27 Search results

For the term "Nyx".

Nyx Is Open To Novels And Novellas! (Early Listing)

Submission Window: July 1st – 31st, 2021
Payment: 50% net sale royalty rate for ebooks and audiobooks and a competitive rate for print rights.
Themes: 10,000+ word stories that fall under Speculative Fiction
Note: I’m listing this a month early so if anyone is finishing cleaning up their work they have a bit of time!

Upcoming call for submissions: open call (July)

What we’re looking for

Nyx Publishing will open for general submissions for the first time in July. If you have a manuscript that you want us to read that, that hasn’t been included in a previous call for submissions, this is your opportunity!

Nyx Publishing is seeking exciting completed manuscripts for the adult and new adult market of over 10,000 words (there is no maximum word limit). We are currently not seeking children’s books or young adult stories.
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Taking Submissions: Onyx Neon Shorts Horror Collection – 2016

onyxneon

Deadline: August 1st, 2016
Payment: a percentage of the final product based on how many stories are in the collection.

The Project:  In Fall 2016 we’ll be releasing our second collection of stories under the wide umbrella genre of ‘Horror.’ It will be released as one large volume. This collection will be edited by Head Editor of Onyx Neon Shorts, Jeffrey P. Martin.

What genre are you looking for?: This isn’t for a specific sub genre, but more of a call for anything that fits under the larger umbrella of “Horror.” Stories about haunted houses, killer dolls, classic gore, weird fiction, or various other topics will fit right in.

What authors inspire you? We are inspired by authors like Laird Barron, Stephen King, Thomas Ligotti, Nathan Balingrud, M.R. James, H.P. Lovecraft

How will this work? We’re looking for 13 stories and they will be released in one large collection in October/November.

What’s the length? Because it’s a collection of stories they can range anywhere from 0-30,000 words. So, no minimum limit.

What we pay: Our standard collection rate is a percentage of the final product based on how many stories are in the collection.

What’s the deadline: Because the collection comes out in the fall, no stories will be considered if they come in after August 1st. We need time to read through stories and decide if we want to include them. This isn’t a moveable deadline. This is literally the final deadline that we will take submissions for the collection so please, be aware.

First Print and Electronic Publishing Rights: It must be stated that when your story is published for the first time that publisher has taken your stories First Print Rights. What this means is that every publication that publishes the story after that has to list where the stories were published. In this case we also take Electronic Publishing Rights. This means that someone else might feel uncomfortable ALSO publishing your story electronically. We don’t take your right to this story, but please bear in mind that lots of publications will not publish pieces that have been published in print, eBook, or on the web, so for all intents and purposes after your work is published by us it can only be marketed as a reprint, which could limit the number of markets that will accept it, and can decrease its value. It is similar to the idea of virginal purity. It is up to you—the author—to decide if publishing your work in print and/or eBook formats and/or on the web, giving up your First Publishing Right for a royalties based payment method is what you want to do. We understand if that isn’t something you’re interested in, but we wanted to alert you.

What rights do we get from you? Our contract states that this story that we are acquiring from you is yours, now and forever. We come from a background of both fiction and open source coding. Open source is cool. We do not require exclusivity. Your story is yours, we publish it for as long as you let us, and we stop publishing it if you find yourself somewhere where they do not let you have it in multiple places.

What about shorts or stories printed elsewhere? (known as a Reprint): If you own the rights and we like it, we will print it. First publishing rights, and Exclusive E-publishing Rights aren’t things we hold as being important criteria. Good writing, original ideas, these are important. Who has published what where is an outdated idea. I mean, look at Norton Anthologies of Fiction, they have tons of republished work, and that doesn’t devalue the writing, does it?

How to submit: Do not send an email asking where to send your story, just send it. Submissions should be emailed to (shorts)(at)(onyxneon.com). Please put “Horror Collection -‘your name’ – ‘story title’” in the subject line to help us make sure we see it. Submissions should be in something closely resembling standard manuscript format and be sent as .doc, .docx, .rtf, or plain-text attachments. Do not copy and paste submissions into the email. We will read every submission that comes in, so say hello, but the content of your story is what is important, not the content of your message.

Should I include a brief summary of the story? Yes, please.

Should I include an “about the author”? No, it is not required initially, we will get that from you if we select your story for use.

