Deadline: June 30, 2017
Payment: $200 for stories under 5,000 words and $500 for stories 5,000 words and longer. Contributors also receive a paper copy of the book.
Note: I HIGHLY suggest reading the linked to pages here to see exactly what they’re looking for.
The Binge-Watching Cure II, our all horror edition is open for submissions.
We want to see your most terrifying prose. We’re interested in the full range of horror fiction genres and topics: dark fantasy, vampires, zombies, werewolves, Cthulhu Mythos, pure horror, psychological horror, ghost stories, East European myths, kind fairies gone rogue, Japanese monsters, apocalyptic horror, gothic, and plain scary monsters. If your imagination can conjure it, we want to read it.
The same general word length categories apply; we’re paying the same as we did for the first edition of The Binge-Watching Cure (which will be available later in 2017.) Please see our submissions page for details on how to submit your story, and our FAQ for answers to your most pressing questions. For submissions, the only difference between the first edition and the horror edition is that you need to include the words “Horror Edition” in the subject line of your email.
The deadline for submissions is June 30, 2017.
We are not interested in fan fiction or stories with graphic or sexual violence against children, graphic incest, necrophilia, animal torture, or gore for gore’s sake.
If you have a question, use our contact form or ping us in Twitter. Please don’t use the submissions email address for queries.
Via: The Binge Watching Cure.
Deadline: April 30th, 2017
Payment: AUD4c/word and one contributor copy in each format released
Post-apocalyptic military horror.
The end of the world as we know it.
What we want: Invading space aliens, demonic invasion as in Doom, DNA-grafted dinosaurs taking over the planet, manmade viral infections that nearly wipe out humanity, or artificial intelligence like in Terminator… anything you can think of that would bring about the end of the world. And SOLDIERS!
Tell us about what happens during the worst of the fall of humanity or afterwards.
No zombies. That’s already taken care of.
Full action. Nothing less.
Edited by Amanda J Spedding and Geoff Brown
Payment: AUD4c/word and one contributor copy in each format released.
Wordcount range: 2,000 – 10,000 words (query for shorter or longer)
SUBMISSIONS OPEN FEBRUARY 1 2017.
Closing date is April 30th 2017 (anything submitted outside this period will be deleted without being read or replied to).
No selections will be made until after the period closes.
Projected publication date: Late 2017
We will have some solicited authors alongside the open call, with the first being Jonathan Maberry.
Please follow these guidelines when submitting to us:
- Please put your full contact details on the first page of the manuscript top left, with word count top right.
- Standard submission format, with minimal document formatting.
- Courier or Times New Roman set at 12pt. Italics as they will appear. No underlining.
- Double spaced.
- Please don’t use TAB or space bar to indent lines. Use ‘styles’ only. If unsure or using a program that has no styles, DO NOT indent at all. That’s still cool.
- NO SPACE between paragraphs unless a line-break is required. ONE SPACE after full stops.
- Please put full contact details on the first page of the manuscript (yes, I said this twice… it’s important).
- Send your submission to Geoff Brown at [email protected] as an attachment (.doc/.rtf only)
- In the subject line of your email, please put JudgementDay: [STORY TITLE] (Replace [STORY TITLE] with your actual story title. Yes, unfortunately I do need to state this)
NO MULTIPLE SUBMISSIONS
NO SIMULTANEOUS SUBMISSIONS
Please include a brief ‘hello, this is who I am’ in your email body as a cover letter.
Blank emails with attachments will be deleted.
For a guide to standard submission format, see: http://www.shunn.net/format/story.html
The only variations to this format are that italics MUST appear as they will be used – no underlining – and again, only one space after a full stop.
Anyone that fails to follow these guidelines will likely see their story shredded by zombie mutant creatures.
Via: Cohesion Press.
To make sure that the volume of submissions doesn’t get out of hand while we’re still getting up to speed with our new submissions system, we’re trying out a weekly schedule:
- We’ll always reopen every Monday when the new issue is published.
- When we’re open, there will be no daily cap.
- During the week, if and when the queue begins to significantly outstrip the reading, we’ll close for the week to give ourselves room to catch up.
- This page will always clearly indicate whether we’re closed and if so, when we’ll be reopening.
- Vajra Chandrasekera
- Lila Garrott
- Catherine Krahe
- An Owomoyela
Guidelines at a Glance
- Speculative fiction, broadly defined.
- Up to 10,000 words (under 5000 preferred).
- Previously unpublished in English—we buy first English rights, including audio.
- Submitted through our Moksha submission gateway—no email or postal submissions.
