Re-read the title, I’ll give you a second. Okay, raise your hands if you’ve ever heard those words of advice. One, two… so a few of you have. Do you believe it? Deep down when you write anything from a letter to a story, do you truly write what you know?
Whoa, don’t everybody answer at once.
Those words are advice I think we’ve all heard. I think they are true from a certain point of view. I read a lot of books in the horror genre and if authors are writing what they know, this place is seriously messed up. Demons, werewolves, and vampires are a few of the troupes used in horror, but do we know them? Can we go out and ask a thousand year old vampire how they feel about something as research for a book? No, so how can we write what we know?
Well, we can write about our fears.
When the dark descends and the storm blows in from the west, we feel something inside of us. See the man in the long black coat standing out in the street over there? I see him and he scares me. The world today is a scary place and this fear we internalize is what we can write about.
I know there’s a good chance I’ll never have to run from a zombie. But, the same death a zombie may bring can be brought from many other sources. Death is death and it is the biggest fear of all. Loss is another one of these feelings we feel when we read horror and it’s tied closely with death. Combined, they are a one-two punch to the gut when they catch you off-guard. There are some experiences in my life that greatly influence many of the events and situations I write about.
This is where writing what you know can be cathartic. When I sit behind the keyboard, I can be a doctor and heal myself. I can rip the scab off my feelings and then let the raw emotion bleed out onto the page. I’m writing what I know. I’m writing about the pain and the loss. I’m letting what I know mix with fiction to create a work of art.
In, The Calling, I write about a different kind of loss, but a loss we fear all the same. The book is a water-shed moment for the town of White Creek where it sees its innocence stripped away and its soul lay bare. The events act like a bandage being torn away and just like my own scabs over my emotions, the town of White Creek will bleed out.
I don’t personally know a werewolf or a demon, but I do personally know loss, pain, and regret. Sometimes, we don’t write what we know, but blend it with what we do know for a powerful combination. I give a voice to my pain and it fuels the horror I write. Won’t you come and share it with me? I know you want to…
The Calling – Brent Abell
Carl Volker has a problem. After waking one morning with a hangover to find his wife gone, he notices a crow stalking around his yard. As days go by with no word from his wife, more and more crows gather.
Frank Hill is sheriff in the seemingly pleasant town of White Creek. Up until recently, his job has been fairly mundane but after a recent spree of murders, bodies are beginning to pile up and Frank has no clue as to who the killer may be.
White Creek has kept its secrets hidden well over the years but the sins of its past are coming to light; the town harbors an evil and the bindings that keep it in check are beginning to unravel.
As Frank and Carl’s friendship is tested and their destinies are revealed, the dead accumulate while the crows watch and The Calling begins!
Brent Abell lives in Southern Indiana with his wife, sons, and a pug who sits around eating the souls of wayward people. His stories have been featured in over 30 publications from multiple presses. His work includes his novella In Memoriam, collection Wicked Tales for Wicked People, and novel Southern Devils; which are available now. He also co-authored the horror-comedy Hellmouth series. Currently, he is working on the second book in the Southern Devils series and the next book with Frank Hill in the White Creek Saga.
Despite being a huge horror fan, I’m scared of a lot of things. The dark, spiders, flying, food with a face. In fact, simply leaving the house each day can feel like a test of courage. There’s just all sort of things that can go wrong, or cause a moment of awkwardness, and I can’t prepare for them all.
But when you’re a self-publishing author, you’re also running a business, and businesses require scary things like marketing and networking. We’re a funny lot, us writers. We hide away in darkened rooms, or basements, or under the eaves, sometimes in quiet corners of coffee shops and libraries if we’re particularly brave, and we spend much of our time talking to fictional characters, and living in fictional worlds. And that’s just how we like it, right? So it’s hardly surprising that social awkwardness tends to be rather prevalent among our numbers.
Last Saturday I attended a local speculative fiction literary convention. I’ve been going for a few years now, and I know a lot of people who go, and I spend the day hugging and chatting and catching up with everyone I’ve not seen for a year. But I remember my first time there. Not only did I have the anxiety of going somewhere new, with people I didn’t know, but I was set to read an excerpt from one of my short stories. The convention hosts several book launches, and the anthology the story was published in was being launched that weekend. It was absolutely terrifying. But I did it, and I’m so glad that I did.
That book launch got me recognition in that community, it made me friends in it, and it led me to what has happened today.
The one thing I always leave the convention with is ideas. Loads of them. Story ideas, project ideas, character ideas, and business ideas. Ways to push my self-publishing business forward.
I approached the event’s organiser (it actually took me 3 days to pluck up the courage to email him!) and pitched an idea I had for a workshop I wanted to run next year. And when he responded, it took me a while to pluck up the courage to open his email. Because this meant so much to me. But, with one eye squinted shut, I read his reply. Not only did he love my idea, but he asked me to bring it forward to the winter event, and he asked me to sit on one of the panel discussions.
Being on a panel discussion scares the absolute bejeezers out of me. I practically grew up on the stage, but I always had a script, a costume, a character to hide behind. This will be me. Unscripted. With a whole audience of people expecting me to say something clever and insightful. So I said yes. I bit the bullet. Because sometimes we have to do the thing that terrifies us the most.