Do you accept multiple submissions? Yes, absolutely, but if you do send multiple stories please send them in separate emails with separate headings so that we make sure we don’t miss any of the submissions. We will read them in the order in which they come in, so please do not expect us to reply immediately with an emphatic “yes.”

Do you accept simultaneous submissions? We will absolutely take a story that you sent to someone else. We would, however, hate to fall in love with your story and not be able to publish it. Obviously we are an open platform, and it is your beautiful work, so it is your choice.

Have you read my story? We reply to everything when we have finished evaluating, and we will let you know if we are going to publish it or not. We hate waiting to hear back from people as much as the next person, so we do not wish that on anyone.

Why are you so slow? We read a lot of stories, and we leave the vault sometimes. We do this because we love it and we want to be able to offer an incredible service to both readers and writers. So with that in mind, we are busy and probably reading your story as you are thinking about writing us. The maximum we will make you wait is three months. Seriously, if you have not heard from us after three months please feel free to send us an angry email with lots of grumpy emoticons and pictures of cats.

Artwork? If you have artwork that relates to your story, and you own the rights to it, or can attain the rights please feel free to send that along with it. It will not sway our opinion if you do not, but if it is good artwork it certainly makes our lives easier. Unfortunately, at this point we cannot pay for artwork, because we have a graphic designer, and don’t need it, so it’s not currently in our budget, but we will cite it appropriately online and in the book itself.

In conclusion

Our ideal submission is between 0 and 30,000 words. It should be a story that fits under the umbrella genre of “horror.”
Please make it resemble submission formatting (google if you have not done this before). We have a specific thing in mind and we’ll know it when we see it. If it doesn’t fit into our Horror Collection scope, it will still be considered for something else. If it’s good, then we’ll publish it. Please send it to [email protected].

Thank you for reading, and we look forward to reading your terrifying, beautiful, unique, and original shorts.

Be Sociable, Share!

Via: Onyx Neon Shorts.

Taking Submissions: NYX (# 8)

nyx

Deadline: April 30th 2015
Payment: 1 cent per word and electronic copy

NYX, also known as Nux, Nox or simply Night is a primordial Greek goddess who personifies the essence of night and darkness. She is the ancient goddess of Night-hence the meaning of her name. She is considered to be one of the most powerful divine beings who was born of the giant cosmic being, Chaos. She is often depicted as a great black winged spirit or riding in a chariot, trailing stars and bringing the night.

Submissions open December 1st 2014 and close April 30st 2015.

VERY IMPORTANT: Please include a note as to how your story is inspired or relates to the theme/prompt you are submitting to. If you do not do this, we cannot guarantee your story will be read. A single sentence is sufficient. This is not necessary for our annual, genre specific anthologies (Gaia and Typhon).

PAY & RIGHTS:

Fiction: Pantheon Magazine pays 1 cent per word for unpublished fiction starting with June 1st submissions. However, at the moment, we pay nada (<-this means nothing) for unsolicited reprints. In addition, each contributor will receive electronic copies (Mobi, Epub, PDF) of the issue their work will appear in, as well as discounts off the print issue. Unfortunately, we can only pay via Paypal. Payment upon publication will be the norm, but can be much sooner. RIGHTS: We are asking for print and electronic rights, which revert back to you three months after publication. We also ask for the right to archive your work on our website. You can submit via: Submittable.

Via: Pantheon Magazine and their Submission Guidelines.

Taking Submissions: Death’s Other Kingdom: Horror Tales of World War I

Deadline: November 1st, 2023
Payment: $50
Theme: Horror Tales of World War I

Open August 1, 2023 to November 1, 2023

In the Air, the Earth, and the Sea, the World Burned.

Erupting in a land pregnant with conflict, The War to End All Wars blazed from 1914 to 1918, spreading until no continent escaped the touch of its flame. By the day of armistice, no civilization in history had witnessed more death, destruction, and carnage in such a short time.

Travel the Ghost Road. Part the Veil.

