Ongoing Submissions: The Forge

Payment: $0.05/words up to 1,000 words, with a minimum payment of $25 and a maximum of $50

Our Process

The Forge Literary Magazine publishes one prose piece per week selected by a rotating cast of editors. Each submission is read anonymously by two editors. If a story is chosen to move forward, it is read by one of two rotating Editors of the Month who each make final decisions on the stories they receive. Since we are a diverse, international group of writers, our tastes and styles are wide-ranging. Read more about us here.

Try us!

 

Fiction and Nonfiction

We accept unsolicited submissions via Submittable. Again, since we read anonymously, please do not put your name anywhere in the file. We prefer stories below 3,000 words but will consider work of rare quality up to 5,000 words. We love flash and micro prose. Please send one previously unpublished piece per category and wait to hear from us before submitting another. Reprints are by solicitation only. Literary excellence is our only criteria. We are open to all genres and voices, and stories with any background, race, ethnicity, gender, sexual and personal identity from all over the world. We accept and encourage simultaneous submissions, but please withdraw promptly via Submittable if your piece is accepted elsewhere. Please do not inquire about the status of your submission until three months has passed. If you are a former contributor, please wait at least six months before you submit again; we only publish one piece per contributor per year.

Sorry, poets. We admire what you do but sadly, we only read prose for the time being.

 

Payment and Rights

We pay, upon publication, $0.05/words up to 1,000 words, with a minimum payment of $25 and a maximum of $50. We request exclusive worldwide English language rights to publish in the Forge Literary Magazine, an online journal, for a period of three months, after which all rights revert to the author. Authors outside the U.S. must be able to receive payment via Paypal.

Ready? Go!

 

submittable-submit-button

Via: Forge Lit Magazine.

Taking Submissions: Cicada Magazine: Aliens

Deadline: April 27th, 2017
Payment: Up to 10¢ per word

Cicada YA/teen lit magazine seeks fiction, poetry, comics, and essays on the theme of Aliens. Tell us a story of a stranger in a strange land, whether they be a three-headed visitor from the Andromeda Galaxy or just someone trying to navigate an unfamiliar place. Of course, feeling like an alien does not always have to do with physical location—sometimes you might feel like an alien in familiar spaces. We love works about extraterrestrials and outer space, but we also encourage authentic and diverse works about immigration, gentrification, and feelings of otherness and dissociation. Not welcome: cultural appropriation.

General Information

CICADA is a YA lit/comics magazine fascinated with the lyric and strange and committed to work that speaks to teens’ truths. We publish poetry, realistic and genre fic, essay, and comics by adults and teens. (We are also inordinately fond of Viking jokes.) Our readers are smart and curious; submissions are invited but not required to engage young adult themes. CICADA does not distribute theme lists for upcoming issues.

Especially welcome: works by people of color, people with disabilities, LGBTQAI+ folks, genderqueer folks, and other marginalized peoples. Not welcome: cultural appropriation.

Fav writers, YA and otherwise: Sarah McCarry, Nnedi Okorafor, Sherman Alexie, David Levithan, Daniel Jose Older, Debbie Urbanski, Nalo Hopkinson, Kelly Link, Chimamanda Ngozi Adichie, Ntozake Shange, Anne Carson, Jacqueline Woodson, ZZ Packer, Angela Nissel, Sofia Samatar, Richard Siken, Malory Ortberg, Saeed Jones, Octavia Butler, Andrea Gibson,

@cicadamagazine / cicadamagazine.tumblr.com

Guidelines

Before submitting, be sure to familiarize yourself with our magazines. (Sample copies are available for viewing at the Cricket Media Store, or you can order a current issue by calling 800-821-0115.) Issues are also available at many local libraries.

Fiction

Realism, SF/fantasy, historical fiction: Yes, yes, and yes

Length: flash fic to novellas; up to 9,000 words

 

Nonfiction

Narrative nonfic (especially teen-written); essays on lit/culture/arts; hybrid forms

Length: up to 5,000 words

 

Poetry

Length: no length limits. Send us yer epics!

 

Comics

Cicada seeks talented artists who are making thoughtful (or flippant), beautiful (or unsettling), exuberant (or quiet) comics, zines, visual poems, sequential graphic narratives, or any other work in image and/or text. We commission original stories from a brief pitch, and give developmental feedback through the production process.