And not just because it’s good for business. But because it’s good for us.
Liz – I’d like to introduce you to author, actor, and all-round nice-guy, Ace Antonio Hall!
Ace, tell us a little bit about your part of the world?
Ace – I live in South Pasadena, California, which is about one of the best places in SoCal an author can live. It’s neighbor, Pasadena, is rumored to had been the first “Beverly Hills”. The people here are great, the Target stores out here have the best popcorn for your buck, and the jogging trails from South Pasadena to San Gabriel are awe-inspiring. I mean, to capture a California sunset in South Pasadena is to hold an angel’s wings with bated breath.
Liz – that certainly paints a picture! What do you enjoy most about writing?
Ace – I love the fact that anything, is possible. A writer has the chance to create worlds, and beyond. Take for example, the way Laurell K. Hamilton created the power of the ardor for her character Anita Blake. How she came up with that idea can be argued over many a margarita, but the fact that it’s so imaginative has to inspire horror, science fiction, and romance novelists, whether on their first manuscript of their twentieth. That power to create, to manipulate a reader’s mind, to scare them, to make them cry, and even better, to put my character through as much turmoil as possible, makes me get up nearly every morning at four a.m. to write. People don’t care how much you know, until they KNOW how much you care! Well, I love, love, love to read, and I love, love, love to write.
I always tell my fellow writers when I’m speaking on panels, “When you get some free time, write. When you get some lazy time, plan. When you get down time, world build. When your time comes, shine!”
Liz – Glad to see another 4am riser! It’s the best time of the day to write, in my opinion. Would you say creativity is in your blood?
Ace – That is something that I’ll let you decide. I have been fortunate to over-the-years to come up with a few ideas that have been very imaginative, and many more that have not been as imaginative.
Liz – You’ve stated, ‘Not only must a writer be an avid reader, but one who reads a ton in their areas of writing’ – can you elaborate on this?
Ace – A very fine teacher, and former literary agent, Denise Dumars, was the first person to look at my horrid first novel, back in 2009. I remember her saying, “Ace, we call this a kitchen-sink novel. It has everything in it except the kitchen sink. But it doesn’t seem like you even read in your genre. It is horror, isn’t it?” she asked. That’s because it had spies, monsters, natural disasters, action, and whatever else I could throw in, as a novice, thinking it would make it better to mix all the genres I loved to read.
Denise gave me the best advice ever, and I started reading horror novels, namely in the undead sub-genre, and what I learned after reading well over fifty novels and short stories, was the tropes, the language, the rules, the voice, different styles, the scares, what was standard, what was over-used, and what was paying homage to that genre so much so, that it became innate in my very being. After about a year of reading only in the genre I wanted to write, was I able to, not only recreate what I’d learned and was inspired by, but create, from my own personal experiences and imagination, only something that I COULD WRITE.
Liz – That’s some good advice I think all of us as authors could take on.
What motivated you to study screenwriting at college?
Ace – When I was maybe, eight or nine years old, I made monster comic books with my artist friend Johnny Bryant, and dreamed of seeing my stories on the big screen. My favorite comics to draw were Godzilla, and I developed my own set of super heroes. I knew that if I’d gotten some formal training, it would better-prepare me for the future. A lot of my friends who are writers never needed that kind of formal training, but can tell you every plot line that Larry Niven has ever written. Me, I wasn’t so good reciting and analyzing an author’s work, but by studying with masters of their craft, I developed better technique that translated into what many of my readers call a “visual style” of writing.
Liz – You’ve had an impressive career in education – you taught middle school English for 10 years, before moving to Los Angeles to take on the role of director of education for the Sylvan Learning Centre – has this experience benefited or influenced your writing?
Ace – I think it has. Being immersed in the psychology of children, their likes, their concerns, their troubles, their tragedies, and their future, molded certain principles and themes in my writing like abandonment, growing up in single-parent homes, or homes with strong matriarchs and weak patriarchs, their language, and their dreams. One of my stories, published by Bard and Sages, called Raising Mary: Frankenstein is about a dying girl with a last wish to have her dead relative, Mary Shelley, raised from the grave. I wouldn’t had harnessed the magic of a young girl’s imagination had I not taught children.
Liz – You then decided to leave your education career behind you in order to pursue writing and acting – was it a hard decision to make?
Ace – Yes, it was! Simply because it was a decision to leave behind a stable 80 grand-a-year job to hustle as a stand-in actor for sometimes 1,500 a week, to sometimes nothing when the show got canceled in a very unstable profession. However, I needed the free time to think, create, develop and polish my craft. Being an English teacher where you take your work home (reading and grading up to 120 student essays/stories), and leading a multi-million-dollar institution as a director at the Sylvan Learning Center was just too demanding and if it weren’t for my dear friend, Jane Eugene, from the iconic British Soul group, Loose Ends, encouraging me to follow my dreams and write, that dark hole of regret that was growing in my soul would have enveloped my entire being by now. I’d be a walking cesspool of bitterness.
Liz – Sometimes you just have to take the chance and trust that the universe has your back.