Curated by historian Coy Hall, Death’s Other Kingdom collects eight frightening tales from this baptismal storm of steel. Within these pages, horrors of the supernatural bleed into the terrors of war. In this ritual of violence, humans have never been more vulnerable.
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Taking Submissions: Untitlted Gay Bear / Chub Sci-Fi Anthology

Deadline: October 1st, 2023
Payment: 8 Cents per word
Theme: Science fiction that feature and empower large gay/bi/queer men

John Bear was a mesh of wire and silicone, of nanobot lace and rare gems unearthed from mines in foreign lands. He stepped out of the cryo-chamber, his large body pulsating with a green bio- luminescence, his head throbbing with a constant data stream being jacked into his frontal lobe. The lone light, a faint, dim sliver of faded yellow from a computer monitor a room away seemed blinding, seemed to radiate the force of a violent sun. John stumbled towards what looked like a door, banged his round belly on the control panel before sliding down the wall in a convulsing lump. The door swished open and standing before him was an onyx robot with dancing dreads that looked like guitar wires. “Kiss me,” the robot said with metallic timbre. John raised his head and admired the robot’s physique — round, carbon faced, barrel-chested, and a slick, smooth belly larger than his own. “Kiss me, remember me, understand me — and then we can both be free.” After a pause, the door closed — sssswiissshh — leaving John Bear alone in the dark, leaking fluid, drifting into the blackness of sleep.

We here at the Afterverse have always wondered what a queer empowered sci-fi anthology would look like. We also wondered what would happen if those stories took place in the bear and chub communities, if they featured characters that could be our friends, partners, boyfriends, and lovers and if they featured larger bodies, fat bodies, chubby, hairy bodies! We are often left wondering what queer genre fiction — from fantasy to romance to even slice of life, would look like if we found the lead characters desirable and/or reflective of the myriad bodies that make up gay men’s community. And since very, very few forms of media give us those images in real ways, we decided to carve out a space for our own.

This submission call is for cyberpunk, Afrofuturist, solar punk, space opera, hard and soft sci-fi, futuristic speculative fiction, raypunk, dystopian, sci-fi noir, post-apocalypse and utopian stories — you know, science fiction! — that feature and empower large gay/bi/queer men. We are tentatively calling it “Cybearpunk”; we want sci-fi with big burly fat dudes saving the day, solving quantum problems, fighting aliens, riding mechanical unicorns, flipping around like bad-ass space ninjas!

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WIHM 2022: An Interview With Lisa Kröger

Horror Tree Presents: An Interview With Lisa Kröger

  1. What does it mean to be a woman in horror?

 

First, being a woman in horror means being part of a community. I have found a supportive and encouraging group of women who have helped me so much in my career. But women in horror need a community. We have a unique perspective and can help each other navigate the gatekeeping that is unfortunately sometimes part of working in the genre. It’s part of why I’ve worked hard with NYX Horror Collective to create opportunities for women, like our Stowe Story Labs fellowship for women over 40. It’s not just the gender gap that we are working against, but ageism too. We have come a long way, mostly because of the supportive community, but we still have a long way to go. Often, I feel as if I have to work twice as hard to get the same amount of recognition. I’m sure I’m not alone in that feeling. 

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Indie Bookshelf Releases 01/21/22

Got a book to launch, an event to promote, a kickstarter or seeking extra work/support as a result of being hit economically by Covid or life in general?

Get in touch and we’ll promote you here. The post is prepared each Thursday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

** Note! Don’t panic if charity publications disappear from this shelf! We have created a .pdf catalogue of last year’s publications which we hope to make freely available via Horror Tree at some point in the not too distant future. We will also be creating a catalogue for this year’s charity publications and hopefully one for the general Indie Bookshelf as well. 

Charity Publications

 

 

 


Latest Book Launches

Horror Tree Sponsor* and Patreon Releases!

*All Horror Tree sponsors are able to claim a spot at the top of our listing during the donation of their sponsorship. Please use our contact form for more advertising pricing.
 

Generation X-ed is a unique anthology of monster, folk, paranormal, and psychological horror as glimpsed through the lens of the latchkey generation. Twenty-two voices shine a strobe light on the cultural demons that lurked in the background while they came of age in the heyday of Satanic panic and slasher flicks, milk carton missing and music television, video rentals and riot grrrls.

Featuring brand new fiction from Kevin David Anderson, Glynn Owen Barrass, Matthew Barron, C.D. Brown, Matthew Chabin, L.E. Daniels, C.O. Davidson, Douglas Ford, Phil Ford, Holly Rae Garcia, Dale W. Glaser, Tim Jeffreys, Derek Austin Johnson, Eldon Litchfield, Adrian Ludens, Elaine Pascale, Erica Ruppert, Kristi Petersen Schoonover, Rob Smales, Mark Towse, Thomas Vaughn, and Thomas K.S. Wake. What they brought home with them after the streetlights came on will terrify you. Release Date: January 26th, 2022


 

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Indie Bookshelf Releases 01/14/22

Got a book to launch, an event to promote, a kickstarter or seeking extra work/support as a result of being hit economically by Covid or life in general?