If you are interested in submitting, please email a short pitch/sketch(es) and a link to your online portfolio to [email protected] COMIC SUBMISSION should be the subject line of the email. If you have more than one pitch, please include them in the same email. Please DO NOT send final art. Please allow up to 3–6 months response time.

 

Procedure

  • We only accept online submissions, and the Submittable page you’re currently on is the only place we accept them. We do not accept hard-copy submissions or email submissions. Submittable accepts international submissions.
  • Please do not email submissions to editors or Customer Service.

Cricket Media’s literary magazines (BABYBUG, LADYBUG, SPIDER, CRICKET, and CICADA) will consider all manuscripts that are sent on speculation. We do not accept queries. Please submit a complete manuscript. (Manuscript should be submitted as a .doc, .docx, .txt, or .rtf file.) Fiction and nonfiction manuscripts should include an exact word count; poetry manuscripts should include an exact line count. Include full contact information: phone, email, and mailing address.

Please allow up to 3–6 months response time.

 

What Happens Next?

The Manuscript Review Process

  • After manuscripts are received, they are reviewed by first readers. First readers consider each submission’s literary potential and whether it might be a good fit for one of our magazines.
  • Promising submissions are then carefully reviewed by several editors, including the magazine’s editor.
  • The magazine editor makes a final decision on whether to reject or accept the manuscript. For manuscripts that show some promise but need further development, the editor may write the author to request revisions on speculation.

After Acceptance

  • If we accept your manuscript, we will send you an acceptance letter detailing payment and rights information and any revisions we would like you to make (which acceptance shall only be binding upon your signing a final agreement that embodies agreed-upon rights and terms).
  • Once we’ve received your revisions, we carefully line edit the manuscript. The manuscript is then returned for your review. We work closely with our writers to bring out the best in each story, essay, and poem.
  • Once the manuscript is edited, it will be kept on file until it is assigned to an issue. Because we work 6–8 months ahead of each issue, it can be a year or more before a manuscript is placed.

Rights

  • Stories and poems previously unpublished: Rights vary.
  • Stories and poems previously published: CICADA purchases second publication rights. Fees vary, but are generally less than fees for first publication rights.

 

Rates

  • Fiction: up to 10¢ per word
  • Nonfiction: up to 25¢ per word
  • Poems: up to $3.00 per line; $25.00 minimum

 

Art Submissions Guidelines

We’re always looking for new artists! If you’re interested in sharing your portfolio with us, email [email protected] Use ONLINE PORTFOLIO SAMPLE as the subject line if you are emailing a link to an online portfolio. Use PORTFOLIO SAMPLES as the subject line if you are emailing attachments. Please limit any emailed file to a maximum attachment size of 50 KB.

Because of the volume of portfolios we receive, we cannot reply to individual submissions. We will be in touch if we have a project for you!

 

We do not accept submissions to our Creative Endeavors feature at this page. Writers and artists ages 14-23, please visit our Creative Endeavors submissions page to submit to that feature.

Via: Cricket Magazine’s Cicada Submittable.

Ongoing Submissions: PodCastle

Payment: We pay $.06/word for original fiction 6000 words or less, $100 flat rate for reprints over 2000 words, and $20 flat rate for flash fiction reprints (stories below 2000 words).
Note: PodCastle opens and closes throughout the year.

PodCastle is looking for quality fantasy fiction. If you’re a writer with a speculative short story that you’d like to hear narrated by one of our performers, we’d like to see it.

Submit online via our submissions portal using Standard Manuscript Format. We accept files in .odt, .rtf, .docx or .doc format.

Word count: up to 6,000 words.

Occasionally, we run reprints in the novelette range (up to 17,000 words), although they are a harder sell. Query to [email protected] before submitting longer works.

No multiple submissions.

Simultaneous submissions are permitted; just mention it in your cover letter up front, and let us know if you sell it elsewhere first.

Reprints are welcome, and strongly encouraged. We are happy to consider stories previously released on Patreon as reprints.


Payment and Rights

We pay $.06/word for original fiction 6000 words or less, $100 flat rate for reprints over 2000 words, and $20 flat rate for flash fiction reprints (stories below 2000 words).

As of January 2016, PodCastle publishes in both text and audio. You are offering us both when you submit your story. We ask for 4 months exclusivity for text and audio for original stories, and 4 months audio exclusivity for reprints. We are happy to receive previously-podcasted stories; this just means don’t re-pod the story until 4 months after publication with PodCastle.