A TV show named Creature Features captured your attention from a young age – what was it about the show that stood out and how has that influenced your writing?
Ace – Lol. This interview has the best line of questioning I’ve ever had the pleasure of answering! Another great question, Liz. Partly because it proves you’ve shown an interest for your subject and that is probably one of the most flattering things an interviewer can do. (Liz – Why, thank you, Ace!) Yes! Yes! Yes! I loved Creature Features. I was always enamored by the possibilities of putting people in situations where fear drives them into even more danger. The Creature from the Black Lagoon and so many other films that came on that program shaped my warped imagination. Those programs gave me the foundation to scare the heck out of my readers with the fantastical.
Liz – Confessions of Sylva Slasher debuted in 2013, courtesy of Montag Press, what influenced you to write a young adult zombie novel?
Ace – Would you believe me if I told you it started out as a story about a woman trying to overcome breast cancer? How it turned into an eighteen-year-old necromancer fighting just as many as her own personal demons as the monsters of the world, I don’t know. What I can tell you is that Sylva Slasher would never had been born had it not been for Anita Blake, nor Bruce Lee. I wanted to create a female teen Bruce Lee with a twist of horror and that’s who I came up with. The first novel I ever read was Escape to Witch Mountain by Alexander Key that featured a female protagonist. That has never gotten out of my system. I guess it didn’t hurt to have crushes on Wonder Woman and Batgirl when I grew up, either. Wasn’t the Wonder Woman film awesome? Gal Gadot is so beautiful, and her acting in the movie was top-rate. What a great film for DC. But as everyone who knows me knows, I’m a huge Spider-Man and Marvel fan. So “Avengers Assemble! “-nuff said.
Liz – Now that is a kick-ass assembly of inspiring characters. Is it true that you believe we have entered the ‘Golden Age of Zombies?’
Ace – Awesome Question, Liz! Yes, just like the Golden Age of Hollywood, which started in 1927 with the Jazz Singer, we are seeing a prolific paradigm shift in zombie theatrical and TV releases. The same way that I credit Christopher Nolan by changing the superhero game in 2005 with Batman Begins by, not making a superhero movie per se, but a dramatic film with the protagonist happening to be a superhero, and thus lifting the genre to a greater cinematic quality, the October 31, 2010 debut of Robert Kirkman, Tony Moore, and Charlie Adlard’s The Walking Dead, did the same for the undead genre and brought us into the Golden Age of Zombies. Look at the film World War Z? Clearly, one of the best ever!
I will add though, that Shinji Mikami’s survival horror video game Resident Evil, released by Capcom in 1996, is the catalyst for the zombie craze. He re-birthed the fascinating world that George Romero made famous and infected the young world with, to this day, the scariest video game I ever played. Playing that game was the first time I jumped clear out of my skin and up on the ceiling. I made everyone else in the room who watched me play jump from pure fright, too. Awesome! We are now in an era that the undead films and projects are made with better plots, characters and stories. Hear ye! Hear ye! It is definitely the Golden Era.
Liz – I couldn’t play Resident Evil as a child – far too scary for me, back in the day! You’ve also published a number of short stories, do you have a favourite, and why?
Ace – Yes, I’ve been fortunate to have had a dozen or so stories published in the last year. Many of them you can find on my website at AAntonioHall.com/books. I think my favorite is the one published by Bard and Sages, Society of Misfit Stories, Raising Mary: Frankenstein, because it involved so many emotional elements in the story, as well as fantastical moments. I guarantee that once you meet my character, Dresy Swansea, you’ll see why the story was nominated in 2016 as “Horror Story of the Year” by Preditors and Editors, and was on the Reading List for the Horror Writers Association Bram Stoker Awards in 2016-2017.
Liz – You’ve also seen success with your acting, including working as a stand-in for shows such as Son of Zorn, and How to Get Away with Murder. Can you tell us a little about your experiences? How does it feel to see your goals unfolding?
Ace – I always joke that I’ve lived a Forest Gump life in that I been associated with some of the most iconic personas in history: I danced with Madonna in a club called The World, hung out at Michael Jackson’s house because I once gave Rebbie Jackson’s daughter, Yashi, a vocal lesson at their home in Woodland Hills, CA, and was welcome to her son, Austin’s, high school graduation party. Check this out: I was in charge of seating Prince, and welcomed him to B.B. King’s nightclub at the Citywalk when I was a promoter there. I lived with N’Sync’s and Britney Spears’ co-manager, Doug Brown, and got to saw them all the time in the studio.
I managed an artist named Asu the Mike Tightner, who did a few songs with Tupac, and produced an underground video featuring he and 2Pac. I had a father who wrote the lyrics to “So What” by Miles Davis that led me to meet the iconic Cicely Tyson and hear her tell me stories about Miles Davis, and omigod, had one of the most talented actresses in TV and Film today, Viola Davis ask me to be HER Facebook friend. I thought it was a hoax and when I asked her did she friend me, she said, “And I’ve been waiting for you to to friend me!” I ran right to my phone and accepted. Lol. I mean, I got a lap dance from Ashley Graham with her husband sitting right next to me when I stood in for NeYo on Lip Sync Battle for rehearsal, and that was crazy! Yeah, it was definitely mind-blowing to play the talented, smart and absolutely beautiful Vanessa Williams’ boyfriend in Desperate Housewives, but truly, writing is my passion.