- No simultaneous or multiple submissions; no re-submissions.
- Please send only RTF, DOC or DOCX files and try to stick to standard manuscript format as much as possible.
- Payment of 8¢/word USD, within 60 days of contract.
If you have any questions, write to [email protected] with the word QUERY: at the beginning of your subject line.
Everything else on this page is intended to clarify, explain, or provide insight into the above guidelines. If you’ve submitted to us before or feel confident that your story meets our guidelines, feel free to skip the rest of this page. If you’re uncertain on any point, you’ll find more detailed discussion below.
What We Want and What We Don’t Want
We want good speculative fiction. If your story doesn’t have a speculative element, or strong speculative-fiction sensibilities, it’s probably not for us.
Some particular things we love, or are interested in:
- Fiction from or about diverse perspectives and traditionally under-represented groups, settings, and cultures, written from a non-exoticizing and well-researched position.
- Unusual yet readable styles and inventive structures and narratives.
- Stories that address political issues in complex and nuanced ways, resisting oversimplification.
- Hypertext fiction. If you have a work of hyperfiction you think might be a good fit for Strange Horizons, please query us to discuss how to submit it.
Things which are fine:
- Profanity is fine. Use whatever words are appropriate for your story.
- Sex or violence in a story should be artistically justified; no excessive gore.
- We welcome submissions from anywhere in the world, and British spellings are fine.
- We will consider stories which have previously appeared in another language, but have never been published in English.
- We welcome all subgenres and forms of speculative fiction.
Things we won’t consider:
- Stories above 10,000 words, including serialized novels or novellas.
- Partial or incomplete stories. Please don’t send us part of a story and ask us to request the rest of it if we’re interested.
- Unsolicited reprints of works previously published in English.
- Stories previously submitted to Strange Horizons, even if they have been revised.
- Multiple stories at once from the same author.
- Submissions sent to us and another venue simultaneously.
- Poetry or nonfiction; we’re the wrong department for those.
Pay Rates and Lengths
We prefer stories under 5,000 words, but we consider stories up to 10,000 words. Note, however, that the longer the story is, the less likely we are to be interested. Our wordcount limit is not absolutely inflexible, but we can’t consider stories much over the limit, not even as serials. However, we have no minimum wordcount requirement; we consider short-short stories. We determine story length by taking the word-processor wordcount and rounding up to the next highest 100 words.
We pay 8¢/word (USD), with a minimum payment of $60. SFWA officially considers us a professional market. We pay by check or PayPal, according to the author’s preference.
We buy first-printing world exclusive English-language rights (including audio rights) for six (6) months. After that period, you are free to republish the story elsewhere. We hope you’ll allow us to leave the story in our archives indefinitely after it’s rotated off the main table of contents, but you have the right to remove your story from the archives at any time after one (1) year.
How to Submit
Check the top of this page to see if we’re open to submissions, and if we’re open, upload a file using our submission gateway. In order to track stories correctly, we can only consider stories submitted through that form—no email or paper mail submissions.
Your cover letter can be minimal: generally, these should be short and list just a few of your most recent or most relevant publications or workshops. If you’ve got life experience relevant to your story (e.g. your story takes place on a submarine, and you served on a submarine), please do mention that. Cover letters shouldn’t include plot synopses or pitches. If you are still concerned, please take a look at our sample cover letters page.
Don’t worry about how your story is formatted, in terms of font, font size, line spacing or indentation. Our system automatically reformats submissions the way we like them.
If you’re having trouble submitting, or have any other questions, please send an e-mail with a subject line of “QUERY: Your Question Topic” to [email protected].
Response Time and Response Status
We usually respond within a few weeks, but if you haven’t heard from us within 40 days, please query immediately. You won’t be rushing us along—most likely, we have responded, but the email’s gone astray.
We send an autoresponder message in response to every submission we receive. If you haven’t received an autoresponse within 24 hours after submitting, please query immediately. Missing an autoresponse usually means we have an incorrect email address for you, and won’t be able to contact you when we make a decision on your fiction.
After you submit a story, we strongly prefer you don’t withdraw it. If you withdraw a story, we won’t consider any version of that story in the future. However, if you do need to withdraw a story, please send an e-mail telling us that you need to withdraw, and let us know why.
How to Contact Us
To contact us for any reason, write to [email protected] with the word QUERY: at the beginning of your subject line. Add a few words to the subject line to indicate what you’re querying about.