We distribute under the Attribution-NonCommercial-NoDerivatives license. Briefly, this means that the entire world has permission to distribute the audio files for free, provided they give credit for it, don’t try to make money off of it, and don’t change it in any way. Transcribing it, extracting portions from it beyond fair use, and mashing it up are all prohibited.

This license applies only to our audio performance of your work, for which we’ve contracted and paid you. It does not apply to your story itself; you retain your copyright and all rights to any other use of the story.

You can find samples of our contracts at the links below. Note that these are for informational purposes only, and upon acceptance all the relevant information will be completed by our managing editor:

What We Want

PodCastle is looking for fantasy stories. We’re open to all the sub-genres of fantasy, from magical realism to urban fantasy to slipstream to high fantasy, and everything in between. Fantastical or non-real content should be meaningful to the story.

We are an audio magazine. Our audience can’t skim past the boring parts. Ideally, fiction should have strong pacing, well-defined characters, engaging dialogue, clear action, and still be beautiful. Above all, we’re looking for stories that are fun to listen to. Humor is encouraged.

We hope to publish fiction reflecting the full range of settings and tropes found in fantasy fiction. We’d particularly like to see more stories set outside America, and stories that feature characters who represent a range of backgrounds and ethnicities.

Diversity

Podcastle welcomes submissions from writers of all backgrounds. We are especially interested in seeing more submissions from people of backgrounds that have been historically underrepresented or excluded from traditional publishing, including, but not limited to, women, people of color, LGBTQIA and non-binary gender people, persons with disabilities, members of religious minorities, and people from outside the United States.

If you identify as part of these or other underrepresented groups, we welcome and encourage you to indicate so in your cover letter. We acknowledge the reality of unconscious bias and will make our best efforts to account for it during the editorial review process. Our goal is to publish fiction that reflects the diversity of the human experience.

How to Submit

Prepare your manuscript in something approximating Standard Manuscript Format and submit through our online submissions portal. We accept files formatted in .rtf, .doc, .docx, and .odt.

In your cover letter, please include your legal name, byline (if different from your legal name), mailing address, and the story’s approximate word count and publication history. If you have any previous publications, feel free to list the most recent three, but this is optional and won’t affect your story’s consideration.

Once you’ve sent us your story, you will get an automated confirmation via email. Please query if you have not received this confirmation within 24 hours.

After three months, if you haven’t received a response, feel free to query by email.

Legalese

By sending us your story you understand and agree that:

  1. You are the original creator of the work submitted to us;
  2. You are the copyright holder of the work;
  3. You are not prohibited by any prior agreement from the transfer of non-exclusive electronic and audio rights to the work;
  4. All information in the contact and cover sections of your submission is accurate and truthful;
  5. You accept sole responsibility for any false statements or encumbrances upon rights not disclosed to us.

If we buy your story we’ll send you a contract, and you’ll be bound to all of the above.

Questions?

If you have questions, comments, or suggestions, send them to our staff at [email protected] We’ll do our best to get back to you within a few days.

Thanks very much for your time, and we look forward to reading your fiction!

Sincerely,

Khaalidah Muhammad-Ali and Jen R. Albert, Editors

and editorial staff

Via: Pod Castle.

Taking Submissions: Cat’s Breakfast

Deadline: April 15th, 2017
Payment: 6 cents per word

Third Flatiron Publishing is based in Boulder, Colorado, and Ayr, Scotland. We are looking for submissions to our quarterly themed anthologies. Our focus is on science fiction and fantasy and anthropological fiction. We want tightly plotted tales in out-of-the-ordinary scenarios. Light horror is acceptable, provided it fits the theme.

Please send us short stories that revolve around age-old questions and have something illuminating to tell us as human beings. Fantastical situations and creatures, exciting dialog, irony, mild horror, and wry humor are all welcome. Stories should be between 1,500 and 3,000 words. Inquire if longer.

Role models for the type of fiction we want include Kurt Vonnegut, Arthur C. Clarke, Dan Simmons, Connie Willis, Vernor Vinge, and Ken Kesey. We want to showcase some of the best new shorts available today.

For each anthology, we will also accept a few very short humor pieces on the order of the “Shouts and Murmurs” feature in The New Yorker Magazine (600 words or so). These can be written from a first-person perspective or can be mini-essays that tell people what they ought to do, how to do something better, or explain why something is like it is, humorously. An SF/Fantasy bent is preferred.