Life has dealt me some cool cards, and my life, if anything, has been extremely exciting, but in all honestly, all I really ever wanted was to write entertaining stories good enough that even the great authors of today could nod to, and appreciate.
Liz – You have an impressive portfolio of connections, that’s for sure. But to have a legit friend request from Viola Davis!? I’m beyond fangirling over here… you have no idea, haha! With so much success with both, do you prefer, writing or acting? Why?
Ace – Writing: Because I read to inhale, and I write to exhale. Creating stories is the way I breathe. Writing is why I exist. And I want the world to experience my stories as much and as many times as they possibly can. I want to create worlds that people can delve into and disappear.; stories that stay with my readers forever, and mold the way the see things.
Liz – ‘Because I read to inhale, and I write to exhale.’ – I really like that! Sounds like something I should have pinned to the top of my computer monitor. Do you find the ability to act helps with developing characters in your stories?
Ace – Not my acting, but watching great actors, like Viola Davis, and Alfie Enoch, inspires me to create nuances and emotions in characters that are borne from the struggles of the choices they made with their character’s past. I’ve worked with Damon Wayans, Jr. probably more than fifty times, and it’s always great to see how he approaches his characters. He’s a strong actor and a natural comic. It allows me to think about creating characters that are compelling and entertaining.
Liz – Liz – Damon Wayans, Jr. is hilarious! I came across a little random fact about you and have to ask – how did you come to play the music for New Kid’s on the Block’s remix of ‘Dirty Dawg’? (I’m a massive NKOTB fan from way back! I’m not kidding…I had my wedding to Joey McIntyre mapped out and everything…)
Ace – You are too funny! One of my homies, the legendary Greg Nice, from the hip-hop duo, Nice and Smooth asked me to do the music. We recorded it in D&D Studios on 37th Street in Manhattan. Again, another iconic musical group that I’ve had the pleasure to be associated with was New Kids on the Block. In hindsight, I wished I’d done more with the track. But Greg was happy with the keyboard parts that I did, and then he added the magic that he always does with his records. To this day, it is the record I made the most money off of, and although I didn’t get credit on the record, everyone who’s anyone knows I did the keys on it. I can’t tell how much of an honor it was, and feel indebted to Greg Nice for asking me to do it. Remember when NKOTB had four albums on the charts at the same time? They were bigger than big, back in the day.
Liz – They certainly were! I’m not ashamed to admit I have an NKOTB playlist on my Spotify…Tell us about the inspiration behind your latest release, Lord of the Flies -Fitness for Writers.
Ace – In 2008, I’d gotten to the point where my waist was an unhealthy 38” and I was up to 210 pounds. After my niece teased me about my “man-boobs”, I decided that enough was enough and started a lifestyle that combined fitness, healthier eating (because I still enjoy peach cobbler, but my diet was consistently HEALTHIER than it had been), detoxing, and better sleeping habits. Eventually, I got my waist down to 29” and my weight to 164 pounds.
After six years of that lifestyle, I’d gotten the rep for being a generally healthy guy, and I was approached by the Editor of Omnium Gatherum to do a fitness workshop for the 2017 StokerCon, back in March 2016. That Halloween at a Horror Writers Association party, she asked me to write a book as a compliment to the workshop. I wasn’t confident that I could pull it off, but went for it, and couldn’t have been happier with the results. I sold out of the book in the first two hours of release, on February 25th at StokerCon!
Liz – What a brilliant result! You must be so proud! What inspired you to put together the video, 24 Cali Fitness (a music parody of Bruno Mars’ 24k Magic) What was the process like in putting it together?
Ace – A friend of mine, a 16X Jiu Jitsu World Champion, loved Bruno Mars, and infected me with her love of his music. He’s a great artist and a terrific performer. It didn’t take long before I became a big fan of his art. I called up a friend of mine who cast me a few times in theatrical projects that featured the beautiful and talented actress, Shanti Lowry (The Game, Family Time) and asked her to direct it. She pulled in director, Dale Stelly, celebrity choreographer, Jabari Odom (Mariah Carey, Ginuine, Chris Brown), and John (Good Times) Amos’ son, KC Amos, to edit the project. I was blown away at the prospect of working with so many talented professionals of that industry.
The next thing I knew, Jane Eugene from Loose Ends was singing on it, and the original member/songwriter from the Commodores, Dave Cochrane, co-produced it with me. The record got some radio play in Las Vegas on KCEP Power 88 FM. It only got about 1,600 hits total between my website, and the other YouTube versions, so it wasn’t a big hit like all the other 24K Magic parodies, but I had a lot of fun doing it. What many people don’t know is that I had laminectomy back surgery two days after the video shoot, and as much as I wanted to get in tip-top shape for the video couldn’t, because of pre-surgery restrictions. So, my tummy looked “out-of-shape”, but I took it all in as a funny parody, and didn’t mind people laughing at the concept.
