Taking Submissions: Trouble The Waters: Tales from the Deep Blue

Deadline: November 1st, 2017
Payment: 6 cents per word

She moves with deliberate grace.

 

Mami Wata, Momu Watu, La Sirene, Sedna, Coventina, Suijin, Mother of Waters

She is the water between us, the water within us, the water that slakes thirst, from which we were born. Water is the natural and the sacred, the functional and the necessary. All over the world, in cultures young and old, water is life and from this force, great adventures, quests, and legacies begin. And whether it is still, moves, rises, or falls, water fills us. Imagine what stories and strange tales can be told from the depths of its depths.

 

TROUBLE THE WATERS: Tales from the Deep Blue will be a new anthology of water-themed speculative short stories that explore all kinds of water lore and deities, ancient and new as well as unimagined tales. We want stories with memorable, engaging characters, great and small, epic tales and quieter stories of personal and communal growth. Science fiction, fantasy, horror, interstitial, and unclassifiable works are welcome. We are seeking original stories in English (2500 – 7000 words; pays 6 cents per word) from writers of all walks of life from this beautiful planet and will accept some select reprints (pays 2 cents per word). Deadline: November 1, 2017. Projected publication: November 2018, Rosarium Publishing, www.rosariumpublishing.com. Please send submissions as a .doc, .docx, or .rtf file in standard mss formatting with your name, title, and word count to: [email protected]

Please note that we are unable to accept simultaneous or multiple submissions.

Via: Roasrium Publishing.

Taking Submissions: The Food Of My People

Deadline: August 1st, 2017
Payment: 5 cents/word (CAD)
Note: Only 5% of authors accepted will be from outside of Canada.

Speculative writing, whatever the sub-genre, is full of food scenes. Food can be integral to the magic, the meetings, the processes of narratives from hard SF to high fantasy. For all of us, eating is a symbolic and magical act, a transformation, a covenant, a ritual, a comfort, and a necessity, and this awareness has been expressed in story – all the way from myth, legend and fairy tale to modern speculative writing – in many memorable ways. Alice eats and drinks to participate in Wonderland, Ripley’s alien has to feed its young, Persephone eats the pomegranate seeds and spends half her life in the Underworld, the witch entices Hansel and Gretel with food to become food, the food in 2001‘s famous white room is spookily nutritious and generic, and Soylent Green is people.

We can’t live without food, but sometimes we can’t live with it, either. In literature and in history, food-themed stories have had a darker side: starvation, poisonings (whether intentional or accidental), struggles with eating disorders, and more. We’re all drawn to candy coatings (in this case, literally) but we also want the story about how the missing ingredient ruined the feast.
For the Food of my People anthology, its award-winning editors seek speculative writing that makes the magic and reality of food and nourishment integral to each story and its outcome.

See the story “The Food of My People” by Candas that sparked this anthology, and began as an enquiry into what might be the everyday magic of the post-aboriginal incomers to the Canadian prairies, the culture of the jellied salad and the Saskatoon pie. Ursula Pflug and Colleen Anderson chose it for Playground of Lost Toys (Exile Editions, 2015), and when Candas read the story at ICFA she and Ursula were enthusiastic with how many people stayed after to share stories of their food and heritage – including recipes! … and the idea for The Food of My People: the anthology, was born.

Please include a recipe with your story! We do hope to see actual family recipes from all over the world, but also welcome fantastical recipes with imaginary ingredients – or both! In Laura Esquivel’s Like Water for Chocolate, the recipes and plot lines are interwoven, and this is what will delight us most. Don’t booby-trap your recipes with nasty tastes or ingredients, and fantasy recipes must be clearly unattainable.
Note: The publisher intends to launch this book in Toronto (and follow in other locations), with a special food-related event, so authors will be selected to participate/read and their dishes will be professionally prepared and served.

SUBMISSION DETAILS:

Your submission can be in any speculative genre that suits the theme of your story.