Continuing with Third Flatiron’s quarterly themed anthologies, we will be soliciting SF/Fantasy/Horror short stories with the following themes. Themes are designed to be open-ended, allowing authors considerable leeway. We appreciate short, imaginative tales, preferring those that work with the theme in some way. Short stories should be 3,000 words or less. Flash humor pieces (<=1,000 words) can be on any theme. We aim to be inclusive and encourage submissions from all creators.

Cat’s Breakfast” – Science fiction/satire. Now at the 10th anniversary of his death, Wikipedia says Kurt Vonnegut was famous for his “gallows humor.” E.E. King put it another way, citing his “sideways, humorous,
skeptical view.” We want this anthology to pay tribute to the imagination and inspiration of the ineffable Mr. Vonnegut. Note that we’d prefer you avoid using Vonnegut’s characters or settings explicitly; rather, we’d like you to “channel” his attitude into a speculative fiction piece of your own.  (Image by Manfred Heyde, commons.wikimedia.org)

Reading Period: February 15 – April 15, 2017
Writer Deadline: April 15, 2017
Publication Date: June 15, 2017

Stories should be submitted in either Microsoft Word (using double spacing), RTF,  or plain text. They should be between 1,500 and 3,000 words. Flash humor pieces (Grins and Gurgles) should be short, around 600 words.

Please don’t send simultaneous or multiple submissions. If a story has been rejected, you can then send another.

Submit by email to

[email protected]

either as an attachment (Word, RTF) or in the body of the mail (text).

In the Subject: line of the email, please put

flatsubmit:Title_of_Your_Work

to avoid being deemed a canned meat product based on ham.

If the work is for the humor section, please note that in the body of your email. A brief bio and a one- or two-sentence synopsis in the body of your email would also be helpful to us.

Use the following template (basically, follow William Shunn’s Standard Manuscript Format):

Your Name

Address

Email

Word count

[10 blank lines]

Title

Byline

Body of story

——–

Our response time is expected to be about 8 weeks (or less if the writer deadline is coming up soon).

Remuneration

As of: November 1, 2016

Your story must be original work, with the digital rights unencumbered. Accepted stories will be paid at the flat rate of 6 cents per word (U.S./SFWA professional rate), in return for the first publication rights to the story for six months after publication. All other rights will remain with the author. We no longer offer royalties. If your story is selected as the lead story, we request permission to podcast the story as a free sample portion of the anthology. We welcome new writers.

Third Flatiron will price and market your story to various e-publishing venues. We will format the story for the most popular  electronic readers and platforms. You agree that we may distribute a sample (portion of the story) to potential customers.

For non-U.S. submissions, we prefer to pay via PayPal, if you have such an account.

Authors selected for publication will also be entitled to one free online copy of the anthology.

Via: Third Flat Iron.

Taking Submissions: Problem Daughters

Deadline: March 31st, 2017
Payment: $0.06 (6 US cents) per word for fiction, $100 flat rate for poetry

The fundraiser for this anthology at igg.me/at/problem-daughters has met its minimum goal and so publication and pro-payment is guaranteed. We can still do bigger and better with more funding, so keep spreading the word.

Problem Daughters will amplify the voices of women who are sometimes excluded from mainstream feminism. It will be an anthology of beautiful, thoughtful, unconventional speculative fiction and poetry around the theme of intersectional feminism, focusing on the lives and experiences of marginalized women, such as those who are of color, QUILTBAG, disabled, sex workers, and all intersections of these.

Call for Submissions

Problem Daughters is an anthology of engaging tales that reflect the true complicated, colorful, intersectional nature of feminism, and of feminists.

Not every woman in every community faces the same challenges, or shares the same vision of the world. Even the most well-intentioned model of feminism can leave out many people for the sake of presenting a palatable, unified front. Are there some communities that feel underserved or ignored by the prevailing norms and priorities in feminism (women of color, disabled women)? Do some women feel openly persecuted or attacked by mainstream feminist narratives (trans, non-binary, poly, sex workers)? What experiences are unique to these women, and what problems are created when we attempt to address women as a homogeneous group with a single set of concerns?