The process: Lawdy, Lawdy! There were so many fires I had to put out, being that I was also funding the video myself, and the entire experience probably added more gray hairs on my head, but if I had to do it all again, I would (with someone else’s money, though). It was an amazing experience and I’m so grateful to Amber Schwartz and Shanti Lowry for doing the project. Those two incredible women made the 24 Cali Fitness video special. I’m indebted to them, forever.
Liz – You’ve also recently undertaken your first major radio interview in Los Angeles, which must have been exciting – how did it come about?
Ace – Nice and Smooth was in town doing a few shows, and I hung out with them. The Legendary Holiday was their deejay, and I played the song for him. He loved it! The rest is history. He played the song, a couple of times, and loved it so much, he said he’d put it in rotation. When I was up in Vegas, I gave him a call and he had me come down to the radio station for an exclusive interview. I can NOT tell you the emotional outburst of humility and gratefulness I felt when I was driving in the streets of Las Vegas, listening to the radio and all of a sudden heard my song come on the radio in between a Janet Jackson song and Beyoncé song! It was one of the most memorable moments of the year, next to having Omnium Gatherum release my book, Lord of the Flies: Fitness for Writers! To hear my song on a popular FM radio station was incredible!
Liz – Since you’ve embarked on your writing journey, have you met anyone who has influenced and/or mentored you?
Ace – Two people I credit with mentoring me in the “Write” direction was: Heather Graham, Alexandra Sokoloff and Robert J. Sawyer. Heather was the first author I met, back in 2008, and immediately we clicked. I met her at the WeHo Book Fair, and she told me about HWA. She gave me her email address and was so nice to answer any questions I had, and gave me great advice. I met Robert J. Sawyer on the set of Flash Forward, and we also immediately hit it off. He has been a great influence, and friend.
The Greater Los Angeles Writers Society (GLAWS) president, Tony N. Todaro has probably had the most influence on me through his group. He took me in, elected me Vice-President and offered me the most substantial programs that novice writers need. I learned about the business, met industry professionals, developed marketing tactics, spoke on dozens of writing panels, helped run conferences and crafted my writing all because of his organization, GLAWS.
Liz – What’s next on your busy agenda?
Ace – I just got back this morning (June 26th) from speaking at a conference at the University of Pacific in Stockton. I love Scott Evans’ writing conference. He does great promotion and the second I step out of the car, am treated like royalty. The people up there know me, and I love that. My panels are always filled, and I always am able to offer help to many writers.
This month, I’m finishing up an untitled horror novel (maybe I’ll call it Feeder), about a young troubled dhampir (half-human, half-vampire) who is investigating a homicide that may be connected to a string of child abductions and becomes personally involved when her own siblings are kidnapped. It isn’t until the ghost of her deceased mother “Feeds” her clues that she begins to gain an advantage on the killer, and get a step closer to saving her younger brother and sister before something happens to them. I’ve already finished the book, and am now in the fourth draft editing the manuscript. My goal is to be done with the novel by September.
Liz – Wow! That sounds fascinating – I can’t wait to read it! Thank you so much for your time!
If you would like to know more about Ace, or check out his work, click on the below links.
Liz – Welcome, Andy! Tell us about the part of the world you live in.
Andy – I live in Prague, the heart of Europe. It’s a beautiful city with all the benefits of a capital city without the chaos and cost that you get in larger cities like London, Paris or New York. The city centre really is a centre – you can walk all the big tourist spots in a couple of days. Cheap/free ice-skating rinks are set up in the centre each winter, you can live well relatively cheaply, it’s great for the kids, has loads of green space, enough castles and spires to inspire any number of gothic-tinged novels, and a number of beer gardens. It also has a Museum of Torture Instruments. I’m still debating whether I really want to go there for a ‘work day out’. Undoubtedly, it will prove a mine of inspiration, it may also give me nightmares – the things people do to each other is way worse than what any monster or divine creature can do.
Liz – It sounds like an amazing place. Plenty to inspire!
You grew up on the ‘fringes’ of Europe – can you tell us where, and did you have a favourite place?
Andy – I grew up in the UK – the fringes of Europe, geographically speaking. I was born in England but grew up in South Wales, where my family moved when I was around six. As a result, my sense of nationality is a bit blurred. Despite the UK being officially one country, the four constituent areas of the UK still have a strong sense of individuality.
The move from England to Wales also resulted in a blurred accent. That was mainly because the Welsh took the p**s out of me when I was a kid for being and sounding English. When I then lived in London (via Italy), the English took the p**s out of me for sounding Welsh. The story of my life, it seems, as the Czechs take the p**s out of me now when I try and speak their goulash of a language. (In my defence, Czech has fourteen cases and four genders. The way I speak it, the language is even more ‘gender fluid’.)
I didn’t have a favourite place as such, but I’ve always been a ‘home-bird’. I like my space and my routine. That’s been one of the big adjustments as a parent, having to share those things with the kids.
Liz – Sounds like you would have quite an interesting accent. What inspired you to do the One Book Interviews?