Length: up to 5000 words. Art that relates to/complements the recipe may also be considered (i.e. if it runs through the story, or somehow adds a special “flavour” to the work, etc.).

Payment: 5 cents/word (CAD) for original fiction, and a contributor’s copy.
All writers must be Canadian citizens (living in Canada and/or paying taxes in Canada) and permanent residents of Canada. Note: if you are an ex-pat living abroad, or from another country, we do have a 10% window for content by non-Canadian residents.

We want to include a wide and diverse range of voices, including writers of colour and of indigenous/Native heritage, Francophone writers, those with disabilities, the vast LGBTQ2IA, and new generation writers (aged 18-30). As is our publishing tradition, we encourage works from creative people who come from all walks of life, those who are under-represented through the mainstream, because Exile cares a lot about the multiplicity of voices and perspectives that make up Canada.

No multiple submissions (send us your best stuff!). If you receive a rejection before the deadline, you may submit a new work.

We are looking for original fiction and artwork. Reprints will be considered only in extraordinary circumstances.

Submit stories in standard manuscript format as a .doc, .docx or .rtf, with indented paragraphs, italics in italics, and bold in bold. Include a cover letter with your name, story title, word count, full contact information, and previous publications in the body of the email.

Submissions in English only, although stories translated into English are also acceptable.

Rights purchased: First English-language rights & non-exclusive Anthology rights for one year from publication (print and eBook).

Submit via Submittable at: https://exilepublishing.submittable.com/submit

Deadline: August 1st, 2017

Reading Period: April 1 to August 1st, 2017, and replies will come before or by September 1st, 2017

Expected publication date: TBD

If you have any further questions, please write to us at [email protected]

Via: Exile Publishing.

Taking Submissions: Aftermath: Explorations of Loss & Grief

Deadline: August 15th, 2017
Payment: $0.06 per word

The inevitable breakdown of a long-term relationship; losing your home due to gentrification; struggling with the deportation of a loved one; navigating the crumbling healthcare situation in Trump’s America.

How do you define loss and grief?

Radix Media presents AFTERMATH: Explorations of Loss & Grief, an anthology that will examine what it means to face the consequences after tragedy strikes. The theme is left intentionally open, giving contributors the freedom to tell their story as it is most relevant to their experiences.

SUBMISSION GUIDELINES

We prefer previously unpublished pieces (though previously published pieces will b considered on a case-by-case basis), and they can be fiction, personal essays, or poetry, between 500 and 3,000 words. We will also accept comics, illustration, and photography that will retain its integrity in black and white. Accepted works will be collected into either a zine or paperback book, depending on the volume and length of accepted works. Visual submissions should be able to fit a print size of 5” x 8”.

CONTRIBUTORS & PAYMENT

Contributed pieces will be paid for at the following rates:

Fiction & Non-Fiction: $0.06 per word

Poetry: $35 per work

Comics, Photos, & Illustration: $10 per page or $50 per work, whichever is greater

We strongly encourage typically underrepresented voices to submit. If you are a person of color, queer, trans, disabled, or any combination of these, we would especially love to hear from you.

DEADLINE

Pieces should be submitted via e-mail to [email protected] by August 15, 2017. Please include your name,  e-mail address, and telephone number. Also let us know if the work has been previously published or not, or whether it is currently being considered for publication by another publisher.

For written works, please paste the text directly into the body of the e-mail. For visual pieces, low-resolution versions are preferred (we will contact you for a hi-res version upon acceptance). For this call, we will accept multiple submissions, but please limit to 3.

Accepted contributors will be notified within 3-4 weeks after this deadline, and payment will be issued upon receipt of your signed publication contract.

ABOUT US

Radix Media is a worker-owned printer and publisher based in Brooklyn, New York. We are dedicated to publishing work that gets to the root of the human experience.

All of our titles are lovingly designed and printed in-house. Our intimate knowledge of the print production process gives us complete flexibility and control over how our books look and feel.

Via: Radix Media.