Broadly speaking, feminist movements seek to empower women to agency, but what happens when a woman’s free and voluntary expression of agency clashes with her society’s popular notion of empowerment? What happens when her society’s model of feminism fails to address her needs, or the realities of her situation?

We’re seeking works of speculative fiction and poetry (science fiction, fantasy, horror, alternate history, slipstream, or just plain weird) that reflect and celebrate the full range of feminist experience and agency, across the globe and across time.

Who can submit?

We’re looking for narratives that don’t fit cleanly into the mainstream label of feminism: stories of women of colour, disabled and/or neuroatypical women, religious feminists, sex workers, anyone identifying as QUILTBAG, poly, or non-binary, and anyone who has struggled with their gender identity or society’s reception to it. We especially welcome work by writers who identify as belonging to any of these categories, including new or unpublished writers.

What we want:

  • Humane, thoughtful, character-driven stories that invite us deep into the experience of someone who may be underserved or left out of mainstream feminism. We’re looking for compassion, empathy, insight, and nuance—not a catalogue of injustices.
  • Stories that celebrate a woman’s agency in all its forms, not just the ones presently deemed acceptable by the mainstream.
  • Heroines who are active, empowered participants in their own lives—whether seeking glory, fighting for survival, putting themselves in harm’s way to protect those they love, or working quietly behind the scenes, holding their communities together with both hands. Den mothers, market queens, medicine women, hunters, gatherers, warriors, monarchs, councilors, sisters and wives, lovers and fighters, whose decisions shape their world.
  • Stories that expand feminism’s boundaries, rather than constraining them. Thinly-veiled rebukes of mainstream feminism are not enough; we want to move beyond “Feminism 101.”
  • If a story includes a villain or villains, they should likewise be thoughtfully developed, rather than relying on tired tropes or stereotypes.

What we don’t want:

  • Stories about how feminism is destructive to society or marginalizes and persecutes men, or “thoughtful” pieces about how women are better off without feminism.
  • Stories about how trans women, religious women, or sex workers undermine the legitimacy of feminism.
  • Body-shaming or slut-shaming.
  • Stories of relentless, sadistic cruelty toward women (or anyone); explicit violence will be a very hard sell.

Length:
Fiction: Up to 7,500 words.
Poetry: Up to 60 lines.

Payment and rights:
$0.06 (6 US cents) per word for fiction, $100 flat rate for poetry, for global English first publication rights in print and digital format. Author retains copyright.

To submit:
Send your story or poems as a .docx, .doc, .rtf or .odt attachment to [email protected] by March 31, 2017. Please do not submit more than one story or more than 3 poems at a time. Please do not send work that is under consideration elsewhere (no simultaneous submission) or that has been previously published (no reprints).



Nicolette Barischoff, Rivqa Rafael & Djibril al-Ayad, Problem Daughters: An anthology of speculative fiction from the fringes of feminism. Futurefire.net Publishing, 2017. Pp. tba. ISBN-print 978-0-9957265-0-5; ISBN-electronic 978-0-9957265-1-2. $tba.

Via: The Future Fire.

Taking Submissions: The Binge-Watching Cure II

Deadline: June 30, 2017
Payment: $200 for stories under 5,000 words and $500 for stories 5,000 words and longer. Contributors also receive a paper copy of the book.
Note: I HIGHLY suggest reading the linked to pages here to see exactly what they’re looking for.

The Binge-Watching Cure II, our all horror edition is open for submissions.

We want to see your most terrifying prose. We’re interested in the full range of horror fiction genres and topics: dark fantasy, vampires, zombies, werewolves, Cthulhu Mythos, pure horror, psychological horror, ghost stories, East European myths, kind fairies gone rogue, Japanese monsters, apocalyptic horror, gothic, and plain scary monsters. If your imagination can conjure it, we want to read it.

The same general word length categories apply; we’re paying the same as we did for the first edition of The Binge-Watching Cure (which will be available later in 2017.)  Please see our submissions page for details on how to submit your story, and our FAQ for answers to your most pressing questions. For submissions, the only difference between the first edition and the horror edition is that you need to include the words “Horror Edition” in the subject line of your email.

The deadline for submissions is June 30, 2017.

We are not interested in fan fiction or stories with graphic or sexual violence against children, graphic incest, necrophilia, animal torture, or gore for gore’s sake.

If you have a question, use our contact form or ping us in Twitter. Please don’t use the submissions email address for queries.

Via: The Binge Watching Cure.

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