Andy – It’s healthy for a website to have regular, new content. It keeps things active and fresh. The problem was, I wasn’t sure what to do for mine. The obvious choices for an author are short stories, blogs or interviews. I don’t have time to produce a new short story a week purely for my website, and I find writing regular content for blogs tricky. I don’t want to be a digital echo, i.e. purely regurgitating and repackaging information that already exists on any number of other websites. A similar issue applies to author interviews – there are plenty of interviews out there that are a variation on where/why/what do you write? Many of those interviews do that very well, so I see no need to add to that.
One day I was playing around with the famous LOTR quote: ‘One ring to rule them all.’ I changed it to ‘one book to rule them all’ for an idea I was toying with. The One Book Interview was born soon after. It’s turning out really well. It gives me content for my site which is fresh and relevant to what I do, and it’s really interesting to read about what writers read, to discover the words behind the words.
Liz – What a great idea!
You’re a member of the British Blues Awards Hall of Fame – can you tell us about it, and how you came to be a member?
Andy – I’ve played music all my life. I toured Europe and beyond for a long time, playing bass in a blues/soul/funk/Americana band. As part of that band, I was lucky enough to win the bass player of the year category three years in a row (2010, 2011, 2012). Anyone who wins their category three times is ‘retired’ and put into the Hall of Fame. It needs to be said that that award belongs as much to the other members of that band (Ian and Nik) as to me – blues bass playing on its own is not always the most exciting thing to listen to!
I’m also very grateful to anyone who voted for me and anyone else in that competition. Music can be a hard way to make a living (just like writing) and support from the public for any kind of creative arts is essential for its survival, these days more than ever.
Liz – It’s a wonderful achievement to win once, let alone three times. How long have you played bass guitar for, and what inspired you to chose it?
Andy – In the county of West Glamorgan (where I grew up) there was a fantastic school music scene in the 80s. You could borrow instruments from school and there were all kinds of ensembles to play with – orchestras, wind bands, brass bands, big bands, groups etc. There was also a thriving local pop/rock music scene. When I was around thirteen-years old, someone came into the music class and asked if anyone would be interested in playing cello. I said yes. The next day they said they didn’t have any cellos left so I’d have to play double bass. Fine, I thought. Same thing, really. They aren’t the same thing. They’re very different, but a shortage of cellos pushed me onto double bass. Double bass has the same tuning as bass guitar. Before long, I was pestering my parents for a bass guitar and I got one for my 15th birthday. So, I didn’t choose bass guitar as such, the choice was sort of made for me. But I haven’t looked back. (Though I’ll grudgingly admit that sometimes I wish I’d been a drummer.)
Liz – Does your creativity extend to other instruments?
Andy – I’d love to have a decent double bass, but they cost too much for it to be possible at the moment. (We also don’t have enough space for it in the flat!) I played trombone for a while and have dabbled in piano, but bass guitar is my thing.
Liz – You’ve stated you have ‘too many interests’ – what are they?
Andy – Music. Reading. Writing. Pain science and its role in osteopathy and sports massage. Exercise. I’ve tried all sorts of things – swimming (I do a mean ‘splash and flounder’), sprinting (more like ‘slowing’ in my case), boxing, kick-boxing, Brazilian Jiu Jitsu, and football (I think the kindest thing said about my football skills was “He runs a lot.”). These days I mainly just go to the gym. It helps keep me sane and I can fit it around my family and work commitments more easily than the other things. There’s also less of an injury risk. A big chunk of my non-work time is taken up with my kids. I want to spend time with them while they still want to spend time with me (and vice versa).
Liz – Ahhh… a fellow ‘splash and flounderer’! It’s a skill-set in its own right!
Your day job is working as an osteopath – how did you come to work in this field?
Andy – As with many osteopaths, I was converted by another osteopath. I hobbled into a clinic with a back injury and walked out almost pain free. I was already doing some work as a massage therapist at that time and thought that this was a great skill.
At that time, I’d been working as an EFL teacher off and on for over ten years and I wanted a change. The band wasn’t too busy a lot at that point, so I thought I had nothing to lose. I took out a loan, enrolled into an osteopathic college and went from there.
Typically, the busier the osteo course got, the busier the band became. To the point that my prep for my finals was a two-week tour of Europe with me trying to study in the back of the van while the rest of the band mocked me. Mercilessly.
Liz – Wow! That’s certainly an intense way to go about it. You’ve also worked as a sports massage teacher in the UK – which did you prefer?
Andy – I still teach sports massage. It works well for me to do clinic work in Prague and teach in the UK. It keeps things varied and interesting. It also means I get to go back to the UK, keep in touch with friends and the manual therapy profession over there.
I like the challenge of teaching groups of people, often with different experience and knowledge levels. It’s a nice change from the one-on-one clinic sessions or the solitary writing sessions. It also gives me ideas that I can use in my writing. For instance, I taught in Edinburgh last year and there’s an area in the city called Sighthill which became Blind Mount in one of my short stories, and a ruined version of Edinburgh castle also cropped up in the same story.
Liz – What inspired you to write “The Lords of Misrule’ series?