Taking Submissions: Retro Future Issue #4

Deadline: September 1st, 2017
Payment: Unlisted but “will always meet or exceed SFWA minimum compensation guidelines”

Retro Future is a quarterly pulp magazine that searches for diverse, surprising, and progressive science fiction in art, prose, essay, and comics.

Issue Submission Themes

Issue #4: Resistance to oppression.

Submissions Guidelines

We welcome submissions of art and writing that approaches retrofuturism through a progressive lens. Essays and flash fiction of approximately 250-500 words is especially welcome; longer works may be serialized.

Comic submissions should be 1-8 pages of finished work. Anything longer may get serialized across multiple issues. Please note that inside art should be in grayscale (please refer to art and comic templates for details.)

Galileo Books acquires first serial rights; upon publication, these rights revert back to you, the author. We ask that you acknowledge Retro Future (Galileo Books) as the venue of original publication when the work appears in your book or is otherwise collected.

If a work becomes unavailable while under our review, please contact us via email. Submitted work for specific issues may be considered for other issues if themes fit. Please include your name and contact information (at least an email) at the top of your submission.

Art and comic templates are located here. Please make sure that art finals are high resolution (at least 300 DPI), in the RGB or Grayscale color space, and native Photoshop or TIFF files. No JPG or GIF.
(Dropbox will ask you to join, you can ignore that and click the ‘continue to download’ link)

Written material should be attached to the email in TXT, RTF or Word formats.

Retro Future is a progressive publication. Subjects such as sexual violence, un-examined racism, and other potentially offensive material are often used as fodder for exposition in genre stories–this is not appropriate for inclusion in Retro Future.

We are looking for forward-looking and optimistic science and science-fiction. Sensitive topics can be part of a good story, but a vision of a future better than our present is the focus of Retro Future. Keep this in mind when submitting.

Submission Email

[email protected]
In the subject, please format as follows for artwork:
          Full Name, artrf, Your Project Title
In the subject, please format as follows for writing:
          Full Name, litrf, Your Project Title

This will help our filters organize better! You can expect a response up to a month after the deadline date.

We will always meet or exceed SFWA minimum compensation guidelines.

Via: Galileo Games.

Taking Submissions: Unidentified Funny Objects 6

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Deadline: April 30th, 2017
Payment: 10 cents per word and a contributor’s copy

Please read the guidelines carefully before submitting your story!


Unidentified Funny Objects
is an annual anthology of humorous SF/F. Past headliners include George R. R. Martin, Neil Gaiman, Esther Friesner, David Gerrold, Laura Resnick, Mike Resnick, Piers Anthony, Kevin J. Anderson, etc.

For UFO6 we’re seeking all style and sub-genres of speculative humor.

SUBMISSION WINDOW: April 1 – April 30, 2017

LENGTH: 500-5000 words.

 

PAYMENT: $0.10 per word + contributor copy. Payment will be made upon acceptance. Our preferred method of payment is via PayPal, but you may request
a check.

FORMAT: RTF or DOC. Standard Manuscript Format or something close to it (We won’t take points off if you prefer Courier over Times New Roman or some such).

SEND TO: Upload your stories via this submissions link.

Limit of 1 submission per author — even if you receive a response before the submission window closes please do not send another story unless directly invited to do so.

Please do not respond to rejections. The email address associated with submissions is not monitored. If you wish to query for any reason, please use the contact form or e-mail us: ufopublishing at gmail dot com.

 

RIGHTS SOUGHT: First Worldwide print and electronic English Language rights. Exclusivity for 90 days from date of release. Non-exclusive print, e-book, and audio rights afterward. Preview sample contract.

POLICIES & RESPONSE TIME: No reprints, multiple or simultaneous submissions please. Do not send any stories we already considered for a previous UFO volume or any other anthology edited by Alex Shvartsman. You may query after 30 days. Please send only one submission per author unless directly invited to send more.