Strange and Interesting Miscellany
None of this is required reading, but if you’re curious about how we do things, you may find the following links interesting:
- Stories we see too often: This list was made by the previous editing team, and has since been reposted and referenced by various people who’ve found it useful. Though there is some good advice here, we offer it as a curio rather than as a prescription.
- Why we don’t want authors to withdraw stories: This is a post by previous senior fiction editor, Jed Hartman. We agree with his reasoning.
Via: Strange Horizons.
Deadline: May 31st, 2017.
Payment: 5 cents per word
Chiral Mad 4 is officially open for submissions! The anthology is scheduled for publication in the first or second quarter of 2018 by Written Backwards, an imprint of Dark Regions Press, to be edited by Bram Stoker Award winning editor Michael Bailey. Much like Chiral Mad 3 and The Library of the Dead, this latest installment will be published in trade paperback, eBook, and deluxe hardback editions.
Unlike past Written Backwards projects, this fourth volume in the critically-acclaimed series of anthologies will be a completely collaborative effort of originality, collecting 4 short stories, 4 novelettes, 4 novellas, and 4 graphic adaptations (to celebrate this 4th book), all co-authored and/or co-created. The anthology itself may even possibly be co-edited. We’re also seeking individuals willing to write a co-introduction for the book. Email [email protected] if interested in either of these opportunities.
The goal of Chiral Mad 4 is to help bring our creative community together, to make us stronger, to strengthen relationships already in place, and to help create new relationships entirely. It’s time for all of us to play nice, to get along, and to do what we do best: create somethings out of nothings… and we’re going to create these beautiful somethings together. Have a specific writer/artist you’ve always admired? Well, now’s your chance. Reach out. Ask! That’s all it takes to get started. Find a partner, or two, or three, and start collaborating! The more unique the collaboration, the better the chances you have of making it into Chiral Mad 4. The more diverse the collaborations, the better the chances you have of making it into Chiral Mad 4. Now, here’s the hard part: knowing whether or not someone is already collaborating… Email [email protected] if you have any questions or concerns about this.
While half the anthology will be filled with commissioned works (the book is nearly half-filled already, with a few of the early acceptances announced below), the rest of the anthology is open for submissions for a short period of time. The submission window for non-commissioned contributors closes May 31st, 2017. So get to it! This is a very short window of opportunity.
What are we looking for?
- 4 short stories (5,000 words max)
- 4 novelettes (10,000 words max)
- 4 novellas (20,000 words max)
- 4 graphic adaptations (1,500 words max, or 10 pages)
Payment will be $.05 per word, capped at the max word counts listed above, split evenly between contributors. Two contributors writing a 5,000-word short story, for example, would split $250, or $125 each. Contributors writing a 10,000-word novelette would evenly split $500. Contributors writing a 20,000-word novella would evenly split $1,000. Graphic adaptations will be determined by the publisher/creator prior to acceptance; these are unique collaborations and payments for such are not as simple to calculate. In fact, 3 of the 4 slots for graphic adaptations are already filled, so please query [email protected] before submitting. And, as always, contributor copies of each edition are part of the deal.
That said, the first acceptances for Chiral Mad 4 include the following:
- Elizabeth Massie & Marge Simon have joined forces with a new short story called “The Substance of Belief” or “At the Crest of the Mountain.”
- Darren Speegle and Gene O’Neill have collaborated on a new novella called “Fifteen Lifetimes, Plus a Lifetime More.”
- Glenn Chadbourne and Jack Ketchum have been commissioned to adapt “Firedance.”
- James Chambers, Jason Whitley, and Christopher Mills have collaborated on “The Ghost of the Bayout Piténn,” a sample of which is pictured above.
Other commissioned works include a novelette co-authored by a foursome of writers, and even a collaboration between a contemporary writer and a writer no longer with us.
So, hopefully all of this gets you excited, gets you eager to reach out to others in our creative community. Chiral Mad 4 is the most ambitious project ever imagined by Written Backwards. Please, be a part of it.
4 short stories / 4 novelettes / 4 novellas / 4 graphic adaptations
Via: Written Backwards.
Payment: 8 cents per word
Scout delights in spreading original ideas about the social implications of technology. We accept submissions of original science and technology reporting, speculative and science fiction on a rolling basis. We also make periodic calls for content on specific topics.
In a world of rapidly evolving science and technology, imagination and moral foresight are our greatest human advantage.
Scout.ai combines science fiction and journalism to publish online dispatches on the future of technology. We’re building a platform that gives you the power to create your own model of the future and to play through possibility with a community of brilliant thinkers.
Scout.ai, an online community that combines science fiction and journalism, is seeking speculative and science fiction vignettes that illustrate the social impacts of emerging technologies.