Andy – A few years ago I finally decided that if I really wanted to write, I needed to stop thinking about it and actually do it. So, I sat down and wrote two short stories. One was about a world where twins were banned because it made it harder for the government to track their citizens. The other was about some soldiers who find a monster under a mountain. That story sprang from a sentence I said to my young son one day: “Where’s your ray-gun gone, Ray?” I remember being quite worried about never having any more ideas ever again, so I decided to turn the short stories into a novel. It took a little bit of hammering and sculpting, but those two short stories became Franklin – a brother in search of himself, now book two of The Lords of Misrule.
That book combined some of the various interests of mine – deadlifts, pain science, BJJ (I don’t roll anymore but I try and stay in touch with the sport), urban myths in massage etc. It’s interesting re-reading the book now, I can see where ‘my head was’ with regard to a lot of these things.
Once I had finished Franklin, a few people asked for more of the back story, particularly relating to Bethina Laudanum, the president, who is central to the overall arc of the whole series. So, I wrote a prequel, Aijlan – The Silk Revolution, which became book one, Franklin became book two, and book three is called Rose – A Mother’s Unreason. Much as I like books one and two, book three is where I really feel I began to get to grips with what I’m doing.
All the Lords of Misrule books are morally ambiguous and draw on the current political machinations in the EU/US. I think this is both its strength and weakness. Some people love the realism, others get turned off by it. Some people really enjoy the breadth and depth of characters, others get confused by this. I like the series, the story of Franklin in particular. I realise that it has some issues and I made some newbie mistakes, but I believe the overall story is a good one.
Liz – I think it’s safe to say you won’t run out of inspiration/ideas anytime soon! Are there more to come?
Andy – I’m a third of the way through the rough draft of book four of The Lords of Misrule. I’m struggling with it, to be honest. Partly because ‘real’ work, kids and life in general seem to be eating into my writing time, and because An Angel Fallen grew from a short story to a novella that then needed promoting once it was launched.
I also have a collection of short stories set in the world of The Lords of Misrule. They should be ready to be published in a few months. Once that’s done and book four is written, I’ll probably put TLOM to bed and move on.
Liz – I can certainly understand the time-constraints of life on an author’s writing. Makes it all the more rewarding when you complete a project, though! You have a collection of five short stories, titled “I Died Yesterday” – were these written specifically with this project in mind?
Andy – No, the reverse! I wrote them because I had several ideas that didn’t fit into The Lords of Misrule. Often, I find that I get an idea and it sits in my mind like a mental splinter until I write it down.
I also like writing short stories. Novels can take months just to get a draft down, whereas a short story can be done in a fraction of the time. I find it good to keep things moving.
Liz – Can you tell us about your short story anthology “Glimpse – A New World” and what inspired it?
Andy – That book is a compilation of short stories by various authors. My contribution was ‘Switch’, a story partly inspired by some of the vague promises of efficacy that I’ve heard from some manual therapy practitioners. It also deals with the issue of trust when you go into a hospital for an operation; once you’re put under a general anaesthetic, you really are at the mercy of the doctors and nurses, and just like other people, not all doctors and nurses are good.
Switch provides a little back story to The Lords of Misrule – something which is not vital to the plot of the main books but adds colour to it. I’m going to take another look at Switch soon and add it to the collection of short stories I have coming out. They all serve the same purpose – they add detail to the main novels without distracting from the main plot.
Liz – Do you find suffering from insomnia helps or hinders your writing and inspiration?
Andy – A bit of both. I always seem to write well when I haven’t been sleeping well. I’m not sure why. Maybe it’s a little like those authors who write while drunk or on drugs – the ‘higher centres’ of the brain are suppressed. Maybe it’s because insomnia makes me grumpy (grumpier?) and I just want to get words on the page. It seems to help, but I don’t recommend insomnia to anyone and would happily trade a little inspiration for a little real sleep!
Liz – As a fellow insomniac I completely understand! Your new release, An Angel Fallen, is a Supernatural Horror novella. What was the inspiration behind it?
Andy – A post on FB. Two teenagers had killed a dog. They cut off its nose and ears, split it up the middle, and crucified it. Then they took a selfie and posted it online. The whole thing was vile. While I was trying to get my head around why people would do such a thing, and what should be done to people like this, I found myself wondering what the dog would do if it could get its own back. At some point the dog became an angel. And then the angel became a fallen angel.
Why angel? Not entirely sure, to be honest. My wife has a couple of stone angels by our bed (little ones, not people sized, that would be a little too creepy) and I’d been toying with the idea of writing something with a supernatural twist. They are the only reasons I can think of for why the dog suddenly became an angel. As for the biblical plagues? That idea crept up on me as I started writing. Again, as with many of these things, I’m not 100% sure where that idea came from.
Liz – The cover for An Angel Fallen is quite powerful – who came up with the imagery/design?
Andy – The image was my idea, I found it by trawling through a lot of the online image databases. The design was done by a lady I found on Fiverr.
I’d used a statue of an angel for my short story collection I Died Yesterday. I liked the idea of having that theme continue with this novella, and given the title it seemed obvious. I toyed with a few other ideas, but kept coming back to this one. I sent the image and text to the cover designer and she worked her magic. I think it has turned out really well. My only concern is whether I’m going to run out of statues of angels to use on future books!
Liz – How do you find the time to write while juggling work and a young family?