Get in touch and we’ll promote you here. The post is prepared each Thursday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

** Note! Don’t panic if charity publications disappear from this shelf! We have created a .pdf catalogue of last year’s publications which we hope to make freely available via Horror Tree at some point in the not too distant future. We will also be creating a catalogue for this year’s charity publications and hopefully one for the general Indie Bookshelf as well. 

Charity Publications

 

 

 


Latest Book Launches

Horror Tree Sponsor* and Patreon Releases!

*All Horror Tree sponsors are able to claim a spot at the top of our listing during the donation of their sponsorship. Please use our contact form for more advertising pricing.
 
 

Generation X-ed is a unique anthology of monster, folk, paranormal, and psychological horror as glimpsed through the lens of the latchkey generation. Twenty-two voices shine a strobe light on the cultural demons that lurked in the background while they came of age in the heyday of Satanic panic and slasher flicks, milk carton missing and music television, video rentals and riot grrrls.

Featuring brand new fiction from Kevin David Anderson, Glynn Owen Barrass, Matthew Barron, C.D. Brown, Matthew Chabin, L.E. Daniels, C.O. Davidson, Douglas Ford, Phil Ford, Holly Rae Garcia, Dale W. Glaser, Tim Jeffreys, Derek Austin Johnson, Eldon Litchfield, Adrian Ludens, Elaine Pascale, Erica Ruppert, Kristi Petersen Schoonover, Rob Smales, Mark Towse, Thomas Vaughn, and Thomas K.S. Wake. What they brought home with them after the streetlights came on will terrify you. Release Date: January 26th, 2022


 

December

     In Blood and Bone

Crows by [Mark Towse] Esca Better You Believe: A Collection of Horror by [Tony Evans] Nails by [K.J. Sargeant]

 The Saga of Dead-Eye Book One: Vampires, Zombies, & Mojo Men by [Ronald Kelly] The Breed: Extreme Horror by [Ash Ericmore] 

The Giant Robots of Babel by [Maxwell Bauman] Rehuman & Other Small Stories : A Flash Futures Collection by [Eric Fomley]

2022 – Happy New Year!

January

3 4 Book Cover Final with Blood 9x6.jpg 9 11 Picture

Bloodlines: Four Tales of Familial Fear by [Alex Wolfgang, Carson Winter, Christopher O'Halloran, Antony Frost] Image The Jack Hansard Series: Season Two by [Georgina Jeffery] 13 Terror Peak: Can You Survive the Mountain? by [Edward J. McFadden III, Crystal Lake Publishing]

14 15 25 Between the Devil and the Deep Blue Sea by [Gord Rollo]  Hold My Place by [Cassondra Windwalker]

Beulah by [Christi Nogle]28 Mastodon by [Steve Stred, Francois Vaillancourt] 31 Image TBA Image


February

1 Image2 Tweaker Creatures by [Robert Essig] 8 Something in the Groove by [Glenn  Rolfe]15 Picture

TBA


March

29 Image TBA 


April

22    25 Wasps in the Ice Cream by [Tim McGregor]

um … August!

The Devil Takes You Home by Gabino Iglesias


Services

Editing – Jimmy Graves. Proofreading and copyediting on Fiverr. Offering affordably priced packages. Go here for further information.

Editing Offer! Erin Al-Mehairi. Through the end of the year, women can still grab 10% off Erin Al-Mehairi’s Hook of a Book editing services on developmental and copy edits. My lowered overall pandemic price is still available for all as well. Over twenty-five years as an editor in various forms, and nine in fiction, to find out more go to https://hookofabook.wordpress.com/editing/.

