 251 words or more will receive $0.02 per word.
Photography/Photo stories: $7.00 per submission.
Art/Cartoons: $15.00 per submission.
Via: New Zenith Magazine.