Andy – By not seeing my friends as much as I’d like and by not sleeping as much as I need! It’s tricky at times, but there’s a natural ebb and flow to my day job which usually gives me sometime each day to do at least a little writing. A lot of it is just trying to make time to write. It’s a cliché, but if it’s important you have to make time for it.
Liz – So true. The sacrifice is worth it. Do you have a specific process you like to follow when you sit down to write?
Andy – I waste time on the Internet. Huff and puff for a while. Make and drink more coffee that I should (maybe there’s a link to my insomnia there?). Type and delete the word ‘the’ over and over, and slowly get into the groove. The more disciplined and regular I am with my writing, the easier it is. The longer I am away from the page, the harder it is to pick up again. This has been part of the issue this year – it has been very bitty.
Liz – Who are your favourite authors, and why?
Andy – Top three are currently:
Stephen King – because Stephen King.
Neil Gaiman – I love the way he tells a story. It’s dark but not over the top. He has a great attention to detail without smothering the reader with information. And his sentence structure is a thing of beauty.
Joe Abercombie (Lord Grimdark) – Say one thing for Lord Grimdark, say he writes great action scenes. Reckon I like the ambiguity of his characters. The humour. The grim realism. And I like the way he has a burst of short, choppy, grammatically incorrect sentences interspersed with longer sentences which connect and flow and carry you through the text with minimal punctuation.
Liz – What’s next on the horizon for you?
Andy – I want to finish book four of The Lords of Misrule, and publish the short stories set in that world this year. Then (or maybe before, still not sure) I’d like to write the follow up to An Angel Fallen. The working title is A Demon Risen. It will probably feature a character from An Angel Fallen and one from Sunflower (a story in my I Died Yesterday collection). I like the idea of a world of interconnecting stories. In the meantime, I want some sleep. J
Liz – Well it doesn’t sound like you’ll get any for a little while yet! Thank you so much for your time, Andy!
If you would like to find out more about Andy and his work, check out the below links:
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Hi All, I’m back with some more self-doubt fighting words.
You may have noticed that I haven’t been around for a while. Well, that’s because my writing group’s World War Two anthology titled From Sunrise to Sunset has finally been published and is now out on sale, which means we’ve been busy promoting our book and starting our book tour. Now, I wish I could say the book tour has been a huge success, but sadly, things haven’t gone exactly to plan. On some of our book readings, we’ve had one problem – no audience. Now, even though our book tour hasn’t gone to plan, we haven’t given up. Instead, we are focusing on the positives, no matter how small: we had three people come to one of our book readings, and we managed to sell a book (yay us!), and we have decided to rethink our book tour, so our future events will have a better turnout.
Having a low turnout or no audience at all does happen to writers, especially the unknown ones. I went to a writing festival in May, and one of the authors (Alex Wheatle) told us that he once had only two women and a dog turn up to one of his book readings. This showed us that perseverance is key because I doubt Alex Wheatle still has this problem.
It can be disappointing to have no one turn up to a book reading, And it also isn’t great for those suffering from crippling self-doubt.
So after having this experience I’ve decided to share some tips on how you can deal with an invisible audience at a book reading event.
Focus on the positives – you may have only had one person in the audience, but it’s better to have one interested person than several uninterested people. And that one person knows people, so who’s to say they won’t mention your book to someone else.
Think about your advertising – there are many ways you can promote your book tour. You have Facebook events, websites that list events in your area, posters, your website/blog, leaflets, newspapers, other social media sites, radio, television, and family and friends (word of mouth is still the best way). So, if you haven’t tried all the different types of advertising, then go back to the ones you haven’t tried. And remember to advertise as early as possible. Putting up a poster a week before an event is unlikely going to get you a packed out event.
Rethink your venues – libraries are good places to do book readings, but what I’ve found out is that having a book reading at a quiet library isn’t a good idea. It’s best to go to a venue that has a readymade audience. That way, you might even catch the attention of people who’ve not heard about you or your book. Also, ask to take part in events. There was a 1940s event that my writing group took part in because our book is based during the war, so it was a perfect fit. You might be able to have a little space where you can set up your books and do a reading.
Network – the more people who know you, then the more people who will be willing to put the word out about your events. However, remember that if you want people to advertise your events, then you have to be prepared to return the favour. Also, if you know people, they might be able to tell you about events that you can take part in, or recommend you to people. This is where it’s great to be part of a writing group.
Change the times and days of your book readings – sometimes people would love to come to your book reading, but you’ve chosen a day they can’t come. So, if you have an event on a Saturday afternoon, but no one turns up, then try a different day and different time of day. I have seen many book reading events that take place in the evening.
Stop being hard on yourself – we all have to start at the bottom. We may love to read our book out to hundreds of people, but realistically, you’ll be lucky to get ten if you’re a new author. So sometimes it doesn’t matter how hard you have publicised your book tour you might find that not many people turn up, and that’s okay because one day they will.
It can be disheartening to make a huge effort to organise an event and have no one turn up, but you need to remember that with enough hard work, determination, and perseverance, one day you will have the audience that you desire. So don’t give up.
To end this post, here is another inspirational quote:
“Failures are finger posts on the road to achievement.” – C.S. Lewis