We pay 8 cents per word for vignettes and short stories, most often between 250 and 2,000 words. We seldom buy stories longer than 3,000 words, and we don’t serialize novels.
We’re especially interested in character-driven vignettes that explore the near-term impacts of artificial intelligence, automation, genetic augmentation, and space travel, and the impacts of technology on governance, climate, and social structures. We also enjoy being surprised by original or unexpected topics.
Thoughtful but accessible fiction will constitute the majority of our purchases, but there’s always room for humor. Also, a note that when we say near-term, we’re looking for vignettes that portray what you think will be viable or probable in the next 1-7 years. We realize there’s plenty of variability in that range based on human optimism and pessimism and we’re OK with that.
We often pair fiction with existing Scout reporting, but we’ve also been known to build Scout’s journalistic product around particularly compelling speculative or science fiction vignettes.
We buy First English Language serial rights plus certain non-exclusive rights explained in our contract. We sometimes publish, but do not typically purchase, excerpts and reprints.
Scout will consider material submitted by any writer, previously published or not. We are especially interested in writers who bring perspectives or voices to their work that contribute to diversity in science and speculative fiction.
We publish online content on a regular, rolling basis. Our average response time is three weeks. If you have not heard from us in two months, you can query us about the submission at[email protected] Thanks for your interest in Scout and good luck!
Payment: 8 cents per word
Note: Will print dark fiction but not pure horror
ALERT: Please don’t submit stories longer than 1,500 words. Daily Science Fiction (DSF) is a market accepting speculative fiction stories from 100 to 1,500 words in length. By this we mean science fiction, fantasy, slipstream, etc. We will consider flash series–three or more flash tales built around a common theme. If you are submitting a flash series, please note that it is a series in your cover letter and at the top of the submitted text in the submission box. Each story does need to stand on its own.
We do not accept reprints. Unfortunately, if you have placed a story on your website, where it is open and available to the multiple billion people who have access to the internet, that constitutes publication. We’re sorry. No, we don’t accept self-published works.
Please don’t submit the same story to us and any other venue at the same time. Please don’t send us more than one story. Don’t send us another until we send you a response.
We pay 8 cents per word for first worldwide rights and for nonexclusive reprint rights. Additionally, we reserve the right to pay you more money for additional reprinting in themed Daily Science Fiction anthologies.
First publication sounds simple, but in today’s fractured fiction market it is anything but. Here’s what we mean by first worldwide rights: Your story will be distributed by email to our (free) subscription list, it will then be available on the website, via RSS, eventually through kindle and iphone/ipad (the “issue” consisting of all stories published during its calendar month), and as archived on the DailyScienceFiction.com website. The nonexclusive reprint rights are anticipated to apply to the omnibus volume of DSF’s stories for one year. Themed anthologies are anticipated to consist of 50-100% material originally published on DailyScienceFiction.com, plus additional materials as contracted. For these anthologies, payment will be determined if and when they occur.
- We need short short fiction, especially flash fiction. Among our featured stories, a shorter tale will get an extra nudge on the scale when weighed against a longer one. This is both for financial reasons and because it matches the preferences of a plurality of our readership. Not fair? Perhaps. Consider yourself forewarned.
- Of course, we want your stories to ooze originality, but a well-written story is a must. We are fond of character-driven fiction, though readers point out that not every story we publish fits that rubric. Our goal is to publish the best stories we can that will be interesting, worthwhile reads. Some stories, especially in the short short fiction, will succeed despite lack of plot, character, punctuation, what-have-you.
- We may purchase dark fantasy, but try not to publish pure horror. We don’t mind feeling the flush of arousal, but will not publish erotica. Guns a-blazing might make our day, but we don’t suspect most military SF will win us over. Humor? We take it, It often works especially for short short fiction, but do keep in mind that one alien’s funny bone is located near another species’ sac of indifference. We’re likely not your best market for longer funny tales.
- We don’t accept multiple or simultaneous submissions, but we promise to be as prompt as possible with our responses. Query if you haven’t heard back in four weeks. Or better yet, check your story’s status on this website. There is now a “check status” option on the sidebar.
- PS We’d like to emphasize that guidelines aren’t worth the paper they’re printed on (which in this case is no paper at all). Splurge for a free email subscription, or if you can’t afford free, browse the archives here on the website. Read, and get a feel for what Daily Science Fiction publishes. We always want new and different work, of course, but you can get a real tactile sense of this or any other publication only by reading it.
Via: Daily Science Fiction.