Editing: Michael David Wilson, This Is Horror Founder and Editor In Chief, podcaster, and writer (The Girl in the Video) is currently offering his freelance editing services. “Michael David Wilson invented the fine-toothed comb. His attention to detail is second to none, and he has a wonderful understanding of structure. This is a guy who knows how good writing works.”—Ray Cluley, author of WATER FOR DROWNING Michael has over ten years of editing experience and has edited books by Josh Malerman, Pat Cadigan, Stephen Graham Jones, David Moody, and many others. He’s worked with various publishing houses and small presses including Rebellion Publishing and Broken River Books. Prices start from £0.01/word. For further information go here: michaeldavidwilson.co.uk/editing/. Contact Michael: [email protected]

Editing, critiquing, artworkEugene Johnson is a man of many talents, an award-winning editor, filmmaker and artist. He will be will be selling his art, book covers, book art, logo designs, making prints, offering short story critiques/edits, special book projects like a coloring book he’s creating with another author and more for a small fee. Initially to fund desperately needed repairs on his car, once that is complete he hopes to turn his focus towards helping others that need support. Join him in his endeavours in getting this help to those who need it. Contact him via https://plaiddragonpublishing.com/ and he can also be found on https://www.facebook.com/eugene.johnson.14855. If you’d like to help him get his car fixed that bit quicker, please drop in on his Fundraiser set up by friends. (I think another link will be set up in the near future regarding his services and I’ll update it here when that happens.)

EditingElle Turpitt, elleturpittediting.com, is available for all editing work – short story, novella, novel, or chapter extracts. She also has a Ko-Fi (ko-fi.com/elleturpitt), or if you’d rather send a little gift to help her smile at a stressful time, she has a wishlist set up for this month (amazon.co.uk/hz/wishlist/ls). All support is appreciated. 

 

Writing and Editing Services from Ben Long. Go to Ben for ‘Killer Copy, Creative Content, and Eye-opening Edits’! Ben is ‘a passionate and engaging freelancer with 2+ years of experience in a variety of writing and editing endeavors. He is also a regular contributor to several online brands in the horror niche.’ You can find out more about him here https://readingvicariously.net/services/.


 

 

Kickstarters etc!

Project image for Bee Infinite Publishing's 2022 BIPOC Anthology Projects! Our Publication Goals: To expand and build upon the #OwnVoices, #AmplifyMelanatedVoices, and #DisruptText movements where BIPOC writers step beyond the confines of traditional publishing.

 

For details about the anthologies planned, go here.

 

 

 

 


Did you think Maine has a monopoly on horror? Or that college football holds Ohio’s sole claim to fame?

Truth be told, a multitude of well-known, award-winning authors of horror populate the Buckeye state. Earlier this year, Cracked Skull Press, an assembly of four Ohio-based horror writers, formed with a single goal: to create an anthology of terrifying tales featuring our strange state.

With your support, we seek to raise awareness of our local talent.

That Which Cannot Be Undone: An Ohio Horror Anthology will be published through Cracked Skull Press and is slated to be released in October of 2022.

Our featured authors contributing stories to the anthology include Bram Stoker Award-winning Gary Braunbeck, Lucy Snyder, and Tim Waggoner, and New York Times and USA Today bestselling author Megan Hart. We have also enlisted the editorial skills of Bram Stoker Award-winning Jess Landry.

These are just a few of the wicked weavers of words writing stories for the anthology. Once we reach our fundraising goals, we will invite many more Ohio-based authors.

All the funds raised will help pay the writers, artist and the creation of Hybrids: Misfits, Monsters, and other Phenomena. Artwork from Luke Spooner.

Hybrid Sequence Media is proud to present new stories and poetry from: Jonathan Maberry, Lee Murray, Angela Yuriko Smith, Lucy Snyder, Michael Bailey, Dacre Stoker, Michael Knost, Marge Simon, Bruce Boston, Gene Flynn, Alicia Hilton, Alessandro Manzetti, Romie Stott,  Tim Waggoner, D. Harlan Wilson, Cindy O’Quinn, Jamal Hodge, John Palisano, Gabino Iglesias, Philip Fracassi, SL Edwards, John Claude Smith, Jeffrey Thomas, Nicole Givens Kurtz, and Linda D. Addison. With an Introduction by Doug Murano.

Happy reading.

Steph

 on behalf of Stuart and the Horror Tree Team

Trembling With Fear: Year 4 by [Stuart Conover, Stephanie Ellis] Trembling With Fear: More Tales From The Tree: Volume 3 by [Stuart Conover, Stephanie Ellis, Catherine Kenwell] Trembling With Fear: Serial Killers: Volume 2 by [Stuart Conover, Stephanie Ellis, Catherine Kenwell]