 


WHAT WE WANT:

We’re looking for speculative stories with a strong humor element. Think Resnick and Sheckley, Fredric Brown and Douglas Adams.  We welcome quality flash fiction and non-traditional narratives. Take chances, try something new, just make sure that your story is funny.

Puns and stories that are little more than vehicles for delivering a punch line at the end aren’t likely to win us over.  The best way to learn what we like in general is to read a previous volume. You can buy it here and also read the online stories for free.

 

WHAT WE DON’T WANT

These are the tropes we see entirely too much of in the slush pile. You will improve your odds if you steer clear of these:

* Zombies
* Vampires
* Deals with the Devil / Djinn in a bottle variants
* Stereotypical aliens probing people, abducting cattle, and doing other stereotypical alien things.

 

ABOUT US:

See the UFO Publishing About Us page

 

FREQUENTLY ASKED QUESTIONS:

I have two 6100-word horror stories that were previously printed and are now on submission at several magazines. Can I send them to you, simultaneously?

Please don’t. We have carefully considered what we’re looking for and expressed it above. If you strongly feel the need to break one of the guidelines, query first and provide a good reason.

My story was previously published in an obscure college anthology in 1996, which sold 16 copies. Can I submit it?

Sorry, but we won’t consider previously published stories, no matter how obscure. Stories posted on your personal blog, Facebook page, or Patreon page are considered published.

I may have accidentally begun my manuscript three double spaces below the byline instead of two. Am I getting auto-rejected?

Don’t sweat the small stuff. We’ll reformat your submission to fit our needs. You’re even welcome to send your story handwritten in pink crayon on glitter-sprinkled construction paper, but we will take that into consideration when deciding whether to purchase it, and whether to file for a restraining order.

I plan on winning multiple awards for my UFO story. Will your exclusivity rights prevent me from being included in the Nebula Showcase?

Congratulations on all your future success. We will gladly make exceptions for “Best Of” anthologies.

An anthology of humor SF/F is the greatest idea since sliced bread. What can I do to help?

Spread the word. Support our Kickstarter campaign. Pick up copies of previous UFO volumes. If you want to invite our authors/editors to a con you’re organizing, sell paperback copies of UFO at your store, bake us cookies, or help in any other way, we’d love to hear from you.

Via: Alex Shvartsman.

Ongoing Submissions: The Forge

Payment: $0.05/words up to 1,000 words, with a minimum payment of $25 and a maximum of $50

Our Process

The Forge Literary Magazine publishes one prose piece per week selected by a rotating cast of editors. Each submission is read anonymously by two editors. If a story is chosen to move forward, it is read by one of two rotating Editors of the Month who each make final decisions on the stories they receive. Since we are a diverse, international group of writers, our tastes and styles are wide-ranging. Read more about us here.

Try us!

 

Fiction and Nonfiction

We accept unsolicited submissions via Submittable. Again, since we read anonymously, please do not put your name anywhere in the file. We prefer stories below 3,000 words but will consider work of rare quality up to 5,000 words. We love flash and micro prose. Please send one previously unpublished piece per category and wait to hear from us before submitting another. Reprints are by solicitation only. Literary excellence is our only criteria. We are open to all genres and voices, and stories with any background, race, ethnicity, gender, sexual and personal identity from all over the world. We accept and encourage simultaneous submissions, but please withdraw promptly via Submittable if your piece is accepted elsewhere. Please do not inquire about the status of your submission until three months has passed. If you are a former contributor, please wait at least six months before you submit again; we only publish one piece per contributor per year.

Sorry, poets. We admire what you do but sadly, we only read prose for the time being.

 

Payment and Rights

We pay, upon publication, $0.05/words up to 1,000 words, with a minimum payment of $25 and a maximum of $50. We request exclusive worldwide English language rights to publish in the Forge Literary Magazine, an online journal, for a period of three months, after which all rights revert to the author. Authors outside the U.S. must be able to receive payment via Paypal.

Ready? Go!

 

Via: Forge Lit Magazine.

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